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 Mr Smith Goes to Washington, Frank Capra, 193922 mai 2014Marguerite Chabrol (Université Paris Ouest)Bibliographie - Francis Bordat,  «Le Code Hays. L'autocensure du cinéma américain», in  Vingtième Siècle.Revue   d'histoire,   Volume   15,   Numéro   15,   1987,   pp.   3-16.   (Article   disponible   surhttp://www.persee.fr/web/revues/home/prescript/article/xxs_0294-1759_1987_num_15_1_1879)- Olivier   Caïra,  Hollywood   face   à   la   censure:   discipline   industrielle   et   innovationcinématographique1945-2004, CNRS Editions, 2005.-Michael Coyne,  Hollywood Goes to Washington: American Politics on Screen, Londres,Reaktion Books, 2008.- Joseph McBride, Frank Capra. The Catastrophe of Success, University Press of Mississipi, 1992.- Brian Neve, Films and politics in America: A Social Tradition, Londres &#38; New York, Routledge,2e ed. 2005 [1992].- Steven J. Ross, Hollywood left and right. How movie stars shaped american politics, OxfordUniversity Press, 2011. Filmographie - Gabriel Over the White House (Gregory La Cava, 1933)-Dead End (William Wyler, 1937)- Mr Smith Goes to Washington (Frank Capra, 1939)- The Great Dictator (Charles Chaplin,1940)-His Girl Friday (Howard Hawks, 1940, d’arpès la pièce The Front Page)-Citizen Kane (Orson Welles, 1941)-Sullivan’s Travels (Preston Sturges, 1941)-To Be or Not to Be (Ernst Lubitsch, 1942)-Keeper of the Flame (George Cukor, 1942)-Watch on the Rhine (Herman Shumlin, 1943)Notorious (Alfred Hitchcock, 1946)-State of the Union (Frank Capra, 1948)-All the King’s Men, (Robert Rossen, 1949)-Born Yesterday (George Cukor, 1950)-Twelve Angry Men (Sidney Lumet, 1957)-Inherit the Wind (Stanley Kramer, 1959)-Primary (Robert Drew, 1960)-Advise and Consent (Otto Preminger, 1962)-The Manchurian Candidate (John Frankenheimer, 1962)-The Best Man (Franklin Schaffner, 1964)-Doctor Strangelove (Stanley Kubrick, 1964)-Seven Days in May (John Frankenheimer, 1964) references-chabrol-pieces_politiques-2-1Télécharger