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Summer Stock, Charles Walters, 195019 janvier 2017par Fanny Beuré (Université paris Diderot)Bibliographie- COHAN Steven (dir.) Hollywood Musicals : The Film Reader, London/New York, Routledge, 2002. - CULLEN Frank, Vaudeville Old and New : An Encyclopedia of Variety Performances in America, Psychology Press, 2007. - DELAMATER Jerome, Dance in the Hollywood Musical, Ann Arbor, UMI Research Press, 1981. - HARKER Brian “Louis Armstrong, eccentric dance and the Evolution of Jazz on the Eve of Swing”, Journal of the American Musicologist Society, Vol. 61, No 1, Spring 2008, pp. 67-121. - JENKINS Henry, What Made Pistachio Nuts, Early Sound Comedy and the Vaudeville Aesthetic, New York, Columbia University Press, 1992. - MALONE Jacqui, Steppin’ on the Blues, The Visible Rhythms of African American Dance, Urbana and Chicago, University of Illinois Press, 1996. - MCLEAN Adrienne L., « Putting ’Em Down Like a Man. Eleanor Powell and the Spectacle of Competence », in GRIFFIN Sean (dir.), Hetero. Queering Representations of Straightness, Albany, State University of New York, 2009, p. 89-110. - MULVEY Laura, « Visual Pleasure and Narrative Cinema », Screen, vol. 16/3, Fall 1995, p. 6-18.  - STEARNS Marshall et STEARNS Jean, Jazz Dance : The Story of American Vernacular Dance. New York, Da Capo Press, 1994. - VALIS HILL Constance, Tap Dancing America : A Cultural History, Oxford/New York, Oxford University Press, 2010.  