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Throughout the long twentieth century and more than a decade into the twenty-first, localized and large-scale conflicts have contributed to the redrawing of the Middle East's geopolitical, ethnic, and religio-sectarian boundaries. The abstraction of West Asia and its reinvention as the Middle East in the wake of the Ottoman Empire's dissolution and recurring foreign interventions are striking cases of such reconfiguration.More recently, the Arab uprisings have shifted the political paradigm, and have opened a space for yet another reconfiguration. Representations of Middle Eastern conflict — in fiction and nonfiction, oral stories and historical accounts, political and religious discourse, music, film, and old and new forms of media — have sought to engage and reshape its contours within the national and regional as well as the global imaginary. Although widely divergent accounts of these conflicts exist, textual, auditory , and visual "war stories" have sometimes helped to consolidate hegemonic representations of the Middle East as both a single geographic and cultural reality, and, perhaps paradoxically, a group of disparate regions riven by violent political, religious, and tribal differences. These models seem to require that deep historical ties and shared cultures within and across Middle Eastern regions be occulted or suppressed.This conference will consider the ways that representations of conflict through word, sound, and image have reconceptualized histories, geographies, religions, cultures, and political and economic systems, and affected peoples' identities and lived experiences, across the Middle East and Middle Eastern diasporas.We encourage work that pressures received understandings of identity and conflict as categories, that accounts for forms of structural violence, that considers nonviolence and acts of resistance to war, and/or traces confluences and lines of connection among seemingly independent events and the means of depicting and narrativizing them. In so doing, we hope to further dynamic, interdisciplinary and transnational scholarship that is committed equally to the historiography and sociology of conflict, the analysis of its representations, and the remapping of regional interrelations. We invite scholars of literature, film, media, and music, as well as historians, anthropologists, sociologists, psychoanalysts, linguists, translators and political scientists to contribute work that examines conflict and identity across any region in the Middle East and /or Middle Eastern diasporas.The conference will be conducted in English. Consequently, all abstracts, papers, and presentations should be in English.Deadline for abstracts (300 words): October 1, 2013.Please upload abstracts to our website under "Abstract Submission Form."Presentations and Panels: Each paper presentation will be 15 minutes in length. Presentations will be grouped into panels by the organizers.For more information and full CFP please visit our website: http://www.balamand.edu.lb/english/Arts.asp?id=15162For questions and inquiries, please contact Dr. Mazen Naous, Chair of the Scientific Committee, at identity.conflict@balamand.edu.lb or Aline Jabbour, Administrative Assistant, at +961-6-930250 Ext. 1456 or +961-3-093880.