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5th Annual ISHTIP Workshop:Cultural Economy and Intellectual Property26-28 June 2013 http://www2.univ-paris8.fr/grhi/ishtip-program.html &#160;Organization: Laurent Pfister (Université Panthéon-Assas), Will Slauter (Université Paris 8).&#160;Note: To facilitate discussion, all papers will be circulated in advance. To register for the workshop and receive access to the papers (after 27 May) please email ishtip2013@gmail.com.&#160;&#160;&#160;Wednesday 26 June, 14:30-18:30Columbia University Reid Hall,  4 rue de Chevreuse 75006 Paris, salle des conférences &#160;14:30-14:45 welcome remarks by Laurent Pfister and Will Slauter&#160;14:45-16:15: Professional Associations and Corporate Interests (Chair: Jane Ginsburg, Columbia University Law School)&#160;Guillaume Sintès, Université Paris 8 (Danse): “Les travaux du groupement professionel du SNAC (Syndicat National des Auteurs et Compositeurs de Musique)”Comment: Sandra Travers de Faultrier, Barreau de Paris/Sciences Po/JILC (Paris 8)&#160;Choralyne Dumesnil, Sciences Po Paris (Droit): “Propriété industrielle: Les enseignements de l'Inde”Comment: Joshua Sarnoff, Depaul University College of Law&#160;Jérôme Pacouret, EHESS: “Défendre le droit d’auteur contre le copyright, avec le soutien d’Hollywood : les relations franco-américaines dans la mobilisation des cinéastes français autour du ‘téléchargement illegal’”Comment: Stavroula Karapapa, University of Reading&#160;16:15-16:30 Break&#160;16:30-17:30: Priority and Property in Early Modern Science (Chair: Liliane Hilaire-Perez, Université Paris Diderot)&#160;Rachel Gostehofer, History Department, Brown University: “Priority Disputes and the (Pre-) history of Intellectual Property."Comment: Simon Stern, University of Toronto&#160;Jérôme Baudry, Centre Alexandre Koyré, EHESS/Harvard University: “L'inventeur comme auteur: les stratégies d'appropriation de l'invention par le texte et l'image (France, 1791-1844)”Comment: Philippe Minard, Université Paris 8/EHESS17:30-18:30: Industry Practices and IP Norms (Chair: Mark Mazower, Columbia University)&#160;Audrey Millet, Université Paris 8/Université de Neuchâtel: "Les normes intellectuelles et artistiques comme écho à l'esprit du capitalisme. L'impossible propriété des dessins de fabrique (France-Angleterre, XVIIIe-XIXe)"Comment: Ariane Fennetaux, LARCA, Université Paris Diderot&#160;Julia Ju, Max Planck Research School for Competition and Innovation, Munich: “Business Practices under Different IP Regimes: The Case of German and US Fashion Designers”Comment:  Christophe Geiger, CEIPI, Université de Strasbourg&#160;18:30-19:30 Reception&#160;&#160;Thursday 27 June, 9:00-18:00 Université Paris Diderot, bât. Condorcet, 4 rue Elsa Morante 75013, Amphi. Pierre-Gilles de Gennes&#160;9:00-11:15: Cultural Practices and the Boundaries of Copyright Law (Chair: Will Slauter, Université Paris 8)&#160;Catherine Bond, Faculty of Law, University of New South Wales, “The Equitable Right to Her Late Husband’s Brains’: The Cultural Practice of a ‘Right’ to Royalties in the Australian Colonies”Comment: Laura Murray, Department of English, Queens University Ontario&#160;Bettina Lerner, Department of French, City College, CUNY: “Anti-Intellectual Property: Parody and Plagiarism in Nineteenth-Century France”Comment: Susan Pickford, CRIDAF, Université Paris 13&#160;Marta Iljadica, School of Law, University of Southampton, “Graffiti Rules, Copyright and Culture: Urban Space”Comment: Deborah Halbert, Department of Political Science, University of Hawaii&#160;11:15-11:30 Break&#160;11:30:13:00: Guilds and their Challengers (Chair: Philippe Minard, Université Paris 8/EHESS)&#160;Trevor Cook, Trent University, Ontario/Victoria University, Toronto: “Literary Property in Early Modern England: George Wither and the Stationers' Company”Comment: Frédéric Rideau, Institut d’histoire du droit, Université de Poitiers&#160;Ted Sichelman, University of San Diego School of Law, and Sean O'Connor, University of Washington School of Law: “Patents as Promoters of Competition: The Guild Origins of Patent Law in the Venetian Republic”Comment: Corine Maitte, Université Paris-Est Marne-la-Vallée&#160;13:00-14:15 Lunch for participants&#160;14:15-15:45: Commercializing Scientific Knowledge (Chair: Allan Potofsky, Université Paris Diderot)&#160;Isabella Alexander, Faculty of Law, University of Technology, Sydney: “Navigating the New Waters of Copyright Law: The Sea Charts of John Hamilton Moore”Comment: Robert Mankin, LARCA, Université Paris Diderot&#160;Christiane Demeulenaere-Douyère, Centre Alexandre Koyré, UMR 8560 (CNRS-EHESS-MNHN), “Défendre les intérêts moraux et économiques des inventeurs: un exemple d'action collective sous la Révolution (1790-96)”Comment: Valérie Nègre, Ecole Nationale Supérieure d'Architecture de Paris La Villette&#160;15:45-16:00 Break&#160;16:15-17:45 National and International Organizations (Chair: Christophe Geiger, CEIPI, Université de Strasbourg)&#160;Gabriel Galvez-Behar, Université Lille 3 / IUF: “The “French Connection”: French Scientists and International Debates on Scientific Property during the Interwar Period."Comment: Alain Pottage, Department of Law, London School of Economics&#160;Augusta Dimou, University of Leipzig: “From State Governance to Self-Management: Intellectual Property Rights in Communist Yugoslavia”Comment:  Matthias Weissner, University of Leipzig&#160;&#160;Friday, 28 June 9:00-18:00Université Panthéon-Assas, 12 place du Panthéon, Salle des conseils &#160;&#160;9:00-9:45 Plenary Lecture (Chair: Laurent Pfister, Université Panthéon-Assas)&#160;Jean-Christophe Galloux, Institut de recherche en propriété intellectuelle (IRPI), Université Panthéon-Assas9:45-11:15 Industry Practices and IP Norms (Chair: Gustavo Ghidini, University of Milan)&#160;Arpan Banerjee and Indranath Gupta, Jindal Global Law School, India: “Film Piracy in British India: A Study of Madan Theatres”Comment:  Peter Decherney, English and Cinema Studies, University of Pennsylvania&#160;Kathy Bowrey and Michael Handler, Faculty of Law, University of New South Wales, Sydney: “Instituting Copyright: “Reconciling Copyright Law and Industry Practice in Buying and Selling TV Formats”Comment: Jessica Silbey, Suffolk University Law School&#160;11:15-11:30 Break&#160;11:30-13:00 Rethinking Originality and Ownership (Chair: Sara Thornton, LARCA, Université Paris Diderot)&#160;David Sporer, Comparative Literature, University of Zagreb: “Notions of Originality and Plagiarism in Renaissance Croatian Literary History”Comment: Eva Hemmungs Wirtén, Uppsala University&#160;Jorge L. Contreras, American University Washington College of Law, “Commons and Closure: Competing Narratives of Gene Patenting”Comment: Dan L. Burke, UC Irvine School of Law13:00-14:15 Lunch for participants&#160;14:15-17:00 Business, Creativity, and IP Law (Chair: Irene Calboli, Marquette University Law School)&#160;Philippe Mouron, LID2MS, Aix-Marseille Université: “La Construction du droit d'exposition des oeuvres graphiques et plastiques”Comment: Nicolas Binctin, Université de Poitiers&#160;Christophe Magis, CEMTI, Université Paris 8: “Les soundalikes en musique de publicité : analyse socio-économique et musicale d'un contournement du droit d'auteur”Comment: Maurizio Borghi, Brunel Law School&#160;Dan Hunter, New York Law School, and Julian Thomas, Swinburne University of Technology: “Playing Well with Intellectual Property”Comment: Dev Ganjee, Department of Law, London School of Economics&#160;17:00-17:15 break&#160;17:15-18:00 Final Discussion&#160;Comments by Lionel Bently (Cambridge), Laurent Pfister (Université Panthéon-Assas), Will Slauter (Univ. Paris 8), Martha Woodmansee (Case Western Reserve University)