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PresentationThis international symposium is part of the ANR research project Mapping Architectural Criticism (http://mac.hypotheses.org), which aims to develop a field of research on the history of architectural criticism, from the last decades of the 19th century to the present day. The symposium intends to debate two key questions related to the geographies of criticism: what are criticism&#8217;s disciplinary boundaries and which territories has criticism shared from the last decades of the 19th to the end of the 20th century with other disciplines.In the first place, the symposium interrogates the overlapping of architectural criticism with different kinds of architectural writing, in particular those pertaining to architectural history and theory, but also those stemming from other disciplines.The symposium is equally aimed at highlighting the relationships, the common terrains, and the conceptual tools that architectural criticism has in common with other genres of criticism, such as art criticism and literary criticism.The term &#8220;territory&#8221; is used here to refer primarily to the various disciplinary fields on which criticism relies and from which it borrows its concepts and patterns of interpretation, as well as its intellectual tools. The term &#8220;boundary&#8221;, for its part, is used to denote the zones of exchange and confrontation between criticism, history, theory and other types of writing on architecture, as well as between architectural criticism and other forms of criticism. The main aim of the symposium is to map these territories and delineate these boundaries.Ce colloque international s&#8217;inscrit dans le Programme ANR Mapping Architectural Criticism (2015-2017), dont l&#8217;objectif est de d&#233;velopper un champ de recherche sur la critique architecturale des derni&#232;res d&#233;cennies du XIXe si&#232;cle &#224; aujourd&#8217;hui. Il d&#233;battra deux questions cl&#233;, relatives aux &#171;&#160;g&#233;ographies&#160;&#187; de la critique d&#8217;architecture&#160;: ses fronti&#232;res disciplinaires et ses territoires partag&#233;s, notamment avec la critique d&#8217;autres disciplines, depuis les derni&#232;res d&#233;cennies du XIXe si&#232;cle.Le colloque interroge les fronti&#232;res et les terrains communs de la critique avec diff&#233;rents types d&#8217;&#233;crits sur l&#8217;architecture&#160;: il vise &#224; mettre en &#233;vidence les relations, les terrains communs et les outils conceptuels que la critique architecturale partage avec l&#8217;histoire de l&#8217;architecture, les th&#233;ories, mais &#233;galement avec des &#233;crits &#233;manant d&#8217;autres disciplines.Le symposium met &#233;galement en lumi&#232;re les relations, les terrains et les outils conceptuels que la critique architecturale partage avec d'autres &#171;&#160;genres&#160;&#187; de critique, comme la critique d'art ou la critique litt&#233;raire.Le terme &#171;&#160;territoire&#160;&#187; se r&#233;f&#232;re ici principalement aux divers champs disciplinaires auxquels la critique emprunte ses concepts et mod&#232;les d'interpr&#233;tation, aussi bien que ses outils intellectuels. Avec le terme &#171;&#160;fronti&#232;re&#160;&#187;, nous souhaitons &#233;voquer les zones d'&#233;change et de confrontation entre critique, histoire, th&#233;ories architecturales et d'autres types d'&#233;criture sur l'architecture, aussi bien qu'entre la critique architecturale et d'autres formes de critique. Le colloque tentera de cartographier ces territoires et d&#8217;esquisser ces fronti&#232;res.ProgrammeMonday, April 3, 2017Institut National d&#8217;Histoire de l&#8217;Art, salle Vasari09:30 Registration and Welcome Address  09:45 IntroductionSession 1. Intellectual Territories: Borrowing Tools and Rhetorics from Other Disciplines Chair: Paolo Scrivano, Xi&#8217;an Jiaotong-Liverpool University10:15 Stefania Kenley Independent Scholar, Paris: Blind Spot in the Visual Field of Art-architecture Criticism10:45 Valeria Lattante AUIC, Politecnico di Milano: The Concept of Tradition from T. S. Eliot Literary Critic to E. N. Rogers Architectural Theory11:15 Coffee break11:30 Ra&#250;l Mart&#237;nez Department of History and Theory of Architecture, Universitat Polit&#232;cnica de Catalunya-BarcelonaTech.: Geoffrey Scott&#8217;s The Architecture of Humanism at the Inception of Bruno Zevi&#8217;s Theoretical Corpus12:00 Jasna Galjer Department of Art History, University of Zagreb: Cultural Exchange as Architecture&#8217;s Expanded Field12:30 Adrian Anagnost Newcomb Art Department, Tulane University, New Orleans: Critique and Complicity: The Art Critical Lineage of Projective ArchitectureSession 2. Political and Geographical Boundaries Chair: Giovanni Leoni, Universit&#224; di Bologna14:30 Jianfei Zhu University of Melbourne: Searching for a Sensitive Criticism on Architecture of Contemporary China: The Case of He Jingtang15:00 Charlotte Ashby Department of History of Art, Birkbeck, University of London: The Archaeology of Finnish Architectural Criticism15:30 Christina Pech Royal Institute of Technology, Stockholm: Criticism on Display. The Swedish Museum of Architecture and the Production of History in the mid-1970s16:00 Discussion and Pause17:00 Key-note Lecture: Marco Biraghi, Department of Architecture and Urban Studies, Politecnico di Milano, What does it mean architecture?Tuesday, April 4, 2017Acad&#233;mie d&#8217;Architecture, Paris09:30 Manuelle Gautrand (Pr&#233;sidente de l&#8217;Acad&#233;mie d&#8217;Architecture): Welcome AddressSession 3. Judging Architecture: Professional, Popular or Academic Criticism? Chair: R&#233;jean Legault, Universit&#233; du Qu&#233;bec &#224; Montr&#233;al09:45 Christina Contandriopoulos Department of Art History, Universit&#233; du Qu&#233;bec &#224; Montr&#233;al: Against the Wall: the Birth of Architectural Criticism in Early 19th Century Paris10:15 Michela Rosso Department of Architecture and Design, Politecnico di Torino: Architectural Criticism and Cultural Satire in the 1980s: Shared Territories and Languages10:45 Coffee Break11:00 Kristen Gagnon Azrieli School of Architecture &#38; Urbanism, Carleton University, Ottawa: Popular Architecture Criticism: A Definition, a Delineation and a D&#233;b&#226;cle11:30 Detlef Jessen-Klingenberg, Independent Scholar, Germany: Architectural Criticism as Cultural Criticism (&#8220;Kulturkritik&#8221;) and Professional Criticism (&#8220;Fachkritik&#8221;). A Case Study on the Example of Werner Hegemann12:00 Discussion12:45 Lunch BreakSession 4. Professionalism: the Critic as a Specialist Chair: Anne Hultzsch, The Bartlett School of Architecture, UCL London and OCCAS, Oslo University14:15 Laurens Bulckaen and Rika Devos, BATir Department, &#201;cole polytechnique de Bruxelles: Louis Cloquet (1849-1920): architectural writings of a critical engineer14:45 Irene Lund Faculty of Architecture, Universit&#233; Libre de Bruxelles &#8211; Katholieke Universiteit Leuven: The multiple origins of modernist architecture criticism in the Belgian avant-garde magazine 7Arts (1922-1927)15:15 Patrizia Bonifazio Department of Architecture and Urban Studies, Politecnico di Milano: &#8220;Zodiac&#8221; (1957-1973). Art and technique to define architecture in front of the mass production15:45 Lorenzo Ciccarelli Department of Architecture, University of Florence: Giovanni Klaus Koenig (1924-1989): Architectural Criticism between Semiology, Industrial Design and Rail Trains16:30 Final Discussion / Roundtable / Table rondeScientific CommitteeNathalie Boulouch (Universit&#233; Rennes 2 and Archives de la critique d&#8217;art),Anne Hultzsch (Bartlett School London and OCCAS, Oslo University)H&#233;l&#232;ne Janni&#232;re (Universit&#233; Rennes 2)R&#233;jean Legault (Universit&#233; du Qu&#233;bec &#224; Montr&#233;al)Giovanni Leoni (Universit&#224; di Bologna)Paolo Scrivano (Xi&#8217;an Jiaotong-Liverpool University)Laurent Stalder (ETH Zurich, gTA)Suzanne Stephens (Barnard College, Columbia University)Alice Thomine-Berrada (Mus&#233;e d&#8217;Orsay, Paris)Contactmappingcritarch@gmail.comhelene.janniere@univ-rennes2.frWebsitehttp://mac.hypotheses.org/