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&#8220;D&#232;s qu&#8217;un support pr&#233;sente une surface inscriptible, l&#8217;homme semble d&#233;sirer la recouvrir pour l&#8217;embellir, c&#8217;est-&#224;-dire l&#8217;orner. L&#8217;ornement est potentiellement infini, rien ne lui &#233;chappe&#8221;.&#160;(Thomas Golsenne, &#8220;L&#8217;ornement aujourd&#8217;hui&#8221;, Images re-Vues. Histoire, Anthropologie et Th&#233;orie de l&#8217;Art, 10, 2012).ArgumentThe omnipresence of the ornament as a cultural expression is transversal to all civilizations, and to all periods in history. A combination of pleasure and power, prestige and hierarchy, the ornament defines socio-cultural patterns and allows interpretations and specific views to be formed of each society and period.&#160;At a time when studies of the ornament are on the rise, as demonstrated in the most diverse disciplines from architecture to anthropology, including art history and gender studies, it is imperative to think about its place in the contemporary world, somewhere between tradition and the influence of new technologies.&#160;In this conference we intend to debate not only case studies, but theoretical and critical approaches regarding the place and permanence of the ornament, its multiple manifestations and moments of valorization in certain contexts and geographies.The role played by the connection between globalism and localism, a consequence of the migration of objects that are easily transported, disseminated, reproduced and reinvented, will also be one of the key questions discussed.&#160;Finally, the aim is to establish an open and meaningful dialogue between different fields of study that have the ornament as an object of reflection; its place in history, its intervention in the present, and its perspective for the future.Main topics&#160;The topics suggested for proposals for participating in this Conference are generically the following, although others may be considered if they are deemed pertinent and relevant:Contemplating the ornament our days: meaning, tendencies and paths.Ornament and Portuguese decorative arts;Revivalism, exoticism and ornament;Ornamentalists and engravers: creation, reception and dissemination;Ornament and architecture: historiography, theory and present times;Mobility and transcontinentality: the migration of forms;Between the sacred and the profane: appropriations, reinventions and coexistence;Intersection, union and dissonance: literature, music and visual arts..Submission guidelinesAbstracts (of no more than 500 words), accompanied by a short bio (250 words), in English or Portuguese, should be sent to the members of the organizing committee, at iha.ornament2017@gmail.com by April 30, 2016. Participants will be notified by the end of May, and the conference program will be published in June. The languages of the conference are English, Portuguese, Spanish and French.A selection of papers from the conference will be published in Revista de Hist&#243;ria da Arte - S&#233;rie W, an annual peer-reviewed digital journal.For all questions regarding administration and practical matters, as well as the payment of the conference inscription, please send an email to iha.ornament2017@gmail.comImportant datesDeadline for abstract submission: 30 April 2017Notification of acceptance of abstract: 31 May 2017Provisional Programme: 30 June 2017Deadline for registration: 31 August 2017Conference: 23, 24 and 25 November 2017RegistrationCLICK HERE FOR FORMConference registration (until 31 August)50,00 euros &#8211; Speakers (students and non-students)&#160;40,00 euros &#8211; Attendants (non-students)&#160;20,00 euros &#8211; Attendants (students)*&#160;Free of charge - Students of FCSH/NOVA*Conference inscription (after31 August):75,00 euros &#8211; Speakers&#160;60,00 euros &#8211; Participants&#160;20,00 euros &#8211; Students*&#160;Free of charge &#8211;Students of FCSH/NOVA*In order to complete your registration, please fill the registration form below and send it to iha.ornament2017@gmail.com along with the copy of bank transfer confirmation or the copy of Paypal transfer. All the data must be legible and should state the number of the account from which the payment is made and the name of the holder of that account.When doing the transfer, please indicate the following code: 410008 Ornament.* Please attach a copy of your ID student card to the registration formOrganizing committeeGon&#231;alo Vasconcelos e Sousa | CITAR, UCPIsabel Mendon&#231;a | IHA, FCSH, Universidade NOVA de LisboaMaria Jo&#227;o Pereira Coutinho | IHA, FCSH, Universidade NOVA de LisboaS&#237;lvia Ferreira | IHA, FCSH, Universidade NOVA de LisboaScientific committeeAlexandra Curvelo | IHA, FCSH, Universidade NOVA de LisboaAnt&#243;nio Nunes Pereira | Parques de Sintra - Monte da Lua, SA; IADE / Universidade Europeia, LisboaAudrey Gay-Mazuel | Mus&#233;e des Arts D&#233;coratifs, ParisDoretta Davanzo Poli | Library of Fabrics at Palazzo Grassi; University of UdineElizabeth Miller | V&#38;A Museum, LondresFemke Speelberg | The Metropolitan Museum of Art, New YorkFernando Quiles | Universidad Pablo de Olavide, SevilhaFilomena Lim&#227;o | IHA, FCSH, Universidade NOVA de LisboaGiuseppe Dardanello | Facolt&#224; di Lettere, TorinoHelder Carita | IHA, FCSH, Universidade NOVA de LisboaJos&#233; Ferr&#227;o Afonso | CITAR, UCPMarize Malta | Escola de Belas Artes da Universidade Federal do Rio de JaneiroMichael Snodin | Strawberry Hill House, TwickenhamPedro Flor | Universidade Aberta; IHA, FCSH, Universidade NOVA de LisboaSabina de Cavi | Universidad de C&#243;rdoba, Departamento de Historia del Arte, Arqueolog&#237;a y M&#250;sicaSof&#237;a Rodr&#237;guez Bernis | Museo Nacional de Artes Decorativas, MadridSusana Varela Flor | IHA, FCSH, Universidade NOVA de LisboaTeresa Vale | Artis, IHA, FLULV&#237;tor Serr&#227;o | Artis, IHA, FLULExecutive committeeRaquel Seixas | IHA, FCSH, Universidade NOVA de LisboaOrganizationInstituto de Hist&#243;ria da Arte, FCSH/NOVACentro de Investiga&#231;&#227;o em Ci&#234;ncia e Tecnologia das Artes, UCPSponsorFunda&#231;&#227;o Calouste GulbenkianParques de Sintra - Monte da LuaFunda&#231;&#227;o Ricardo Esp&#237;rito Santo SilvaArgumentoA omnipresen&#231;a do ornamento, enquanto express&#227;o da cultura, &#233; transversal a todas as civiliza&#231;&#245;es e a todos os per&#237;odos da hist&#243;ria. Conjuga&#231;&#227;o de prazer e poder, de prest&#237;gio e hierarquia, o ornamento define padr&#245;es socioculturais e permite a cria&#231;&#227;o de leituras e mundivid&#234;ncias espec&#237;ficas de cada sociedade e de cada &#233;poca.Num momento em que os estudos sobre o ornamento se multiplicam, ensaiados pelas mais diversas disciplinas, da arquitectura &#224; antropologia, passando pela hist&#243;ria da arte ou pelos estudos de g&#233;nero, torna-se premente pensar o seu lugar no mundo contempor&#226;neo, entre a tradi&#231;&#227;o e o contributo das novas tecnologias.Pretende-se com este Congresso trazer para debate tanto casos de estudo como abordagens te&#243;ricas e cr&#237;ticas sobre a perman&#234;ncia e o lugar do ornamento, suas m&#250;ltiplas manifesta&#231;&#245;es e momentos de sobrevaloriza&#231;&#227;o em certas conjunturas e geografias. &#160;O papel desempenhado pela rela&#231;&#227;o entre&#160;globalismo&#160;e&#160;localismo, consequ&#234;ncia da migra&#231;&#227;o de objectos facilmente transport&#225;veis, disseminados, replicados e reinventados, ser&#225; tamb&#233;m uma das quest&#245;es-chave a serem abordadas.Em &#250;ltima an&#225;lise pretende-se estabelecer um di&#225;logo aberto e prof&#237;cuo entre diversas &#225;reas de estudo que tenham como objecto de reflex&#227;o o ornamento, o seu lugar na hist&#243;ria, a sua interven&#231;&#227;o no presente e as perspectivas para o futuro.Temas principaisOs temas sugeridos para envio de propostas de comunica&#231;&#227;o a este Congresso s&#227;o genericamente os seguintes, embora seja poss&#237;vel aceitar outros, que se revelem pertinentes e relacionados:Pensar o ornamento hoje: sentido, tend&#234;ncias e caminhos;&#160;Ornamento e artes decorativas de express&#227;o portuguesa;Revivalismo, exotismo e ornamento;Ornamentistas e gravadores: cria&#231;&#227;o, recep&#231;&#227;o e difus&#227;o;Ornamento e arquitectura: historiografia, teoria e actualidade;Mobilidade e transcontinentalidade: a migra&#231;&#227;o das formas; &#160;Entre o sagrado e o profano. Apropria&#231;&#245;es, reinven&#231;&#245;es e conviv&#234;ncias;Intersec&#231;&#227;o, uni&#227;o e disson&#226;ncia: literatura, m&#250;sica e artes visuais.Submiss&#227;o de propostasOs interessados em participar no Congresso poder&#227;o enviar um resumo (m&#225;x. 500 palavras), em portugu&#234;s ou ingl&#234;s e uma nota biogr&#225;fica (m&#225;x. 250 palavras), at&#233; ao dia 30 de Abril de 2017, para o endere&#231;o&#160;iha.ornament2017@gmail.comOs participantes ser&#227;o notificados no final de Maio de 2017 e o programa ser&#225; apresentado em Junho de 2017. As l&#237;nguas da confer&#234;ncia s&#227;o o ingl&#234;s, o portugu&#234;s, o espanhol e o franc&#234;s.&#160;Uma selec&#231;&#227;o de comunica&#231;&#245;es ser&#225; publicada na revista digital do Instituto de Hist&#243;ria da Arte da FCSH/NOVA "Revista de Hist&#243;ria da Arte, S&#233;rie W", uma publica&#231;&#227;o com peer-review.Inscri&#231;&#245;esInscri&#231;&#245;es (at&#233; 31 de Agosto 2017) &#160; &#160;&#160;50,00 euros &#8211; Conferencistas40,00 euros &#8211; Participantes20,00 euros &#8211; EstudantesGratuito &#8211;Estudantes da FCSH/NOVAInscri&#231;&#245;es (ap&#243;s 31 de Agosto 2017) 75,00 euros &#8211; Conferencistas60,00 euros &#8211; Participantes20,00 euros &#8211; EstudantesGratuito &#8211;Estudantes da FCSH/NOVAPara quest&#245;es relacionadas com pagamentos e inscri&#231;&#245;es, envie um email para&#160;iha.ornament2017@gmail.comComiss&#227;o de organiza&#231;&#227;oGon&#231;alo Vasconcelos e Sousa | CITAR, UCPIsabel Mendon&#231;a | IHA, FCSH, Universidade NOVA de LisboaMaria Jo&#227;o Pereira Coutinho | IHA, FCSH, Universidade NOVA de LisboaS&#237;lvia Ferreira | IHA, FCSH, Universidade NOVA de LisboaComiss&#227;o cient&#237;ficaAlexandra Curvelo | IHA, FCSH, Universidade NOVA de LisboaAnt&#243;nio Nunes Pereira | Parques de Sintra - Monte da Lua, SA; IADE / Universidade Europeia, LisboaAudrey Gay-Mazuel | Mus&#233;e des Arts D&#233;coratifs, ParisDoretta Davanzo Poli | Library of Fabrics at Palazzo Grassi; University of UdineElizabeth Miller | V&#38;A Museum, LondresFemke Speelberg | The Metropolitan Museum of Art, New YorkFernando Quiles | Universidad Pablo de Olavide, SevilhaFilomena Lim&#227;o | IHA, FCSH, Universidade NOVA de LisboaGiuseppe Dardanello | Facolt&#224; di Lettere, TorinoHelder Carita | IHA, FCSH, Universidade NOVA de LisboaJos&#233; Ferr&#227;o Afonso | CITAR, UCPMarize Malta | Escola de Belas Artes da Universidade Federal do Rio de JaneiroMichael Snodin | Strawberry Hill House, TwickenhamPedro Flor | Universidade Aberta; IHA, FCSH, Universidade NOVA de LisboaSabina de Cavi | Universidad de C&#243;rdoba, Departamento de Historia del Arte, Arqueolog&#237;a y M&#250;sicaSof&#237;a Rodr&#237;guez Bernis | Museo Nacional de Artes Decorativas, MadridSusana Varela Flor | IHA, FCSH, Universidade NOVA de LisboaTeresa Vale | Artis, IHA, FLULV&#237;tor Serr&#227;o | Artis, IHA, FLULComiss&#227;o executivaRaquel Seixas | IHA, FCSH, Universidade NOVA de LisboaOrganiza&#231;&#227;oInstituto de Hist&#243;ria da Arte, FCSH/NOVACentro de Investiga&#231;&#227;o em Ci&#234;ncia e Tecnologia das Artes, UCPPatroc&#237;niosFunda&#231;&#227;o Calouste GulbenkianParques de Sintra - Monte da LuaFunda&#231;&#227;o Ricardo Esp&#237;rito Santo Silva