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International Conference (Jan. 16 and 17, 2020, Paris 8 University, France)ArgumentThe main focus of this conference will be translation as process, rather than as a mere product,&#160;which will prompt us to apprehend translated works as belonging to one or several networks, contexts and translational cultures.&#160;In short, translation is a concept that throws new light onto the exchanges and differences pertaining to contemporary digital literary culture. Contemporary digital literary culture mobilizes multiple operations: it involves translation across languages, but includes circulations characteristic of other translational issues at large: exchanges between interfaces, media, codes, institutions, cultural perspectives, artistic and archiving practices. In turn, digital forms of textuality share a certain number of aspects within ubiquitous environments, which means that translational processes will lead us to consider creative practices that stand beyond the traditional field of literature.&#160;One of the dominant concepts of digital humanities is that of technology seen as a shared, indeed universal, medium. In other words, software platforms and programming languages would invariably have the same meaning across different cultures. In principle, the universality of technology offers the promise of universal communication and perfect mutual understanding. However, nothing could be farther from the truth: code and programming add layers of complexity to technological communication across cultures and countries. There is nothing new to this approach though: in 1923, Walter Benjamin apprehended translation from the concept of a pure, pre-Babelian language (&#8220;The Task of the Translator&#8221;) while Warren Weaver envisaged it as a mere problem in cryptography in a 1955 essay. The meaning of such notions as &#8220;code,&#8221; &#8220;language,&#8221; &#8220;platform,&#8221; &#8220;medium,&#8221; and other similar terms, differs across linguistic and cultural contexts. Furthermore, the way digital technologies have become embedded and translated in specific digital cultures and literatures in Europe and the Americas differs even more. It is by studying and problematizing translation as a process in its various aspects that we will achieve a systematic understanding of the manifold and entangled variables at play in&#160;digital literariness.In order to highlight the specificities of the translational process, we encourage participants to explore four distinct and yet complementary perspectives: Translinguistic translation (between languages), Transcoding (translation between machine readable code and human readable text), Transmedial translation (translation between medial modalities), and Transcreation (translation as a shared creative practice) with a specific focus&#160;on electronic tropes.Submission GuidelinesDeadline for submissions: Nov. 15, 2019Please log in to Easychair to upload your abstracts in PDF format (200-500 words)&#160;:&#160;https://easychair.org/conferences/?conf=elitrans2Publication: a peer-reviewed e-book publication of the proceedings will be forthcoming.There is no registration fee for this conference.Contact&#160;: Alban Leveau-Vallier&#160;:&#160;albanlv@gmail.comThis conference will be the concluding event of the following program:&#160;&#8220;Translating Electronic Literature: A Transatlantic Program in Collaborative Digital Humanities&#8221; (2017-2018)&#8221; supported by the&#160;FMSH/Mellon Foundation. There is no fee for this conference.&#160;Scientific CommitteePhilippe Bootz, Paris 8 UniversityJohn Cayley, Brown UniversityMaria Mencia, Kingston UniversityS&#248;ren Pold, Aarhus UniversityManuel Portela, University of CoimbraArnaud Regnauld, Paris 8 UniversityGabriel Tremblay-Gaudette, UQ&#192;M&#160;---BibliographyAbrioux, Yves &#38; Regnauld, Arnaud (dir.),&#160;Translating E-Lit. URL:&#160;http ://www.bibliotheque- numerique-paris8.fr/fre/notices/168448-Translating-E-Literature-=-Traduire-la-litt&#38;eacute-rature- num&#38;eacute-rique.html, January 2015.Andersen, Christian Ulrik &#38; S&#248;ren Bro Pold. 2014. 'Post-Digital Books and Disruptive Literary Machines: Digital Literature Beyond the Gutenberg and Google Galaxies'.&#160;Formules&#160;18: 164&#8211;83.Baetens, Jan. &#8220;Creating New Constraints: Toward a Theory of Writing as Digital Translation.&#8221;&#160;Electronic Book Review (ebr),&#160;July 1, 2018.&#160;http://electronicbookreview.com/thread/electropoetics/trans-proceduralBenjamin, Walter. 2002. 'Selected Writings: 1913-1926'. In&#160;The Task of the Translator, edited by Marcus Bullock and Michael W. Jennings, 1:253&#8211;63. Cambridge, MA: The Belknap Press of Harvard University Press.Bolter, Jay David &#38; Richard Grusin. 1999.&#160;Remediation: Understanding New Media. Cambridge, MA: The MIT Press.&#160;https://mitpress.mit.edu/books/remediation.Bruno, Christophe. 2001.&#160;Iterature.&#160;http://www.iterature.com/.Carpenter, J.R. &#8220;Translation, transmutation, transmediation and transmission in TRANS.MISSION [A.DIALOGUE].&#8221; Presentation at Translating E-Literature, Universit&#233; of Paris 8 Vincennes-Saint-Denis, June 12-14, 2012. Abstract at&#160;http://elmcip.net/node/4245Cayley, John. "Beginning with 'the Image' in How It Is When Translating Certain Processes of Digital Language Art,"&#160;Electronic Book Review (ebr), March 1, 2015.&#160;http://electronicbookreview.com/thread/electropoetics/howitisCayley, John. "Grammalepsey: An Introduction," Electronic Book Review (ebr), August 5, 2018.&#160;http://electronicbookreview.com/essay/grammalepsy-an-introduction/Cayley, John, &#8220;Translation as process,&#8221; in&#160;Amodern 8, Translation-Machination,&#160;Christine Mitchell and Rita Raley (dir.),&#160;http://amodern.net/issues/amodern-8-translation-machination/.Cramer, Florian. 1996.&#160;Permutationen/Permutations. Digital.&#160;http://permutations.pleintekst.nl/.&#8212;&#8212;&#8212;. 2005.&#160;Words Made Flesh: Culture, Code, Imagination. Rotterdam: Piet Zwart Institute.Emmerich, Karen.&#160;Literary Translation and the Making of Originals. London; Bloomsbury, 2017.Florence, Penny. &#8220;Translating the Untranslatable.&#8221; Presentation at Electronic Literature Organization 2017: Affiliations, Translations, Communities (ELO 2017), Porto, July 19&#8211;22, 2017. Abstract at htts://elmcip.net/node/12197Flores, Guilherme Gontijo. 2016. 'Da Tradu&#231;&#227;o Em Sua Cr&#237;tica: Haroldo de Campos e Henri Meschonnic'.&#160;Revista Circulad&#244;&#160;5: 9&#8211;24.Flores, Leonardo. &#8220;About my Spanish Translation of &#8216;Enigma n.&#8217;&#160;&#8221;&#160;Leonardo Flores&#160;(blog). February 28, 2015.&#160;http://leonardoflores.net/blog/about-my-spanish-translation-of-enigma-n/Fritsch, Jonas; Pold, S&#248;ren Bro; Vestergaard, Lasse Steenbock; Lucas, Melissa. &#8220;NK - Designing for Performative Literary Interactions. &#8220;&#160;I: Personal and Ubiquitous Computing, Bind 18, Nr. 7, 2014, s. 1551-1565.Furr, Derek. &#8220;Total translation: Navajo song and the story of US modernism.&#8221;&#160;Jacket2.&#160;May 2, 2017&#160;http://jacket2.org/article/total-translationGarcia, Ignacio. &#8220;Computer-Aided Translation,"&#160;The Routledge Encyclopedia of Translation Technology. London: Routledge, 2014.Gauthier, Jo&#235;l(le); Van der Klei, Alice (eds.)&#160;Traduire l&#8217;hyperm&#233;dia / L&#8217;hyperm&#233;dia et le traduire.&#160;Cahiers virtuels du laboratoire NT2, N&#176; 7,&#160;http://nt2.uqam.ca/fr/cahiers-virtuels/traduire-lhypermedia-lhypermedia-et-le-traduireGrosser, Benjamin. 2012.&#160;Facebook Demetricator. Digital.&#160;http://bengrosser.com/projects/facebook-demetricator/.Grusin, Richard. 2015. 'Radical Mediation'.&#160;Critical Inquiry&#160;42: 124&#8211;48.Guntman, Reiner; Van Bolderen, Trish. "Self-Translation,&#8221; in&#160;A Companion to Translation Studies. New York : Routledge, 2014.Katan, David. "Translation at the cross-roads: Time for the transcreational turn?, Perspectives, 24:3, 365-381, DOI: 10.1080/0907676X.2015.1016049Małecka, Aleksandra and Piotr Marecki. &#8220;Hyper-constrained: Translating Nick Montfort's textual generators.&#8221;&#160;Word and Text&#160;4: 83-97, 2014.Małecka, Aleksandra and Piotr Marecki. &#8220;Literary Experiments with Automatic Translation: A Case Study of a Creative Experiment Involving King Ubu and Google Translate.&#8221; In the&#160;Fringes of Literature and Digital Media Culture: Perspectives from Eastern and Western Europe, ed. B. Kalla, Leiden, 2018.Marecki, Piotr and Aleksandra Małecka. &#8220;C()n Du It&#160;by Katarzyna Giełżyńska : a case of a total translation of an electronic literature work,&#8221;&#160;Miranda&#160;12: 1-14, 2016.&#160;http://journals.openedition.org/miranda/8371Marecki, Piotr, and Nick Montfort. &#8220;Renderings: Translating literary works in the digital age.&#8221;&#160;Digital Scholarship in the Humanities&#160;32.suppl_1: i84-i91, 2017.&#160;https://academic.oup.com/dsh/article-pdf/32/suppl\_1/i84/17751533/fqx010.pdfMillan, Carmen; Bartina, Francisca (ed.).&#160;The Routledge Handbook of Translation Studies. London : Routledge, 2016Mitchell, Christine. &#8220;Translation and Materiality, The Paradox of Visible Translation,&#8221; in&#160;Spectator, vol. 20, n.1 (Chera Kee, ed.), Spring 2010, 23-29,&#160;https://cinema.usc.edu/archivedassets/097/15740.pdfMolina, Jos&#233;. &#8220;Translating E-Poetry: Still Avant-Garde.&#8221; Presentation at Electronic Literature Organization 2015: The End(s) of Electronic Literature, 2015. Abstract at&#160;https://elmcip.net/node/11072Montfort, Nick and Natalia Fedorova. "Carrying across Language and Code." Trope Tank technical report TROPE-12-04, July 2012.&#160;http://nickm.com/trope\_tank/TROPE-12-04.pdfOrmstad, Ottar. "Non-Translation as Poetic Experience." Presentation at Translating E-Literature, Universit&#233; of Paris 8 Vincennes-Saint-Denis, June 12-14, 2012. Abstract at&#160;http://elmcip.net/node/4240Pisarski, Mariusz and Monika G&#243;rska Olesińska. &#8220;On the Polish Translation of&#160;Sea and Spar Between.&#8221; Presentation at Electronic Literature Organization 2013: Chercher le texte, Paris, September 23&#8211;29, 2013.https://elmcip.net/sites/default/files/media/critical_writing/attachments/gorska-olesinska_monika_and_pisarski_mariusz_on_polish_translation_of_sea_and_spar_between-maly-ilovepdf-compressed_0.pdfPereira, Lu&#237;s Lucas, Manuel Portela, and Lic&#237;nio Roque. 2018. 'Machines of Disquiet: Textual Experience in the LdoD Archive'.&#160;MATLIT: Materialidades Da Literatura&#160;6 (3).Pereira, Lu&#237;s Lucas. 2015.&#160;Machines of Disquiet. Digital.&#160;http://mofd.dei.uc.pt/.Pisarski, Mariusz. &#8220;From Storyspace to Browsers. Translating Michael Joyce's&#160;afternoon, a story&#160;into Polish.&#8221; Talk at Translating E-Literature, Universit&#233; Paris 8, Vincennes-Saint-Denis, June 12-14, 2012. Abstract at&#160;https://web.archive.org/web/20150328032142/http://www.bibliotheque-numerique-paris8.fr/fre/notices/168453-From&#38;nbsp-Storyspace&#38;nbsp-to&#38;nbsp-Browsers-Translating-afternoon-a-story-into-Polish-.htmlPizzichini, Paola and Mauro Carassai. &#8220;E-lit Context as Records Continuum: The &#8216;lost&#8217; Michael Joyce's&#160;afternoon&#160;Italian Edition and the Archival Perspective.&#8221; Talk at Electronic Literature Organization 2010: Archive &#38; Innovate, Brown University, 2010. Abstract at&#160;https://elmcip.net/node/6935Poibeau, Thierry.&#160;Machine Translation. Cambridge, MA : MIT Press, 2017.Polizzotti, Mark.&#160;Sympathy for the Traitor: A Translation Manifesto.&#160;Cambridge and London: MIT Press, 2018.Pold, S&#248;ren. "Literature from Page to Interface: The Treatments of Text in Christophe Bruno's Iterature."&#160;Electronic Book Review_ _ (2007),&#160;http://www.electronicbookreview.com/thread/electropoetics/textualized&#160;Pold, S&#248;ren Bro &#38; Andersen, Christian Ulrik. 2018.&#160;The Metainterface: The Art of Platforms, Cities, and Clouds. Cambridge, MA: The MIT Press.&#8212;&#8212;&#8212;. &#8220;Post-digital Books and Disruptive Literary Machines : Digital Literature Beyond the Gutenberg and Google Galaxies. &#8220;&#160;Formules/Revue Des Creations Formelles, Bind 2014, Nr. 18, 2014, s. 164-183.Portela, Manuel; Pold, Soren; Mencia, Maria (2018) &#8220;Electronic Literature Translation: Translation as Process, Experience and Mediation,&#8221; in&#160;Electronic Book Review, 2018,&#160;http://electronicbookreview.com/essay/electronic-literature-translation-translation-as-process-experience-and-mediation/Portela, Manuel. 2003. 'Untranslations and Transcreations'.&#160;Text&#160;15: 305&#8211;20.&#8212;&#8212;&#8212;. 2013.&#160;Scripting Reading Motions: The Codex and the Computer as Self-reflexive Machines. Cambridge, MA: The MIT Press.&#8212;&#8212;&#8212;. &#8220; 'Machines of Disquiet&#8217;: Textual Experience in the&#160;LdoD Archive&#8221; at ELO 2017, published in August 2018 in&#160;MATLIT: Materialities of Literature, [S.l.], v. 6, n. 3, p. 59-71, &#60;http://impactum-journals.uc.pt/matlit/article/view/5200&#62;.Portela, Manuel, and Ant&#243;nio Rito Silva, eds. 2017.&#160;Arquivo LdoD: Arquivo Digital Colaborativo Do Livro Do Desassossego. Coimbra: Centro de Literatura Portuguesa da Universidade de Coimbra.&#160;https://ldod.uc.pt/.Pressman, Jessica. &#8220;Electronic Literature as Comparative Literature.&#8221;&#160;ACLA State of the Discipline Report,&#160;2014.&#160;http://stateofthediscipline.acla.org/entry/electronic-literature-comparative-literature-0-------- &#8220;Reading the Code between the Words: The Role of Translation in Young-hae Chang Heavy Industries's&#160;Nippon.&#8221;&#160;Dichtung Digital,&#160;2007.&#160;https://web.archive.org/web/20110127195928/http://dichtung-digital.mewi.unibas.ch/2007/Pressman/Pressman.htmRednall, Steven, &#8220;The Translator&#8217;s Task&#8221; (of Walter Benjamin),&#160;in L&#8217;essai sur la traduction de Walter Benjamin&#160;:&#160;traductions critiques&#160;Vol 10, n&#176;2, 1997.Regnauld, Arnaud. &#8220;Locus Solus, remix : Amerika la d&#233;rive,&#8221; C. Berthin, E. Eels, L. Sansonetti (dir.),&#160;Auteurs-Traducteurs : la fabrique de l&#8217;&#233;crivain. Presses Universitaires de Paris-Nanterre, 2018.Regnauld, Arnaud. &#8220;Beyond the Cybernetic Loop: Redrawing the Boundaries of E-lit Translation.&#8221; Erica Lima (dir.),&#160;Tradu&#231;&#227;o na Era Digital: Avan&#231;os e Desafios, Belford Roxo, Rio de Janeiro: Editora Transitiva, 2018, p.183-204.Regnauld, Arnaud &#38; Vanderhaeghe, St&#233;phane. &#8220;afternoon, a story&#160;de Michael Joyce : vers une hypertraduction ?&#8221;,&#160;Traduire &#224; plusieurs / Collaborative Translation, Enrico Monti &#38; Peter Schnyder (dir.), Orizons, Paris, 2018, p.399-412.Valarini, Oliver, Elide. &#8220;Creative Translation, Transcreation or Simply Translation. How Can Literature Be Translated.&#8221;&#160;Translation Studies Journal, 1(1), 2005-01-01, https://escholarship.org/uc/item/8hg1f9b5Woetmann, Peter-Clement, Ursula Andkj&#230;r Olsen, Martin Campostrini, Jonas Fritsch, Ann Luther, Petersen, S&#248;ren Bro Pold, &#38; Allan Thomsen Volh&#248;j. 2012.&#160;The Poetry Machine. Digital.&#160;http://www.inkafterprint.dk/?page\_id=45.Colloque international (16-17 janvier 2020, Universit&#233; Paris 8, France)ArgumentaireLa traduction en tant que processus constituera le point focal de ce colloque. En effet, d&#232;s lors que l&#8217;on aborde la traduction comme un processus plut&#244;t que comme un produit, il convient de consid&#233;rer les &#339;uvres traduites comme appartenant &#224; un ou plusieurs r&#233;seaux, contextes et cultures traductologiques. La traduction est un concept qui permet de proposer un nouvel &#233;clairage sur les &#233;changes et les diff&#233;rences sp&#233;cifiques &#224; la culture litt&#233;raire num&#233;rique contemporaine. La culture litt&#233;raire num&#233;rique mobilise plusieurs types d&#8217;op&#233;rations&#160;:&#160;elle pr&#233;suppose la traduction interlinguistique, mais aussi des &#233;changes qui ressortissent &#224; des probl&#233;matiques traductologiques au sens large&#160;:&#160;&#233;changes entre interfaces, m&#233;dias, codes, institutions, perspectives culturelles, pratiques artistiques et archives. En outre, les textualit&#233;s num&#233;riques partagent un certain nombre de caract&#233;ristiques au sein d&#8217;environnements omnipr&#233;sents. De fait, les processus de traduction conduisent &#224; consid&#233;rer des pratiques cr&#233;atives qui se situent au-del&#224; du champ strictement litt&#233;raire.&#160;L&#8217;un des concepts dominants dans le domaine des humanit&#233;s num&#233;riques consiste &#224; appr&#233;hender la technologie comme un m&#233;dium partag&#233;, et de fait universel. En d&#8217;autres termes, les plateformes logicielles et les langages de programmation signifieraient la m&#234;me chose, de la m&#234;me fa&#231;on, et ce quelque soit le contexte linguistique et culturel. En principe, cette universalit&#233; propre &#224; la technologie implique la promesse d&#8217;une communication transparente et universelle permettant une parfaite compr&#233;hension mutuelle. Cette approche n&#8217;est pas nouvelle&#160;: &#224; la mystique de Walter Benjamin qui, en 1923, pensait la traduction &#224; partir d&#8217;une langue commune d&#8217;avant Babel (&#171;La t&#226;che du traducteur&#187;), r&#233;pondait le fantasme scientifique de Warren Weaver qui envisageait la traduction comme un simple probl&#232;me cryptographique dans un texte de 1955. Cependant, on est loin de la v&#233;rit&#233;&#160;: le code et la programmation ne font qu&#8217;ajouter des strates de complexit&#233; &#224; la communication technologique entre cultures et pays. Ce que l&#8217;on entend par &#171;&#160;code&#160;&#187; &#171;&#160;langue&#160;&#187; ou &#171;&#160;langage&#160;&#187;, &#171;&#160;plateforme&#160;&#187; ou encore &#171;&#160;m&#233;dium&#160;&#187; et autres termes apparent&#233;s, diff&#232;re selon les contextes culturels et linguistiques. Qui plus est, la mani&#232;re dont les technologies num&#233;riques s&#8217;int&#232;grent &#224; et s&#8217;illustrent &#224; travers diverses cultures et litt&#233;ratures num&#233;riques en Europe et dans les Am&#233;riques diff&#232;re encore plus nettement.C&#8217;est &#224; travers l&#8217;&#233;tude et la probl&#233;matisation du processus de traduction sous ses divers aspects qu&#8217;il s&#8217;agira de comprendre de mani&#232;re syst&#233;matique les multiples variables en jeu dans ce que l&#8217;on d&#233;signe comme la&#160;litt&#233;rarit&#233; num&#233;rique. Afin d&#8217;&#233;clairer les sp&#233;cificit&#233;s du processus traductif, on pourra se concentrer sur quatre axes distincts, mais n&#233;anmoins compl&#233;mentaires&#160;:&#160;Traduction(inter-langues), Transcodage(traduction entre le langage machine et les langues naturelles), Transm&#233;dialit&#233; (traduction entre diff&#233;rentes modalit&#233;s m&#233;diales) et Transcr&#233;ation&#160;(la traduction entendue comme une pratique cr&#233;ative partag&#233;e) avec une attention particuli&#232;re aux tropes &#233;lectroniques.Modalit&#233;s de participationDate limite de soumission : Nov. 15, 2019Merci de d&#233;poser vos propositions (200-500 mots) au format PDF sur Easychair&#160;:&#160;https://easychair.org/conferences/?conf=elitrans2&#160;Publication: un&#160;e-book&#160;avec comit&#233; de lecture sera publi&#233; &#224; l&#8217;issue du colloque.&#160;Contact&#160;: Alban Leveau-Vallier&#160;:&#160;albanlv@gmail.comCe colloque s&#8217;inscrit dans le prolongement du projet soutenu par la FMSH/Mellon Foundation &#8220;Translating Electronic Literature: A Transatlantic Program in Collaborative Digital Humanities&#8221; (2017-2018).&#160;Il est ouvert &#224; toutes et &#224; tous.&#160;Comit&#233; scientifiquePhilippe Bootz, Paris 8 UniversityJohn Cayley, Brown UniversityMaria Mencia, Kingston UniversityS&#248;ren Pold, Aarhus UniversityManuel Portela, University of CoimbraArnaud Regnauld, Paris 8 UniversityGabriel Tremblay-Gaudette, UQ&#192;M&#160;---BibliographieAbrioux, Yves &#38; Regnauld, Arnaud (dir.),&#160;Translating E-Lit. URL:&#160;http ://www.bibliotheque- numerique-paris8.fr/fre/notices/168448-Translating-E-Literature-=-Traduire-la-litt&#38;eacute-rature- num&#38;eacute-rique.html, January 2015.Andersen, Christian Ulrik &#38; S&#248;ren Bro Pold. 2014. 'Post-Digital Books and Disruptive Literary Machines: Digital Literature Beyond the Gutenberg and Google Galaxies'.&#160;Formules&#160;18: 164&#8211;83.Baetens, Jan. &#8220;Creating New Constraints: Toward a Theory of Writing as Digital Translation.&#8221;&#160;Electronic Book Review (ebr),&#160;July 1, 2018.&#160;http://electronicbookreview.com/thread/electropoetics/trans-proceduralBenjamin, Walter. 2002. 'Selected Writings: 1913-1926'. In&#160;The Task of the Translator, edited by Marcus Bullock and Michael W. Jennings, 1:253&#8211;63. Cambridge, MA: The Belknap Press of Harvard University Press.Bolter, Jay David &#38; Richard Grusin. 1999.&#160;Remediation: Understanding New Media. Cambridge, MA: The MIT Press.&#160;https://mitpress.mit.edu/books/remediation.Bruno, Christophe. 2001.&#160;Iterature.&#160;http://www.iterature.com/.Carpenter, J.R. &#8220;Translation, transmutation, transmediation and transmission in TRANS.MISSION [A.DIALOGUE].&#8221; Presentation at Translating E-Literature, Universit&#233; of Paris 8 Vincennes-Saint-Denis, June 12-14, 2012. Abstract at&#160;http://elmcip.net/node/4245Cayley, John. "Beginning with 'the Image' in How It Is When Translating Certain Processes of Digital Language Art,"&#160;Electronic Book Review (ebr), March 1, 2015.&#160;http://electronicbookreview.com/thread/electropoetics/howitisCayley, John. "Grammalepsey: An Introduction," Electronic Book Review (ebr), August 5, 2018.&#160;http://electronicbookreview.com/essay/grammalepsy-an-introduction/Cayley, John, &#8220;Translation as process,&#8221; in&#160;Amodern 8, Translation-Machination,&#160;Christine Mitchell and Rita Raley (dir.),&#160;http://amodern.net/issues/amodern-8-translation-machination/.Cramer, Florian. 1996.&#160;Permutationen/Permutations. Digital.&#160;http://permutations.pleintekst.nl/.&#8212;&#8212;&#8212;. 2005.&#160;Words Made Flesh: Culture, Code, Imagination. Rotterdam: Piet Zwart Institute.Emmerich, Karen.&#160;Literary Translation and the Making of Originals. London; Bloomsbury, 2017.Florence, Penny. &#8220;Translating the Untranslatable.&#8221; Presentation at Electronic Literature Organization 2017: Affiliations, Translations, Communities (ELO 2017), Porto, July 19&#8211;22, 2017. Abstract at htts://elmcip.net/node/12197Flores, Guilherme Gontijo. 2016. 'Da Tradu&#231;&#227;o Em Sua Cr&#237;tica: Haroldo de Campos e Henri Meschonnic'.&#160;Revista Circulad&#244;&#160;5: 9&#8211;24.Flores, Leonardo. &#8220;About my Spanish Translation of &#8216;Enigma n.&#8217;&#160;&#8221;&#160;Leonardo Flores&#160;(blog). February 28, 2015.&#160;http://leonardoflores.net/blog/about-my-spanish-translation-of-enigma-n/Fritsch, Jonas; Pold, S&#248;ren Bro; Vestergaard, Lasse Steenbock; Lucas, Melissa. &#8220;NK - Designing for Performative Literary Interactions. &#8220;&#160;I: Personal and Ubiquitous Computing, Bind 18, Nr. 7, 2014, s. 1551-1565.Furr, Derek. &#8220;Total translation: Navajo song and the story of US modernism.&#8221;&#160;Jacket2.&#160;May 2, 2017&#160;http://jacket2.org/article/total-translationGarcia, Ignacio. &#8220;Computer-Aided Translation,"&#160;The Routledge Encyclopedia of Translation Technology. London: Routledge, 2014.Gauthier, Jo&#235;l(le); Van der Klei, Alice (eds.)&#160;Traduire l&#8217;hyperm&#233;dia / L&#8217;hyperm&#233;dia et le traduire.&#160;Cahiers virtuels du laboratoire NT2, N&#176; 7,&#160;http://nt2.uqam.ca/fr/cahiers-virtuels/traduire-lhypermedia-lhypermedia-et-le-traduireGrosser, Benjamin. 2012.&#160;Facebook Demetricator. Digital.&#160;http://bengrosser.com/projects/facebook-demetricator/.Grusin, Richard. 2015. 'Radical Mediation'.&#160;Critical Inquiry&#160;42: 124&#8211;48.Guntman, Reiner; Van Bolderen, Trish. "Self-Translation,&#8221; in&#160;A Companion to Translation Studies. New York : Routledge, 2014.Katan, David. "Translation at the cross-roads: Time for the transcreational turn?, Perspectives, 24:3, 365-381, DOI: 10.1080/0907676X.2015.1016049Małecka, Aleksandra and Piotr Marecki. &#8220;Hyper-constrained: Translating Nick Montfort's textual generators.&#8221;&#160;Word and Text&#160;4: 83-97, 2014.Małecka, Aleksandra and Piotr Marecki. &#8220;Literary Experiments with Automatic Translation: A Case Study of a Creative Experiment Involving King Ubu and Google Translate.&#8221; In the&#160;Fringes of Literature and Digital Media Culture: Perspectives from Eastern and Western Europe, ed. B. Kalla, Leiden, 2018.Marecki, Piotr and Aleksandra Małecka. &#8220;C()n Du It&#160;by Katarzyna Giełżyńska : a case of a total translation of an electronic literature work,&#8221;&#160;Miranda&#160;12: 1-14, 2016.&#160;http://journals.openedition.org/miranda/8371Marecki, Piotr, and Nick Montfort. &#8220;Renderings: Translating literary works in the digital age.&#8221;&#160;Digital Scholarship in the Humanities&#160;32.suppl_1: i84-i91, 2017.&#160;https://academic.oup.com/dsh/article-pdf/32/suppl\_1/i84/17751533/fqx010.pdfMillan, Carmen; Bartina, Francisca (ed.).&#160;The Routledge Handbook of Translation Studies. 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