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Confer&#234;ncia: Lisboa, 9-10 de Outubro de 2019Apresenta&#231;&#227;oA colabora&#231;&#227;o nas artes &#233;, sem d&#250;vida, um fen&#243;meno global - sublinham autores como Grant Kester (2011) - que emerge ciclicamente, sobretudo em momentos de grande incerteza. Estas pr&#225;ticas est&#227;o muitas vezes associadas a uma reflex&#227;o sobre os pr&#243;prios modos de produ&#231;&#227;o da arte, bem como a uma maior liberdade de experimenta&#231;&#227;o formal e autoral. Ainda assim, &#233; sintom&#225;tica a escassez de estudos sobre o j&#225; longo desejo dos artistas de trabalharem em grupo e partilharem uma voz coletiva (Stimson, Sholette, 2007). Para al&#233;m disso, &#233; igualmente not&#243;ria a coopta&#231;&#227;o dos processos de colabora&#231;&#227;o no contexto do capitalismo, no sentido da flexibiliza&#231;&#227;o e precariza&#231;&#227;o do trabalho (Deleuze, 1992; Chiapello, Boltanski, 2007). &#192; luz destas contradi&#231;&#245;es, revela-se oportuno refletir sobre o papel da colabora&#231;&#227;o no contexto socioecon&#243;mico atual, e particularmente sobre o modo como as artes poder&#227;o contribuir para criar uma outra percep&#231;&#227;o acerca do potencial e do valor das pr&#225;ticas colaborativas (De Wachter, 2017).​Neste sentido, convidam-se artistas, investigadores e artistas-investigadores a partilharem propostas de reflex&#227;o que explorem pr&#225;ticas art&#237;sticas em que a colabora&#231;&#227;o se apresenta, por um lado, como impulsionadora da cria&#231;&#227;o art&#237;stica e, por outro, como um campo de experimenta&#231;&#227;o capaz de problematizar processos est&#233;ticos, quest&#245;es de autonomia, de organiza&#231;&#227;o, modos de produ&#231;&#227;o e de circula&#231;&#227;o, entre outras quest&#245;es suscitadas pelas pr&#225;ticas art&#237;sticas colaborativas no contexto transdisciplinar das artes pl&#225;sticas. Ser&#227;o aceites propostas submetidas a t&#237;tulo individual ou colectivo, sendo que, a par das comunica&#231;&#245;es orais, s&#227;o bem-vindas participa&#231;&#245;es em formatos n&#227;o tradicionais, como projec&#231;&#245;es de v&#237;deo ou performances.Procuram-se propostas que explorem as dimens&#245;es hist&#243;rica, sociol&#243;gica e est&#233;tica das pr&#225;ticas art&#237;sticas colaborativas,considerando as seguintes quest&#245;es e privilegiando-se a articula&#231;&#227;o entre elas:​Condi&#231;&#245;es espec&#237;ficas das pr&#225;ticas colaborativas: meios, metodologias, estrat&#233;gias, contexto econ&#243;mico e cultural, a&#231;&#245;es/linhas de orienta&#231;&#227;o comuns, sem&#226;ntica colaborativa;&#160;Rela&#231;&#227;o com as pol&#237;ticas p&#250;blicas e o mercado: sinergias, antagonismos e procura de alternativas;Desafios, conflitos e processos de tomada de decis&#227;o no contexto dos coletivos e de outras pr&#225;ticas de colabora&#231;&#227;o art&#237;stica;Concep&#231;&#245;es de autoria;Contributo das pr&#225;ticas colaborativas para a redefini&#231;&#227;o dos modos de opera&#231;&#227;o do campo art&#237;stico;&#160;Novas formas de agenciamento: a influ&#234;ncia das pr&#225;ticas art&#237;sticas na colabora&#231;&#227;o sob uma perspectiva social mais alargada;Rela&#231;&#227;o com a experimenta&#231;&#227;o de novas formas pol&#237;ticas de autogoverno fora do &#226;mbito art&#237;stico e diferentes conce&#231;&#245;es de &#8220;comum&#8221;;Aspetos formais que distinguem, ou n&#227;o, obras produzidas em colabora&#231;&#227;o de obras produzidas em outros regimes de autoria;Rela&#231;&#227;o com diferentes regimes de experi&#234;ncia est&#233;tica por parte dos espectadores, incluindo a extens&#227;o da colabora&#231;&#227;o ao p&#250;blico, atrav&#233;s de mecanismos de participa&#231;&#227;o;A tens&#227;o entre o ju&#237;zo est&#233;tico e o ju&#237;zo &#233;tico na rece&#231;&#227;o cr&#237;tica das obras de arte colaborativas.Submiss&#227;o de propostasAs comunica&#231;&#245;es ter&#227;o a dura&#231;&#227;o de 20 minutos e poder&#227;o ser apresentadas no formato de comunica&#231;&#227;o oral ou em formatos alternativos, como projec&#231;&#245;es de v&#237;deo ou performances. Ser&#227;o aceites propostas de autoria individual e colectiva. As l&#237;nguas de trabalho ser&#227;o o portugu&#234;s e o ingl&#234;s.Para submeter uma proposta, enviar um e-mail para camposdecolaboracao@gmail.com incluindo:Um documento pdf com o nome, t&#237;tulo da proposta, endere&#231;o de e-mail, afilia&#231;&#227;o institucional e nota biogr&#225;fica (100 palavras);Um segundo documento pdf com o t&#237;tulo da proposta, resumo (300 palavras) e palavras-chave (m&#225;x. 5). No caso de apresenta&#231;&#245;es visuais ou performativas, incluir tamb&#233;m at&#233; cinco imagens e/ou um link para material de v&#237;deo ou &#225;udio. O segundo documento pdf e os materiais apresentados no link n&#227;o dever&#227;o conter refer&#234;ncias ao(s) nome(s) do(s) autor(es).Call for papers: 15 de Abril a 31 de Maio de 2019&#160;Data da confer&#234;ncia: 9 e 10 de Abril de 2019Comiss&#227;o Cient&#237;ficaCl&#225;udia Madeira - ICNOVA - UNLCristina Pratas Cruzeiro &#8211; IHA - UNLMargarida Brito Alves &#8211; IHA - UNLMargarida Medeiros &#8211; ICNOVA - UNLMaria Jo&#227;o Mayer Branco &#8211; IFILNOVA - UNLMaria Jo&#227;o Gamito - FBAULMaria Mire - i2ADS -&#160;Ar.Co.Samuel Silva - FBAUPPedro Tudela - FBAUPVictor dos Reis - FBAULKeynote speakersCatherine Qu&#233;loz e Liliane Schneiter[Keynote speaker adicional a confirmar]Mesa redonda sobre a colabora&#231;&#227;o nas artes em Portugal:Ant&#243;nio Olaio (artista e professor, Universidade de Coimbra)Jos&#233; Maia (artista e professor, Universidade do Porto)Rita Fabiana (curadora, Funda&#231;&#227;o Calouste Gulbenkian)Sandra Vieira J&#252;rgens (curadora e professora, Universidade NOVA de Lisboa)L&#237;nguas aceitesPortugu&#234;s e ingl&#234;sRegistoSubmiss&#227;o de resumo: gratuitoRegisto (regular): 40,00&#8364;Registo (estudante): 30,00&#8364;P&#250;blico: entrada gratuita&#160;+ infohttps://camposdecolaboracao.wixsite.com/homecamposdecolaboracao@gmail.com&#160;Lisbon, October 9-10, 2019ArgumentCollaboration in the arts is indisputably a global phenomenon &#8211; as asserted by authors such as Grant Kester (2011) &#8211;, which emerges cyclically, mostly in moments of great uncertainty. Such practices often involve a high degree of self-reflection concerning artistic modes of production of art, as well as a greater freedom of formal and authorial experimentation. However, there is a symptomatic lack of research about the long-standing desire of artists to work together and share a collective voice (Stimson, Sholette, 2007). Moreover, collaborative processes have been notoriously co-opted in the context of capitalism, in order to develop more flexible and precarious configurations of work (Deleuze, 1992; Boltanski, Chiapello, 2007). Given these contradictions, there is the need for a timely debate about the role collaboration plays in the current socio-economic context, particularly regarding the ways in which the arts may contribute to create another perception of the potential and value of collaborative practices (De Wachter, 2017).&#160;We therefore invite artists, researchers and artist-researchers to share proposals that, inter alia, investigate art practices where collaboration is both the driving force of artistic creation and a field of experimentation where aesthetical processes, issues of autonomy and organization as well as modes of production and circulation are challenged.We welcome proposals that explore the historical, sociological and aesthetic dimensions of collaborative art practices, bearing in mind the following issues and their points of convergence:Specific conditions of production of collaborative practices: the various means, methodologies, strategies, cultural and economic contexts, common guidelines and practices, and collaborative semantics;How they relate to public policies and the market: synergies, antagonisms and the search for alternatives;Challenges, conflicts and decision-making processes in collectives and other forms of artistic collaboration;Notions of authorship;The contribution of collaborative practices in redefining working methods in the domain of art;New forms of agency: the influence of art practices on collaboration in a wider social perspective;Relationship with the experimentation of new political forms of self-governance outisde of the artistic field, and different notions of &#8220;common&#8221;;Formal aspects that distinguish, or fail to distinguish, works of art produced collaboratively from those produced in other configurations of authorship;Relationship of the sptectator to different regimes of aesthetic experience, i.e. enabling the audience&#8217;s participation in the collaborative experience;The tension between ethical judgement and aesthetic judgement in the critical reception of collaborative works of art.Submission guidelinesWe invite proposals for presentations of 20 minutes and welcome both traditional and non-traditional formats, such as video screenings or performances. Papers can be individually or collaboratively authored. The working languages are Portuguese and English.Please send proposals to camposdecolaboracao@gmail.com including:A pdf file with your name, paper title, e-mail address, institutional affiliation and a short bio (100 words);A second pdf file with the paper title, abstract (300 words) and keywords (max. 5). In case of a visual or performative presentation, please also include up to five images and/or a link to audio or video. Please do not include your name on the second file and linked material.Call for papers: April 15 &#8211; May 31, 2019Conference dates: October 9-10, 2019Scientific ComitteeCl&#225;udia Madeira &#8211; ICNOVA - UNLCristina Pratas Cruzeiro &#8211; IHA - UNLMargarida Brito Alves &#8211; IHA - UNLMargarida Medeiros &#8211; ICNOVA - UNLMaria Jo&#227;o Mayer Branco &#8211; IFILNOVA - UNLMaria Jo&#227;o Gamito - FBAULMaria Mire - i2ADS -&#160;Ar.Co.Samuel Silva - FBAUPPedro Tudela - FBAUPVictor dos Reis - FBAULKeynote speakersCatherine Qu&#233;loz and Liliane Schneiter​[Second keynote speaker to be confirmed]Roundtable on collaboration in the arts in Portugal:​Ant&#243;nio Olaio (artist and professor, Universidade de Coimbra)Jos&#233; Maia (artist and professor, Universidade do Porto)Rita Fabiana (curator, Funda&#231;&#227;o Calouste Gulbenkian)Sandra Vieira J&#252;rgens (curator and professor, Universidade NOVA de Lisboa)Accepted languagesEnglish and Portuguese​RegistrationPaper Submission: freeRegular Registration: 40,00&#8364;Student Registration: 30,00&#8364;Audience: free entrance+ info&#160;https://camposdecolaboracao.wixsite.com/homecamposdecolaboracao@gmail.com​