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ProgrammeFriday, May 24Mus&#233;e d&#8217;art et d&#8217;histoire de Saint Denis, Pavillon Louis XV22 bis rue Gabriel P&#233;ri, 93200 Saint-Denis&#160;Metro station: Porte de Paris (line 13)10h-10h15 RegistrationPanel 1: The Female Traveller and Gender Identity in 19th-century LiteratureChair: Fabien Desset (Universit&#233; de Limoges)10h15-10h35: Sun Jai Kim (Michigan State University) - Taking on Timetables: Lucy&#8217;s Criminal Moves in Lady Audley&#8217;s Secret10h35-10h55: Nolwenn Corriou (Universit&#233; Paris 1 Panth&#233;on-Sorbonne) - The Walking Dead: Travelling Bodies in Archaeological Fiction10h55-11h15: Anne Florence Quaireau (Sorbonne Universit&#233;) - Inscribing Invisible Bodies: Nineteenth-Century Women Travellers11h15-11h30: Discussion11h30-11h45 Coffee breakPanel 2: The Disabled/Ailing Travelling BodyChair: Andr&#233;e-Anne Kekeh (Universit&#233; Paris 8 - Saint Denis)11h45-12h05: Guillaume Didier (Sorbonne Universit&#233;) - Representing the Sick Male Body in David Livingstone&#8217;s Final Manuscripts (1865-1873)12h05-12h25: Fabien Desset (Universit&#233; de Limoges) - The Shelley&#8217;s Bodies in their Travel Literature: Death and the Eye12h25-12h45: Maureen Fielding&#160; (Penn State Brandywine) &#8220;[T]raveler/without a country: Wandering Bodies in Patricia Jabbeh Wesley&#8217;s When the Wanderers Come Home12h45-13h05: Paweł Wojtas (University of Warsaw) - Natural Failures: Ecodisability and the Modalities of Disablement in J. M Coetzee&#8217;s Life &#38; Times of Michael K13h05- 13h20: Discussion13h30-14h15 LunchPanel 3: Race, Identity and ViolenceChair: Maureen Fielding (Penn State Brandywine)14h15-14h35: Rachel Kyne (University of Chicago) - Immobility and immobilier in the Segregated City: Gwendolyn Brooks&#8217; Chicago poems14h35-14h55: Solveig Dunkel (Universit&#233; de Picardie Jules Verne) - &#8220;Doomed with Motion&#8221;: Transient Bodies in William Faulkner&#8217;s Light in August14h55-15h15: Effie Yiannopoulou (Aristotle University of Thessaloniki) - (Un)framing Englishness in Olivia Manning&#8217;s The Balkan Trilogy15h15-15h30: Discussion15h30-15h45 Coffee breakPanel 4: Reinventing Spaces and the Self through MotionChair: Bhawana Jain (Universit&#233; Paris 1- Panth&#233;on Sorbonne)15h45-16h05:&#160;C&#233;dric Courtois&#160; (Universit&#233; Paris&#160; 1 Panth&#233;on-Sorbonne)&#160; - A Woman on the Move: Finding One&#8217;s Lost Voice in the Transnational Space in Unbridled by Jude Dibia16h05-16h25: Tanja Kapp (University of Freiburg) - Feet, Street and Concrete: Expressing Corporeality through Psychogeographical City Walks in Oliver East&#8217;s Trains Are &#8230; Mint Comics16h25-16h45: Horatiu Burcea (Universit&#233; Paris 1 Panth&#233;on-Sorbonne) - Motion, Interaction and Control in Anglophone Adventure Games16h45-17h: DiscussionSaturday, May 25Universit&#233; Paris 8 - Saint Denis, B&#226;timent B, Salle B106, 2 rue de la libert&#233;93500 Saint-DenisMetro station: Saint-Denis Universit&#233; ( line 13)&#160;Panel 5: Body in Parts/ Body as WholeChair: Jaine Chemmachery (Universit&#233; Paris Dauphine - PSL)10h-10h20: Eug&#233;nie P&#233;ron-Dout&#233; (Universit&#233; de Limoges) - Raymond Federman, un &#233;crivain de la partition. &#201;tude de l&#8217;&#339;uvre Mon corps en neuf parties10h20-10h40: Andr&#233;e-Anne Kekeh (Universit&#233; Paris 8 - Vincennes Saint Denis) - L'&#233;lastique ou le fragment: histoires de corps chez John Agard et Jamaica Kincaid10h40-10h50: Discussion10h50-11h10 Coffee breakPanel 6: Travelling Bodies and GenresChair: Kerry Jane Wallart (Sorbonne Universit&#233;s)11h10-11h30: Neela Cathelain (Tufts University) - Shame, Mobility and the Novel Form in Mohsin Hamid and Jhumpa Lahiri11h30-11h50: Claire Gallien (Universit&#233; Paul Val&#233;ry Montpellier 3) &#8211; Walking/Writing with the Refugees11h50-12h15: Discussion and concluding remarksInscriptionsL'entr&#233;e est libre mais il serait prudent de nous envoyer un courriel (jaine.chemmachery@dauphine.psl.eu;&#160;bhawana.jain@univ-paris1.fr) si vous souhaitez assister au colloque afin que nous puissions &#233;tablir une liste des participants destin&#233;e &#224; l'accueil du mus&#233;e.