Scenic aesthetics in Belgium: history of emancipation

I will not present here an inventory of the picturesque Belgian aesthetics, but I will try to shed light on the phenomena and mechanisms by which new types of picturesque creative processes were established in Belgium in the early 1980. In order to understand them and to perceive what underlies the diversity of aesthetic forms they take, it is necessary to understand in what historical context they appeared, that is, aesthetic, socio-political and economic. And for that, we cannot ignore the very origin of this small country.