The haunting power of dreamscapes within Tim Winton’s gothic novella In the Winter Dark

Nightmares and their aesthetics of terror have been linked to Gothic literature since the birth of the genre during the pre-Romantic era. Indeed, many early authors of the form, including Horace Walpole, Ann Radcliffe and Mary Shelley, were driven to articulate the content of disturbing dreams via their literary work. Significantly, dark literary dream sequences continue to be a cornerstone feature of many contemporary Gothic texts. In this paper, I reflect upon some of the uniquely Australian Gothic tropes on display within Tim Winton’s 1988 novella, In the Winter Dark, while also discussing the various functions performed by dreamscapes within this work. In addition, and with occasional reference to Freudian concepts, I explore the use of Winton’s nightmare sequences to re-present, in recurring fashion, the fragmented sense of self to which his protagonists are subject as they struggle to recover from traumatic events (or not recover, as the case may be). Finally, I discuss the capacity of dreamscapes within this novella to contribute to narrational and structural strategies in ways that are aesthetically powerful and innovative.