The Key to the Labyrinth: Boundaries and Spaces in Raǧāʾ ʿĀlim’s Novel The Dove’s Necklace


 As an urban structure, Mecca is inscribed with several layers of meaning. It is the place where the Divine revelation of Islam took place; it is the setting of the life and preaching of the prophet Muhammad; and it is the location of the hajj, the annual pilgrimage, with its sacred and ritual sites. These complex domains of signification are related/separated by various kinds of boundaries, which are made even more intricate by the strict Wahhabi regime of religiosity and social segregation and Saudi policies of urban reconstruction. All these influences result in a fragmented spatial structure, and, concomitantly, in a fragmented social structure, which are both to some extent hidden in the folds of the urban landscape. In this contribution, the boundaries between the various domains will be discussed as they are portrayed, and contested, in the novel Ṭawq al-ḥamām (The Dove’s Necklace) by the Saudi author Raǧāʾ ʿĀlim. It will be explained how several characters are described as either upholding, breaking, preserving, and challenging the diverse boundaries vested in Mecca as a container of a profound religious heritage.