Cultural Landscape Reproduction of Typical Religious Architecture in Qingjiangpu Based on Scene Theory

Scenes are important carriers of cultural expression. Cultural landscapes reveal specific cultural connotations through various scenes, and people understand and give things cultural connotations through scenes. In recent years, new techniques for visualizing cultural landscape heritage have been made possible by the advent of mapping and geographic information technology. The Beijing-Hangzhou Grand Canal’s culture is a “living” cultural legacy. As one of the key links in the canal’s cultural chain, Qingjiangpu is crucial to reproducing its cultural landscape. This paper first discusses the relationship between scene theory and the cultural landscape. Starting from the five elements of scene theory, through the collection of online text data and the corresponding data obtained from questionnaire research, the paper analyzed the scene constructed by the cultural landscape and the urban spirituality embodied by the scene. Through the deep excavation of cultural landscape and its historical context, the theoretical framework of “node-neighbor-city” cultural landscape reproduction is proposed. Taking the ancient city of Qingjiangpu as an example, the cultural landscape has been reproduced at different scales and in different dimensions through various technical means. This study can provide a theoretical basis and practical reference for the research of cultural landscape reproduction.