Pigeons and papyrus at Amarna: the birds of the Green Room revisited

Ancient Egyptian art features many carefully observed depictions of wild animals and birds. A famous example is the late Eighteenth Dynasty (fourteenth-century BC) wall paintings of the Green Room in the North Palace at Amarna, where naturalistic depictions of birds feature prominently. Their taxonomic identity, however, is not resolved in all cases. Here, the authors revisit the facsimiles produced in the 1920s by Nina de Garis Davies. Mindful of previous works, taphonomy and the interplay between naturalistic observation and artistic licence, they employ ornithological resources to conduct a qualitative assessment and propose a parsimonious scheme of identifications, relating the results to long-standing questions concerning ecological and stylistic aspects in the artwork.