Medingen Abbey
# Medingen Abbey

Medingen Abbey or Medingen Convent (German: Kloster Medingen) is a former Cistercian nunnery. Today it is a residence for women of the Protestant Lutheran faith (German: Damenstift) near the Lower Saxon town of Bad Bevensen and is supervised by the Monastic Chamber of Hanover (Klosterkammer Hannover). The current director of the abbey (Äbtissin) is the art historian Dr Kristin Püttmann.

## History

A founding legend ascribes the convent's origins to a lay brother called Johannes; the convent's history from its founding to the election of abbess Margaretha Puffen was formerly depicted in a cycle of 15 painted wooden boards, that were destroyed in the fire of 1781; the only surviving copy is the affix in Johann Ludolf Lyßman's Historische Nachrichten (1772). The legend has it that Johannes claimed divine guidance in his quest to build the new convent. The community was founded 1228 in Restorf am Höhbeck by Johannes and four nuns who joined him in Magdeburg, but the group did not stay there. For unknown reasons, they moved on to Plate near Lüchow and later Bohndorf, before they eventually settled in Altenmedingen, where the first buildings were consecrated on 24 August 1241.

The military road passing through the convent yard presented an ever-present danger of attacks or arson, so the convent decided to move one last time, to the village of Zellensen, today's Medingen. The new church was consecrated on 24 August 1336.

1479 saw the advent of the convent reforms under the influence of the devotio moderna. Many convents at that time did not follow the Cistercian rule very strictly; nuns were allowed to keep their belongings and keep in touch with their relatives once they joined the convent. The Cistercian order was re-established and the prioress Margarete Puffen was made an abbess in 1494. After the reforms, a scriptorium became one of the focal points of the convent and to this day a large number of manuscripts found worldwide can be attributed to the sixteenth-century nuns of Medingen. Hymns (Leisen) noted down in these texts are still part of both Catholic and Protestant hymnbooks today, e.g. in the current German Protestant hymnal Evangelisches Gesangbuch EG 23 "Gelobet seist du, Jesu Christ", EG 100 "Wir wollen alle fröhlich sein" and EG 214 "Gott sei gelobet und gebenedeiet", even though they were wrongly dated to the 14th century by the music historian Walther Lipphardt.

The Reformation attempted to be introduced in Medingen in 1524, was met with resistance from the nuns. They hid their confessor in the attic, publicly burned the Lutheran bible and almost faced the dissolution of the convent. In 1541, the Uelzen Landtag decided to ensure the economic security of Medingen and the five other convents nearby. This was in the nobility's interests, because their unmarried daughters could benefit from the livelihood and education befitting their status. In 1542, all of the convent's goods and earnings were confiscated and contact between the nuns and their family was prohibited. The abbess, Margareta von Stöterogge, did not give in to the demands of bringing all remaining property to Celle, but rather went to Hildesheim for two years, taking the convent's archive and valuables with her. It took her brother, Nikolaus von Stöterogge, to convince her finally to accept the communion under both forms. Eventually, in 1554, the convent became Protestant and from then on, the Klosterordnung (convent order) was defined by the Landesherr or territorial lord.

After the Reformation had been introduced, life changed drastically: The incumbents were now allowed to marry, but had to leave the convent when they did so. In 1605, they replaced the traditional Cistercian habit with an attire in accordance with the convent order introduced by Duke William in 1574. The Thirty Years' War left its mark on the convent and its surrounding area. A new convent order was introduced by Kurfürst (elector) George Louis in 1706.

Most of the convent buildings were destroyed in a fire in January 1781, although valuable possessions like the archives and the abbesses' crosier from 1494 were able to be salvaged. The ruins were demolished in 1782 and the convent re-built in the early neoclassic style. Completed in 1788, the new buildings were consecrated on 24 August.

## List of heads of convent

List of provosts :

| Name | From | Until |
| - | - | - |
| Helmerich | 1236? | 1240 |
| Nikolaus I | 1241 | 1249 |
| Johannes | 1261 | 1261 |
| Nikolaus II | 1261 | 1286 |
| Hartwig von der Sülze | 1286 | 1306 |
| Christian | 1306 | resigned 1326 |
| Ludolf von Lüneburg | 1326 | 1355 |
| Dietrich Bromes | 1355 | 1358 |
| Dietrich von Langlingen | 1359 | 1370 |
| Johannes Ostermann | 1370 | 1380 |
| Dietrich Brand (von Melle?) | 1380 | 1396 |
| Johannes Meyer | 1396 | 1416 |
| Lüdiger Tolner | 1416 | resigned 1446 |
| Ludolf Lützken | 1446 | 1464 |
| Dr iur utr Johannes Mahler | 1464 | 1467 |
| Tilemann von Bavenstedt | 1467 | 1494 |
| Ulrich von Bülow | 1494 | 1516 |
| Johann von Mahrenholtz | 1516 | 1516 |
| Bruno von Alten | 1516 | 1518 |
| Johann von Mahrenholtz | 1518 | 1529 |

List of prioresses :

| Name | From | Until |
| - | - | - |
| Imma I | 1263 | 1284 |
| Imma II | 1284 | 1315 |
| Imma (Irmgard) III | 1315 | 1323 |
| Imma IV Ruffen | 1323 | 1332 |
| Wigburg | 1327 | 1327 |
| Mechthild I von Meding | 1333 | 1343 |
| Elisabeth I von Bernowe | 1344 | 1366 |
| Alburg von dem Sande | 1368 | 1371 |
| Elisabeth II | 1376 | 1379 |
| Elisabeth III | 1379 | 1399 |
| Druda von Dageförde | 1399 | 1428 |
| Mechthild II Semmelbecker | 1428 | 1435 |
| Caecilia von dem Berge | 1435 | 1445 |
| Elisabeth IV Langendorf | 1445 | 1464 |
| Mechthild III von Römstedt | 1464 | 1479 |
| Margaretha I Puffen | 1479 | 1494, later abbess |

List of abbesses :

| Name | From | Until | Denomination |
| - | - | - | - |
| Margaretha I Puffen | 1494, former prioress | 1513 | Catholic |
| Elisabeth I von Elvern | 1513 | 1524 | Catholic |
| Margaretha II Stöterogge | 1524 | 1567 | Catholic |
| Getrud I von Töbing | 1567 | 1588 | Protestant Lutheran |
| Elisabeth II von Töbing | 1588 | 1630 | Protestant Lutheran |
| Anna I von Sarstedt | 1630 | 1635 | Protestant Lutheran |
| Margaretha III von Dassel | 1636 | 1667 | Protestant Lutheran |
| Margaretha IV von Dassel | 1667 | 1680 | Protestant Lutheran |
| Catharina Prigge | 1681 | 1706 | Protestant Lutheran |
| Clara Anna von Lüneburg | 1707 | 1719 | Protestant Lutheran |
| Anna von Laffert | 1720 | 1721 | Protestant Lutheran |
| Elisabeth Catharina von Stöterogge | 1722 | 1741 | Protestant Lutheran |
| Sophia Catharina von Meiseburg | 1741 | 1750 | Protestant Lutheran |
| Sibylla Hedewig von Laffert | 1751 | 1755 | Protestant Lutheran |
| Margaretha Elisabeth von Braunschweig | 1755 | 1793 | Protestant Lutheran |
| Luise Charlotta von Heimburg | 1793 | 1797 | Protestant Lutheran |
| Sophie Eleonore von Töbing | 1798 | 1810 | Protestant Lutheran |
| Rahel Charlotte von Töbing | 1810 | 1814 | Protestant Lutheran |
| Luise Amalie von Wallmoden | 1814 | 1825 | Protestant Lutheran |
| Auguste von Töbingen | 1826 | 1849 | Protestant Lutheran |
| Ottilie von Brömbsen | 1850 | 1906 | Protestant Lutheran |
| Auguste von Schmidt-Phiseldeck | 1907 | 1917 | Protestant Lutheran |
| Emma von Laffert | 1917 | 1930 | Protestant Lutheran |
| Luise von Brömbsen | 1931 | 1943 | Protestant Lutheran |
| Ilse von Döring | 1944 | 1972 | Protestant Lutheran |
| Helge von Bülow | 1972 | 1989 | Protestant Lutheran |
| Gisela Rothbarth | 1989 | 1999 | Protestant Lutheran |
| Monika von Kleist | 1999 | 2012 | Protestant Lutheran |
| Dr. Kristin Püttmann | since 2012 | | Protestant Lutheran |

## Cultural heritage

A large number of medieval manuscripts were produced in Medingen, 44 of which have survived and are conserved all over the world. The nuns enhanced the liturgy written in Latin with Low German prayers and songs, producing unique compilations of illuminated texts that were important to them as well as the noblewomen in the surrounding areas.

Furthermore, the brewery (German: Brauhaus), built in 1397, survived the fire of 1781 and can still be seen today. It attests to the fact that the convent was originally built in the Brick Gothic style.

