Wiscon
# Wiscon

WisCon or Wiscon, a Wisconsin science fiction convention, is the oldest, and often called the world's leading, feminist science fiction convention and conference. It was first held in Madison, Wisconsin in February 1977, after a group of fans attending the 1976 34th World Science Fiction Convention in Kansas City was inspired to organize a convention like WorldCon but with feminism as the dominant theme. The convention is held annually in May, during the four-day weekend of Memorial Day. Sponsored by the Society for the Furtherance and Study of Fantasy and Science Fiction, or (SF)³, WisCon gathers together fans, writers, editors, publishers, scholars, and artists to discuss science fiction and fantasy, with emphasis on issues of feminism, gender, race, and class.

## Guests of Honor

Since its inception, WisCon has invited one or more guests of honor to attend the convention every year, guiding and participating in programming and giving a speech at a ceremony in their honor. WisCon 30 (May 26–29, 2006) was an anniversary Wiscon, and 39 previous Guests of Honor attended. For WisCon 40, the convention invited a third guest of honor, Nalo Hopkinson, who was previously a guest of honor at WisCon 26. A virtual event happened on Memorial Day weekend in 2020 at WisCon XLIV. Here are the Guests of honor below:

| WisCon # | Year | Guests of Honor |
| - | - | - |
| 1 | Feb. 11–13, 1977 | Katherine MacLean, Amanda Bankier |
| 2 | Feb. 17–19, 1978 | Vonda N. McIntyre, Susan Wood |
| 3 | Feb. 2–4, 1979 | Suzy McKee Charnas, John Varley, Gina Clarke |
| 4 | March 7–9, 1980 | Joan D. Vinge, Octavia Butler, David Hartwell, Beverly DeWeese |
| 5 | March 6–8, 1981 | Chelsea Quinn Yarbro, Don & Elsie Wollheim, Buck & Juanita Coulson, Catherine McClenahan, Steven Vincent Johnson |
| 6 | March 5–7, 1982 | Terry Carr, Suzette Haden Elgin |
| 7 | March 4–7, 1983 | Marta Randall, Lee Killough |
| 8 | Feb. 24–26, 1984 | Elizabeth A. Lynn, Jessica Amanda Salmonson |
| 9 | Feb. 22–24, 1985 | Lisa Tuttle, Alicia Austin |
| 10 | Feb. 21–23, 1986 | Chelsea Quinn Yarbro, Suzette Haden Elgin |
| 11 | Feb. 20–22, 1987 | Connie Willis, Samuel R. Delany, Avedon Carol |
| 12 | Feb. 19–21, 1988 | R. A. MacAvoy, George R. R. Martin, Stu Shiffman |
| 13 | Feb. 17–19, 1989 | Gardner Dozois, Pat Cadigan |
| 14 | March 9–11, 1990 | Iain M. Banks, Emma Bull |
| 15 | March 1–3, 1991 | Pat Murphy, Pamela Sargent |
| 16 | March 6–7, 1992 | Howard Waldrop, Trina Robbins |
| 17 | March 5–7, 1993 | Kristine Kathryn Rusch, Lois McMaster Bujold |
| 18 | March 4–6, 1994 | Karen Joy Fowler, Melinda Snodgrass, James Frenkel |
| 19 | May 26–29, 1995 | Barbara Hambly, Sharyn McCrumb, Nicola Griffith |
| 20 | May 24–27, 1996 | Ursula K. Le Guin, Judith Merril |
| 21 | May 23–26, 1997 | Melissa Scott, Susanna Sturgis |
| 22 | May 22–25, 1998 | Sheri S. Tepper, Delia Sherman, Ellen Kushner |
| 23 | May 28–31, 1999 | Terri Windling, Mary Doria Russell |
| 24 | May 26–29, 2000 | Charles de Lint, Jeanne Gomoll |
| 25 | May 25–28, 2001 | Nancy Kress, Elisabeth Vonarburg |
| 26 | May 24–27, 2002 | Nalo Hopkinson, Nina Kiriki Hoffman |
| 27 | May 23–26, 2003 | Carol Emshwiller, China Miéville |
| 28 | May 28–31, 2004 | Patricia McKillip, Eleanor Arnason |
| 29 | May 27–30, 2005 | Gwyneth Jones, Robin McKinley |
| 30 | May 26–29, 2006 | Kate Wilhelm, Jane Yolen |
| 31 | May 25–28, 2007 | Kelly Link, Laurie Marks |
| 32 | May 23–26, 2008 | L. Timmel Duchamp, Maureen McHugh |
| 33 | May 22–25, 2009 | Ellen Klages, Geoff Ryman |
| 34 | May 28–31, 2010 | Mary Anne Mohanraj, Nnedi Okorafor |
| 35 | May 26–30, 2011 | Nisi Shawl |
| 36 | May 25–28, 2012 | Andrea Hairston, Debbie Notkin |
| 37 | May 24–27, 2013 | Joan Slonczewski, Jo Walton |
| 38 | May 23–26, 2014 | Hiromi Goto, N. K. Jemisin |
| 39 | May 22–25, 2015 | Alaya Dawn Johnson, Kim Stanley Robinson |
| 40 | May 27–30, 2016 | Justine Larbalestier, Sofia Samatar, Nalo Hopkinson |
| 41 | May 26–29, 2017 | Amal El-Mohtar, Kelly Sue DeConnick |
| 42 | May 25–28, 2018 | Saladin Ahmed, Tananarive Due |
| 43 | May 24–27, 2019 | G. Willow Wilson, Charlie Jane Anders |
| 44 | May 22–25, 2020 | Rebecca Roanhorse, Yoon Ha Lee Traditional in-person convention cancelled due to COVID-19; converted to all-online format |
| No# | Online in 2021 | Traditional in-person convention cancelled in 2021 due to COVID-19. No traditional guests named. |
| 45 | May 2022 online | Zen Cho (not attending), Yoon Ha Lee (not attending), Rebecca Roanhorse, Sheree Renée Thomas |
| 46 | May 26–29, 2023 | Rivers Solomon, Martha Wells |

## Offshoot organizations and awards

Multiple awards and organizations have been created through or developed from conversations at WisCon that focus on various issues within science fiction and fantasy. Many of these offshoots still maintain close ties to WisCon, hosting parties or panel discussions focused on their areas of interest.

The James Tiptree, Jr. Award (now the Otherwise Award), an annual literary prize for science fiction or fantasy "that expands or explores our understanding of gender" was first discussed as part of Pat Murphy's Guest of Honor speech at WisCon 15 in 1991. The concept originated in a discussion at a prior WisCon, partly as "...a reaction to the fact that all of the science fiction awards were named after men. So they named the Tiptree for a man who was actually a woman". James Tiptree, Jr., was the pen name of Alice B. Sheldon. The Tiptree Ceremony has been held at other conventions, but is usually held at WisCon.

The Carl Brandon Society was founded in 1999 following discussions at Wiscon 23 about race, racism, and science and fantasy, inspired in part by Delany’s essay “Racism and Science Fiction” published in the New York Review of Science Fiction (August 1998). The organization is dedicated to addressing the representation of people of color in science fiction, fantasy and horror. In 2005 they created the Parallax Award, given to works of speculative fiction created by a self-identified person of color, and the Kindred Award, which is given to any work of speculative fiction dealing with issues of race and ethnicity; nominees may be of any racial or ethnic group.

Broad Universe, an organization with the primary goal of promoting science fiction, fantasy, and horror written by women, was first discussed at a panel discussion in 2000 at WisCon 24. It has since developed into a nonprofit with an online newsletter and other publications, a podcast, and a frequent presence at many conventions both to sell books written by members and to provide more information and help organize to support women writing, editing, and publishing in science fiction, fantasy, horror, and other speculative fiction.

## Books about WisCon

In 2007, Aqueduct Press began issuing a series of books titled "WisCon Chronicles", with The WisCon Chronicles: Vol. 1 ISBN 978-1-933500-14-0, edited by L. Timmel Duchamp. Volume 2 was The WisCon Chronicles: Volume 2: Provocative essays on feminism, race, revolution, and the future ISBN 978-1-933500-20-1, edited by Duchamp and Eileen Gunn; followed by The WisCon Chronicles: Vol. 3: The Carnival of Feminist SF ISBN 978-1-933500-30-0, edited by Liz Henry; The WisCon Chronicles: Vol. 4: Voices of WisCon ISBN 978-1-933500-40-9 edited by Sylvia Kelso; and The WisCon Chronicles: Volume 5: Writing and Racial Identity ISBN 978-1-933500-73-7, edited by Nisi Shawl and released at WisCon 35 (May 27–30, 2011), where Shawl was Guest of Honor. Volume 5, like Volume 4 before it, was supported by a grant from the Society for the Furtherance & Study of Fantasy & Science Fiction $[(SF)^3].$ The WisCon Chronicles 6: Futures of Feminism and Fandom ISBN 9781619760080, edited by Alexis Lothian, was issued at WisCon 36 in 2012; and The WisCon Chroncles 7: Shattering Ableist Narratives ISBN 9781619760424, edited by JoSelle Vanderhooft, was issued at WisCon 37 in late May 2013.

Helen Merrick's 2009 The Secret Feminist Cabal (ISBN 978-1-933500-33-1), a 2010 Hugo nominee, while a broader history of the topic, contains a number of mentions and descriptions of WisCon itself and of various WisCon-spawned projects such as the Tiptree Awards, Broad Universe, and the Carl Brandon Society, beginning with the author's preface and continuing throughout the book.

