Martin Hernández
# Martin Hernández

Martin Hernández (born 1 June 1964) is a Mexican sound editor and designer. He was nominated for two Academy Awards for his work on the films Birdman (2014) and The Revenant (2015), the latter of which also earned him a British Academy Film Award.

## Awards and nominations

### Academy Awards

| Year | Category | Nominated work | Result | Ref. |
| - | - | - | - | - |
| 2015 | Best Sound Editing | Birdman | Nominated | |
| 2016 | Best Sound Editing | The Revenant | Nominated | |

### British Academy Film Awards

| Year | Category | Nominated work | Result |
| - | - | - | - |
| 2007 | Best Sound | Babel | Nominated |
| 2007 | Best Sound | Pan's Labyrinth | Nominated |
| 2015 | Best Sound | Birdman | Nominated |
| 2016 | Best Sound | The Revenant | Won |

### Ariel Awards

| Year | Category | Nominated work | Result |
| - | - | - | - |
| 2001 | Best Sound | Amores perros | Won |
| 2005 | Best Sound | Voces inocentes | Nominated |
| 2007 | Best Sound | Crónicas | Nominated |
| 2007 | Best Sound | Pan's Labyrinth | Nominated |
| 2008 | Best Sound | Cobrador: In God We Trust | Nominated |
| 2008 | Best Sound | Silent Light | Nominated |
| 2009 | Best Sound | Rudo y Cursi | Nominated |
| 2013 | Best Sound | La vida precoz y breve de Sabina Rivas | Nominated |
| 2018 | Best Sound | Tigers Are Not Afraid | Nominated |

### Golden Reel Awards

| Year | Category | Nominated work | Result |
| - | - | - | - |
| 2004 | Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film | City of God | Won |
| 2007 | Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film | Pan's Labyrinth | Won |
| 2007 | Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film | Babel | Nominated |
| 2009 | Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film | Hellboy II: The Golden Army | Nominated |
| 2011 | Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film | Biutiful | Nominated |
| 2015 | Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film | Birdman | Nominated |
| 2015 | Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film | Birdman | Nominated |
| 2015 | Outstanding Achievement in Sound Editing – Feature Underscore | Birdman | Won |
| 2016 | Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film | The Revenant | Nominated |
| 2016 | Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film | The Revenant | Won |
| 2016 | Outstanding Achievement in Sound Editing – Feature Underscore | The Revenant | Nominated |
| 2018 | Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Special Venue | Flesh and Sand | Won |

### Goya Awards

| Year | Category | Nominated work | Result |
| - | - | - | - |
| 2007 | Best Sound | Pan's Labyrinth | Won |

### Satellite Awards

| Year | Category | Nominated work | Result |
| - | - | - | - |
| 2006 | Best Sound | Babel | Nominated |
