Hollywood Post Alliance Award for Outstanding Sound – Feature Film
# Hollywood Post Alliance Award for Outstanding Sound – Feature Film

The Hollywood Post Alliance Award for Outstanding Sound in a Feature Film is an annual award, given by the Hollywood Post Alliance, or HPA, to post production workers in the film and television industry, in this case sound . It was first awarded in 2006, and has been presented every year since. From 2006 to 2009, the category was titled Hollywood Post Alliance Award for Outstanding Audio Post - Feature Film.

## Winners and nominees

* †† – indicates the winner of both the Academy Award for Best Sound Editing and Academy Award for Best Sound Mixing.
* ‡‡ – indicates nominations for both the Academy Award for Best Sound Editing and Academy Award for Best Sound Mixing.
* †‡ – indicates a winner of the Academy Award for Best Sound Editing and a nominee for the Academy Award for Best Sound Mixing
* ‡ – indicates a nomination for the Academy Award for Best Sound Editing

### 2000s

Outstanding Audio Post - Feature Film

| Year | Film | Winners/Nominees |
| - | - | - |
| 2006 | Flightplan | Dave McMoyler, Michael Minkler, Myron Nettinga |
| 2006 | The Producers | Lon Bender, Lee Dichter |
| 2007 | The Bourne Ultimatum †† | Karen Baker Landers, Per Hallberg, Scott Millan, David Parker |
| 2007 | Meet the Robinsons | David E. Fluhr, Myron Nettinga, Todd Toon |
| 2008 | WALL-E ‡‡ | Ben Burtt, Tom Myers, Michael Semanick, Matthew Wood |
| 2008 | Into the Wild | Michael Minkler, Lora Hirschberg, Martin Hernández |
| 2008 | Wanted ‡‡ | Wylie Stateman, Harry Cohen, Chris Jenkins, Frank A. Montaño |
| 2009 | Watchmen | Chris Jenkins, Frank A. Montaño, Scott Hecker, Eric A. Norris |
| 2009 | Quantum of Solace | Eddy Joseph, James Boyle |
| 2009 | Up ‡‡ | E.J. Holowicki, Tom Myers, Michael Silvers, Michael Semanick |

### 2010s

Outstanding Sound - Feature Film

| Year | Film | Winners/Nominees |
| - | - | - |
| 2010 | District 9 | Chris Ward, Brent Burge (supervising sound editors); Michael Hedges, Gilbert Lake (re-recording mixers) |
| 2010 | The Book of Eli | Steven D. Williams, Eric A. Norris (sound designers/supervising sound editors); Chris Jenkins, Frank A. Montaño (re-recording mixers) |
| 2010 | Inception †† | Richard King (sound designer/supervising sound editor); Lora Hirschberg, Gary Rizzo (re-recording mixers) |
| 2010 | The Princess and the Frog | Odin Benitez (sound designer/supervising sound editor); David E. Fluhr, Dean Zupanic (re-recording mixers) |
| 2010 | Toy Story 3 ‡‡ | Tom Myers (re-recording mixer/sound designer/supervising sound editor), Michael Silvers (supervising sound editor), Michael Semanick (re-recording mixer) |
| 2011 | Green Lantern | Per Hallberg, Karen Baker Landers (supervising sound editors); John T. Reitz, Gregg Rudloff, Rick Kline (re-recording mixers) |
| 2011 | Cars 2 | Tom Myers (re-recording mixer/sound designer/supervising sound editor), Michael Silvers (supervising sound editor), Michael Semanick (re-recording mixer) |
| 2011 | Fast Five | Peter Brown (sound designer/supervising sound editor); Jon Taylor, Frank A. Montaño (re-recording mixers) |
| 2011 | Sucker Punch | Scott Heccker, Eric A. Norris (sound designers/supervising sound editors); Chris Jenkins, Frank A. Montaño (re-recording mixers) |
| 2011 | True Grit ‡‡ | Skip Lievsay, Craig Berkey (re-recording mixers/supervising sound editors); Greg Orloff (re-recording mixer) |
| 2012 | The Adventures of Tintin | Chris Ward, Brent Burge (supervising sound editors); Christopher Boyes, Michael Hedges, Andy Nelson (re-recording mixers) |
| 2012 | Brave | Gwendolyn Yates Whittle (supervising sound editor), E.J. Holowicki (sound designer), Gary Rydstrom (re-recording mixer/sound designer), Tom Johnson (re-recording mixer) |
| 2012 | Extremely Loud & Incredibly Close | Blake Leyh (supervising sound editor); Eliza Paley (supervising dialogue editor); Skip Lievsay, Paul Urmson (re-recording mixers) |
| 2012 | The Hunger Games | Lon Bender (sound designer/supervising sound editor); Bill R. Dean, Kris Fenske (sound designers); Glynna Grimala (supervising dialogue editor); Michael Keller, Mike Prestwood Smith (re-recording mixers) |
| 2012 | Safe House | Per Hallberg (supervising sound editor); Chris Jenkins, Frank A. Montaño (re-recording mixers); Nico Louw, Conrad Kuhne (production sound mixers) |
| 2013 | Argo ‡‡ | Erik Aadahl, Ethan Van der Ryn (sound designers/supervising sound editors); John T. Reitz, Gregg Rudloff (re-recording mixers) |
| 2013 | Gangster Squad | Cameron Frankley (sound designer/supervising sound editor); Jason W. Jennings (sound designer); Dean Zupanic, Jon Taylor (re-recording mixers) |
| 2013 | Iron Man 3 | Mark Stoeckinger, Andrew DeCristofaro (supervising sound editors); Michael Keller, Mike Prestwood Smith (re-recording mixers) |
| 2013 | Pacific Rim | Scott Martin Gershin (sound designer/supervising sound editor); Tim LeBlanc, John T. Reitz, Gregg Rudloff (re-recording mixers) |
| 2013 | Turbo | Richard King (supervising sound editor); Andy Nelson, Michael Babcock (re-recording mixers); Nico Louw, Conrad Kuhne (production sound mixers) |
| 2014 | Gravity †† | Glenn Freemantle (sound designer/supervising sound editor); Skip Lievsay, Christopher Benstead, Niv Adiri (re-recording mixers) |
| 2014 | Frozen | Odin Benitez (sound designer/supervising sound editor), David E. Fluhr (re-recording mixer), Gabriel Guy (re-recording mixer/original dialogue mixer) |
| 2014 | Godzilla | Erik Aadahl, Ethan Van der Ryn (sound designers/supervising sound editors); Tim LeBlanc, John T. Reitz, Rick Kline (re-recording mixers) |
| 2014 | The Hunger Games: Catching Fire | Jeremy Peirson (re-recording mixer/sound designer/supervising sound editor), Skip Lievsay (re-recording mixer) |
| 2014 | Noah | Craig Henighan (re-recording mixer/supervising sound editor), Skip Lievsay (re-recording mixer), Jill Purdy (supervising dialogue editor) |
| 2015 | American Sniper †‡ | Alan Robert Murray (supervising sound editor); Tom Ozanich (sound designer); John T. Reitz, Gregg Rudloff (re-recording mixers) |
| 2015 | Birdman or (The Unexpected Virtue of Ignorance) ‡‡ | Martin Hernández, Aaron Glascock (sound designers/supervising sound editors); Jon Taylor, Frank A. Montaño (re-recording mixers) |
| 2015 | Interstellar ‡‡ | Richard King (sound designer/supervising sound editors); Gary Rizzo, Gregg Landaker (re-recording mixers); Mark Weingarten (production sound mixer) |
| 2015 | Mad Max: Fury Road †† | Mark Mangini, Scott Hecker (supervising sound editors); Chris Jenkins, Gregg Rudloff (re-recording mixers) |
| 2015 | Unbroken ‡‡ | Becky Sullivan, Andrew DeCristofaro (supervising dialogue editors); Jon Taylor, Frank A. Montaño (re-recording mixers) |
| 2016 | Sicario ‡ | Alan Robert Murray (supervising sound editor), Tom Ozanich (re-recording mixer/sound designer), John T. Reitz (re-recording mixer) |
| 2016 | Batman v Superman: Dawn of Justice | Scott Hecker (supervising sound editor); Chris Jenkins, Michael Keller (re-recording mixers) |
| 2016 | Eye in the Sky | Bill R. Dean (supervising sound editor/sound designer), Craig Mann (re-recording mixer/supervising sound editor), Adam Jenkins (re-recording mixer), Chase Keehn (dialogue editor) |
| 2016 | Room | Niall Brady (supervising dialogue editor), Steve Fanagan (re-recording mixer/sound designer), Ken Galvin (re-recording mixer) |
| 2016 | Zootopia | Addison Teague (sound designer/supervising sound editor), David E. Fluhr (re-recording mixer), Gabriel Guy (re-recording mixer/original dialogue mixer) |
| 2017 | Guardians of the Galaxy Vol. 2 | Addison Teague, David Acord (sound designers/supervising sound editors), Christopher Boyes, Lora Hirschberg (re-recording mixers) |
| 2017 | Doctor Strange | Shannon Mills, Daniel Laurie (supervising sound editors); Tom Johnson, Juan Peralta (re-recording mixers) |
| 2017 | The Fate of the Furious | Peter Brown, Mark Stoeckinger (supervising sound editors); Paul Aulicino (assistant supervising sound editor); Stephen P. Robinson (sound designer), Bobbi Banks (supervising adr editor) |
| 2017 | John Wick: Chapter 2 | Mark Stoeckinger (supervising sound editor); Alan Rankin (sound designer/supervising sound editor); Andy Koyama, Martyn Zub, Gabriel J. Serrano (re-recording mixers) |
| 2017 | Sully ‡ | Alan Robert Murray, Bub Asman (supervising sound editors); John T. Reitz (re-recording mixer); Tom Ozanich (re-recording mixer/sound designer) |
| 2018 | The Shape of Water ‡‡ | Nelson Ferreira, Nathan Robitaille (supervising sound editors); Christian Cooke, Brad Zoern (re-recording mixers) |
| 2018 | Ant-Man and the Wasp | Addison Teague, Katy Wood (supervising sound editors); Tom Johnson, Juan Peralta (re-recording mixers) |
| 2018 | Avengers: Infinity War | Shannon Mills, Daniel Laurie (supervising sound editors); Tom Johnson, Juan Peralta (re-recording mixers) |
| 2018 | Black Panther ‡‡ | Benjamin A. Burtt (supervising sound editor), Steve Boeddeker (supervising sound editor/re-recording mixer), Brandon Proctor (re-recording mixer) |
| 2018 | Blade Runner 2049 ‡‡ | Mark Mangini (supervising sound editor); Theo Green (sound designer); Mac Ruth (production sound mixer); Ron Bartlett, Doug Hemphill (re-recording mixers) |
| 2019 | Godzilla: King of the Monsters | Erik Aadahl (sound designer/supervising sound editor); Jason W. Jennings, Nancy Nugent (supervising sound editors); Tim LeBlanc, Tom Ozanich (re-recording mixers) |
| 2019 | Aquaman | Eliot Connors, Stephen P. Robinson (sound designers); Joe Dzuban (sound designer/re-recording mixer); Peter Brown (supervising sound editor); Tim LeBlanc (re-recording mixer) |
| 2019 | Roma ‡‡ | Sergio Diaz (sound designer/supervising sound editor), Skip Lievsay (sound designer/supervising sound editor/re-recording mixer), Ruy García (supervising adr editor), Craig Henighan (re-recording mixer), Carlos Honc (dialogue editor), Caleb Townsend (music editor) |
| 2019 | Shazam! | Bill R. Dean (sound designer/supervising sound editor); Erick Ocampo (sound designer); Kelly Oxford (supervising adr editor); Michael Keller, Kevin O'Connell (re-recording mixers) |
| 2019 | Smallfoot | Michael Babcock (sound designer/supervising sound editor/re-recording mixer), Chris Diebold (sound effects editor), Harrison Meyle (dialogue supervisor), Jeff Sawyer (foley supervisor), David E. Fluhr (re-recording mixer) |
