Association coopérative de productions audiovisuelles
# Association coopérative de productions audiovisuelles

The Association coopérative de productions audiovisuelles (ACPAV) is a Canadian film cooperative, which serves as a production company for films by emerging film directors from Quebec. Established in 1971 in Montreal, the organization has played a central role in the development of the Cinema of Quebec, by producing and releasing early-career films by many of the province's most prominent and successful filmmakers. Key producers associated with the cooperative have included Marc Daigle, Bernadette Payeur and René Gueissaz.

Québec Cinéma named the organization as the winner of its Prix Iris Tribute Award at the 22nd Quebec Cinema Awards in 2021, to honour its 50th anniversary. This marked the first time in the history of that category that it was presented to an organization rather than an individual.

## Selected filmography

| Film | Director | Year |
| - | - | - |
| 8:17 p.m. Darling Street (20h17 rue Darling) | Bernard Émond | 2003 |
| The Absence (L'Absence) | Brigitte Sauriol | 1976 |
| All That You Possess (Tout ce que tu possèdes) | Bernard Émond | 2012 |
| Antigone | Sophie Deraspe | 2019 |
| Caffè Italia, Montréal | Paul Tana | 1985 |
| Cap Tourmente | Michel Langlois | 1993 |
| Day by Day (Les grands enfants) | Paul Tana | 1980 |
| The Devil's Hole (Le Trou du diable) | Richard Lavoie | 1989 |
| The Diary of an Old Man (Le Journal d’un vieil homme) | Bernard Émond | 2015 |
| The Dismantling (Le Démantèlement) | Sébastien Pilote | 2013 |
| Dream Life (La vie rêvée) | Mireille Dansereau | 1972 |
| The Fabulous Voyage of the Angel (Le fabuleux voyage de l'ange) | Jean Pierre Lefebvre | 1991 |
| February 15, 1839 (15 février 1839) | Pierre Falardeau | 2001 |
| The Fireflies Are Gone (La disparition des lucioles) | Sébastien Pilote | 2018 |
| Forest Alert (L'Erreur boréale) | Richard Desjardins, Robert Monderie | 1999 |
| The Heat Line (La ligne de chaleur) | Hubert-Yves Rose | 1988 |
| Iqaluit | Benoît Pilon | 2018 |
| Kanehsatake: 270 Years of Resistance | Alanis Obomsawin | 1993 |
| The Legacy (La Donation) | Bernard Émond | 2009 |
| Little Tougas (Ti-Cul Tougas) | Jean-Guy Noël | 1976 |
| Lucien Brouillard | Bruno Carrière | 1983 |
| Mr. Aiello (La Déroute) | Paul Tana | 1998 |
| Montreal Main | Frank Vitale | 1974 |
| Mourning for Anna (Trois temps après la mort d'Anna) | Catherine Martin | 2010 |
| The Necessities of Life (Ce qu'il faut pour vivre) | Benoît Pilon | 2015 |
| The Novena (La Neuvaine) | Bernard Émond | 2005 |
| Octobre | Pierre Falardeau | 1994 |
| A Pacemaker and a Sidecar (L'eau chaud, l'eau frette) | André Forcier | 1976 |
| The Party (Le Party) | Pierre Falardeau | 1990 |
| A Place to Live (Pour vivre ici) | Bernard Émond | 2018 |
| Rêves de poussière | Laurent Salgues | 2006 |
| The Revolving Doors (Les portes tournantes) | Francis Mankiewicz | 1988 |
| The Salesman (Le Vendeur) | Sébastien Pilote | 2011 |
| La Sarrasine | Paul Tana | 1992 |
| So the Moon Rises (La lune viendra d'elle-même) | Marie-Jan Seille | 2004 |
| Summit Circle (Contre tout espérance) | Bernard Émond | 2007 |
| The Wolves (Les loups) | Sophie Deraspe | 2014 |
| A Woman in Transit (La Femme de l'hôtel) | Léa Pool | 1984 |
| The Woman Who Drinks (La Femme qui boit) | Bernard Émond | 2000 |
