{"newspaper_name": "The New York herald.", "edition": "01", "page": "p2", "byline": ""}
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FRENCH OpERA.-Nothing can be palmer than the
great success which the French Opera has met with
beyond the Italian, which went down despite Of all
the efforts made TO sustain il. The French company
have now been performing for some weeks, and are
likely TO 20 on for many more with cheering pros.
pect before them After all there is nothing diff
cult TO account for in this apparent partiaty for
French Opera; II is good deal owing to the exem-
pary conduct OF the artists composing thei French
troupe, and the union and concord which happily
exists between them and the manager. thai thew
progress so smoothly and SO surely This could not
be said OF the Italian troupe; they were at constant
variance with the manager and with each other.
petty Iealouses operated upon them personal dis.
likes were brought upon the stage; aterc atoms, in
which the public had no concern whatever. were
parsded publicly, and the most unmanly pevishness
manifested generally. In short, where so strong a
principle OF repusion existed there could be neither
peunanence nor force, and il was quite natural that
:hey should fall in pieces without hope OF reorganiza
uon. Like causes produce like effects; the French
artists, who are now dellghing large audiences in
ne Park, neglect no means nor pains to please
lhey are efficient, sagacions enough to see their po
son and avoid the absurd errors Of the others; they
are under Iudiclous management and their pieces
i'e selected with tact and Judgment. So long as
'h- holds ine OF tlem,ihey viii command patronage
- veil 81 deserve It,