{"newspaper_name": "Mobile register and journal.", "edition": "01", "page": "p2", "byline": ""}
{"character_count": 2357, "word_count": 403, "ccnet_language_score": [0.9309999942779541], "ccnet_perplexity": [1086.5999755859375], "fasttext_language": ["en"]}
AN ELOQUENT PASSAGE ON SHAKsPEARE.- IIazht has acquitted himself exceliently partly in the development of the principal characters with which Shakespeare has peoped the iancies of all English readers-but principally, we think, in the delicate sensibility with which he has traced, and the natural eoquence with which he has pointed out that fond familiarity with beautiful formes and images that eterna r currence to what Is sweet or majes

 tic in the simple aspects of nature that indestruc

 be love vi flowers and odors, and dews and waters, and soft airs and sounds and br ghl skies, and wood- land soitudes, and moonlight powers, which are the maternal elements of poeiry-and that fine sense of their undefnabe relation to mental emotion, which is its essence and vivfyng soul-and which, m the mdst of Shakspeare's most busy and airocious scenes, fall like geams of sunshine on rocks and ins-conrasiing with all that rugged and repulsve. and reminding of the existence oi puer and bright

 CT eementsl-which he al1ne has poured out from the richness of his mind, without effort or re- straint and contrived to netmingle with the play of all the passions, and the vulgar course oi this words aas, without deses tIng for an instant the proper business Of the scene, appearing to pause or di- gress, from love of ornament or need o repose! He aOne who, when the object requires II always keen and worldly and praciica and who vet, without chang

 ing his band stopping hs csurse sci,ters around him as he goes, all sounds and shapes of sweetness and conures up landscapes # immortal fIagraRce and

 freshness, and peoples them with spirits of gorous aspect ond attractive grace--aud IS a thousand times more iui' oi fancy, and imagery ana spenaor' 'han shrupk back from the dcliEeation of character or passion, and declined the discussion of human du ties and cares. More full of wisdom and ridicue, and sagacity, lhan all the moialists and satirlsts that ever exsled--te is more wild, airy, and inven- tive. and more path, tis and fantastic, ihan all the poets of all regions and ages of the worl and has all those elements happily mixed up in him, and bears his high faculties 50 iemperately, that the most severe reader cann complain of him fpr want of strength or reaM n-n.r the most sensitive for de- fec, oi ornament or ingenuity. Everything in him