{"word_count": 295, "character_count": 1961}
This lecture focuses on the engraved title-page of Thomas Hobbes’s »Leviathan« executed by Abraham Bosse in 1651. This image is first discussed in relation to two earlier works by Hobbes that had included emblematic frontispieces: his translation of Thucydides in 1629 and his »De cive« of 1642. These images are in turn related to the broader visual conventions of English humanist frontispieces as a means of revealing some iconographically unique features of Bosse’s design. The »Leviathan« frontispiece centres on a male colossus, whose identity will be discussed, but the lecture also includes an analysis of some relevant female figures, including representations of Imperium, Libertas and Potestas, as well as personifications of America and Europe.Quentin Skinner is Barber Beaumont Professor of the Humanities at Queen Mary University of London, and was previously the Regius Professor of History at the University of Cambridge.  He is a Fellow of the British Academy and a foreign member of several other national academies, including the American Academy of Arts and Sciences and the American Philosophical Society.  His scholarship, which is available in twenty languages, has won him many awards, including the Wolfson History Prize and a Balzan Prize.  Skinner has been the recipient of honorary degrees from many leading universities, including Athens, Chicago, Harvard and Oxford.  His two-volume study, The Foundations of Modern Political Thought (1978), was listed by the Times Literary Supplement in 1996 as one of the hundred most influential books published since World War II.  Skinner’s other books include Reason and Rhetoric in the Philosophy of Hobbes (1996), Liberty Before Liberalism (1998), Machiavelli (2000), Hobbes and Republican Liberty (2008), Forensic Shakespeare (2014), and a three-volume collection of essays: Visions of Politics (2002).  A further collection of essays (From Humanism to Hobbes) is due to appear next year.