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Les 30 et 31 août 2018 c'est tenu le très intéressant workshop organisé par le Centre for Languages and Literature de l'Université de Lund, Chronotopia : Urban Space and Time in Post-2000 Sinophone Film and Fiction, à Lund, en Suède.Le programme était le suivant :—Jeudi 30 août 2018—Dialogue Narrating Social Inequalities Through the Tropes of Time and Space in Hao Jingfang-s Science Fiction — Frederike Schneider-Vielsäcker (Free University of Berlin) Commodification, Everyday Life and the Spectral Urbanscape in post-2000 Chinese Literatre — Winnie L.M. Yee (University of Hong Kong) Dialogic Chronotopes of the Global City in Contemporary Chinese New Urban and Migrant Films — Jie Lu (University of the Pacific)Threshold Cartographies of Socialism and Post-Socialism: Factory Gate and the Treshold of the Visible World — Erin Y. Huang (Princeton University) The Zombie as Threshold Chronotope in Recent Hong Kong Popular Fiction — Heather Inwood (University of Cambridge)Patchwork The Patchwork Chronotope: Piecing Together Urban Space — Yomi Braester (University of Washington)—Vendredi 31 août 2018—Past, Present, Future The Evolution of the Depiction of City in Chinese Science Fiction Literature from the 1950s to Date : From a Spotless Dream to an Alarming Reality — Loïc Aloisio (Université d'Aix-Marseille) Metaphor, Mirror, and a New Poetics of Mimesis — Song Mingwei (Wellesley College) Local Pastime (Past-Time) of Beijing in the Film Mr. Six — Sheldon Lu (University of California)Movement Space, Time and Mobility: Xue Yiwei's Shenzheners — Pamela Hunt (Oxford University) Take the Elevator to Tomorrow: Mobile Space and Lingering Time in Contemporary Urban Fiction — Astrid Møller-Olsen (Lund University)