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[caption id="attachment_2454" align="aligncenter" width="500"] Hubert Robert, Le port de Ripetta à Rome, 1766, huile sur toile, 119 x 145 cm, Paris, Ecole nationale supérieure des Beaux-Arts.[/caption]Type : Journée d'étudeDate : 20 mai 2016Lieu : The British School at Rome, via Antonio Gramsci, 61, Roma, Italie.Organisation : Ariane Varela Braga et Thomas-Leo TrueQuestions of artistic travel and mobility have been the focus of recent scholarly attention. Rome’s special status as caput mundi and the opportunities it provided as a cultural centre have attracted migrant artists from the Renaissance to the present day.This conference addresses the issue of mobility from a novel perspective, by concentrating on case-studies of artists—or groups of artists—that not only travelled to, but settled in, Rome and examines issues of mobility, artistic exchange and cultural transfer, patronage and professional networks, cultural identity, and strategies for integration or voluntary exclusion from the local artistic life. When (and how) do foreign artists become Roman artists? What is the role played by social and institutional networks for their integration? How does the process of integration evolve and modify over time? For what sort of clientele (particularly foreign or local) do foreign artists work? How do foreign artist interact with the local artistic environment? How does their activity shape questions of Romanitas or Roman cultural identity?The conference is an initiative of the Rome Art History Network (RAHN), an independent and international network, based in Rome, which encourages the exchange of ideas between researchers from foreign academies and Italian universities, at an early stage of their career.Programme :9:30 - Welcome by Thomas-Leo True (British School at Rome)9:40 - Introduction by Ariane Varela Braga (RAHN/University of Zurich)10:00 - Session 1 | Dynamics of Settlement and Integration: Studying Foreign Artists in RomePrésidence : Francesca Cappelletti (Università degli studi di Ferrara)• Patrizia Cavazzini (British School at Rome), La popolazione dei pittori a Roma nel Cinquecento• Laura Bartoni (Universita Telematica Internazionale Uninettuno), Artisti stranieri nella Roma del Seicento tra fortuna e fallimento• Gilles Montègre (Université de Grenoble Alpes), Sono stranieri o diventati romani ? Indagare sugli artisti e residenti francesi nella Roma settecentesca11:40 Break12:00 Session 2 | Networks and Socio-institutional ConnectionsPrésidence : Raffaella Morselli (Università degli Studi di Teramo)• Piers Baker-Bates (The Open University), Tierra Tan Extraña: Spanish artists in sixteenth-century Rome• Elisabeth Kieven (Bibliotheca Hertziana-Istituto Max Planck per la Storia dell‘Arte), Becoming successfully Roman: the case of Gaspar van Wittel (1653–1736)13:40 Lunch15:00 Session 3 | Cosmopolitan CirclesPrésidence : Sarah Linford (Accademia di Belle Arti di Roma)• Anna Frasca-Rath (Universität Wien), Antonio Canova ed i borsisti internazionali a Roma• Sarah Kinzel (Humboldt-Universität zu Berlin), Patrons, parties, priceless portraits: Franz von Lenbach’s network in Rome16:10 Break16:30 Session 4 | Out of Time : The Choice of RomePrésidence : Laura Iamurri (Università degli Studi Roma Tre)• Anna Vyazentseva (Università dell’Insubria), Alcuni artisti e architetti Russi a Roma nel Primo Novecento: le questioni dell’integrazione• Peter Benson Miller (American Academy in Rome), Resident/Alien: American artists in postwar Rome18:00 Evening Lecture• Irene Fosi (Università degli Studi “G. d’Annunzio”, Chieti-Pescara), Roma in età moderna: un mosaico di ‘nationes’&#160;&#160;