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Nous sommes heureux de vous informer que l'inscription pour le colloque international "Mode, vêtement et société en Europe durant la Première Guerre mondiale » est maintenant ouverte à l’adresse suivante:https://www.weezevent.com/fashion-dress-and-society-in-europe-during-world-war-i.Lieu et programme: Le colloque aura lieu à l'Institut Français de la Mode, 36 Quai d'Austerlitz, 75013 Paris, les 12 et 13 décembre 2014.Il présentera 65 interventions en français et en anglais :*Journée du vendredi 12 décembre : conférences plénières entre 9h et 18h*Journée du samedi 13 décembre : trois sessions simultanées de conférences entre 9 et 17hToutes les informations relatives au colloque et à l’inscription se trouvent sur le site Internet du colloque :  http://europeanfashionwwi.wordpress.com/Le programme définitif sera bientôt disponible.Inscription: Merci de bien noter que vous devez vous inscrire pour assister au colloque. Les frais, qui s’élèvent à 60 euros par participant, comprennent les 4 pauses café, ainsi que les deux repas des deux jours du colloque. Un tarif spécial de 35 euros s’applique pour les étudiants (avec justificatif de la carte d’étudiant en cours de validité). Un tarif spécial est également proposé pour les demandeurs d'emploi et les intermittents du spectacle, ainsi que pour ceux qui ne peuvent assister qu'à une journée du colloque (vendredi ou samedi).-Public, General Admission (2 days): 60 euros (+ tax)-Public, Student Admission (2 days): 35 euros (+tax)-Public, Unemployed/Artists (2 days): 40 euros (+tax)-Public 1 day (Friday or Saturday), General: 35 euros (+ tax)-Public 1 day (Friday or Saturday), Student: 20 euros (+ tax)-Public 1 day (Friday or Saturday), Unemployed/Artists: 25 euros (+ tax)Liste des intervenants :Nuria Aragonès (University of Barcelona/ Paris III, Sorbonne): French press during WWIAna Balda (University of Navarra, Spain): WWI and its consequences on the consumption of French Haute Couture by Spanish Royalty, aristocracy and high bourgeoisieMaude Bass-Krueger (PhD candidate, Bard Graduate Center, NYC): La Parisienne et Le Poilu:  Fictions and fantasies of fashionable women and their soldiers during the WarBeatrice Behlen (Senior Curator, Fashion and Decorative Arts, Museum of London): Collecting and displaying WWI at the Museum of LondonMuriel Berthou Crestey (Researcher at ITEM): Adolf de Meyer &#38; Vogue, 1914-1918Ulrika Berglund (PhD candidate, Centre for Fashion Studies, Stockholm University): The neutrality policy and fashion culture in Sweden, 1914-1918Nele Bernheim (PhD candidate, University of Antwerp): The fashion house Norine, 1915-1918Cally Blackman (Lecturer, Central Saint Martins, University of the Arts, London): The potential of autochrome as a source of visual evidence for dress historians, archives of La Planète created by Albert KahnRegina Lee Blaszczyk (Professor, University of Leeds, UK):  "Yankee Ingenuity Confronts Paris Fashion: The Hidden History of How World War I Shaped Color Practice in the American Fashion Business"Emily Brayshaw (PhD candidate, University of Technology, Sydney, Australia): Gaby Deslys, ostrich feathers, WWIMaria Carlgren (PhD candidate, University of Gothenburg, Sweden): Wartime fashions in Stockholm and Paris, looking at the artists Valle Rosenberg and Siri Derkert and their fashion collections for the Swedish fashion house Birgittaskolan during WWILaura Casal-Valls (University of Barcelona, Spain): Clothes-making in Barcelona during WWI: effects and consequences of the warKaty Conover (Independent scholar, London): extent couture garments in British collections, 1914-1918Marguerite Coppens (Curator of the Lace and costumes at the Royal Art and History Museums, Brussels): Lacemaking industry, French and Belgian reactions to stimulate the industry during the warManuel Charpy (Professor, iRHis, Lille): Masculine uniform during WWIIlaria Coser (Independent scholar, UK): Women fashion journalists, 1914-1918Jennifer Daley (PhD candidate, King's College, London) The Marketing of Patriotism: The Political Usage of Sailor Fashion during the First World War, 1914-1918Gillian Davies (Retired Professor, Savannah College of Art and Design, USA): Elsie de Wolfe’s style &#38; WWIBurcu Dogramaci (Professor, LMU, Munich): German fashion writings in war timesLourdes Font (Professor, Fashion Institute of Technology, NYC): American Couture Houses in Paris during the WarHolly Grout (Professor, University of Alabama, USA): Beauty in France during WWIBirgit Haase (Professor, HAW Hamburg, Germany): “La Crinoline de Guerre: a Feminine Fashion between Past and Future”Sara Hume (Curator/Assistant Professor, Kent State University Museum): Between fashion and folk – dress practices in Alsace during WWIAmy de la Haye (Professor, University of the Arts, London): Landgirls’ uniforms, WWIStéphane Jacques-Addade (Art Historian and Member of the European Chamber of Art Experts, France): Bernard Boutet de Monvel, a wartime dandy or the evolution of the uniform ‘à l’anglaise,’ 1914-1918Catherine Join-Dieterle (former Director of the Musée Galliera, Paris): L’Art et la Mode, 1914-1918Marta Kargol (Jagiollonski University, Krakow): Changing practices of home-made clothing in the neutral Netherlands during the Great WarAndrea Kollnitz (Assistant Professor, Center for Fashion Studies, Stockholm University): The national identity of fashion women in Germany and SwedenSophie Kurkdjian (IHTP/CNRS, Paris): Women’s press during the WarNigel Lezama (Professor, Brock University, Ontario, Canada): Le Flambeau &#38; sartorial discourse during the warZsolt Mészáros (PhD candidate, Univeristy Eötvös Loránd, Budapest): Male fashion during WWIChryssa Mantaka (Assistant Professor of Costume Design at the School of Drama, Aristotle University, Thessaloniki): Dress in Salonica during the Great War, mapping the sartorial profile of the eraMaria Makela (Professor, California College of the Arts, USA): Kunstheide (artificial silk) and the democratization of German fashionThierry Maillet (University of Erasmus, Rotterdam): Trend-card manufacturing during WWIMarie Mcloughlin (Professor, University of Brighton, UK): The evolution of the trench coat, from War Office to High StreetAlisa Miller (Research Fellow, Norwich University of the Arts, UK): Gladys Peto, commercial fashion illustrator and the Sketch – elite consumer culture and the changing image of the modern woman, 1914-1919Enrica Morini (IULM University, Milano): Margharita’s war &#38; Italian fashion during WWIAnna Novikov (Deutsches Historisches Institut, Warsaw): Female fashion and patriotism in partitioned Poland during WWILewish Orchard (textile designer, London): The fashion house Lucile, 1914-1918Christine Pappelau (Bauhaus University Weimar, Germany): The decline of bourgeois fashion and the rise of workers’ clothing during WWI &#38; the Russian RevolutionAlexandra Palmer (Fashion Costume Senior Curator and Chair, Royal Ontario Museum, Canada): WWI garments from the Royal Ontario MuseumVictoria Pass (Salisbury University, Maryland, USA): Chanel, Duchamps and the rise of celebrity culture during WWIEmmanuelle Polle (journalist, France) &#38; Johanna Zanon (PhD student, University of Oslo):  Patou during the Great War.Alan Price (Retired Professor, Pennsylvania State University): Dressing American relief workers in the Great War, the story of three important American war charities in FranceAdelheid Rasche (Curator of the Sammlung Modebild, Berlin): War and FashionGeorgina Ripley (Curator, Modern &#38; Contemporary Fashion &#38; Textiles, National Museums of Scotland): Lucile &#38; WWI, using dresses from the museum collectionJennifer Roberts (PhD scholar, Brighton University, UK): Munitions factory worker’s dress in Britain during WWIMargherita Rosina (Director, Museo Studio del Tessuto Fondazione Antonio Ratti, Como): War-time silk production in the collection of the Fondazione Antonio RattiVictoria Rovine (Associate Professor, Art History   University of North Carolina at Chapel Hill ): The colonial context – French fashion design and the representation of Le Soudan FrançaisJune Rowe (PhD candidate, University of the Arts, London): Early English femininities &#38; wartime changeSuzanne Rowland (Museum Educator, London): The rise of the mass-produced blouse, 1914-1918Guillaume de Syon (Professor, Albright College, Pennsylvania, USA): French aviation adjustment to wartime, 1914-1918Änne Söll (Research fellow, Institute for Arts and Media, University of Potsdam, Germany): The First World War in the Viennese Fashion Journal "Die Herrenwelt," 1916-1917Nadège Sougy (Assistant Professor, University of Neuchâtel, Switzerland): Warheads and patriotic jewelryMary Lynn Stewart (Professor, Simon Fraser University, British Columbia, Canada): Marketing Haute Couture during the Great WarLou Taylor (Professor, University of Brighton, UK): High Society Women in Britain and their Contribution to the War EffortPatricia Tilburg (Professor, Davidson College, USA): Female garment workers in France during WWIElena Trencheva &#38; Joanna Weckman (Postdoc researcher &#38; graduate student in Costume Design, Department of Film, Television and Scenography, School of Arts, Design and Architecture, Aalto University, Finland): Visual representation of Finnish identity through dress during WWIDominique Veillon (CNRS, Paris): Mourning dress in WWIMargaret Vining (Curator, Division of Armed Forces History,, National Museum of American History, Smithsonian): Uniforms re-fashioning the woman, 1914-1918, analysis of the collection of WWI uniforms worn by women volunteers in the US and overseasJanet Watson (Professor, University of Connecticut, USA): Khaki Girls and women war workers’ uniforms during WWIEva Maria Zangl (Karl-Franzens, University of Graz, Austria): Manmade fibers and artificial silk during WWISteven Zdatny (Professor, University of Vermont, USA): Hairdressing and hairstyles during WWI  ContactMaude Bass-Krueger, Sophie Kurkdjian :  europeanfashionwwi@gmail.com N’hésitez à nous contacter pour toute question que vous pourriez avoir.Le Comité scientifique du colloque                                                                                                                                                       