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&#160;[caption id="attachment_4847" align="aligncenter" width="300"] Choir and transept of the church of Saint-Merry, Paris. Photo by David Iliff. License: CC-BY-SA 3.0.[/caption]Type : ConférenceDate et heure : 24 Octobre 2017 à 18hLieu : Centre Allemand d’Histoire de l’Art (DFK), 45 rue des Petits-Champs, ParisConférence en anglais proposée par Dr. Hannah Williams, Leverhulme Early Career Research Fellow, Queen Mary University of London.Religion has become the blindspot of eighteenth-century art history. From Watteau’s fêtes galantes, to Boucher’s rococo nudes, or David’s neoclassical political dramas, the canonical images defining our discipline’s chapters on the late ancien régime are resolutely secular. But the period itself was not. In eighteenth-century Paris, religion was everywhere and so was religious art. This paper is a response to this art-historical conundrum of why eighteenth-century religious art, so important in its time, has since been so consistently overlooked.Drawn from a larger book project exploring the art and material culture of Paris’s parish churches, this paper focuses on a single parish – Saint-Merry – to discover the story behind its eighteenth-century embellishments. From the reasons that prompted new commissions, to the people involved in its productions, and the inventive ways of paying for it, this study looks at the role that artists played in the development of Paris’s churches, but also the role that religion played in the lives of the city’s artists.Entrée libre dans la limite des places disponibles.