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[caption id="attachment_2529" align="aligncenter" width="300"] Samuel Holland's 1765 Survey and Map of St. John's Island (Prince Edward Island)[/caption]Type : Rencontres / ConférencesDate du colloque : du 1er au 3 juin 2016.Lieu : Paris, Bibliothèque nationale de France - Site François MitterandLien de référenceTwo days of lectures, 1 – 2 June, are dedicated to the topic of Experience and Evidence. Conservation departments, schools and research institutions in Paris offer tours on Friday 3 June.The Interim Meeting provides a forum for exchange of experience gathered in assessments, treatments, reflection on former interventions and research. We want to discuss the evidence gained through evaluation of conservation actions or through conservation research. Experience is a cherished value in the conservation community. In which ways are conservation decisions in practical life influenced by scientific evidence and how do conservators transfer their experience into evidence? How do we use this evidence in discussions between conservators, curators and decisions makers?Lectures will focus on:- Experience with large formats- Mounting for storage and display- New Materials- Colour on paper- Degradation mechanismsWednesday 1 June :09.00 Registration10.00 OpeningSession 1:Valentine Dubard, Charlotte Kasprzak (FR): Portfolios for Le Brun´s CartoonsLucy Angus, Jürgen Vervoorst (UK): Paper does not get much bigger than this! - The Conservation of Samuel Holland’s 1765 Map of Prince Edward IslandLaurence Caylux, Eve Menei (FR): Architectural plans at the École Nationale Supérieure des Beaux-Arts or the Preservation of Rolled Works11.30 Session 2Paul Garside et al. (UK): Reframing Magna ChartaAnne Maheux et al. (CA): Making the Case: Storage and Display of Foundational Documents at Library and Archives CanadaNadège Dauga, Coralie Barbe et al. (FR): Study and Discovery of Musée d´Orsay´s Drawings Collection through a Wide Range of Sketchbooks and Albums13.00 Lunch14.00 Session 3 :Fabienne Meyer et al. (DE): Volatile organic compounds (VOCs) and paper – risk assessment and mitigation strategiesMarinita Stiglitz, Julia Bearman (UK): A Pair of Ming Hanging Scrolls: from Past Repairs to Present Conservation.Axelle Deleau Cazabonne, Aurélia Stréri (FR): Islamic Miniature Paintings Conservation at the Louvre Museum15.30 Coffee break16.00 Session 4 :Camilla H. M. Camargos et al. (BR): Nanocellulose for Conservation of Graphic DocumentsRémy Dreyfuss-Deseigne (FR): Research on the Transparency of Mending in Transmitted Light. Introduction of Nanocellulose in Paper ConservationCéline Delattre (FR): Comparative and Critical Study of Paper Washing Techniques: Immersion, Gellan Gum and Paraprint OL6018.00 Business Meeting of the Working GroupThursday 2 June :9.00 Session 5 :Jasna Malešič et al. (SI): Evaluation of Treatments for Stabilisation of Verdigris and Malachite Containing Paper DocumentsLynn B. Brostoff et al. (USA): Analytical Study of Neutral Verdigris Pigment by Combined X-ray Diffraction and Raman SpectroscopyLaura Völkel et al. (DE): Verdigris and Organic Colourants: Visual Comparison and Evaluation10.30 Coffee break11.00 Session 6 :Birgit Vinther Hansen et al. (DK): Fifty Shades of Grey: Darkened Lead White in Graphic Art – Sources and Decay MechanismsLucile Dessennes, Nadège Duqueyroix (FR): « Demain, dès l´aube, à l´heure où blanchit la campagne…. » Lead White Conversion Treatment with Mist : from an Ancestral Practice to an Actual Conservation MethodUte Henniges et al. (AT): Bleaching Iron-Contaminated Paper with Hydrogen Peroxide12.30 Lunch13.30 Poster Session14.30 Session 7 :Mary Broadway, Celine Daher (USA): Chromatic Resonance: Interpreting Gauguin´s Graphic Legacy through Conservation, Science and Digital TechnologyOlivier Masson (CH): The Pastels of Jean-Etienne Liotard: Conservation and DisplayAndrea Pataki-Hundt (DE): Three Challenging Case studies of Consolidation: A Pastel Drawing, a Gum Bichromate Print and a Textile Draft Design.15.00 Coffee break16.30 Session 8 :Cristina Duran Casablancas et al. (NL): Survival in Archives: Factors Contributing to Mechanical DegradationIrmhild Schäfer (DE): Digitisation of Manuscripts with Ink Corrosion: Experiences based on the Munich TissueAlice Gimat et al. (FR): Paper degradation induced by Iron Gall Ink: Toward a Better Comprehension of Degradation Mechanisms18.00 ConclusionCocktailPoster Session :Natalie Brown et al. (UK): Near-Infrared Spectroscopy as a Characterization Tool for 19th and 20th Century Chinese PaperTereza Cikrytová (CZ): The System for Evidence and Creation of Conservation Treatment Reports at the National Technical Museum in PragueValentine Dubard et al. (FR): MRT (Movement, Reserve, Transport): Solution to Keep Le Brun’s Cartoons Glued to Canvas UnframedKatarzyna Garczewska-Semka (PL): One Album, Six Plates, Four cases - Conservation of Drawings on 19th-Century Decorative MountsPaul Garside (UK): Collaborative Development of Conservation Practice and Research at the British LibraryKate Hughes et al. (AU): Synchrotron Source X-ray Fluorescence Mapping of Colonial Australian Gilded Natural History WatercoloursOlivier Joly et al. (FR): Phytate Treatment: From Study to PracticeNatasa Krsmanovic, Nicole Monjeau (CA, UK): Preserving Stained Glass Cartoons at the Corning Museum of Glass: A Humidification Technique to Aid in the Batch Treatment of Archival CollectionsLudivine Leroy-Banti, Manon Lavaut-Gomez (FR): Die-Cutting Machines: their Use in Conservation TreatmentsYun Liu et al. (UK): Predictions of Iron Gall Ink Induced Degradation of PaperCamille Piovesan et al. (FR): New Developments into a Multifunctional Conservation Treatment Based on Polysiloxanes for Acidic and Brittle PapersSylwia Popławska, Izabela Zając (PL): Aspects of a Conservation–Restoration Project of an Unusual Artistic Herbarium from the 19h CenturyBusra Sahan, A. Cansel Tuskan (TR): Monitoring the Effects of Different Stabilization Methods on Ink Corroded Documents during the Natural Aging ProcessDeepakshi Sharma, M. Velayudhan Nair (IN): Importance of Traditional Materials and Techniques in Conservation and Preservation of Palm Leaf Manuscripts in IndiaOlga Temerina (RU): Conservation of Large-Size Graphic Works of Art Created in Different TechniquesPetra Vavrova et al. (CZ): New Instruments Used in Conservation Practice in the National Library of Czech Republic in PragueMarion Verborg (DE): Development of a Made-to-Measure Documentation Software at the Historical Archive of the City of Cologne – Improving the Ongoing Disaster Recovery ProcessMirah von Wicht (DE): Yesterday‘s Trash, Tomorrow‘s Treasure: A Basic Conservation Treatment Reveals ComplexitiesJulia Wikarski et al. (AT): The Prunksaal of the Austrian National Library: Storage, Monitoring and Conservation in a Historic InteriorFriday 3 June10.00 Tours :- Louvre Museum, Drawings and Prints Department, Graphic Conservation Studio- Centre for Research and Restoration of the Museums of France - C2RMF(Centre de Recherche et de Restauration des Musées de France)- National Library, Conservation Department- National Archives, Conservation Department and new storage- Institut national du patrimoine - INP , Department of conservators-restorers- Research Centre for the Conservation of Collections - CRCC(Centre de Recherche sur la Conservation des Collections)- Fine Arts School, Conservation studio