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[caption id="attachment_1836" align="aligncenter" width="500"] Adriaan de Lelie, La galerie d'art de Jan Gildemeester, 1794 – 1795, huile sur bois, 63,7 x 85,7 cm, Amsterdam, Rijksmuseum.[/caption]Type : colloque.Date de la manifestation : 20 et 21 octobre 2016.Lieu : Paris, Institut national d'histoire de l'art, salle Vasari.The focus of the conference is to explore the changing and complex nature of the role of agent in the art market during the Early Modern Period. Papers will explore shifts in the dynamics of the market, the changing taste of collectors and the importance of writers, critics, museum curators and dealers in influencing these changes. The papers demonstrate how examining the role of agents through their correspondence with clients, day books or private records, bring new insights into the workings of the art world through the detailed evidence of how transactions were negotiated.Programmejeudi 20 octobre 2016:9.30 Registration.10.00 Welcome .10.10 Introduction.10.45 Session one: The artist and writer as agents.10.45 Tamsin Foulkes, PhD. Candidate, University of NottinghamJames Thornhill as an agent-collector in early eighteenth-century Paris.11:15 Dr. Corina Meyer, Institute of Art History, University of Stuttgart‘To see once again the glorious picture by Moretto before it is forever lost for Rome’: Johann David Passavant's (1787-1861) recommendations and selection of paintings.11.45 Dr. Gemma Avinyó Fontanet, Universitat de Lleida. Spain (in French)Marià Manent ou le poète qui est devenu marchand: de Barcelone à New York.12.15 Alice Ensabella, PhD Candidate, Université Grenoble Alpes, GrenoblePromoting Themselves. Strategies and dynamics of early Surrealism’s art market.12.45 lunch (provided for speakers &#38; those who have signed up, please see below).14.00 Session two: The Agent and the Collector.14.00 Dr. Madeleine Fidell Beaufort, independent scholar, ParisSamuel P. Avery and the emerging American art market of the late nineteenth century.14.30 Dr. Louise Arizzoli, University of MississippiDealing with Allegories of the Four Parts of the World: James Hazen Hyde 1876-1959) and his Network.15.00 Mackenzie Mallon, The Nelson Atkins Museum.Laying the Foundation: Harold Woodbury Parsons and the Making of an American Museum.15.30 Break.16.00 Emanuele Sbardella, Ph.D Candidate, Technische, Universität BerlinThe Numismatic Market under National Socialism, illustrated by the case study of the coin collection of Alexander Hauser".16.30 Jamin An, Ph.D. Candidate, University of California, Los AngelesNew Art and ‘New Dealing’: Changing Conditions of Artistic Support, 1960s-70s.17.00 Closing remarks.vendredi 21 octobre 201610.00 Session three: Agents and Markets .10.00 Dr. Tina Kosak, France Stele Institute of Art History, ZRC SAZU LjubljanaConquering New Art Markets: International Art Dealers and Local 'Agents' in Inner Austria in the Second Half of the 17th Century.10.30 Laura Popoviciu, PhD candidate, Warburg Institute, LondonShaping the Taste of British Diplomats in 18th-Century Venice.11.00-Coffee.11.30 Dr. Susanna Avery-Quash, Senior Research Curator (History of Collecting),National Gallery LondonArt Agents and the National Gallery during the Nineteenth Century.12.00 Dr. Christine Howald, Technische, Universität BerlinAsian agents &#38; the Chinese Market in the 19th century.12.30 Lunch (provided for speakers &#38; those who have signed up, please see below).14.00 Session four: The dealer as agent14.00 . Dr. Renata Schellenberg, Mount Allison University, Sackville, CanadaCommerce, Culture and Connoisseurship: The Emergence of the Art Dealer in Eighteenth-Century Germany.14.30 Dr. Frances Suzman Jowell, PhD, Harvard University, independent scholarÇe n’est pas ma faute si, dans toutes les collections, les hollandais priment tout’: Thoré- Bürger’s promotion of 17th century Dutch paintings in the Parisian art market of the 1860s.15.00 Pamella Guerdat, PhD candidate, Institute for Art History &#38; Museology Universitéde Neuchâtel (in French)René Gimpel (1881-1945) et le modèle du musée américain : De la théorie au don.15.30 Camille Mesdagh, PhD candidate, Sorbonne, Paris IV: (in French)Alfred Beurdeley (1808-1882), a dealer in curiosities and his network / Le réseau commercial d’un marchand de curiosités : l’example d’Alfred Beurdeley (1808 1882).16.00 Tea.16.45 Keynote speech: Dr. Julie Verlaine, Paris IV (in French)Du marchand d'art au galeriste : l'itinéraire de Daniel Templon et 50 ans évolution du marché de l'art occidental.17.30 Closing remarks.Organised by the Collecting and Display Seminar Group London with the Centre André Chastel, INHA, Paris.We would like to thank the speakers’ institutions and the Institut d’Etudes Supérieres des Arts for supporting the conference.The conference is free but to register for the lunches (20 € per day) please e-mail: a.turpin@iesa.edu