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&#160;[caption id="attachment_4799" align="aligncenter" width="363"] James Gillray (artist), Hannah Humphrey (publisher), A Hackney Meeting, 1796, etching, London, Victoria and Albert Museum© Victoria and Albert Museum, London[/caption]Type : ConférenceDate : 5 septembre 2017, 9h-18h30Lieu :  A30 Lecture Theatre, Lakeside Arts, University of Nottingham, UK.A one-day symposium convened by Professor Fintan Cullen and Dr Richard A Gaunt, University of Nottingham. Keynote speaker: Professor Brian Maidment (Liverpool John Moores University).This one-day international symposium seeks to interrogate the nature of the United Kingdom’s status as a global power in the long nineteenth century (c.1780-1920) by considering the varied ways in which it was viewed, and represented, in graphic satire during this period. The years from c.1780- 1920 encompassed events with widely-felt repercussions, generating interest and commentary well outside the countries in which they occurred. In turn, these events required the United Kingdom – which came into existence with the union between Great Britain and Ireland in 1801 - to consider its reach, role and reputation on a global scale. In the period up to 1815, for example, the American Wars of Independence (1775-83), the French Revolution of 1789, the wars against Revolutionary and Napoleonic France (1793-1815) and the Battle of Waterloo (1815), all made the United Kingdom think outside its purely domestic political situation. The establishment of peace terms in 1815 ushered in what historians once described as the ‘Pax Britannica’ or century of ‘British’ peace. Over the course of the next century, the United Kingdom became increasingly defined by the range of its global interests, both in terms of its formal and informal empire, its diplomatic activity and its continuing participation in naval and military conflict. By the end of the period, the United Kingdom’s global status was challenged by the repercussions of World War One (1914-18) and the impending dissolution ofthe Union with Ireland (1922).The symposium provides an opportunity to explore the United Kingdom’s global relationships in this period in graphic political and personal satires. It builds on a growing body of work which explores the subject from the perspective of individual satirists such as Gillray, Rowlandson, Cruikshank and Doyle, as well as studies of well-known satirical print titles like Punch and personifications of ‘Britishness’ such as John Bull. Papers which consider the United Kingdom’s global relationships from the perspective of the constituent parts of the United Kingdom (England, Scotland, Wales  and Ireland) and from overseas will be presented, as will papers which reflect upon issues of race, gender, nationhood and ethnicity across the period in question.For more information on the speakers and programme, see: http://www.nottingham.ac.uk/conference/fac-arts/humanities/history/graphic-satire/graphic-satire.aspx