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Source : OUPEmpathy and the Novel, Oxford University Press, 2015Suzanne KeenProvides a thorough account of the relevant research in psychology, discourse processing, neuroscience, and narrative theory.Redresses the lack of attention to affect by literary scholars: practitioners of cognitive literary studies have long sought an emphasis on affect and Keen makes it an integral part of her study.Presents groundbreaking new theory of narrative empathy: the empathy-altruism hypothesis, while valid for real human empathy and subsequent prosocial action, has not been demonstrated to work when the empathetic experience comes from reading fiction.Does empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers.ContentsAcknowledgementsPreface1.: Contemporary Perspectives on Empathy2.: The Literary Career of Empathy3.: Readers' Empathy4.: Empathy in the Marketplace5.: Authors' Empathy6.: Contesting EmpathyAppendix: A Collection of Hypotheses about Narrative EmpathyWork CitedIndexSuzanne Keen, Broadus Professor of English, Washington and Lee UniversitySuzanne Keen, Thomas H. Broadus Professor of English at Washington and Lee University, is the author of Narrative Form (2003), Romances of the Archive in Contemporary British Fiction (2001), Victorian Renovations of the Novel: Narrative Annexes and the Boundaries of Representation (1998), and a volume of poetry, Milk Glass Mermaid  (2007).