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Almost 90 years ago, in the summer of 1929, the tradition-shattering Werkbund exhibition Film und Foto (FiFo) started its triumphal tour throughout Europe. The show caused a sensation in the national press, as well as in foreign countries and – as a result – the displayed cinematic and photographic experiments soon became renowned as the epitome of avant-garde production and modernism throughout the world. Next year, in 2019, a big FiFo jubilee exhibition will tour through Germany and we also want to take the upcoming anniversary as a motive and starting-point to once again investigate the relationship between photography and film– both in their historical dimension, as well as in their past and current practice and technology.Guest Editor: Martin ReinhartContent:Martin Reinhart, Ulla Fischer-Westhauser, Uwe Schögl: EditorialNoam M. Elcott: The Cinematic Imaginary and the Photographic Face: Media as Models for 20th Century ArtKatja Müller-Helle: Black Box PhotographyRoland Fischer-Briand: Under a Certain InfluenceBrian Pritchard: Sensitive StripsLydia Nsiah: Photofilmic Time MachinesBarnaby Dicker: Stroboscopic Revelations in Blade RunnerThe PhotoResearcher is published by the European Society for the History of Photography (ESHPh). For Information about the PhotoResearcher, including how to subscribe, please contact the:European Society for the History of PhotographyKomoediengasse 1/1/171020 Wien (Vienna)Austriae: office@eshph.orgi: http://www.eshph.org/