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AFTER POST-PHOTOGRAPHY 4Сultural, historical and visual studies in photographyEuropean University in St.-Petersburgacademic program: 16-18 Mayside program: 15-24 MayPRELIMINARY ACADEMIC PROGRAMEuropean University in St.-Petersburg(6/1a, Gagarinskaya street).Admission is free. For further information please check the program at our website https://appconference.wordpress.com/Wednesday, 16 May 2018, 17.00 — 20.00Keynote 1: David Bate (Westminster University/UK): The Optics of Data FlowKeynote 2: TBAThursday, 17 May 2018, 9.30 — 18.00Keynote: Galina Orlova (European Humanitarian University/Southern Federal University):Anonymous Photoarchive, Digitization, RecyclingPanel 1: Materiality as photography’s past (photography in historical perspective)Michelle Henning (University of West London/United Kingdom):‘The Power Behind the Lens’: Photochemistry and the Transformation of Sensory Experience in the Case of Ilford Ltd.Stefanie Klamm (Staatliche Museen Berlin/Germany):Photo-Objects: The Materiality of Photographs and Photographic Archives and Their Role in the Production of KnowledgeDaria Panaiotti (European University St. Petersburg/Russia):“On the Improvement of the Administration of Photography in the USSR”. Towards the Institutional History of Soviet Photography.Inessa Kouteinikova (ARTIKA/Netherlands):Photographer of Natural history, World and HerselfPanel 2: Digital/Data/Technology as Photography’s PresentBirk Weiberg (Zurich University of the Arts/Switzerland):Computational Photography as a Material-Discursive PracticeKris Belden-Adams (University of Mississippi):‘The Earth as It Never Appeared’: N.A.S.A.’s Whole-Earth Photographs as ‘Photographic’ Digital SynthesisChristian Schulz (Braunschweig University of Art):Mobile Photo Filters — a Digital Processed Layer on (Nearly) EverythingRowan Lear (University of West London):The Body Behind the Camera: Photographing as a Gesture of ComputationFriday, 18 May 2018, 10.00 — 18.30Keynote: Andres Zervigon (Rutgers University, NJ,USA):The Photographic Lens: Fully Visible and TransparentPanel 3: Photographic Strategies: New PerspectivesDenis Skopin (St.-Petersburg State University):Martin Heidegger’s Aesthetics and PhotographyNatalija Arlauskaite (Vilnius University/Lithuania):Index in Thickness: Photographic Image in Animated FilmJuliane Wenzl (Braunschweig University of Art):More Than One Decisive Moment. Multi-perspective Moments and Movements in Composite PhotographsSebastian Haller (Independent Researcher/Austria):Renaissance of Reality? A Discourse Analysis of Augmented Reality (AR) in the Discourses of Technology, Journalism, and the HumanitiesPanel 4: Photography as Production or Creation (or both)Virginia McBride (Rutgers University/USA):The Snapchat Monteur? New Parameters for PhotomontageVivian Sheng (The University of Hong Kong):Nikki Lee’s Projects of Multiple Selves: Performing Identities and Group MembershipsOlga Davydova (St.-Petersburg University):Photo-Book as a Form of Photography Production and ExistenceKeynote: Winfried Gerling (University of Applied Science, Potsdam/Germany) and Sebastian Moering (University of Potsdam/Germany):The Detachment of the Image:On the History, Ontology, Aesthetics, and Practice of Screenshots and In-game Photographs