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Part of the TRAFO series “Reconstructing Neighborhoods of War”By John HannaA map of the neighborhoods in Beirut where the discussed sample of Lebanese war novels takes place. Source: Author. IntroductionThe engagement of Lebanese writers with the everyday realities of the ‘Lebanese wars’ is of crucial relevance to research involving the geography and spatiality of the wars. Often seen as a form of place-writing, the Lebanese war novel records a certain character of space in a particular moment of history. With the vague boundaries between reality and fiction and the common tendency of Lebanese writers to provide names of actual places in the city to mark the background and spatial settings of their works, these works can be looked at through the lens of Ed Soja’s third space – his proposal of a space that extends beyond the binary of real and imagined, bringing a blended form and introducing a possibility of an active relationship and productive exchange between architecture and literature. Mostly of an autobiographical and/or a para-fictionalnature, this literary production carries strong references to war spaces duringthe 15 long years of civil conflict. Under the conditions of violence, suchspaces have often been reduced in the Lebanese war novel to the neighborhood scale,where minimum conditions of everyday life existed within given boundaries. The Lebanese war novel has been studied through different categorizations, according to the origin of the writer, their age during the conflict, date of publication, language of publication, ideology, genre and format of the works. For this analysis, a selection of six different works has been made which represent many of these categories. This selection features works that were published between 1976 and 2008. The novels in the selection are authored by both male and female writers and were originally published in Arabic or French. One novel, Beirut Nightmares, originally in Arabic, is authored by Ghada Samman, who is of Syrian origin. Two works in the selection, I Remember Beirut and A Game for Swallows, both written in French by Zeina Abirached, belong to the graphic novel format. These two works also represent what has been called "generation 1.5 works", whose authors were of a young age during the war period. While the major part of the Lebanese war novel addresses neighborhood scale and relations, this selection was made due to the centrality of neighborhood relations to the storyline. Three of these works narrate stories from al-Qantari (Beirut Nightmares), Ras al-Nabaa (The Story of Zahra, written in Arabic by Hanan al-Shaykh) and Sanayeh (The House of Mathilde, written in Arabic by Hassan Daoud), West Beirut neighborhoods. One work (The Stone of Laughter, written in Arabic by Hoda Barakat) recounts a story from West Beirut without specifying the neighborhood. The last two novels (I Remember Beirut and A Game for Swallows) take place in al-Yasoueia/Mar Maroun district on the east side of the city. In most of these novels, the neighborhood (often reduced to the scale of a building) and its social relations are the main setting of the novel. These novels provide detailed information about living spaces, such as how the apartments are divided, where the safe corridors are, and who is allowed where? They similarly provide extensive descriptions of the neighbors and their backgrounds. Who are they? What do they do? And, equally important, when did they move to the building?This analysis focuses on the common spatialelements that appear in the discussed novels. These spatial elements are seento play an important role in shaping neighborhood relations during the violenceof the war. 1. Spatial ReferencesThese works provide clear spatial references toactual places, streets, and shops around the city. In Beirut Nightmares,Samman writes of Hourani Street in the center of Beirut. Similarly, al-Shaykh makesdirect references to Makassed hospital and the Burj Abi Haidar School in TheStory of Zahra. In House of Mathilde, Daoud constructs his narrativearound a real incident that took place in the Sanayeh Gardens during the earlyyears of the war. Likewise, Abirached evokes names like Youssef Semaan Streeton the eastern side of Beirut and the Ward ice cream shop.2. Proximity to FrontlinesThe selected novels choose their settings at aclose proximity to the Green Line. The Story of Zahra takes place righton the western side of the Green Line. I Remember Beirut and A Gamefor Swallows both take place in a small enclave on the eastern side justopposite the Green Line. The protagonist in Beirut Nightmares describeshow her bedroom walls overlook Hourani Street, which is right around the cornerfrom the hotels where a violent round of fighting occurred towards the end of1976. Such proximity plays a role in setting new boundaries of the neighborhoodand the safe zones by marking where danger begins. 3. Reduction of the Neighborhood SpaceAs a result of the first element, in Beirut Nightmares,House of Mathilde, I Remember Beirut and A Game for Swallows,the reader is exposed to a detailed description of domestic spaces. Themajority of the events takes place within the apartments of the protagonists asthey receive their neighbors or pay them visits. The collective encounter ofdangers and social change shapes the relations between the neighbors of thesame building as they rebuild the limits of their interactions. The reductionof the neighborhood to the domestic space is very understandable under theconditions of war. As Kristin Monroe explains, with the presence in publicrendered dangerous, there is a shift towards domestic spaces. During the war,and especially during the fierce rounds of violence, residents of Beirut spent muchlonger times in their private and domestic spaces compared to their pre-warlifestyle where bars, cafes and other public spots were the main field forsocial interaction.4. Displacement and Migration These works bring the question of displacementto a central position in their storylines. In these novels we learn aboutneighbors who move to other countries or other sides of the city, and apartmentsthat become abandoned and then re-occupied by newcomers who bring new socialpractices to the neighborhoods. This becomes particularly clear in House ofMathilde where Hassan Daoud illustrates in great detail how the socialfabric of the building – Beirut’s microcosm in this case – changed over theyears. 5. Material DamageFinally, there is the element of materialityand destruction. A notable share of the novels’ storylines recount theinfiltration of violence into the most intimate of domestic spaces. One emblematicexample appears in Samman’s Beirut Nightmares as she extensivelyillustrates the movement of a stray bullet inside her bedroom. Similarly, Houseof Mathilde and A Game for Swallows both conclude with narratives ofdestruction to the apartment buildings where the stories take place. ConclusionLiterary productions provide an important formof spatial representation that blurs the boundaries between real and fictionalspace. Over the past decades, Lebanese writers have reflected on their personalexperience of violence through the portrayal of war spaces in their novels.Following different approaches, their works carry very strong references to theeveryday realities and neighborhood relations during wartime. Regardless of thegenre or when they were written, a set of common elements prevail in theirwritings. These can be summarized as spatial references, proximity to frontlines,reduction of neighborhood space, displacement and material damage to the builtenvironment. Further research is needed to explore a wider sample of Lebanesewar novels, to focus on the spatial elements of this form of place writing andhighlight their relation to the social production of space in Beirut and therest of Lebanon. References and Further ReadingAbirached, Zeina.(2008). I Remember Beirut. Minneapolis: Graphic Universe.Abirached, Zeina.(2012). A Game for Swallows. Minneapolis: Graphic Universe.Barakat, Hoda. (2006). The Stone of Laughter. Northampton, Mass.:Interlink Books.Daoud, Ḥassan.(1999). The House of Mathilde. London: Granta.El Samman, G.(1997). Beirut Nightmares. London: Quartet Books.al-Shaykh, Ḥanan.(1994). The Story of Zahra. New York: Anchor Books.Havik, Klaske.(2014). Urban literacy: Reading and Writing Architecture. Rotterdam:NaiOIO publishers.Lang, Felix.(2014). “Ghosts in The Archive—Lebanon’s Second-Generation Post-War Novelistsand the Limits of Reconstruction.” Contemporary French and FrancophoneStudies, 18(5), pp.487-495.Launchbury, Claire.(2014). “The Impossible Archive of Beirut.” Francosphères, Vol. 3, No. 1: pp. 99-113.Monroe, Kristin. (2016). The Insecure City: Space, Power, and Mobility in Beirut. New Brunswick: Rutgers University Press.John Hanna graduated from the Faculty of Architecture at Graz University of Technology in 2014. During his years of study, he volunteered and worked with housing and shelter organizations in Zambia, Egypt, and Brazil. In the past few years, he has worked closely with contemporary art institutions in Graz and in Cairo. Hanna is a second year PhD candidate at the Chair of History of Architecture and Urban Planning at Delft University of Technology, with a research project on the spatiality of urban conflicts, with a focus on conditions of armed violence.Further articles in the series “Reconstructing Neighborhoods of War” on TRAFO:Birgit Schäbler,&#160;Introduction: The Importance of Being Earnest About Neighborhoods, 28 August 2019.Kevin Mazur,&#160;Not Just Neo-Liberalism: Spontaneous Settlement and Violent Conflict in Homs, Syria, 4 September 2019.Mazen Haidar,&#160;Neighbors at War in 1975-77 Beirut,&#160;11 September 2019.Piotr Korduba,&#160;The Reconstruction of Warsaw: Between Abhorrence and Acceptance, 18 September 2019.Paul Sigel,&#160;“More Beautiful than Ever Before!” Neighborhood-Rebuilding in Divided Germany as Political Propaganda during the Cold War, 25 September 2019.Allam Al-Kazei,&#160;Beyond the Atomic Bombing: The Revival of Hiroshima’s Neighborhoods, 2 October 2019.Mohammad Hassan Khani,&#160;War Emigration and its Impact on Post-War Reconstruction of Neighborhoods: A Case Study of Khorramshahr after the Iran-Iraq War, 17 October 2019.Namariq Al-Rawi,&#160;Baghdad Neighborhoods: Processes of Resilience against the Internally-reflected Conflict of 2006–2008, 24 October 2019.Kefah Ahmed M. Najjar,&#160;Youth Teams and Reconstruction, 7 November 2019.Zoya Masoud,&#160;A Treasure of Heritage for the Poor of Aleppo: Neighborhoods between the Hammer of Political Insecurity and the Anvil of Warlords, 14 November 2019.M. Wesam Al Asali, Majida Malo, and Iyass Shahin,&#160;Informality for Reconstruction: A Possible Partnership, 21 November 2019.Mamoun Fansa,&#160;Post-conflict Analysis and Post-war Reconstruction Strategies: Sociopolitical Considerations Using the Old City of Aleppo as an Example, 12 December 2019.Kai Vöckler,&#160;Post-Conflict Cities and Neighborhoods, 27 December 2019.Arshi Javid, Texture of Loss: Tapestry of a Withered Neighborhood from Kashmir, 9 January 2020. Citation:&#160;John Hanna, The Space of Literature and Lebanese Wars, in: TRAFO – Blog for Transregional Research, 30.01.2020, https://trafo.hypotheses.org/21500.