{"word_count": 315, "character_count": 2367}
Tim Burton, a Cinema of TransformationsGilles Menegaldo (dir.) PULM (collection "Profils américains")&#160;Table des matièresIntroduction (Gilles Menegaldo)1) Origins and Cultural HeritageBérénice Bonhomme: “Draw me a monster”: the dynamics of drawing in Tim Burton’s creative processFlorence Chéron: Tim Burton's Early Films: Cinematographic Work RootsVirginie Vuiglio: Turning Monsters into Martyrs: Suffering and Metamorphosis in The Melancholy Death of Oyster Boy and Other StoriesRaphaëlle Costa de Beauregard: Tim Burton’s Big Fish (2003): a “nostalgia” of Early Cinema?2) Strange Bodies: Across Genders and GenresEithne O’Neill: Tim Burton, Ovid, and the Body PiecemealTaïna Tuhkunen: Vampires, Witches, Corpse Brides and Patchwork Princesses: the Thrill of Tim Burton’s “Female Gothic”Florent Christol: Pee Wee’s Big (Racist) Adventure: Freak Show Aesthetics and IdeologyElsa Colombani: “Split at the Center”: Tim Burton's Animal-Men.Yann Calvet: Intelligent Life can be Found Elsewhere! On Mars Attacks!3) A Matter of Life and Death (Family and Trauma)Laurent Jullier: “Family is the only wealth!” — or am I wrong? The finally reassuring World of Tim BurtonMarie-Camille Bouchindomme: Death and the MaidenXavier Daverat: “Closer to the Bone” (Tim Burton’s Corpse Bride, 2005)Vincent Baticle: The Handling of Time in Tim Burton’s Feature-length FilmsEithne O’Neill : Miss Peregrine’s Home for Peculiar Children: Eyes and Skeletons. Flesh and bone4) Adaptations, Remakes, ReappropriationsChristian Viviani: Sweeney Todd, a “Revenger’s tragedy”Jean-Marie Lecomte: Americanizing Alice: Tim Burton and the Victorian ImaginationGilles Menegaldo: Tim Burton’s Cross-genre and Subversive Rewriting of the Frankenstein Myth: From Vincent to  Edward Scissorhands.Mélanie Boissonneau: Studying Frankenweenie (2013): A Look at Tim Burton and the Frankenstein MethodAnne-Marie Paquet-Deyris : Blood Sample. Tim Burton’s Dark Shadows:Between Genre Homage and Satire5) Artists and the creative/interpretive processOlivier Cotte: Tim Burton and the Animated FilmDavid Roche: The Spectatorial Terms of Ed Wood (Tim Burton, 1994)Sophie Benoist : An Experience of Paradox: Johnny Depp in Tim Burton’s MoviesCécile Carayol: Danny Elfman and the Music Box effect in Tim Burton’s filmsJerome Lauté: “Deeply superficial”: Burton's “Warholian” Vision of Art and Creation In Big Eyes