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The Idea of the Gothic Cathedral Interdisciplinary Perspectives on the Meanings of the Medieval Edifice in the Modern Period,  Stephanie A. Glaser, Brepols, 2018Image : La Cathédrale de Reims par  Eugène Galien-Laloue (1854-1941)Central to many medieval ritual traditions both sacred and secular, the Gothic cathedral holds a privileged place within the European cultural imagination and experience. Due to the burgeoning historical interest in the medieval past, in connection with the medieval revival in literature, visual arts, and architecture that began in the late seventeenth century and culminated in the nineteenth, the Gothic cathedral took centre stage in numerous ideological discourses. These discourses imposed contemporary political and aesthetic connotations upon the cathedral that were often far removed from its original meaning and ritual use.This volume presents interdisciplinary perspectives on the resignification of the Gothic cathedral in the post-medieval period. Its contributors, literary scholars and historians of art and architecture, investigate the dynamics of national and cultural movements that turned Gothic cathedrals into symbols of the modern nation-state, highlight the political uses of the edifice in literature and the arts, and underscore the importance of subjectivity in literary and visual representations of Gothic architecture. Contributing to scholarship in historiography, cultural history, intermedial and interdisciplinary studies, as well as traditional disciplines, the volume resonates with wider perspectives, especially relating to the reuse of artefacts to serve particular ideological ends.Table des matières :Introduction: The Medieval Edifice in the Modern Period — STEPHANIE A. GLASERPart I — The Cathedral and the NationThe Moorish-Gothic Cathedral: Invention, Reality, or Weapon? — MATILDE MATEOActing Medieval, Thinking Modern, Feeling German — MICHAEL J. LEWISL’Histoire d’une cathédrale: Viollet-le-Duc’s Nationalist Pedagogy — ELIZABETH EMERYThe Gothic Cathedral and Historiographies of Space — KEVIN D. MURPHYPart II — The Cathedral between Art and PoliticsThe Anarchist Cathedral — MAYLIS CURIEL’Imaginaire de la cathédrale à l’épreuve de la Grande Guerre — JOËLLE PRUNGNAUDChurch, Nation, and ‘The Stones of France’ — RONALD R. BERNIERPart III — The Cathedral in the ArtsPatterns of Behaviour Architectural Representation in the Romantic Period — KLAUS NIEHRFrozen Music and Symphonies in Stone. Gothic Architecture and the Musical Analogy: Intersecting Trajectories in German and French Thought from the Eighteenth through the Nineteenth Centuries — STEPHANIE A. GLASERDélires opiomanes et gothicomanes de Thomas De Quincey à Wilfred Sätty — JEAN-MICHEL LENIAUDThe Cathedral as Time Machine: Art, Architecture, and Religion — RICHARD UTZSelect BibliographyIndexInformations pratiques :Stephanie A. Glaser (ed.), The Idea of the Gothic Cathedral Interdisciplinary Perspectives on the Meanings of the Medieval Edifice in the Modern Period, Turnhout, Brepols, 2018 (Ritus et Artes, 9). XVIII+375 p., 68 b/w ill., 156 x 234 mm. ISBN: 978-2-503-56813-3. Prix : 100 euros.