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Une information transmise par Marta Boni (Université de Montréal) :The Journal devoted to developing the broad field of study of cultural and media audiencesVolume 13, Issue 1(May 2016)Url : http://participations.org/Volume%2013/Issue%201/contents.htmContentsEditorialRosenbaum, Judith:‘'"We regret to inform you that …": Academia and the power of rejection improvement'’&#160;ArticlesGross, Jonathan &#38; Stephanie Pitts:'Audiences for the contemporary arts: Exploring varieties of participation across art forms in Birmingham, UK'O’Neill, Sinéad, Joshua Edelman &#38; John Sloboda:'Opera and emotion: The cultural value of attendance for the highly engaged'Parsemain, Ava Laure:'Do critical viewers learn from television?'Wiard, Victor &#38; David Domingo:'Fragmentation versus convergence: University students in Brussels and the consumption of TV series on the Internet'Yecies, Brian, Jie Yang, Aegyung Shim, Kai Soh &#38; Matthew Berryman:'The Douban online social media barometer and the Chinese reception of Korean popular culture flows'&#160;Themed Section 1: ‘Secret Cinema’Jump to section&#160;Themed Section 2: ‘Consortium on Emerging Directions in Audience Research’Jump to section&#160;Themed Section 3: ‘Exploring imaginary worlds: Audiences, fan cultures and geographies of the imagination’Jump to section&#160;&#160;&#160;Themed Section 1: ‘Secret Cinema’Atkinson, Sarah &#38; Helen W. Kennedy (Themed Section Editors):'Introduction: Inside-the-scenes – The rise of experiential cinema' Pett, Emma:'"Stay disconnected": Eventising Star Wars for transmedia audiences'Svensson, Alexander &#38; Dan Hassoun:'"Scream into your phone": Second screen horror and controlled interactivity'McCulloch, Richard &#38; Virginia Crisp:'"Watch like a grown up … enjoy like a child": Exhibition, authenticity, and film audiences at the Prince Charles Cinema'Levitt, Linda:'Hollywood, nostalgia, and outdoor movies'Vivar, Rosana:'A film bacchanal: Playfulness and audience sovereignty in San Sebastian Horror and Fantasy Film Festival'Atkinson, Sarah &#38; Name Name (Themed Section Editors):'From conflict to revolution: The secret aesthetic, narrative spatialisation and audience experience in immersive cinema design'&#160;&#160;Themed Section 2: ‘Consortium on Emerging Directions in Audience Research’Ranjana, Das &#38; Brita Ytre-Arne (Themed Section Editors):'After the excitement: An introduction to the work of CEDAR'Mathieu, David, Miguel Vicente-Mariño, Maria José Brites, Inês Amaral, Niklas A. Chimirri, Juliane Finger, Bojana Romic, Minna Saariketo, Riitta Tammi, Marisa Torres da Silva &#38; Liliana Pacheco, with contributions from Félix Ortega:'Methodological challenges in the transition towards online audience research'Stehling, Miriam, Juliane Finger &#38; Ana Jorge:'Comparative audience research: A review of cross-national and cross-media audience studies'Kaun, Anne, Jannie Møller Hartley &#38; Jānis Juzefovičs:'In search of the invisible (audiences)'Pavlíčková, Tereza &#38; Jelena Kleut:'Produsage as experience and interpretation'Mollen, Anne, Minna Saariketo &#38; Jelena Kleut:'Intersecting audience activities: An audience studies perspective on the materiality of design, platforms and interfaces'Ridder, Sander De, Lucia Vesnić-Alujević &#38; Bojana Romic:'Challenges when researching digital audiences: Mapping audience research of software designs, interfaces and platforms'Murru, Maria Francesca:'Listening, temporalities and epistemology: A hermeneutical perspective on mediated civic engagement'Murru, Maria Francesca &#38; Miriam Stehling, with contributions from Inês Amaral &#38; Marco Scarcelli:'The civic value of being an audience: The intersection between media and citizenship in audience research'Vesnić-Alujević, Lucia &#38; Maria Francesca Murru:'Digital audiences' disempowerment: Participation or free labour'Dias, Patrícia &#38; Ana Jorge:'Audience experiencing of emotions in the contemporary media landscape'Zaborowski, Rafal &#38; Fredrik Dhaenens:'Old topics, old approaches? "Reception" in television studies and music studies'Mathieu, David, Maria José Brites, Niklas A. Chimirri &#38; Minna Saariketo:'In dialogue with related fields of inquiry: The interdisciplinarity, normativity and contextuality of audience research' &#160;&#160;Themed Section 3: ‘Exploring imaginary worlds: Audiences, fan cultures and geographies of the imagination’Wolf, Mark J.P:'Foreword'Proctor, William &#38; Richard McCulloch (Themed Section Editors):'Introduction'White, Daniel:'Middle Earth Music: The sonic inhabitation of a fantasy world'O’Malley, Evelyn:'Imagining Arden: Audience responses to place and participation at Taking Flight Theatre Company's As You Like It' Jamieson, Gill &#38; Ann McVitie:'Noir Building?: Understanding the immersive fandom of Noir City'Reagin, Nancy:'Dances With Worlds: Karl May, "Indian" hobbyists, and German fans of the American West since 1912' McCormick, Casey:'"There's More Than One of Everything": Navigating Fringe's Cofactual Multiverse'Lyczba, Fabrice:'Spectatoritis vs. World-Building: Sandbox spectatorship in American children's silent film culture'Spanò, Carmen:'Audience engagement with multi-level fictional universes: The case of Game of Thrones and its Italian fans' Norris, Craig:'Japanese media tourism as World-Building: Akihabara's Electric Town and Ikebukuro's Maiden Road'Hassler-Forest, Dan:'Skimmers, Dippers and Divers: Campire's Steve Coulson on transmedia marketing and audience participation' &#160;ReviewsWolf, Mark J.P:Building Imaginary Worlds: The Theory and History of Subcreation (reviewed by Martin Barker, with a response from Mark J.P Wolf)Hassler-Forest, Dan:Science Fiction, Fantasy, and Politics: Transmedia World-Building Beyond Capitalism (reviewed by Bethan Jones)