{"word_count": 502, "character_count": 3961}
Colloque "The Past is Back on Stage - Medieval and Early Modern England on the Contemporary Stage"Du vendredi 19 mai 2017 au samedi 20 mai 2017Salle des colloques 1 Site Saint-CharlesUniversity Paul-Valéry Montpellier 3, FranceColloque organisé par Marianne Drugeon (marianne.drugeon@univ-montp3.fr) avec le soutien du RADAC (Recherches sur les Arts Dramatiques Anglophones)9.15 Introductory talks: Christine Reynier (Director of EMMA, Université Paul-Valéry Montpellier 3, France) and Marianne Drugeon (Université Paul-Valéry Montpellier 3, France)9.30 Keynote lectureChair Graham Saunders (University of Birmingham, UK)David Edgar (Playwright, UK), Plenary Speaker, Re-forming the Reformation: by Bolt, Brenton, Poulton and me.Questions10.30 BreakThe History of the Tudors on the StageChair Graham Saunders (University of Birmingham, UK)11.00 Terri Baker (Mount Royal University, Canada), Thomas Cromwell, “the calmest person in any room, the best man in a crisis:” the Rescue of Cromwell in BBC and RSC’s Wolf Hall.11.25 Catriona Fallow (University of Birmingham, UK), The “What ifs” of History: Howard Brenton at Shakespeare’s Globe.11.50 Banu Öğünç (Aksaray Üniveristesi, Turkey), Howard Barker’s Brutopia: History in Politics, Politics in History.12.15 -12.30 Questions&#160;AfternoonMusical EchoesChair Alexandra Poulain (Université Sorbonne Nouvelle Paris 3, France)2.00 Patrick Moran (Université Paul-Valéry Montpellier 3, France), “On second thought, let’s not go to Camelot. It is a silly place.” The Enduring Popularity of King Arthur in Contemporary Musical Theatre.2.25 Richard O’Brien (University of Birmingham, UK), ‘Welcome to the Renaissance/Where everything is new’: Finding Ourselves in Dramatisations of Theatrical History2.50 Elisabeth Angel-Perez (Université Paris-Sorbonne (Paris 4), France), Martin Crimp's Eaten Hearts:  Reinventing Dialectical Theatre (about Into the Little Hill and Written on Skin).2.50-3.00 Questions3.00 BreakHistory and CommunityChair Avishek Ganguly (Rhode Island School of Design, US)3.35 Orde Levinson (Stage director, UK), The Rialto Dialogues, Shakespeare’s Heroic Jew4.00 Stephanie Dale (Playwright, UK) and David Edgar (Playwright, UK), Walking with Ghosts4.25-4.45 Panel Discussion with the playwrights and stage directors - Respondent Marianne Drugeon (Université Paul-Valéry Montpellier 3, France)SATURDAY 20 MAYShakespeare on the Contemporary StageMorningFor Young audiencesChair Elisabeth Angel-Perez (Université Sorbonne Nouvelle Paris 3, France)9.00 Sara Reimers (Royal Holloway University of London, UK), “O this learning, what a thing it is!”: Adapting The Taming of the Shrew for young audiences.9.25 Maria Elena Capitani (Università degli Studi di Parma, Italy), Re-Membering the Bard: David Greig’s and Liz Lochhead’s Revisionary Reminiscences of The Tempest.9.50 Simona Elena Bonelli (Cardiff University, UK), “Pick up your paper and pens”: rewriting the death of Cinna.10.15-10.30 Questions10.30 BreakBy Modern PlaywrightsChair Agnès Lafont (Université Paul-Valéry Montpellier 3, France)11.00 Guillaume Fargas (Université de Picardie, France), Shakespeare et Koltès, un héritage neutre.11.25 Alexandra Poulain (Université Sorbonne Nouvelle Paris 3, France), “Shut up and listen, Historian!” Femi Osofisan’s Tegonni: An African Antigone and Wesoo, Hamlet!, or The Resurrection of Hamlet.11.50-12.00 Questions&#160;AfternoonThrough the Lens of Theatre CompaniesChair Florence March (Université Paul-Valéry Montpellier 3, France)2.00 Pascale Sardin (Université Bordeaux-Montaigne, France), Ironic Intermedialities in Rupert Goold’s Richard III (Almeida Theatre, June-August 2016).2.25 Frank Widar Brevik (Savannah State University, US), “The Past is Prologue”: Tara Arts’ 2008 Presentist Tempest.2.50 Giselle Garcia (University of Exeter, UK), A Performance Analysis of “Mousetrap: The Anti-Hamlet”.3.15-3.30 Questions3.30 Closing Discussion with all the participants4.00 End of the Conference 