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By Jonathan MacDonaldThere is a right way and a wrong way to do everything, or so argued the creators of Coronet Instructional Films. In their mission to educate American youth in the post-World War II decade, the Coronet film catalog made sure that children and teenagers knew the steps to right living. In their filmography, one can find ten-minute fictional prescriptive films produced on seemingly any topic of concern to the young student: family relationships, school, social life, dating, exercise and hygiene, and food and diet. Beyond their kitsch value, Coronet’s films (and those of their contemporaries) offer scholars a rich source on the ideological dimensions of public education in the immediate postwar decade.  After decades of social instability caused by rapid urbanization, economic depression, and war, proponents of “Life Adjustment Education” believed that the key to new social stability and economic prosperity was education. These Life Adjusters were ready with two intellectual tools to remake American education. In one hand was their reading of American pragmatic philosopher John Dewey’s (1859-1952) writings on progressive education; in the other was the latest psychological research into the developing minds of children and adolescents. Life adjusters sought to educate “the whole child,” including that child’s physical and social needs. This tradition began to fizzle after Brown v Board of Education (1954) and Sputnik (1957) brought national urgency to issues like racial justice and scientific literacy. Art's mother brings breakfast to the table. Image credit: The Internet Archive, A/V Geeks Collection.Coronet produced the bulk of their filmography from 1947-1953. During this time, their staff researchers drew from life adjustment discourses while writing film scripts and corresponding with educational collaborators. Together, filmmakers and educators produced many dozens of films that offered direct advice to their young viewers. Art's poor dietary habits separate him from his peers. Image credit: The Internet Archive, A/V Geeks Collection.The Food that Builds Good Health is a 1951 film that excellently depicts the concerns of life adjustment educators. Intended for elementary school children, the film’s main subject is a young boy named Arthur (Art) Baker who “is pale and underweight [and] doesn’t have much energy.” As an off-screen narrator explains the importance of good diet, viewers watch a day in the life of Art. He begins his morning by barely touching his home-cooked breakfast. Next, he watches from the sidelines as his classmates play at recess, each “full of vigor and vitality, cheerful smiles bright eyes, [with] strong and husky bodies.” Art, on the other hand, simply cannot keep up. Thankfully, science class helps Art figure out why his health lags behind that of his peers. As an experiment, Art’s science teacher feeds two pet guinea pigs different diets. One is healthy and energetic due to his balanced diet; the other is lethargic, with greasy, matted fur. Art considers the diets of the class guinea pigs. Image credit: The Internet Archive, A/V Geeks Collection. After feeding time with the classroom pets is over, Art’s teacher leads the class in an explanation of food and diet. Viewers learn that proteins, carbohydrates, fats, vitamins, minerals, and water are all important in the body’s growth, repair, energy, and regulation. And to get these healthful nutrients, it is explained, one must eat foods from across the spectrum of food groups: “milk; vegetables; fruits; eggs; meat, cheese, or fish; cereal or bread; butter or margarine.” The narrator continues, “It's up to you…if you do eat the right foods regularly, your body will get all the materials it needs for good health.” The latter half of the film shows Art take this message to heart, as he helps his mother with the grocery shopping and commits to “eating a good helping of everything from the table,” even the foods he does not like. The final scene shows Art, now healthy and energetic, preparing to play baseball with his classmates. The building blocks of good health.  Image credit: The Internet Archive, A/V Geeks Collection.Life Adjustment Educators inherited the paternalism of their progressive-era forebears and were often deeply skeptical of the home-lives of America’s schoolchildren. Health and diet were not idle concerns for educators in the postwar decade. General Education in a Free Society, a 1945 Harvard report to the United States government on schooling, worried that for the nation’s youth, “the elementary facts about diet, rest, exercise...will have to be learned away from home if they are to be learned at all” (p. 174). Harl R. Douglass, a life adjustment educator and sometimes collaborator with Coronet went further, saying that if “children [could] be taught sound health and nutritional practices… they in turn become powerful persuaders in carrying the instruction into the home and thus changing family practices.”[1]“Art is not so fond of tomatoes, but if they help make us healthy, he’s willing to eat them. And who knows, he’ll probably grow to like them.” Image credit: The Internet Archive, A/V Geeks Collection.The Food that Builds GoodHealth works in the grey areabetween familial authority and school authority. The film is careful not tocontradict the parental prerogative: Art gets all of the food that he needs athome, he simply refuses to eat it. His picky eating and subsequent“malnourishment” is a habit that his hapless parents have allowed to develop. Thankfully,the school is able to step in and correct Art’s behavior through rationalpersuasion: stating the facts. Armed with these facts, Art takes his health(and his life) into his own hands, much to his mother’s delight -- and all inthe space of ten minutes.[1] Harl R. Douglass, ed., The High School Curriculum (The Ronald Book Company, New York, 1947), p. 173.Jonathan MacDonald is the Project Coordinator for&#160;Before 'Farm to Table': Early Modern Foodways and Cultures, a Mellon initiative in collaborative research at the Folger Institute of the Folger Shakespeare Library. He holds a M.A. in History from Virginia Tech, where he completed a&#160;thesis&#160;on the social-scientific roots of mid-twentieth century American educational films.