{"word_count": 487, "character_count": 3658}
Les 10 et 11 avril 2014, à Venise, se tiendra un atelier de réflexion sur la paléographie numérique : Digital Paleography. Projects, prospects, potentialities (An International Workshop).Programme et argumentaire : Digital paleography workshop - Venice - 10-11 April 2014 Le projet Oriflamms et ses avancées seront présentées durant la troisième session, le 11 avril au matin.L'atelier explorera un champ de recherche à la pointe et examinera les potentialités des technologies de l'informations appliquées au systèmes graphiques non-imprimés, quel qu'en soit le support.Trois thèmes principaux seront abordés :état de l'artdiversité des approches et potentialités dans la reconnaissance automatisée des écritures médiévalesécritures personnelles des XVIe-XVIIIe sièclesThe present international workshop addresses a recent cutting-edge research field which explores the potentialities lying in the application of information technologies to non-printed graphic systems on whatever writing surface.The workshop proposes to explore three principal themes: the digital paleography state of the art; the potentiality of different approaches applied to automatic digital recognition of medieval handwritings; the problem of sixteenth-eighteenth centuries individual handwriting digital recognition, in particular in wills from the Venetian State Archives, as part of the “Venice Time Machine Project” recently launched by Università Ca’ Foscari, Digital Humanities Lab (DHLAB), EPFL, Lausanne and the Archivio di Stato di Venezia.The workshop is open to students of both Bachelor and Master levels (with credit recognition of substitute activity for the traineeship), for Ph.D. students and for all those interested in the theme.Pour plus d'information, contacter :Flavia De Rubeis: flaviadr@unive.itDorit Raines: raines@unive.itProgramme10 avril 2014 - Session 115.00 – 15.30 Arianna Ciula, Department of Humanities, University of Roehampton, UKDigital Palaeography: what is digital about it ?15.30 – 16.00 Frédéric Kaplan, EPFL-CDH-DHLAB, CM2271, Swiss ConfederationA short introduction to the Venice Time Machine and its digital paleography challenges16.00 – 16.30 Andrea Mazzei, EPFL-CDH-DHLAB, CM2271, Swiss ConfederationMachine Vision Approaches to Scanned Historical DocumentsSession 217.00 – 17.30 Flavia De Rubeis, DSU, Università Ca’ Foscari. Venezia, ItalyL’épigraphie et sa paléographie: l'approche numérique et ses perspectives17.30 – 18.00 Giuseppe Salemi, DBC, Università di Padova, Italy Reflectance Transformation Imaging (RTI) for Paleography18.00 – 18.30 Daniele Vitelli, VeneziaThe San Vincenzo project on epigraphy: the PTI projectApril 11, 2014 - Session 39.30 – 10.00 Dominique Stutzmann, Institut de Recherche et d'Histoire des Textes (IRHT - CNRS, UPR 841) FranceLe projet ORIFLAMMS (ANR / Cap Digital) : comprendre l’écriture et sa variabilité10.00 – 10.30 Peter Stokes, Dept. of DDH, King’s College London, UKThe DigiPal Project – And BeyondSession 411.00 – 11.30 Lorenzo Tomasin, DSU, Università Ca’ Foscari, Venezia-UniL, Italy-Swiss ConfederationUn progetto sugli Statuta veneta di Iacopo Tiepolo11.30 – 12.00 Dorit Raines, Luciano Pezzolo, DSU, Università Ca’ Foscari, Venezia, ItalyThe “Testamenti” project – a challenge to digital paleographySession 5 : Conclusions14.00 – 16.00 Conclusive round tableParticipants : Massimiliano Bassetti (TeSIS, Università di Verona); Paolo Eleuteri (DSU, Università Ca’ Foscari, Venezia); Carlo Federici (DSU, Università Ca’ Foscari, Venezia); Nicoletta Giovè (DISSGEA, Università di Padova); Marilena Maniaci (Dipartimento di Lettere e Filosofia, Università di Cassino e del Lazio Meridionale)