{"word_count": 1369, "character_count": 9980}
Sources primaires :Britten, Benjamin. The Turn of the Screw, op. 54. Full score. London: Boosey &#38; Hawkes, 1955.Britten, Benjamin. Billy Budd. Full score. London: Boosey &#38; Hawkes, 1985.Britten, Benjamin. Billy Budd. BBC TV recording1966. Decca, 2008.Eliot, T.S. The Waste Land in Collected Poems: 1909–1962. London : Faber, 1974.Forster, E. M. Howards End. London: Edward Arnold, 1910.Forster, E. M. The Prince’s Tale and Other Uncollected Writings. Ed. P.N. Furbank. London: Penguin, 1999.Hanotte, Xavier. La Nuit d’Ors, fantaisie dramatique en trois tableaux. Bègles: Le Castor Astral, 2012.James, Henry. The Turn of the Screw and other stories. World’s Classics, Oxford: OUP, 1992.Strachey, Lytton. Elizabeth &#38; Essex, A Tragic History. New York: Harcourt &#38; Brace, 1928. Harvest Books, 1969.Sources secondaires :Banham, Mary &#38; Bevis Hillier, (eds.). A Tonic to the Nation, The Festival of Britain 1951. London: Thames &#38; Hudson, 1976.Banks, Paul. (Ed.). Gloriana, Essays and Sources. Aldeburgh Studies in Music, Woodbridge: The Boydell Press, 1993.Bliss, Arthur. As I Remember. London: Thames Publishing, 1989.Brett, Philip. “Salvation at Sea: Billy Budd.” palmer, Christopher, ed. The Britten Companion. London: Faber, 1984.Brett, Philip. Music and Sexuality in Britten. George E. Haggerty (Ed.). Berkeley: University of California Press, 1994.Bridcut, John. Britten’s Children. London: Faber, 2006.Burn, Andrew. ““Now, Trumpeter for Thy Close”: The Symphony Morning Heroes: Bliss’s Requiem for His Brother.” The Musical Times, 126/ 1713 (October 1985): 666–68.Burn, Andrew. “Rebel to Romantic: The Music of Arthur Bliss.” The Musical Times, 132 / 1782 (August 1991): 383–86.Cannadine, David. “The Context, Performance and Meaning of Ritual: the British Monarchy and the 'Invention of Tradition’, c. 1820-1977.” HOBSBAWN, Eric &#38; Terence RANGER (eds.). The Invention of Tradition. Cambridge: CUP, 1983.Carpenter, Humphrey. Benjamin Britten. A Biography. London: Faber, 1992.Charlton, Anne &#38; William. Putting Poetry First: A Life of Robert Nichols, 1893-1944. Norwich: Michael Russel, 2003.Cooke, Francis Nicholas. Satan in Society. New York: C. F. Vent, 1871.Cooke, Mervyn. Britten, War Requiem. Cambridge Music Handbooks. Cambridge: CUP, 1996.Cooke, Mervyn. “Be flat or Be natural? Pitch symbolism in Britten’s Operas.” Rethinking Britten. Philip Rupprecht, ed. Oxford: OUP, 2013.Cooke, Mervyn &#38; Philip Reed (eds.), Billy Budd. Cambridge Opera Handbooks, Cambridge: CUP, 1993.Couderc, Gilles. “Britten et l’art de la parabole.” La Revue LISA-LISA e-journal, 2/3 (2004),  http://lisa.revues.org/2965Couderc, Gilles. “In the midst of life is death”; passacailles et ritualisation de la mort dans les opéras de Benjamin Britten.” Champs du signe 30, Musique et Littérature I, Poétique des formes, poétique des discours. Toulouse: Éditions Universitaires du Sud, 2012.Couderc, Gilles. “‘Dear God, is there no end to his dreadful ways?’ Wrongdoing in Benjamin Britten’s operas.” Wrongdoing. Elizabeth Durot-Boucé ed. Rennes: Tir, 2015. 247-70.Couderc, Gilles. “Britten’s Billy Budd and the Telling Voices of Libretto and Orchestra.” Speaking Volumes...(S)édition, Impression(s). Elizabeth Durot-Boucé, ed. Rennes: Tir, 2017. 161-82.Couderc, Gilles. « La Gloriana de Benjamin Britten : déconstruction et reconstruction du Nouvel âge d’Or élisabéthain. » Chemins de traverse. Elizabeth Durot-Boucé, éd. Rennes: Tir, 2018. 127-54.Cunnigham, Valentine. “Filthy Britten.” The Guardian, January 4, 2002.Cuthbertson, Guy. Wilfred Owen. New Haven: Yale University Press, 2014.Eldon Ladd, George. A Theology of the New Testament. Donald A. Hagner, ed. Grand Rapids: William B. Eerdmans Publishing Company, 1993.Evans, John, ed. Journeying Boy, The Diaries of the Young Benjamin Britten, 1928-1938. London: Faber, 2009.Evans, Peter. The Music of Benjamin Britten. London: Dent, 1979.Forster, E. M. Aspects of the Novel. Ed. Oliver Stallybrass. London: Penguin, 1974.Forster, E. M. Two Cheers for Democracy. London: Hartcourt Brace &#38; Company, 1951Furbank, P.N. E.M. Forster, A Life. London: Sphere Books, 1988.Fussel, Paul. The Great War and Modern Memory. Oxford: OUP, 1975.Grogan, Christopher. Imogen Holst, A Life in Music. Woodbridge: The Boydell Press, 2007.Harewood, George, (Lord). The Tongs and the Bones. London: Weidenfeld &#38; Nicolson, 1981.Herbert, David. Ed. The Operas of Benjamin Britten. London: The Herbert Press, 1989.Hibberd, Dominic. Wilfred Owen, a New Biography. London: Phoenix, 2003.H. G. “Morning Heroes, a New Symphony by Arthur Bliss.” The Musical Times, 71 / 1052 (October 1930).Hindley, Clifford. “Love and Salvation in Britten’s ‘Billy Budd’.” Music &#38; Letters, 70-3 (1989): 363-81.Hindley, Clifford. “Why Does Miles Die? A Study of Britten’s The Turn of the Screw.” Musical Quarterly, 74 (1990): 1-17.Hobsbawn, Eric &#38; Terence Ranger. Eds.  The Invention of Tradition. Cambridge: CUP, 1983.Holroyd, Michael. Lytton Strachey: A Biography. London: Vintage, 1994.Holroyd, Michael.“‘A daring experiment’, an Introduction to ‘Elizabeth &#38; Essex.’” Peter Grimes &#38; Gloriana Opera Guide. London: John Calder, 1983.Hynes, Samuel. The Auden Generation, Literature and Politics in England in the Thirties. London: The Bodley Head, 1976. Pimlico, 1992.Hynes, Samuel. A War Imagined: The First World War and English Culture. London: The Bodley Head, 1990. Pimlico, 1992.Keller, Hans. Benjamin Britten, a Commentary on his Works from a Group of Specialists. Donald Mitchell &#38; Hans Keller, eds. London: Rockcliff, 1952.Kildea, Paul. Selling Britten: Music and the Market Place. Oxford: OUP, 2002.Kildea, Paul. Britten on Music. Oxford: OUP, 2003.Kildea, Paul. Benjamin Britten, a Life in the Twentieth Century. London: Allen Lane, 2013.Kramer, Lawrence, (ed.). Walt Whitman and Modern Music: War, Desire and the Trial of Nationhood. London: Garland Publishing, 2000.Lago, Mary. E.M. Forster, a Literary Life. London: Macmillan, 1995.Marsh, Jan. Sex &#38; Sexuality in the 19th Century. Victoria &#38; Albert Museum, http://www.vam.ac.uk/content/articles/s/sex-and-sexuality-19th-century/Mason, Diane. The Secret Vice, Masturbation in Victorian Fiction and Medical Culture. Manchester: Manchester UP, 2008.Mellers, Wilfrid. “Turning the Screw.” The Britten Companion. Christopher Palmer, ed. London: Faber, 1984.Melman, Billie. The Culture of History: English Uses of the Past 1800-1953. Oxford: OUP, 2006.Mitchell, Donald. Britten &#38; Auden in the Thirties. Woodbridge: The Boydell Press, 2000.Mitchell, Donald &#38; Philip Reed, (eds.). Letters from a Life, Volume II, 1939-1945. London: Faber, 1991.Mitchell, Donald, Philip reed, &#38; Mervyn cooke, eds. Letters from a Life: The Selected Letters of Benjamin Britten, Vol. III, 1946-1951. London: Faber, 2004.Morra, Irene &#38; Rob Gossedge. The New Elizabethan Age: Culture, Society and National Identity after World War II. London: I. B. Tauris, 2016.Neale, J. E. Queen Elizabeth I. Pelican Books, 1960.Palmer, Christopher. “The Music of Gloriana.” Peter Grimes &#38; Gloriana Opera Guide. London: John Calder, 1983.Palmer, Christopher. “The Colour of the Music.” Benjamin Britten, The Turn of the Screw. Patricia Howard, ed. Cambridge Opera Handbooks. Cambridge: CUP; 1985.Parker, Peter. Isherwood, a Life. London: Picador, 2004.Plomer, William. “Notes on the Libretto of “Gloriana.”” Peter Grimes &#38; Gloriana Opera Guide. London: John Calder, 1983.Porter, Peter. “Benjamin Britten’s Librettos.” Peter Grimes &#38; Gloriana Opera Guide. London: John Calder, 1983.Potter, Jane. Wilfred Owen, an Illustrated Life. Oxford: Bodleian Library, 2014.Reed, Philip. “The Creative Evolution of Gloriana.” Gloriana, Essays and Sources. Paul Banks, ed. Aldeburgh Studies in Music. Woodbridge:The Boydell Press, 1993.Reed, Philip, Mervyn Cooke &#38; Donald Mitchell, eds. Letters from a Life. The Selected Letters of Benjamin Britten. Volume Four (1952-1957). Woodbridge: The Boydell Press, 2008.Reed, Philip &#38; Mervyn Cooke, eds. Letters from a Life. The Selected Letters of Benjamin Britten. Vol. V, 1958-1965. Woodbridge: The Boydell Press in association with The Britten-Pears Foundation, 2010.Reed, Philip &#38; Mervyn Cooke, eds. Letters from a Life: The Selected Letters of Benjamin Britten. Vol. 6, 1966-1976. Woodbridge: The Boydell Press in association with The Britten Pears Foundation, 2012.Rochlitz, Hanna. Sea-changes: Melville-Foster-Britten, the Story of Billy Budd and its Operatic Adaptation. Universitärsverlag Göttingen, 2012.Roscow, Gregory, (ed.), Bliss on Music: Selected Writings of Arthur Bliss, 1920-1975. Oxford: OUP, 1991.Rupprecht, Philip. Britten’s Musical Language. Cambridge: CUP, 2001.Seymour, Claire. The Operas of Benjamin Britten, Expression and Evasion. Woodbridge: The Boydell Press, 2004.Sinfield, Alan. Literature, Politics and Culture in Postwar Britain. London: Bloomsbury, 1999.Tate, Trudi &#38; Kate Kennedy, (eds.). The Silent Morning: Culture and Memory after the Armistice. Manchester: Manchester UP, 2013.Wiebe, Heather. Britten’s Unquiet Pasts: Sound and Memory in Post War Reconstruction. Cambridge: CUP, 2012.Select discography :There are many fragments of the Britten operas on YouTube but the quality is not always above board. Try the CD recordings made for Decca directed by Britten himself. Decca has released on DVD the 1966 BBC TV version of Billy Budd directed by Britten, a splendid black and white version that recalls the atmosphere of original 1951 performance.For the Screw, try the 2011 Glyndebourne DVD version, from Glyndebourne/Fra Musica vocally magnificent, or the older “Edwardian” 1990 Schwetzinger Festspiele DVD version from ARTHAUS MUSIK.For Lucretia, try the English National Opera 1987 DVD version also from ARTHAUS MUSIK, and its stark Noh-like setting.Try Emil and die Detektive, for the quasi Expressionist climate of the nerve-racking scene where Emil hides under Grundeis’s bed, BFLVD981.