{"word_count": 450, "character_count": 2871}
[This is the third of a three-part posting on BETWEEN-ness in recipes and their translation. For the first two parts, see here and here.]The following is a translation of our long-translated Manchu medical recipe in dialogue form, to explore the between-ness of the recipe through a conversation among materials: fluid, powder, and flesh. In this dialogue-shaped translation of the recipe, the major characters are the major materials interacting in the story. There are three of them - Oil, Flour, Flesh - with an early cameo by Spoon. Here, the medium of the conversation is not sound, but instead touch and movement. When speech is touch rather than sound - when voicing is touching and enabling your conversation partner to be touched, moving and enabling your partner to be moved - then the conversation works somewhat differently from what we tend to expect. Here, a single instance of touching functions as a single unit of this touch-speech. The conversation becomes a dialogue in gestures and movements over, across, with, etc. The problem that animates the dialogue is the event that stimulates and initiates movement; resolution is the circumstance in which movement eases. It is a critical issue that must be resolved: a body has been poisoned.Between: A Dialogue in TouchCharacters:FlourSpoonFleshOil&#160;&#160;Flour: (pillowed powder pile, then a smooth arc planes the surface as a small spoon cuts through to measure out a portion)Spoon: (smoothes a concavity in the powder before cradling it away to a bowl and releasing it to its next home)Flour: (bids farewell, dissolving into liquid and becoming something new)Flesh: (suffering from a relationship with a substance that does not wish it well; welcomes flour in its new liquid form, into its throatspace and down and down)Flour: (meets flesh, tries to soothe its suffering as it passes through the throat and down, roils the unkind substance poisoning the flesh and tries to bring it back up and out again)Flesh: (pulses after ejecting the flour from itself)Oil: (pours from container to handflesh)Flesh: (flesh slides on flesh to warm the oil; hands slide oil over belly)Oil: (warms and slides and soaks into belly and hands)Flesh: (bucks and roils, breaks and bleeds, angry and unplacated)Oil: (keeps trying; drops into meat broth - or drops into buttered milk - and mixes and swirls)Flesh: (takes the oil back into its throatspace and down and down and retches and roils and drinks…and again…and again…)Oil: (pours from container to handflesh)Flesh: (still roiling; flesh slides on flesh to warm the oil; hands slide oil over belly)Oil: (warms and slides and soaks into belly and hands…and again…and again…)Flesh: (roiling and retching…but less…and less…and on like that more and more gently…)Oil: (sliding and dropping…now more faintly…and gently…and more gently)Flesh: (stillness)Oil: (stillness)