{"word_count": 148, "character_count": 1153}
Sommaire&#160;:Marianne Klemun, Marina Loskutova, Anastasia Fedotova&#160;: ÉditorialMaddalena Napolitani&#160;: “Born with the taste for science and the arts”: The science and the aesthetics of Balthazar‐Georges Sage's mineralogy collections, 1783–1825Olga Elina&#160;: A passion for plants: Collections and power games in botany in the Russian Empire from the 18th to the early 19th centuryErki Tammiksaar, Ken Kalling&#160;: “I was stealing some skulls from the bone chamber when a bigamist cleric stopped me.” Karl Ernst von Baer and the development of physical anthropology in EuropeNadezhda V. Slepkova, Tatiana I. Yusupova&#160;: The Zoological Museum of the St. Petersburg Academy of Sciences, 1860s–1910: From an academic institute to a public museumAnastasia Fedotova, Tomasz Samojlik, Piotr Daszkiewicz&#160;: Killing for museums: European bison as a museum exhibitDenis Diagre‐Vanderpelen&#160;: The rise and fall of the Belgian Forestry Museum and Geographic Arboretum (1900–1980): A political origin and a winning opportunity for science?&#160;La revue est consultable en ligne&#160;: http://onlinelibrary.wiley.com/toc/16000498/2018/60/4.