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Veiled brightnessHouston, Stephen D. (19..-…. ; anthropologue). AuteurBrittenham, Claudia. AuteurMesick, Cassandra. AuteurStephen Houston serves as Paul Dupee Family Professor of Social Science at Brown University in Providence, Rhode Island.Claudia Brittenham holds a Ph.D. in the History of Art from Yale University and is now a member of the Michigan Society of Fellows at the University of Michigan.Cassandra Mesick is a doctoral candidate in anthropology at Brown University.Alexandre Tokovinine is Research Associate, Corpus of Maya Hieroglyphic Inscriptions, at the Peabody Museum of Archaeology and Ethnology at Harvard University.Christina Warinner is preparing her doctoral dissertation in anthropology at Harvard University.PrologueChapter One. Seeing ColorSensing ColorTheorizing Color in the WestComparative Theories of ColorColorizing MesoamericaA Book on Maya ColorChapter Two. Naming ColorSimplex TermsComplex TermsOrganization of ColorsMaya Color TermsRedWhiteBlackYellowYaxMaya TerminologyChapter Three. Making ColorPrime ColorantsFeathersFlowersShellsSpondylusMother-of-Pearl and PearlStonesJadeNonjade GreenstonesObsidianTurquoiseReflective Stones: Pyrite, Hematite, and MicaTranslucent StonesManufactured ColorantsDyesPigments and PaintsBlacksWhitesReds, Yellows, and BrownsBlues and GreensCeramics: A Special CaseMaking Maya ColorChapter Four. Using ColorApproaches and LimitationsThe Preclassic and Early Classic: Colors of the EarthRed, Black, and WhiteThe Late Preclassic: New ColorsThe Early Classic: Tradition and RetrenchmentColor Use in the Preclassic and Early ClassicThe Late Early Classic and the Rise of Maya BlueExperiments in CeramicsThe Invention of Maya BlueArchitectural ColorThe Conservative Colors of DeathColor Use in the Late Early ClassicThe Late Classic: Naturalism and Its DissentersThe Naturalistic RevolutionColor and DimensionRejections of PolychromyColor Use in the Late ClassicThe Terminal Classic: Rupture and ReinventionsThe Postclassic: The Colors of the GodsEarly Postclassic: Five Basic ColorsLate Postclassic: The "International Style"The "Blue-and-Black Style"Color ContrastsColor Use in the PostclassicUsing ColorEpilogue: A History of Maya ColorAppendix: Dyes and Organic Colorants of the Maya and AztecsBibliographyIndexEditeur : Austin : University of Texas pressDate de parution : 2009Description matérielle : 1 vol. (XI-148 p.) : ill. en coul., jaquette ill. en coul. ; 29 cmCollection : (The William &#38; Bettye Nowlin series in art, history, and culture of the Western hemisphere)Bibliogr. p. 110-141. Index ISBN 978-0-292-71900-2 (rel.)PARIS-BnF : Tolbiac - Rez-de-jardin - magasin : 2011-3128NANTERRE-BU PARIS10PARIS-INHAPARIS-Médiathèque MQBVeiled brightness