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Colloque International : Poetry &#38; Religion: Figures of the Sacred : 1-2 avril 2011, Institut Catholique de Paris, Facult&#233; des Lettres, Amphi Paul Ric&#339;ur (salle B18), entr&#233;e libre Programme : Vendredi 1er Avril8h30 : Ouverture du colloque par     le Doyen de la Facult&#233; des Lettres, Olivier Soutet,     le Vice-Doyen de la Facult&#233; des Lettres Pauline Piettre et     le Directeur du Departement d'Anglais, Ineke Bockting.9h : Philip Crispin (Universit&#233; de Hull)&#8220;Mysteries of Faith : The Consubstantiality of Poetry and Drama in Medieval Theatre&#34;9h30: Şebnem Kaya (Universit&#233; d'Hacettepe, Turquie) &#34;Natural Theology in the Works of Middle English Mystics and Mevlana Jalalu'ddin Rumi&#34;10h : Cassandra Gorman (Universit&#233; de Cambridge) &#34;Adam and the atom : Thomas Traherne's natural-theological approach to the origins of 'ALL THINGS'&#34; 10h30 Jean-Christophe Van Thienen (Universit&#233; Lille III) &#34;Virtuous wordplay in George Herbert's Anglican Manifesto&#34;11h15-12h15 : Discours principal- Alice Goodman, &#8220;Wreaths of Fame and Interest&#8221; - introduit par J. Kilgore-Caradec14h : Gary Kuchar (University of Victoria, Canada) &#34;Sounding the Temple: George Herbert and the Art of Hearkening&#34;14h30 : Guillaume Coatalen (Universit&#233; de Cergy-Pontoise)&#8220;Sucking &#8216;the sincere milk of the word&#8217; (1Peter 2:2) in Herbert's The Temple (1633)&#8217;&#8217;15h : Sola Ogunbayo (Universit&#233; de Redeemer, Nigeria) &#34;Genesis as Muse in William Blake's &#8216;Milton&#8217;&#34;15h30 : Catherine Fleming (Universit&#233; de Virginia) &#8220;The 18th Century Germanic History of Pope&#8217;s &#8216;Essay on Man&#8217;&#8221;16h30 : Stephen Tardif (Universit&#233; d'Harvard)&#34;Personality as Sacrament in G.M. Hopkins' Poetry&#34;17h : Paola Partenza (Universit&#233; D'Annunzio, Italie) &#34;&#8217;It is man's privilege to doubt&#8217;, Alfred Tennyson and the poetry of doubt&#34;17h30: John Fawell (Universit&#233; de Boston)&#34;Hardy, the Churchiest Atheist&#34;18h : M&#233;lody Enjoubault (Paris IV-Sorbonne) &#34;Tune me, O Lord, into one harmony': Christina Rosetti and the Poetics of Eternity.&#8221;18h30-19h15 : FILM: &#8220;Mankind&#8221; (A Medieval Play), pr&#233;sent&#233; par Philip Crispin.Samedi 2 Avril9h : Christopher Stokes (Universit&#233; d'Ireland, Maynooth)&#34;Prayer, Rite and Affect in Keats&#8217;s 'Ode to Psyche' and 'The Eve of St. Agnes&#34;9h30 : Jane Avner (Universit&#233; Paris XIII)&#8220;Annunciations&#34;10h : Anne Mounic (Paris III-Sorbonne Nouvelle)&#34;Deux chants du singulier: Gerard Manley Hopkins et Robert Graves&#34;10h30 : Murielle Cayouette (Universit&#233; Laval, Canada)&#34;Spirituality and Disaffiliation in T.S. Eliot's &#34;Gerontion&#34; and Wallace Stevens's &#34;Sunday Morning&#34;11h15 : Discours principal - Monique Lojkine-Morelec, &#8220;When Birds in Glory Come&#8221; introduit par C. Parc14h : Ben Keatinge (South East European University, Macedonia)&#34;'Holy God makes no reply': Prayer, Mysticism and Subjectivity in three Irish modernist poets&#34;14h30 : Monica Manolachi (Universit&#233; de Bucarest)&#34;Faith, Doubt and Blasphemy in Contemporary Caribbean British Poetry&#34;15h : Cathy Parc (Institut Catholique de Paris)&#8220;Tongue(s) of Fire: Echoes of the Sacred in Elizabeth Jennings&#8217;s Poetry&#8221;16h : Ineke Bockting (Institut Catholique de Paris)&#8220;A Southern Sanctity: James Dickey&#8217;s The Heaven of Animals and Approaching Prayer&#8221;16h30 : Jennifer Kilgore-Caradec (Universit&#233; de Caen / Institut Catholique de Paris)&#8220;&#8217;In terms of grace and carnal loss&#8217;: Oraclau/Oracles by Geoffrey Hill&#8221;