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PresentationWe are pleased to announce the fourth KISMIF Conference (KISMIF Conference 2018) which will take place in Porto, Portugal, between 3 July and 7 July 2018.This initiative follows the great success of the&#160;three past editions&#160;and brings together an international community of researchers focusing on underground music scenes and do-it-yourself culture.The 4th edition of KISMIF will focus on &#8216;Gender, differences, identities and DIY cultures&#8217;, directing its attention on gender issues relating to underground scenes and DIY cultures, and their manifestation at local, translocal and virtual levels.In 2018, the scientific programme of KISMIF will once again be accompanied by a diverse social and cultural programme.The conference will be preceded by a summer school entitled&#160;&#8216;What difference do DIY cultures make?&#8217;&#160;on 3 July 2018 in Faculty of Arts and Humanities of University of Porto. The summer school will offer an opportunity for all interested persons, including those participating in the conference, to attend workshops led by specialists in these fields.TopicsThe conference convenors welcome proposals (paper/ panel/ workshop/ performance proposals) pertaining to the following topics, taking into account the KISMIF 2018 themes &#8211; gender, differences, identities and its relations with DIY cultures:The role/importance of gendered spaces/places/territories in underground music scenes and DIY cultures at the local, translocal and virtual level.Gender, migrations, diasporas, refugees and artistic and musical movements.Cities, space and contemporary countercultural resistance, social and artistic practices.Music scenes, new actors, new equalities: gender, queer, LGBT.New artistic and musical productions and intermediations in favor of spatial justice and gender equality.The role of gender in local, translocal and virtual mechanisms of production, intermediation and musical consumption.Developments in social theory around the gendered art worlds, musical fields, artistic fields, local/translocal/virtual music scenes.Gender, memory, historicity, genealogy and diachrony of music/artistic scenes.Subcultures, post-subcultures, tribes, neo-tribes and gender.Heritage, retromania and local/translocal/virtual DIY archives.Theoretical and methodological challenges/dilemmas in the research of artistic differences.Urban micro-economies, DIY careers and gender: alternative forms of musical, artistic and cultural entrepreneurship.Pedagogies and interventions based on artistic/musical DIY and social justice.Music scenes and (sub)cultures, ageing, ethnicity and development.City and aesthetics: musical and artistic styles and aesthetic transformations.Urban spaces and new dynamics of social inclusion through music and underground artistic practices and DIY.Spaces, places and the festivalization of culture, music, underground and DIY practices.Ethnicities, creative, musical and artistic roots and hybridity.Post-colonialism, transglobal artistic and musical scenes and citizenship.Confirmed Keynote SpeakersAdriana Amaral,Ana da Silva,Anthony Fung,Gina Birch,Helen Reddington,Jodie Taylor,John Robb,Jordan Mooney,Lucy O&#8217;Brien,Michael MacDonald,Motti Regev,Rosa Reitsamer,Sara Cohen,The Raincoats.Important DatesWarm Up: 2 July 2018KISMIF Summer School: 3 July 2018KISMIF Conference: 4-7 July 2018Proposals submission: from 01 October 2017 to 10 February 2018Opening of Registration: 31 October 2017Notification of proposals approval: 28 February 2018Deadline for early registration: 31 March 2018Deadline for registration of conference presenters: 15 April 2018Deadline for registration of all other delegates: 07 July 2018Submission of abstractsThe submission of abstracts for this conference is open (click here) to academic researchers working in all areas of sociology, anthropology, history, cultural economics, geography, urban planning, media and cultural studies and cognate disciplines, such as design, illustration, popular music, cinema, visual and performing arts.The conference will feature:Keynote Lectures;Parallel Sessions;Creative Workshops;Creative Performances;Gigs;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;DJ Sets;Documentaries;Exhibitions;Book Launches.The language of the conference is English.Paper presentations may also be in Portuguese, but all the materials submitted must be written in English.General InstructionsThe KISMIF Conference 2018 welcomes the submission of proposals for papers&#8217; presentations, panels&#8217; discussion, creative workshops and creative performances.All proposals must be written in English and submitted no later than 10 February 2018, in the KISMIF Conference website: www.kismifconference.com.Each author cannot submit more than one proposal as first authorSpecific instructions for paper proposal submissions:Paper proposal abstracts should be approximately 250 words in length.The information requested with abstract submissions includes:the name(s) of the author(s), the area of expertise (sociology, economy, etc.), the institutional affiliation (department, university, country), and email(s);title of the proposed presentation;abstract with approximately 250 words;between 3-5 keywords.Specific instructions for panel proposal submissions:Proposals for panels based on traditional academic-conference formats should be submitted by a group of at least 3 contributors and a maximum of 5 contributors.The information requested with panel proposal submissions include:the name(s) of the author(s), the area of expertise (sociology, economy, etc.), the institutional affiliation (department, university, country), and email(s);title of the proposed panel;title of the proposed papers;and for each proposed paper: an abstract with approximately 250 words and 3-5 keywords.Specific instructions for creative workshops&#8217; proposals submission:In relation to the main thematic focus of the conference, we welcome proposals for creative workshops.The formats include presentations with interactive and practical exercises/activities.We especially encourage creative workshop proposals that make use of diverse media and that approach the inter and transdisciplinary crossings of sociological and artistic/arts-based research.Creative workshops must have a maximum duration of 70 minutes. Proposals should reflect this requirement.The information requested with proposal submissions include:the name(s) of the moderator(s), the area of expertise (sociology, economy, etc.), the institutional affiliation (department, university, country), and email(s);title of the proposed workshop;a description of the proposed workshop with 500-600 words and 3-5 keywords. The description should mention the role of each moderator, a description of the activities and the equipment necessary (note, please, that we are based in a University; we do not have access to a lot or very advanced equipment/technology. So please, Keep it Simple, Make it Fast![i]).duration of the proposed workshop.Specific instructions for performance-based proposal submissions:In relation to the conference&#8217;s main thematic focus &#8212; gender, differences, identities and its relationship to DIY cultures &#8212;, the conference will also include some time for participative creative sharing, around the practice of DIY music, improvisation and exchange.In this context, the KISMIF Conference 2018 invites all conference presenters and all visitors with a creative background (whether amateur, semi-professional or professional), to either host/coordinate or participate in one of the daytime creative performances during the conference.We ask potential participants to submit a proposal for creative performance. The performances can be related to any artistic fields (music, dance, poetry, etc.). They should not exceed 20 minutes.The information requested with proposal submissions includes:the name(s) of the performer(s), the area of expertise (sociology, economy, etc.), the institutional affiliation (department, university, country), and email(s);title of the proposed performance;type of performance (music, dance, etc.);a short description of the proposed performance with a maximum of 250 words and 3-5 keywords.duration of the proposed performance;(description of the equipment necessary (note, please, that we are based in a University; we do not have access to a lot or very advanced equipment/technology. So please, Keep it Simple, Make it Fast![i]).possibility of bringing own equipment and technology to the conference.[i] All the technical requirements will be well discussed in advance of the conference so that necessary arrangements can be made.&#160;Registrationhttps://www.kismifconference.com/en/registrations-kismif-conference-2018/KISMIF ConvenorsAndy Bennett and Paula Guerra.KISMIF Scientific CommitteeAlastair Gordon,Andy Bennett,Augusto Santos Silva,Carles Feixa,Dick Hebdige,George McKay,Gina Arnold,Guilherme Blanc,Heitor Alvelos,Jo&#227;o Queir&#243;s,Jos&#233; Machado Pais,J&#250;lio Dolbeth,Manuel Loff,Mark Percival,Matthew Worley,Mike Dines,Nick Crossley,Paul Hodkinson,Paula Abreu,Paula Guerra,Pedro Costa,Ross Haenfler,Samantha BennettWill Straw.KISMIF Organising CommitteeAna Oliveira,Esgar Acelerado,Catherine Strong,Celeste Reis,Giacomo Botta,Gil Fesch, H&#233;lder Ferreira,Jo&#227;o Queir&#243;s, Lisa Nikulinsky,Mary Fogarty,Matt Worley,Paula Abreu,Paula Guerra,Pauwke Berkers,Pedro Costa,Pedro Quintela,Rapha&#235;l A. Nowak,Robin Kuchar,Samantha Bennett,Susana Janu&#225;rioT&#226;nia Moreira.KISMIF Dissemination CommitteeAiri-Alina Allaste,Andr&#233; Rottgeri,Asya Draganova,Charity Slobod,Christina Ballico,Cihan Ertan,Dulce Mazer,Evi Sampanikou,Fern&#225;n del Val,Gabriela Gelain,Gina Arnold,Hector Fouce,Hernando Cepeda S&#225;nchez,Jonathan Crossley,Katie Rochow,Lo&#239;c Riom,Luiza Bittencourt,Mara Persello,Margarita Kuleva,Mark Percival,Martin Hus&#225;k,Patrick Williams,Peter Webb,Piotr Zańko,Rodrigo N. Almeida,Simone Luci Pereira,Simone Tosoni,Sonja Žakula,Victor de Almeida,Voica PuscasiuZ&#243;simo L&#243;pez.&#160;Presentaci&#243;n&#201; com muito prazer que anunciamos a quarta edi&#231;&#227;o da KISMIF Conference (KISMIF Conference 2018), que ter&#225; lugar na cidade do Porto, Portugal, entre 3 e 7 julho 2018.A iniciativa segue o enorme sucesso das&#160;tr&#234;s edi&#231;&#245;es anteriores&#160;(2014, 2015 e 2016) e reunir&#225; a comunidade internacional de investigadores das cenas musicais underground e culturas&#160;do-it-yourself.A 4.&#170; edi&#231;&#227;o da KISMIF Conference focar-se-&#225; na tem&#225;tica &#8216;Gender, differences, identities and DIY cultures&#8217;, direcionando a sua aten&#231;&#227;o para as quest&#245;es relacionadas com o g&#233;nero, as cenas underground e as culturas DIY e suas manifesta&#231;&#245;es a n&#237;vel local, translocal e virtual.Em 2018, o estimulante programa cient&#237;fico da KISMIF Conference ser&#225; uma vez mais acompanhado por um programa social e cultural diverso.A KISMIF Conference ser&#225; precedida por uma summer school intitulada&#160;&#8216;What difference do DIY cultures make?&#8217;&#160;no dia 3 julho 2018 na Faculdade de Letras da Universidade do Porto. A Summer School oferecer&#225; uma oportunidade a todos os interessados, incluindo aqueles que participem no Congresso, de participar em workshops tem&#225;ticos estruturantes do campo art&#237;stico contempor&#226;neo.A apresenta&#231;&#227;o de propostas est&#225; aberta (clique aqui) a investigadores provenientes de todas as &#225;reas da sociologia, antropologia, hist&#243;ria, economia cultural, geografia, planeamento urbano, estudos culturais, m&#233;dia e comunica&#231;&#227;o e disciplinas correlatas, tais como design, ilustra&#231;&#227;o, popular music, cinema, artes visuais e performativas.Tem&#225;ticasTomando em considera&#231;&#227;o as tem&#225;ticas de fundo da KISMIF Conference 2018 &#8211; g&#233;nero, diferen&#231;as, identidades e as suas rela&#231;&#245;es com as culturas DIY &#8211; os Coordenadores KISMIF prop&#245;em a submiss&#227;o de propostas (comunica&#231;&#245;es, pain&#233;is, workshops, performances) no &#226;mbito das seguintes tem&#225;ticas:O papel/import&#226;ncia de espa&#231;os/lugares/territ&#243;rios de g&#233;nero nas cenas musicais underground e culturas DIY a n&#237;vel local, translocal e virtual.G&#233;nero, migra&#231;&#245;es, di&#225;sporas, desloca&#231;&#245;es, refugiados e movimentos art&#237;sticos e musicais.Cidades, espa&#231;o e resist&#234;ncia contracultural contempor&#226;nea, pr&#225;ticas sociais e art&#237;sticas.Cenas musicais, novos atores, novas igualdades: gender, queer, LGBT.Novas produ&#231;&#245;es e intermedia&#231;&#245;es art&#237;sticas e musicais a favor da justi&#231;a espacial e da igualdade de g&#233;nero.O papel do g&#233;nero nos mecanismos locais, translocais e virtuais de produ&#231;&#227;o, intermedia&#231;&#227;o e consumo musical.Desenvolvimentos na teoria social relativos a gendered art worlds, campos musicais, campos art&#237;sticos e cenas locais, translocais e virtuais.G&#233;nero, mem&#243;ria, historicidade, genealogia e diacronia das cenas musicais e art&#237;sticas.Subculturas, p&#243;s-subculturas, tribos, neo-tribos e g&#233;nero.Heritage, retromania e arquivos DIY locais, translocais e virtuais.Desafios e dilemas te&#243;rico-metodol&#243;gicos no estudo das diferen&#231;as art&#237;sticas.Microeconomias urbanas, carreiras DIY e g&#233;nero: economias alternativas e empreendedorismo musical, art&#237;stico e cultural.Pedagogias e interven&#231;&#245;es fundadas no DIY art&#237;stico e musical e na justi&#231;a social.Cenas musicais e (sub)culturas, envelhecimento, etnicidade e desenvolvimento.Cidade, estilos e est&#233;ticas alternativas: urbanismo social e meios criativos.Espa&#231;os, lugares, territ&#243;rios e novas din&#226;micas de inclus&#227;o social atrav&#233;s de pr&#225;ticas art&#237;sticas underground e DIY.Eventos e festivaliza&#231;&#227;o da cultura underground e pr&#225;ticas DIY.Etnicidades, criatividades, fronteiras, margens e hibridismos.P&#243;s-colonialismo, cenas art&#237;sticas e musicais: organiza&#231;&#245;es art&#237;sticas, novos movimentos sociais e cidadanias.Oradores Convidados ConfirmadosAdriana Amaral,Ana da Silva,Anthony Fung,Gina Birch,Helen Reddington,Jodie Taylor,John Robb,Jordan Mooney,Lucy O&#8217;Brien,Michael MacDonald,Motti Regev,Rosa Reitsamer,Sara Cohen,The Raincoats.Datas ImportantesWarm Up: 2 Julho 2018KISMIF Summer School: 3 Julho 2018KISMIF Conference: 4-7 Julho 2018Submiss&#227;o de propostas: de 01 Outubro 2017 at&#233; 10 Fevereiro 2018Abertura das inscri&#231;&#245;es: 31 Outubro 2017Notifica&#231;&#227;o da aprova&#231;&#227;o das propostas: 28 Fevereiro 2018Prazo-limite para as inscri&#231;&#245;es antecipadas: 31 Mar&#231;o 2018Prazo-limite para a inscri&#231;&#227;o de autores de propostas: 15 Abril 2018Prazo-limite para a inscri&#231;&#227;o de todos os restantes participantes: 07 Julho 2018Instru&#231;&#245;es GeraisA KISMIF Conference 2018 contar&#225; com:Sess&#245;es Plen&#225;rias;Sess&#245;es Paralelas;Workshops Criativos;Performances Criativas;Concertos;DJ Sets;Document&#225;rios;Exposi&#231;&#245;es;Lan&#231;amentos de Livros.O idioma principal da KISMIF Conference &#233; o ingl&#234;s.As apresenta&#231;&#245;es orais das comunica&#231;&#245;es tamb&#233;m poder&#227;o ser em portugu&#234;s, mas todo os materiais submetidos dever&#227;o estar redigidos em ingl&#234;s.A KISMIF Conference 2018 aceita a submiss&#227;o de propostas para a apresenta&#231;&#227;o de comunica&#231;&#245;es orais, pain&#233;is de discuss&#227;o, workshops criativos e performances criativas.Todas as propostas devem ser redigidas em ingl&#234;s e submetidas at&#233; 10 de fevereiro 2018,no website da KISMIF Conference: www.kismifconference.com.Cada autor n&#227;o pode submeter mais do que uma proposta como autor principal.Instru&#231;&#245;es espec&#237;ficas para a submiss&#227;o de propostas de comunica&#231;&#245;es:As propostas dos resumos de comunica&#231;&#245;es devem ter aproximadamente 250 palavras.A informa&#231;&#227;o requerida durante a submiss&#227;o do resumo inclui:o(s) nome(s) do(s) autor(es), a &#225;rea de especializa&#231;&#227;o (sociologia, economia, etc.), a filia&#231;&#227;o institucional (departamento, universidade, pa&#237;s) e o(s) email(s);o t&#237;tulo da proposta;o resumo com um m&#225;ximo de 250 palavras;3-5 palavras-chave.Instru&#231;&#245;es espec&#237;ficas para a submiss&#227;o de propostas de pain&#233;is de discuss&#227;o:As propostas de pain&#233;is de discuss&#227;o dever&#227;o ser compostas por 3-5 contributos/comunica&#231;&#245;es orais.A informa&#231;&#227;o requerida durante a submiss&#227;o da proposta do painel inclui:o(s) nome(s) do(s) autor(es), a &#225;rea de especializa&#231;&#227;o (sociologia, economia, etc.), a filia&#231;&#227;o institucional (departamento, universidade, pa&#237;s) e o(s) email(s);o t&#237;tulo do painel proposto;o t&#237;tulo das comunica&#231;&#245;es propostas;e para cada comunica&#231;&#227;o proposta: um resumo com um m&#225;ximo de 250 palavras e 3-5 palavras-chave.Instru&#231;&#245;es espec&#237;ficas para a submiss&#227;o de propostas de workshops criativos:Este formato inclui apresenta&#231;&#245;es com exerc&#237;cios/atividades interativas e pr&#225;ticas.Encorajamos particularmente propostas de workshops criativos que recorram ao uso de diversas formas de m&#233;dias e que levem em considera&#231;&#227;o os cruzamentos inter e transdisciplinares da an&#225;lise sociol&#243;gica e da investiga&#231;&#227;o art&#237;stica e/ou baseada em artes.Os workshops criativos devem ter uma dura&#231;&#227;o m&#225;xima de 70 minutos. As propostas devem levar isto em considera&#231;&#227;o.A informa&#231;&#227;o requerida durante a submiss&#227;o de propostas inclui:o(s) nome(s) do(s) moderador(es), a &#225;rea de especializa&#231;&#227;o (sociologia, economia, etc.), a filia&#231;&#227;o institucional (departamento, universidade, pa&#237;s) e o(s) email(s);o t&#237;tulo do workshop criativo proposto;a descri&#231;&#227;o do workshop criativo proposto com 500-600 palavras e 3-5 palavras-chave. A descri&#231;&#227;o deve mencionar o papel de cada moderador/a, uma descri&#231;&#227;o das atividades e o equipamento necess&#225;rio (pedimos, por favor, aten&#231;&#227;o para o facto de a KISMIF Conference n&#227;o ter acesso a equipamento/tecnologia muito avan&#231;ados e em grande quantidade. Portanto, Keep it Simple, Make it Fast![i]).a dura&#231;&#227;o do workshop proposto.Instru&#231;&#245;es espec&#237;ficas para a submiss&#227;o de propostas de performances criativas:A KISMIF Conference 2018 abre ainda espa&#231;o para a partilha ativa e criativa atrav&#233;s da promo&#231;&#227;o de pr&#225;ticas de m&#250;sica DIY, da improvisa&#231;&#227;o e da experimenta&#231;&#227;o.O Congresso convida, assim, todos/as com um background criativo (seja amador, semiprofissional ou profissional) a serem anfitri&#245;es/coordenadores ou participantes numa das performances criativas durante a confer&#234;ncia.As propostas de performances criativas podem estar relacionadas com qualquer campo art&#237;stico (m&#250;sica, dan&#231;a, poesia, etc.). A sua dura&#231;&#227;o n&#227;o deve exceder os 20 minutos.A informa&#231;&#227;o requerida durante a submiss&#227;o de propostas inclui:o(s) nome(s) do(s) performer(es), a &#225;rea de especializa&#231;&#227;o (sociologia, economia, etc.), a filia&#231;&#227;o institucional (departamento, universidade, pa&#237;s) e o(s) email(s);o t&#237;tulo da performance proposta;o tipo de performance (m&#250;sica, dan&#231;a, etc.);uma curta descri&#231;&#227;o da performance proposta com um m&#225;ximo de 250 palavras e 3-5 palavras-chave.a dura&#231;&#227;o da performance proposta;a descri&#231;&#227;o do equipamento necess&#225;rio (pedimos, por favor, aten&#231;&#227;o para o facto de a KISMIF Conference n&#227;o ter acesso a equipamento/tecnologia muito avan&#231;ados e em grande quantidade. Portanto, Keep it Simple, Make it Fast![i]).a possibilidade de trazer o pr&#243;prio equipamento e tecnologia para a KISMIF Conference 2018.Submiss&#227;o de Propostas&#160;:https://www.kismifconference.com/pt/submissao-de-resumos-2018/Inscri&#231;&#227;ohttps://www.kismifconference.com/pt/inscricoes-kismif-conference-2018/KISMIF ConvenorsAndy Bennett and Paula Guerra.KISMIF Scientific CommitteeAlastair Gordon,Andy Bennett,Augusto Santos Silva,Carles Feixa,Dick Hebdige,George McKay,Gina Arnold,Guilherme Blanc,Heitor Alvelos,Jo&#227;o Queir&#243;s,Jos&#233; Machado Pais,J&#250;lio Dolbeth,Manuel Loff,Mark Percival,Matthew Worley,Mike Dines,Nick Crossley,Paul Hodkinson,Paula Abreu,Paula Guerra,Pedro Costa,Ross Haenfler,Samantha BennettWill Straw.KISMIF Organising CommitteeAna Oliveira,Esgar Acelerado,Catherine Strong,Celeste Reis,Giacomo Botta,Gil Fesch, H&#233;lder Ferreira,Jo&#227;o Queir&#243;s, Lisa Nikulinsky,Mary Fogarty,Matt Worley,Paula Abreu,Paula Guerra,Pauwke Berkers,Pedro Costa,Pedro Quintela,Rapha&#235;l A. Nowak,Robin Kuchar,Samantha Bennett,Susana Janu&#225;rioT&#226;nia Moreira.KISMIF Dissemination CommitteeAiri-Alina Allaste,Andr&#233; Rottgeri,Asya Draganova,Charity Slobod,Christina Ballico,Cihan Ertan,Dulce Mazer,Evi Sampanikou,Fern&#225;n del Val,Gabriela Gelain,Gina Arnold,Hector Fouce,Hernando Cepeda S&#225;nchez,Jonathan Crossley,Katie Rochow,Lo&#239;c Riom,Luiza Bittencourt,Mara Persello,Margarita Kuleva,Mark Percival,Martin Hus&#225;k,Patrick Williams,Peter Webb,Piotr Zańko,Rodrigo N. Almeida,Simone Luci Pereira,Simone Tosoni,Sonja Žakula,Victor de Almeida,Voica PuscasiuZ&#243;simo L&#243;pez.&#160;