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ArgumentaireToute production peut &#234;tre interrog&#233;e &#224; l'aune de la commande dont elle a fait l'objet. Les conditions de commande d'&#339;uvres &#224; la fin du Moyen &#194;ge et &#224; l&#8217;&#233;poque moderne ont donn&#233; lieu &#224; des &#233;tudes relativement nombreuses dans le domaine de l'histoire de l'art. L'approche pluridisciplinaire de nos rencontres doctorales nous invite &#224; &#233;largir ces questionnements en nous penchant sur les diff&#233;rents types de productions artistiques, qu'elles concernent la peinture, la sculpture, l'architecture, la musique, le th&#233;&#226;tre, la danse, la litt&#233;rature ou la philosophie. Les contributions porteront sur tous ces types de productions, mat&#233;rielles ou immat&#233;rielles, p&#233;rennes ou &#233;ph&#233;m&#232;res, conserv&#233;es ou non, et pourront interroger les axes de recherche suivants&#160;:Les acteurs&#160;: la r&#233;flexion peut porter sur le r&#244;le des protagonistes : commanditaires, ex&#233;cutants et &#233;ventuels interm&#233;diaires. Il convient d&#8217;interroger le statut du commanditaire&#160;: s&#8217;agit-t-il d&#8217;un individu ou d&#8217;une collectivit&#233;&#160;? Quelles sont ses connaissances techniques, scientifiques, sp&#233;cifiques au domaine en question ? La commande prend-elle place dans un cadre civil, religieux ou priv&#233; ? Le statut social, la formation ou encore l'&#233;ventuelle renomm&#233;e du ou des ex&#233;cutant(s) peuvent apporter des &#233;clairages &#224; cet axe de recherche. Enfin, existe-t-il des interm&#233;diaires entre ces protagonistes ? Qui sont-ils et quel est leur r&#244;le&#160;? L&#8217;&#233;tude des rapports entre les acteurs de la commande et des r&#233;seaux ainsi constitu&#233;s m&#233;rite &#233;galement d'&#234;tre exploit&#233;e.&#160;Les contrats&#160;: La question des interm&#233;diaires &#339;uvrant entre les protagonistes de la commande est au c&#339;ur de cet axe de recherche. Les intervenants sont invit&#233;s &#224; questionner la nature des sources exploit&#233;es (contrats, comptabilit&#233;s, correspondances, mandements, quittances, etc.). Quelles informations peuvent nous apporter ces documents produits dans le cadre de commandes priv&#233;es, religieuses ou civiles&#160;? Quelle est la nature des clauses contenues dans un contrat d&#8217;ouvrage ? Il convient de s'interroger sur les rapports &#233;conomiques entretenus par les commanditaires et les ex&#233;cutants.&#160;Outre ces questionnements sur les &#233;crits, une r&#233;flexion sur les autres mani&#232;res de passer commande peut &#234;tre men&#233;e.Les modes de production : Tous les types de production sont concern&#233;s. Par cons&#233;quent, il faut envisager d&#8217;&#233;tudier les proc&#233;d&#233;s de cr&#233;ation et de mise en &#339;uvre. Une production command&#233;e diff&#232;re-t-elle d&#8217;une production destin&#233;e &#224; &#234;tre propos&#233;e &#224; la vente par d&#8217;autres canaux&#160;? Afin d'appr&#233;hender les diff&#233;rents modes de production des &#339;uvres, les interventions pourront s&#8217;int&#233;resser &#224; un volet plus technique concernant les modes de fabrication. Elles peuvent &#234;tre pr&#233;sent&#233;es sous l&#8217;angle de l&#8217;histoire &#233;conomique &#224; travers l&#8217;&#233;tude des aspects mat&#233;riels (mat&#233;riaux, fournisseurs, gestion financi&#232;re).&#160;Le Centre d'&#201;tudes Sup&#233;rieures de la Renaissance de l&#8217;universit&#233; de Tours (UMR 7323) s'associe &#224; l'Unit&#233; de recherches Transitions. Moyen &#194;ge et premi&#232;re Modernit&#233; de l'universit&#233; de Li&#232;ge et au laboratoire Trame (Textes, repr&#233;sentations, arch&#233;ologie et m&#233;moire de l'Antiquit&#233; &#224; la Renaissance) de l'universit&#233; de Picardie pour organiser des rencontres doctorales internationales en trois volets. Les premi&#232;res rencontres, Transition(s) : concept, m&#233;thodes et &#233;tudes de cas (XIVe-XVIIe&#160;s.), se tiendront &#224; Li&#232;ge les 30 et 31 janvier 2018. &#192; Amiens, les 29 et 30 mai, aura lieu le deuxi&#232;me volet Quel lieu choisir ? Implantation, repr&#233;sentation et mention de l'&#233;difice et de l'objet (XIe-XVIIe s.). Le Centre d'&#201;tudes Sup&#233;rieures de la Renaissance organisera le troisi&#232;me volet de ces rencontres les 10 et 11 juillet 2018 autour du th&#232;me de &#171;&#160;La commande (XIIIe-XVIIe s.) : acteurs, contrats et productions&#160;&#187;Modalit&#233;s pratiques Les interventions, d'une vingtaine de minutes, s'inscriront dans des champs disciplinaires vari&#233;s&#160;: histoire, histoire de l'art, litt&#233;rature, philosophie, musicologie. Elles porteront prioritairement sur l&#8217;Occident de la fin du Moyen &#194;ge et du d&#233;but de l&#8217;&#233;poque moderne. Les communications pourront &#234;tre donn&#233;es en anglais, fran&#231;ais ou italien et feront l&#8217;objet d&#8217;une publication.Les propositions de communication, &#233;manant de doctorant&#183;es ou jeunes docteur&#183;es, devront &#234;tre envoy&#233;esau plus tard le 20 f&#233;vrier 2018&#224;(lafont_marie@outlook.com&#160;; manon.gac@gmail.com) et contenir un r&#233;sum&#233; de 200 mots. Dans votre courriel, nous vous remercions de pr&#233;ciser votre parcours en quelques lignes et le sujet de votre&#160;th&#232;se.Le Centre d'&#201;tudes Sup&#233;rieures de la Renaissance vous invitera &#224; d&#233;jeuner lors des deux journ&#233;es de rencontres. Cependant, l'h&#233;bergement et le transport resteront &#224; votre charge.Comit&#233; scientifiqueDidier Boisseuil, MCF Universit&#233; de ToursManon Gac, doctorante contractuelle au Centre d&#8217;&#233;tudes Sup&#233;rieures de la RenaissanceMarie Lafont, doctorante contractuelle au Centre d&#8217;&#233;tudes Sup&#233;rieures de la RenaissanceAlain Salamagne, PR Universit&#233; de ToursSubjectEvery piece can be studied through its commission. The conditions of pieces commission in late Middle Ages and early modern period started a long series of studies in the domain of the History of Arts. The multidisciplinary approach led by our PhD meetings brings us to enlarge the field of the study focusing on the different types of artistic production, be they painting, sculpture, architecture, music, theatre, dance, literature or philosophy. Contributions will focus on every kind of production, material or immaterial, lasting or not, preserved or not, and can be developed on the following research lines:Actors&#160;: the reflection will focus on the role of the protagonists customers, executors and potential intermediaries.&#160; It is necessary to investigate the nature of the customers: are they individuals or groups? Which are his/her technical skills, his/her scientific knowledge, in the aforementioned domains? In which realm does the commission take place: civil, religious or private? The social status, the education or even a certain reputation of the executor contribute to clarify this research line and are therefore worth studying. At last, are there any intermediaries between these actors? Who are they, and which is their role? Studying the relations between these actors and the networks they are in might as well be taken into consideration.Contracts&#160;: Intermediaries working among the protagonists of the commissions are the core topic of this research line. We invite lecturers to investigate the very nature of the employed sources (contracts, accounting, correspondence, mandates, bills, etc). What information can these documents bring about private, religious or civil commissions? What kinds of clauses are contained in a piece contract? &#160;It is worth enquiring into the economic relations entertained by various customers and executors. Alongside these questions about the sources, a reflection can be made on other ways to deliver the commissionWays of production: it is necessary to deepen the creation and implementation processes. Do the products of the commission differ from those destined to be sold through other channels? For the sake of understanding different ways of pieces production, lectures could focus on a more technical aspect about the material ways of production. This research line is addressed to History of Techniques as well as History of Economics, since it allows investigating the material aspects evoked in the contracts (materials, suppliers, financial management).The Centre d'&#201;tudes Sup&#233;rieures de la Renaissance in Tours associated with the Research Unit Transitions. Moyen &#194;ge et premi&#232;re Modernit&#233; of the University of Li&#232;ge and with the laboratory Trame (Textes, repr&#233;sentations, arch&#233;ologie et m&#233;moire de l'Antiquit&#233; &#224; la Renaissance) of the University of Picardy is organizing PhD international meetings in three sessions. The first meetings Transition(s) : concept, m&#233;thodes et &#233;tudes de cas (XIVe-XVIIe&#160;s.), will be held in Li&#232;ge on 30th and 31st of January 2018. The second session Quel lieu choisir ? Implantation, repr&#233;sentation et mention de l'&#233;difice et de l'objet (XIe-XVIIe s.) will be held in Amiens, on 29th and 30th of May. The third session of these meetings will be hosted by the Centre d'&#201;tudes Sup&#233;rieures de la Renaissance on 10th and 11th of July 2018 on the topic&#160;: &#171;&#160;The commission (XIIIth-XVIIth centuries) : actors, contracts and productions&#160;&#187;Submission GuidelinesThe lectures, about twenty minutes each, fall under various disciplinary fields: History, History of Arts, Literature, Philosophy and Musicology. They will mostly concern the West in the late Middle Ages and the early modern period. Lectures can be delivered in English, French or Italian and will be lately published.The lecture drafts, coming from PhD students or young PhDs, must be sent before the deadline, set on20th of February 2018(lafont_marie@outlook.com&#160;; manon.gac@gmail.com) and must contain an abstract up to 200 words. In the e-mail, we kindly ask you to point out the topic of your thesis as well as introduce yourself in a few lines.The Centre d'&#201;tudes Sup&#233;rieures de la Renaissance will be pleased to have you for lunch in both the meeting days. However, accommodation and transport will be at your charge.Presentazione Ogni opera pu&#242; essere studiata alla luce della committenza di cui &#232; stata oggetto. Le condizioni di committenza d&#8217;opere nel tardo Medioevo e nella prima et&#224; moderna hanno dato luogo a degli studi relativamente numerosi nell&#8217;ambito della storia dell&#8217;arte. L&#8217;approccio multidisciplinare dei nostri incontri dottorali ci spinge ad allargare tali problematiche concentrandoci sui diversi generi di produzione artistica, siano esse la pittura, la scultura, l&#8217;architettura, la musica, il teatro, la danza, la letteratura o la filosofia. I contributi verteranno su ogni genere di produzione, materiale o immateriale, durevole o effimera, conservata o no, e potranno ascriversi alle seguenti linee di ricerca :Gli attori&#160;: la riflessione verter&#224; sul ruolo dei protagonisti : committenti, esecutori ed eventuali intermediari. &#200; necessario interrogarsi sulla natura del committente : si tratta di un individuo o di una collettivit&#224;&#160;? Quali sono le sue conoscenze tecniche, scientifiche, specifiche nella disciplina in questione ? La committenza ha luogo in un ambito civile, religioso o privato&#160;? Lo status sociale, la formazione o ancora l&#8217;eventuale fama dell&#8217;esecutore possono contribuire a chiarire ulteriormente tale linea di ricerca e meritano pertanto di essere indagati. Infine, esistono degli intermediari fra questi protagonisti&#160;? Chi sono e qual &#232; il loro ruolo&#160;? Lo studio dei rapporti tra gli attori della committenza e delle reti cos&#236; costituitesi deve essere parimenti preso in considerazione.I contratti&#160;: La questione degli intermediari operanti tra i protagonisti della committenza &#232; al centro di questa linea di ricerca. I relatori sono invitati a indagare la natura delle fonti impiegate (contratti, contabilit&#224;, corrispondenze epistolari, mandati, quietanze, etc.). Con quali informazioni possono contribuire questi documenti nell&#8217;ambito delle committenze private, religiose o civili? Di che natura sono le clausole contenute in un contratto d&#8217;opera&#160;? Vale la pena di interrogarsi sui rapporti economici intrattenuti dai diversi committenti e dagli esecutori.&#160;Al fondo di queste problematiche sugli scritti, pu&#242; essere condotta una riflessione sugli altri modi di effettuare la committenza.I modi di produzione&#160;: &#232; necessario proporsi di approfondire i processi di creazione e attuazione. Il prodotto della committenza differisce da quello destinato alla vendita tramite altri canali ? Al fine di comprendere i diversi modi di produzione delle opere, le relazioni potranno focalizzarsi su un aspetto pi&#249; tecnico riguardante i modi di fabbricazione. Questa linea di ricerca si rivolge tanto alla storia della tecnica quanto alla storia economica, poich&#233; permette d&#8217;interrogare allo stesso modo gli aspetti materiali menzionati nei contratti (materiali, fornitori, gestione finanziaria).Il Centre d'&#201;tudes Sup&#233;rieures de la Renaissance di Tours associato all'Unit&#224; di ricerca Transitions. Moyen &#194;ge et premi&#232;re Modernit&#233; dell'universit&#224; di Liegi e al laboratorio Trame (Textes, repr&#233;sentations, arch&#233;ologie et m&#233;moire de l'Antiquit&#233; &#224; la Renaissance) dell&#8217;universit&#224; di Piccardia organizza degli incontri dottorali internazionali in tre sessioni. I primi incontri, Transition(s) : concept, m&#233;thodes et &#233;tudes de cas (XIVe-XVIIe&#160;s.), si terranno a Liegi il 30 e il 31 gennaio 2018. Ad Amiens, il 29 e il 30 maggio, avr&#224; luogo la seconda sessione Quel lieu choisir ? Implantation, repr&#233;sentation et mention de l'&#233;difice et de l'objet (XIe-XVIIe s.). Il Centre d'&#201;tudes Sup&#233;rieures de la Renaissance organizzer&#224; la terza sessione di questi incontri il 10 e 11 luglio 2018 sul tema&#160;: &#171;&#160;La committenza (XIII-XVII sec.) : attori, contratti e produzioni&#160;&#187;Modalit&#224; di partecipazioneLe relazioni, di una ventina di minuti, si inscrivono entro vari settori disciplinari&#160;: storia, storia dell&#8217;arte, letteratura, filosofia, musicologia. Riguarderanno principalmente l&#8217;Occidente del tardo Medioevo e della prima et&#224; moderna. I contributi potranno essere in inglese, francese o italiano e saranno oggetto di una pubblicazione.Le proposte di relazione, provenienti da dottorandi/e o giovani dottori/esse, dovranno essere inviateentro e non oltre il 20 febbraioa:(lafont_marie@outlook.com&#160;; manon.gac@gmail.com) e contenere un abstract di 200 parole. Vi preghiamo di precisare l&#8217;argomento della vostra tesi cos&#236; come di presentarvi in qualche riga all&#8217;interno della vostra e-mail.Il Centre d'&#201;tudes Sup&#233;rieures de la Renaissance vi inviter&#224; per pranzo in entrambe le giornate degli incontri. Tuttavia, l&#8217;alloggio e i trasporti resteranno a vostro carico.