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Pr&#233;sentationIl s'agit d'un colloque international, qui r&#233;unit des sp&#233;cialistes, anthropologues, historiens, musicologues, sociologues, de la diffusion du jazz en dehors des endroits qui l&#8217;ont vu na&#238;tre. On s&#8217;int&#233;ressera ainsi &#224; cet &#171; autre jazz &#187;, dont l&#8217;histoire est peu et mal connue, un jazz qui a circul&#233; tr&#232;s t&#244;t et a engendr&#233; des descendances musicales et culturelles particuli&#232;rement riches et f&#233;condes. Le colloque permettra de pr&#233;ciser les modalit&#233;s concr&#232;tes de la circulation internationale d'une forme musicale, en s'int&#233;ressant, notamment, aux exportateurs (musiciens &#233;trangers, agents, industries culturelles) et aux importateurs (musiciens locaux, publics, institutions culturelles). Le colloque propose de mettre en lumi&#232;re ces interm&#233;diaires culturels, mais aussi de d&#233;gager la logique des r&#233;seaux de diffusion, le r&#244;le des industries musicales nationales et internationales ainsi que la place essentielle des lieux (salles, clubs, th&#233;&#226;tres, etc.). Le jazz s'est implant&#233; et s'est d&#233;velopp&#233;, en effet, sur de multiples terrains, de l'Am&#233;rique du Sud &#224; l'Asie en passant par l'Afrique.Ce colloque permettra de porter un nouveau regard sur la sociologie de la globalisation culturelle et de contribuer &#224; la synth&#232;se d'enqu&#234;tes locales, qui transforment notre vision d'une histoire du jazz centr&#233;e jusqu'ici sur ses foyers de cr&#233;ation majeurs (Etats-Unis, Europe). Ce colloque contribuera ainsi activement &#224; une d&#233;finition plus pr&#233;cise des contours du "jazz global".ProgrammeJeudi 27 juin14h : Accueil des participants14h15 : Pr&#233;sentation par Catherine Servan-Schreiber (CNRS), Anne- Christine Taylor (mus&#233;e du quai Branly) et / and St&#233;phane Dorin (Universit&#233; Paris 8)14h30-15h00 : Conf&#233;rence pl&#233;ni&#232;re : Damon Phillips (Columbia University),&#160; Shaping Jazz: Cities, Labels and the Global Emergence of an Art Form15h00&#8211;16h40 : Session I - Beyond Rhythm Changes: Jazz Cultures and European Identities in Global ContextPr&#233;sident : Marco Santoro (Universit&#224; di Bologna)Nicholas Gebhardt (Lancaster University), From Jazz Warriors to Afropeans: Sonic Identities and Cultural Practice in Black British JazzGeorge McKay (University of Salford) Winifred Atwell, 1950s Pianist and Chart-Topper: Trinidad-England-AustraliaWalter van de Leur (University of Amsterdam, Conservatorium van Amsterdam) Barrel-organs, Forrest Paths and Jazz Behind the Dikes: Dutch Jazz in the 1960s and 70sTony Whyton (University of Salford)&#160; Belonging: Re-Imagining Europe through Jazz16h40-17h : Pause Caf&#233;17h-17h50 : Session II - R&#233;seaux et distributionPr&#233;sident : Jean-Louis Fabiani (CEU-Budapest, EHESS)Ana&#239;s Fl&#233;chet (Centre d&#8217;histoire culturelle des soci&#233;t&#233;s contemporaines, Universit&#233; de Versailles Saint-Quentin-en-Yvelines) Jalons pour une histoire du jazz au Br&#233;sil (ann&#233;es 1920-ann&#233;es 1950)Andrew Dubber (Centre for Media and Cultural Research, Birmingham City University) Shift Left: From Cultural Cringe to New Aesthetic in Aotearoa New Zealand17h50-18h40 : Session III - Sources et Archives SonoresPr&#233;sident : Catherine Tackley (The Open University)Mark Holston (Jazziz Magazine, Berklee College of Music) Caribbean Currents &#38; Beyond: The Dissemination of Jazz in Caribbean Basin Nations, Chile and ArgentinaRainer Lotz (Independent researcher and historian, Birgit Lotz Verlag) Black Europe &#8211; The First Comprehensive Documentation of the Sounds and Images of Black People in Europe pre-192718h40&#8211;20h : Screening I - Accra Trane Station, un film de Steven Feld (University of New Mexico)Pr&#233;sentation par Panagiota Anagnostou (IEP Bordeaux)20h-20h45 : Cocktail de r&#233;ceptionVendredi 28 juin9h15 : Accueil des participants / Welcome9h30-11h00 : Session VI - Approches historiquesPr&#233;sident : Olivier Roueff (CRESSPA-CSU, CNRS)Mischa van Kan (Institute for Cultural Sciences, G&#246;teborg University) How can jazz from the land of Vikings and the midnight sun be authentic jazz?Juan Carlos Franco Gamez (Groupe de recherche Artes y creaci&#243;n Universit&#233; El Bosque) Les principaux acteurs de diffusion dans l&#8217;histoire du jazz en ColombieKristian Feigelson (Universit&#233; Paris 3) Les paradoxes du jazz en URSSPanagiota Anagnostou (IEP Bordeaux) Le jazz en Gr&#232;ce11h00-11h15 : Pause Caf&#233;11h15-12h15 : Conf&#233;rences pl&#233;ni&#232;resGoffredo Plastino (University of Newcastle-upon-Tyne) Jazz Napoletano: A Passion for ImprovisationCatherine Tackley (The Open University) Race, Identity and the Meaning of Jazz in Britain, 1935-194812h15-13h20 : D&#233;jeuner13h00-13h20 : Screening 2 - Learning Jazz in Malaysia, un film de Gisa Jaehnichen (University Putra Malaysia)13h20-15h00: Session IV - Acteurs &#8211; PasseursPr&#233;sident / Chair : Tim Dowd (Emory University)Matthew Boden (University of Tasmania, Conservatorium of Music) The Globalisation of Jazz: An Australian PerspectiveMarcos C&#226;mara de Castro (Universit&#233; de S&#227;o Paulo) Zimbo Trio et le samba-jazz br&#233;silienLorraine Roubertie Soliman (Universit&#233; Paris 8 Vincennes/Saint-Denis) Afrique du Sud : la th&#233;rapie du glocalClifford Korman (Universidade Federal de Minas Gerais, Belo Horizonte) Paulo Moura&#8217;s Quartet and Hepteto: A Consideration of Two Seminal Brazilian Jazz (m&#250;sica instrumental brasileira) Recordings15h00-15h15 : Pause Caf&#233;15h15-16h30 : Session V - LieuxPr&#233;sident / Chair : Wenceslas Liz&#233; (Universit&#233; de Poitiers)Myrtille Picaud (CESSP, EHESS)Circulations du jazz au sein de l&#8217;espace musical parisienColombine Parthoens (Laboratoire d&#8217;Anthropologie sociale et culturelle, Universit&#233; de Li&#232;ge) Un relais pour les jazzmen am&#233;ricains &#224; Li&#232;ge : la maison sur la colline de Jacques Pelzer.Tim Dowd (Emory University) Jazz in the Trenches: Jazz Musicians and the Challenges of Careers in Three US Cities16h30-18h : Screening 3 - Finding Carlton. Uncovering the Story of Jazz in India, a film by Susheel J. KurienPr&#233;sentation et discussion par St&#233;phane Dorin (Universit&#233; Paris 8)18h-18h45 : Table-ronde : Pour une histoire sociale des circulations globales du jazzPresentationAn international conference entitled "Global Circulations of Jazz" will bring together specialists, anthropologists, historians, musicologists, sociologists, the dissemination of jazz outside of its places of birth will be explored. We will look at this &#8216;other jazz&#8217;, whose history is little and poorly known. Jazz music circulated very early on and engendered particularly rich and fertile musical and cultural progeny around the world. The conference will clarify the concrete modalities of the international movement of a musical form, focusing, in particular, on exporters (foreign musicians, agents, cultural industries) and importers (local musicians, audiences, cultural institutions). The conference intends to highlight these cultural intermediaries, but also to examine the dynamics of broadcast networks, the role of national and international music industries as well as the essential role of places (night clubs, theatres, etc.).. Jazz established itself and developed, actually, in multiple arenas from South America to Asia to Africa.This conference will take a fresh look at the sociology of cultural globalization and help synthetizing localized research studies, allowing us to transform our vision of jazz history focused up to this point on its major centres of creation (United States, Europe). This conference will thus actively contribute to a more precise definition of the contours of &#8216;global jazz&#8217;.ProgramThursday, June2714h : Welcome14h15 : Introduction by Catherine Servan-Schreiber (CNRS), Anne- Christine Taylor (mus&#233;e du quai Branly) et / and St&#233;phane Dorin (Universit&#233; Paris 8)14h30-15h00 : Plenary Session Damon Phillips (Columbia University) Shaping Jazz: Cities, Labels and the Global Emergence of an Art Form15h00&#8211;16h40 : Session I - Beyond Rhythm Changes: Jazz Cultures and European Identities in Global ContextChair : Marco Santoro (Universit&#224; di Bologna)Nicholas Gebhardt (Lancaster University) From Jazz Warriors to Afropeans: Sonic Identities and Cultural Practice in Black British JazzGeorge McKay (University of Salford) Winifred Atwell, 1950s Pianist and Chart-Topper: Trinidad-England-AustraliaWalter van de Leur (University of Amsterdam, Conservatorium van Amsterdam) Barrel-organs, Forrest Paths and Jazz Behind the Dikes: Dutch Jazz in the 1960s and 70sTony Whyton (University of Salford)&#160; Belonging: Re-Imagining Europe through Jazz16h40-17h : Pause Caf&#233; / Coffee Break17h-17h50 : Session II - Networks and DistributionChair : Jean-Louis Fabiani (CEU-Budapest, EHESS)Ana&#239;s Fl&#233;chet (Centre d&#8217;histoire culturelle des soci&#233;t&#233;s contemporaines, Universit&#233; de Versailles Saint-Quentin-en-Yvelines) Jalons pour une histoire du jazz au Br&#233;sil (ann&#233;es 1920-ann&#233;es 1950) Andrew Dubber (Centre for Media and Cultural Research, Birmingham City University) Shift Left: From Cultural Cringe to New Aesthetic in Aotearoa New Zealand&#160;17h50-18h40 : Session III - Sources and Sound Archives Pr&#233;sidentChair : Catherine Tackley (The Open University)Mark Holston (Jazziz Magazine, Berklee College of Music) Caribbean Currents &#38; Beyond: The Dissemination of Jazz in Caribbean Basin Nations, Chile and ArgentinaRainer Lotz (Independent researcher and historian, Birgit Lotz Verlag) Black Europe &#8211; The First Comprehensive Documentation of the Sounds and Images of Black People in Europe pre-192718h40&#8211;20h : Screening I - Accra Trane Station, a film by Steven Feld (University of New Mexico)Presentation by Panagiota Anagnostou (IEP Bordeaux)20h-20h45 : CocktailFriday, June 289h15 : Welcome9h30-11h00 : Session VI - Historical ApproachesChair : Olivier Roueff (CRESSPA-CSU, CNRS)Mischa van Kan (Institute for Cultural Sciences, G&#246;teborg University), How can jazz from the land of Vikings and the midnight sun be authentic jazz?Juan Carlos Franco Gamez (Groupe de recherche Artes y creaci&#243;n Universit&#233; El Bosque), Les principaux acteurs de diffusion dans l&#8217;histoire du jazz en ColombieKristian Feigelson (Universit&#233; Paris 3), Les paradoxes du jazz en URSSPanagiota Anagnostou (IEP Bordeaux), Le jazz en Gr&#232;ce11h00-11h15 : Coffee Break11h15-12h15 : Plenary SessionsGoffredo Plastino (University of Newcastle-upon-Tyne), Jazz Napoletano: A Passion for ImprovisationCatherine Tackley (The Open University), Race, Identity and the Meaning of Jazz in Britain, 1935-194812h15-13h20 : Lunch13h00-13h20 : Screening 2 - Learning Jazz in Malaysia, a film by Gisa Jaehnichen (University Putra Malaysia)13h20-15h00: Session IV -&#160; Intermediaries and Go-Betweens Pr&#233;sidentChair : Tim Dowd (Emory University)Matthew Boden (University of Tasmania, Conservatorium of Music) The Globalisation of Jazz: An Australian PerspectiveMarcos C&#226;mara de Castro (Universit&#233; de S&#227;o Paulo) Zimbo Trio et le samba-jazz br&#233;silienLorraine Roubertie Soliman (Universit&#233; Paris 8 Vincennes/Saint-Denis) Afrique du Sud : la th&#233;rapie du glocalClifford Korman (Universidade Federal de Minas Gerais, Belo Horizonte) Paulo Moura&#8217;s Quartet and Hepteto: A Consideration of Two Seminal Brazilian Jazz (m&#250;sica instrumental brasileira) Recordings15h00-15h15 : Coffee Break15h15-16h30 : Session V - PlacesChair : Wenceslas Liz&#233; (Universit&#233; de Poitiers)Myrtille Picaud (CESSP, EHESS), Circulations du jazz au sein de l&#8217;espace musical parisienColombine Parthoens (Laboratoire d&#8217;Anthropologie sociale et culturelle, Universit&#233; de Li&#232;ge), Un relais pour les jazzmen am&#233;ricains &#224; Li&#232;ge : la maison sur la colline de Jacques Pelzer.Tim Dowd (Emory University), Jazz in the Trenches: Jazz Musicians and the Challenges of Careers in Three US Cities16h30-18h : Screening 3 - Finding Carlton. Uncovering the Story of Jazz in India, a film by Susheel J. KurienPresentation by St&#233;phane Dorin (Universit&#233; Paris 8)18h-18h45 : Round-table: Towards a Social History of the Global Circulations of Jazz