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ArgumentMedieval texts show a strong concern for performance. In the&#160;Roman de la Rose, the narrator famously relates the carole dance, being drawn into the event he has been performing through his own narration: the performer performs performance, and becomes the performed. As a result, much recent scholarly attention has been directed towards issues of performance, resulting in publications on the construction of identity and gender, the performative aspects of literature, manuscripts, and the visual arts, as well as on the performance of a wide range of medieval musical repertoires.Despite their shared interest in performance, post-modern approaches to any kind of medieval text are significantly different from those of the Middle Ages. While today&#8217;s scholarship places explicit emphasis on the realm of the performative, for medieval audiences performance was a given. One may, in fact, consider the notion of &#8220;performing texts&#8221; in the Middle Ages a tautology.Current research by graduate students is brought together with established scholarship, and disciplinary and national borders are transgressed. Post-holders will respond to 20-minute papers given by graduate students/early career researchers, and there will be two international keynote papers: one on performance in late medieval English manuscripts, and one on the prophet Job as a musician. A conference lunch, reception, and concert will provide ample opportunity for interaction and academic exchange between participants. All of the conference papers, responses, and keynotes will be published in order to maximise the conference&#8217;s wider impact across the humanities.On 10 and 11 May, an interdisciplinary conference titled Performing Medieval Text will take place at Merton College, Oxford. The conference brings together academics from different disciplines, countries, and career stages, and seeks to address the notion of the performative in various medieval repertoires (text, music, art). The conference includes two keynotes by Dr Florence Bourgne (Paris-Sorbonne) and Prof. Franz K&#246;rndle (Augsburg), as well as a concert by Ensemble Leones (dir. Marc Lewon).The conference aims to provide a framework in which young researchers can address the manifold issues surrounding performance and the performative in the Middle Ages in particular. In order to generate fruitful ideas for future directions of research and to revalue some of the output which has already been published in this field,&#160;Performing Medieval Text&#160;brings together graduate students and established academics.&#160;Program(Provisional Conference Schedule)Friday, 10 May&#160;&#160;&#160;&#160;&#160;10:00&#8211;11:00 Registration with Tea&#38;Coffee&#160;11:00&#8211;11:15 Welcome Address&#160;11:15&#8211;12:45Panel Session 1: Performing Song in Context&#160;Dr Almut SuerbaumAnnemari Ferreira, Ti&#240;, Ti&#240;indi: The Phenomenology of Skaldic Poetry in Egils SagaJennifer Rushworth, The Psalms and Dante&#8217;s PurgatoryMoritz Kelber, Advenisti desiderabilis: Emperor Charles V as the Saviour of True Faith13:00&#8211;14:00 Lunch [University Club]&#160;14:45&#8211;16:30Panel Session 2: Performance: Concept, Context, Genre&#160;Dr Sophie Marnette and Dr Helen SwiftUri Smilanski, The Multi-Dimensional Text: A Thought Experiment Around Machaut's De Bont&#233;, de Valour (V10)Matthew Cheung Salisbury, Performance, Performativity, and the Medieval Liturgical ActSteffen Hope, The King&#8217;s Liturgical Image16:30&#8211;16:50 Tea&#38;Coffee break&#160;17:00&#8211;18:00 Manuscripts at Merton with Dr Julia Walworth&#160;18:15&#8211;19:30 Keynote Address by Prof. Franz K&#246;rndle20:00&#8211;21:15 Concert: Ensemble Leones [Merton College Chapel]&#160;21:30&#8211;22:30 Reception [Merton College MCR]&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;Saturday, 11May&#160;&#160;&#160;&#160;09:00&#8211;10:30Panel Session 3: Manuscripts as Performance&#160;Dr Jessica BerenbeimSophie Burton, Archiving Chant: Triplet Masses in Benevento, Biblioteca Capitolare MS 40Rachel Sullivan, Performing Manuscripts: Rhyme Braces in Medieval Play MSSJack Hartnell, Embodied Bodies: Performing Medieval Surgery and Performing Medieval Art History10:30&#8211;10:45 Tea&#38;Coffee break&#160;10:50&#8211;12:00 Keynote Address by Dr Florence Bourgne&#160;12:00&#8211;12:15 Tea&#38;Coffee break&#160;12:15&#8211;13:45Panel Session 4 and Concluding Remarks: Performance Transformed&#160;Prof. Elizabeth Eva LeachDavid Bowe, Who Performs the Siren Song? Performative Reading and Writing in Purgatorio XIXFrancisca Gale, Adaptation and the Problem of Performance: Wolfram's Solution in Parzival?Registration informationsRegistration includes attendance to all papers, keynotes, and the manuscript session; refreshments on both days, lunch on Friday, reception on Friday evening, and a ticket for the conference concert. The full conference programme can be found&#160;here.&#160;Accommodation charges are not included in the registration fee, but you can indicate whether you require accommodation on the registration form: for more information, see our&#160;accommodation&#160;page.&#160;To register, please complete our registration form, which can be found&#160;here.Registration closes on Monday, 6 May.Unless otherwise noted, all programme points will take place at the TS Eliot Lecture Theatre, Merton College. &#160; &#160;You can find more details and&#160;registration&#160;information on our website:&#160;http://www.mod-langs.ox.ac.uk/performingmedievaltext/