{"word_count": 1367, "character_count": 11258}
Pr&#233;sentation&#160;Ces journ&#233;es d&#8217;&#233;tude constituent le volet III de la s&#233;rie &#171; Documents &#38; Histoire &#187;.Le volet I (2008) couvrait une p&#233;riode s&#8217;&#233;tendant du VIIe au XVIe s. Le volet II (2011) &#233;tait consacr&#233; &#224; la &#171; Materia medica : mat&#233;riaux &#224; valeur documentaire de m&#233;decine ancienne et m&#233;di&#233;vale &#187;.Le volet I nous a conduits &#224; insister sur l&#8217;importance d&#8217;une approche totale du document, &#224; insister sur l&#8217;introduction pleine et enti&#232;re de l&#8217;apport des d&#233;terminations physiques de l&#8217;objet dans l&#8217;analyse du document (&#171; Introduction. Qu&#8217;est-ce qu&#8217;un document ? &#187;, A. Regourd (&#233;d.), Documents &#38; Histoire. Islam VIIe-XVIe s., I, EPHE, Gen&#232;ve, Droz).Le volet III de &#171; Documents &#38; Histoire &#187; part directement de ce constat. Il couvre une p&#233;riode plus large, allant du VIIe au XXe s. et porte sur la probl&#233;matique du faux, la d&#233;veloppant et la d&#233;clinant en trois termes : le faux, le simulacre et la copie.Dans le faux, on place les documents qui ont &#233;t&#233; intentionnellement cr&#233;&#233;s pour para&#238;tre compl&#232;tement vrais, mais ne le sont pas.Avec le simulacre, on aborde le cas des objets qui tentent de se faire passer pour ce qu&#8217;ils ne sont pas, i. e. vrais, ou bien de rappeler un original tout en ne cherchant pas &#224; &#234;tre identiques &#224; celui-ci. Ils sont &#171; tout comme &#187; les vrais. On est ici dans la probl&#233;matique de l&#8217;imitation ou de la contrefa&#231;on.La probl&#233;matique de &#171; la copie &#187; soul&#232;ve en tout premier lieu la question des mod&#232;les. Ceux-ci concernent aussi bien la calligraphie et l&#8217;illumination des manuscrits que les objets &#233;pigraphi&#233;s.On ne pr&#233;tend pas, bien &#233;videmment, avoir &#233;puis&#233; les possibilit&#233;s&#8230;Les historiens, codicologues, &#233;pigraphistes et papyrologues, les arch&#233;ologues et historiens de l&#8217;art sont confront&#233;s &#224; ces diff&#233;rentes questions et ont la responsabilit&#233; de d&#233;cider. Aussi est-il ardemment souhait&#233; que les m&#233;thodes ou les proc&#233;dures utilis&#233;es afin de confondre le faux et sortir des difficult&#233;s soulev&#233;es par le simulacre et la copie soient &#233;voqu&#233;es. Mais de pr&#233;f&#233;rence lorsqu&#8217;elles mettent &#224; contribution plus l&#8217;objet que le texte pour l&#8217;&#233;tablir.Programme&#160;Jeudi 14 novembre08h30. Accueil des participants09h00. Mot de bienvenue Bernard Heyberger, Dir. IISMM09h10. Introduction :Anne Regourd, organisatrice des Journ&#233;esSophie Yin, mus&#233;e de la Contrefa&#231;on de l&#8217;Union des fabricants09h20-09h50. Caf&#233;09h50-11h50. La fabrique du fauxDirection de session: &#224; confirmerVenetia Porter, British Museum, Londres/LondonFake amulets from the Cabinet de BlacasRobert Irwin, School of Oriental and African Studies (SOAS), Londres/LondonFakes, Forgers and the Arabian NightsJan Just Witkam, Leiden University Centre for the study of Islam and Society (LUCIS), Leyde/LeidenThe useful frauds of Father Vella12h00-13h30. D&#233;jeuner13h30-15h30. Original &#38; copieDirection de session: Marie-Genevi&#232;ve Guesdon, Biblioth&#232;que nationale de FranceOliver Watson, Khalili Research Centre for the Art and Material Culture of the Middle East, Universit&#233; d&#8217;OxfordProblems from the past: interpreting awkward objectsNuria Mart&#237;nez de Castilla Mu&#241;oz, Universit&#233; Complutense MadridLes tribulations d&#8217;un manuscrit morisque en exilZeren Tanındı, Sabancı University, Sakıp Sabancı Museum, İstanbulOn the Fourth Volume of Siyar-ı Nabi (late 18th century)15h30-16h. Caf&#233;/Coffee16h-18h. Authentification des auteursDirection de session/Panel chair: &#224; confirmerR&#233;gis Morelon, emeritus, Centre national de la recherche scientifique (CNRS), ParisNouvelle r&#233;daction au XIII&#232; si&#232;cle d'un texte scientifique arabe du IX&#232; si&#232;cleJoshua A. Sabih, Dept. of Cross-Cultural and Regional Studies, Universit&#233; de CopenhagueCopyright in Medieval Judaeo-Arabic text disseminationKinga D&#233;v&#233;nyi, Acad&#233;mie des Sciences, BudapestQuestionable Authorship: Manuscripts versus Popular Tradition, the case of al-Maqṣūd fī l-ṣarf attributed to Abū Ḥanīfa19h30. D&#238;nerVendredi 15 novembre08h30-09h50. La fabrique de l&#8217;illusionDirection de session: &#224; confirmerJean-Charles Duc&#232;ne, Ecole pratique des hautes &#233;tudes (EPHE), ParisLes fausses relations de voyage dans la litt&#233;rature g&#233;ographique arabe m&#233;di&#233;vale : typologie et proc&#233;d&#233;s narratifsChristine Jungen, Institut interdisciplinaire d'anthropologie du contemporain (IIAC, CNRS), ParisLe &#171; flou authentique &#187; et ses techniques : originaux, copies et fac-simil&#233;s09h50-10h20. Caf&#233;10h20-13h00. Les strat&#233;gies du fauxDirection de session/Panel chair: Noha Sadek, chercheuse ind&#233;pendanteAhmad Nazir Atassi, Louisiana Tech University, RustonEarly Islamic Genealogies: Imperial Invention vs. Social RealitySarah Z. Mirza, College of Wooster, University of Michigan, Ann ArborCopies of documents attributed to the Prophet: medieval and modern functions of authenticityWarren C. Schultz, DePaul University, ChicagoCounterfeits, Forgeries, and Imitations: Problems of Authenticity in Medieval Islamic NumismaticsSabine Saliba, Centre d&#8217;&#233;tudes interdisciplinaires des faits religieux (CEIFR, CNRS), ToursActes de fondations pieuses waqfs contest&#233;s : le cas de la montagne libanaise (XVIIe-XIXe si&#232;cles)13h00. Cl&#244;ture13h15. D&#233;jeuner de cl&#244;tureAbstractThis study day is the third in the series entitled &#8220;Documents &#38; History&#8221;.Session I (2008) covers the period from the seventh to the sixteenth century. Session II (2011), was dedicated to the &#8220;Materia medica: materials of ancient and medieval medicine of documentary value&#8221;.Session I emphasized the importance of a total approach to the document. We demonstrate the importance of full analysis of the physical determinants of the object to the analysis of the document (&#8220;Introduction. Qu&#8217;est-ce qu&#8217;un document ? &#187;, in: A. Regourd (ed.), Documents &#38; History. Islam VIIth-XVIth c., I, EPHE, Geneva, Droz).Session III of &#8220;Documents &#38; History&#8221; is a direct development of this conclusion. It covers a longer period, from the seventh to the twentieth century, and focus on the issue of falsity through consideration of three conceptions: the fake, the replica and the copy.The term fake applies to documents that were intentionally created to look completely real, but are not.By &#8220;replica,&#8221; we mean the cases of objects that try to pass themselves off as what they are not, i. e. true, or that recalls an original while not trying to be the original itself. They are &#8220;just like&#8221; the real thing.The topic of &#8220;copying&#8221; raises first and foremost the question of models. These include both calligraphy and illumination of manuscripts as much as epigraphic objects.We do not claim, of course, to exhaust the possibilities offered by the topic&#8230;These issues are normally associated with archaeologists and art historians; that they are also shared by historians, codicologists, epigraphists and papyrologists, has largely gone ignored. Therefore, it is fervently hoped that the methods or the procedures used to defeat the fake and to escape from the difficulties raised by the replica and the copy will be discussed; but preferably methods where the characteristics of the physical object contribute as much to this as do the contents of the text.Organisation : with the support of Paris, CNRS (UMR 7192, IISMM), in collaboration with the British Museum organised by Anne Regourd, CNRS, UMR 7192Programm14 novembre08h30. Registration09h00. Welcome address: Bernard Heyberger, Dir. IISMM09h10. Introduction :Anne Regourd, organisatrice des Journ&#233;es/Study Day organiserSophie Yin, mus&#233;e de la Contrefa&#231;on de l&#8217;Union des fabricants09h20-09h50. Caf&#233;/Coffee09h50-11h50. Making the fakePanel chair: &#224; confirmer/TBCVenetia Porter, British Museum, Londres/LondonFake amulets from the Cabinet de BlacasRobert Irwin, School of Oriental and African Studies (SOAS), Londres/LondonFakes, Forgers and the Arabian NightsJan Just Witkam, Leiden University Centre for the study of Islam and Society (LUCIS), Leyde/LeidenThe useful frauds of Father Vella12h00-13h30. Lunch13h30-15h30. Original &#38; CopyDirection de session/Panel chair: Marie-Genevi&#232;ve Guesdon, Biblioth&#232;que nationale de FranceOliver Watson, Khalili Research Centre for the Art and Material Culture of the Middle East, Universit&#233; d&#8217;Oxford/University of Oxford, Londres-Oxford/London-OxfordProblems from the past: interpreting awkward objectsNuria Mart&#237;nez de Castilla Mu&#241;oz, Universit&#233; Complutense/University Complutense, MadridLes tribulations d&#8217;un manuscrit morisque en exilZeren Tanındı, Sabancı University, Sakıp Sabancı Museum, İstanbulOn the Fourth Volume of Siyar-ı Nabi (late 18th century)15h30-16h. Caf&#233;/Coffee16h-18h. Questions of authorshipPanel chair: &#224; confirmer/TBCR&#233;gis Morelon, emeritus, Centre national de la recherche scientifique (CNRS), ParisNouvelle r&#233;daction au XIII&#232; si&#232;cle d'un texte scientifique arabe du IX&#232; si&#232;cleJoshua A. Sabih, Dept. of Cross-Cultural and Regional Studies, Universit&#233; de Copenhague/University of Copenhagen, Copenhague/CopenhagenCopyright in Medieval Judaeo-Arabic text disseminationKinga D&#233;v&#233;nyi, Acad&#233;mie des Sciences/Academy of Sciences, BudapestQuestionable Authorship: Manuscripts versus Popular Tradition, the case of al-Maqṣūd fī l-ṣarf attributed to Abū Ḥanīfa19h30. DinnerVendredi 15 novembre08h30-09h50. Making the IllusionPanel chair: TBCJean-Charles Duc&#232;ne, Ecole pratique des hautes &#233;tudes (EPHE), ParisLes fausses relations de voyage dans la litt&#233;rature g&#233;ographique arabe m&#233;di&#233;vale : typologie et proc&#233;d&#233;s narratifsChristine Jungen, Institut interdisciplinaire d'anthropologie du contemporain (IIAC, CNRS), ParisLe &#171; flou authentique &#187; et ses techniques : originaux, copies et fac-simil&#233;s09h50-10h20. Coffee10h20-13h00. Strategies of falsityPanel chair: Noha Sadek, Independant ScholarAhmad Nazir Atassi, Louisiana Tech University, RustonEarly Islamic Genealogies: Imperial Invention vs. Social RealitySarah Z. Mirza, College of Wooster, University of Michigan, Ann ArborCopies of documents attributed to the Prophet: medieval and modern functions of authenticityWarren C. Schultz, DePaul University, ChicagoCounterfeits, Forgeries, and Imitations: Problems of Authenticity in Medieval Islamic NumismaticsSabine Saliba, Centre d&#8217;&#233;tudes interdisciplinaires des faits religieux (CEIFR, CNRS), ToursActes de fondations pieuses waqfs contest&#233;s : le cas de la montagne libanaise (XVIIe-XIXe si&#232;cles)13h00. Concluding remarks13h15. Closing Lunch