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The main objective of this initiative is to analyze the influence of circulation, motion and mobility of people, forms and ideas on the artistic creation during the Middle Ages. This is not a completely new topic in the field of Medieval Art Studies. Several scientific events have already been organized in the past years on this topic and this Colloquium aims to conduct a critical and constructive revision of these matters, proposing new questions to be discussed.Our intention is to discuss four groups of questions:First of all, we will discuss the phenomenon of mobility in Medieval times: Why did it happen? Who did travel? Where did they travel? What reasons motivated the circulation of people?We will also try to give answers to the question of how mobility influenced, stimulated and conditioned the artistic production and creation, starting from the moment when a promoter decided to command a new work, the role played by the artist in the design of the product, the material creation of the work and the postproduction phase, including both the sale process and the circulation of finished works.Regarding the figures of clients and promoters, both individual and institutional, how did fashion and taste influence the promoters&#8217; choices? To what extent did their own travels and vital experiences influence their decisions when ordering new works?Regarding the artists and material authors: How did their itinerant lifes&#160; influence their creations? To what extent was conditioned the production of new works by the presence of foreign artists in specific geographical contexts? How did artists transfer models to new places/media? To what extent were they influenced by the models they saw when passing through other cities and by the artistic tradition they found when arriving to new places?Regarding the models themselves, we will analyze the concepts of copy, reinterpretation, reuse and re-elaboration of artistic languages, the confluence of several graphic languages in the same work and, finally, the influence of old models in later works.Regarding the postproduction process, that is the sale and circulation of already finished works, several matters will be approached, such as the artistic market, the existence of a luxury market in medieval times, and the act of collecting both in the Middle Ages and in later periods.ProgrammThursday | April 18Faculty of Social and Human SciencesAuditorium 29:00 | WelcomeSession 1 The Phenomenon of Circulation and Mobility in Medieval Europe9:15 | O livro (Ir)radiante constructor da EuropaAires Augusto Nascimento (FL-UL)9:45 | Royal Marriages and the Circulation of People and Ideas Across Medieval EuropeAna Maria Rodrigues (FL-UL)10:15 | A literatura em viagem: notas sobre a circula&#231;&#227;o das vozes e dos textos trovadorescos na Europa medievalGra&#231;a Videira Lopes (IEM/FCSH-UNL)10:45 | Trade and Cultural Change in the Late Middle AgesFl&#225;vio Miranda (IEM/FCSH-UNL; CITCEM)11:15 | Coffee BreakSession 2 Patrons and Promoters11:30 | La transmisi&#243;n de modelos art&#237;sticos a trav&#233;s de damas, obispos y nobles. Algunos ejemplos de los reinos de Le&#243;n y CastillaMaria Victoria Herr&#225;ez Ortega (IEM/ULe)12:00 | A B&#237;blia do Abade. Manuscrito 455 da abadia de Alcoba&#231;aLu&#237;s Correia de Sousa (IEM/FCSH-UNL)12:30-14:00 | LunchCalouste Gulbenkian FoundationAuditorium 2Session 2 (cont.) Patrons and Promoters (2nd part)14:00 | Officina Friderici Imperatoris: Stupor Mundi Moechanicus Artium SapientiaeAlessandro Musco (Univ. Palermo) 14:30 | I copisti e la biblioteca di Francesco PetrarcaMarco Cursi (Sapienza-Univ. Roma)15:00 | Livro de Horas dito de D. Leonor: leitura iconogr&#225;fica das margens e sua rela&#231;&#227;o com o doadorDelmira Espada Cust&#243;dio (IEM/FCSH-UNL)Guided VisitCalouste Gulbenkian Museum16:00 | Circulation and Mobility in the Mediterraean Sea Through the Collection of the Calouste Gulbenkian MuseumVisit conducted by Jorge Rodrigues (Calouste Gulbenkian Museum)Friday | April 19Institut Fran&#231;ais du Portugal &#8211; Auditorium9:00 | WelcomeSession 3 Artists and Material Authors9:15 | Encuadrando el arte 1200 desde el Mediterr&#225;neo: viaje de artistas y circulaci&#243;n de modelosManuel Casti&#241;eiras (UAB)9:45 | Les transferts artistiques dans l'Europe gothique: entre circulations mat&#233;rielles, res&#233;mantisation des formes et requalification des savoir-faireJean-Marie Guillou&#235;t (Univ. Nantes; INHA-Paris)10:15 | Os artistas e os estaleiros de obra na Idade M&#233;dia: o caso do Rom&#226;nico em PortugalJorge Rodrigues (IHA/FCSH-UNL)10:45 | Coffee breakSession 4 The Circulation of Models11:00 | La vie des motifs, des th&#232;mes, des types: le principe des affinit&#233;s et la question du mod&#232;le en iconographieChristian Heck (Univ. Charles de Gaulle-Lille 3)11:30 | La r&#233;ception et adoption de mod&#232;les dans les Bibles catalanes du XIII&#232; si&#232;cleIsabel Escandell Proust (Univ. Illes Balears)12:00 | Travel Drawings from the 13th CenturyLudovico Geymonat (Hertziana Library-Rome)12:30 | Les manuscrits de la Bible au XIIIe si&#232;cle: mod&#232;les, itineraires, receptionsChiara Ruzzier (LAMOP-UMR-8589-CNRS-Univ. Paris 1 Panth&#233;on-Sorbonne)13:00 | Disponer historias para componer programas: Modelos y creaci&#243;n art&#237;stica en &#225;bsides del tardorrom&#225;nico hispanoEsther Lozano (UNED)13:30 | Ma&#238;tres du Midi de la France et culture m&#233;diterran&#233;enne: voyages d&#8217;artistes et circulation de mod&#232;les entre sculptures, enluminures, tapisseries et vitraux (XIVe &#8211;XVe si&#232;cles)Maria Alessandra Bilotta (IEM/FCSH-UNL; LAMOP-UMR-8589-CNRS-Univ. Paris 1 Panth&#233;on-Sorbonne)14:00-15:30 | LunchSession 5 Circulation of Works15:30 | Os marfins afro-portugueses do s&#233;culo XV/in&#237;cios s&#233;c. XVILuis Urbano Afonso (IHA/FL-UL)16:00 | O impacto do nomadismo art&#237;stico na decora&#231;&#227;o iluminada de um missal alcobacense (Alc. 26)Catarina Fernandes Barreira (IEM/FCSH-UNL)16:30 | The Navarre Beatus: a 12th Century Manuscript in Motion During the Later Middle AgesAlicia Migu&#233;lez Cavero (IEM/FCSH-UNL)Saturday April 20National Library of Portugal Auditorium9:45 | WelcomeSession 5 (cont.) Circulation of Works (2nd part)10:00 | Transfer&#234;ncia e circula&#231;&#227;o art&#237;stica na Europa entre os s&#233;culos XII-XVI: agentes, modelos e t&#233;cnicasPedro Flor (UAb; IHA/FCSH-UNL), Carla Varela, Fernandes and Paulo Almeida Fernandes (CEAUCP)10:30 | O Livro de Horas de D. Duarte e a circula&#231;&#227;o de modelosAna Lemos (IEM/FCSH-UNL)Round Table11:00 | Causes and Driving Forces of the Artistic and Cultural Movement in the Middle AgesChairman: Gerardo Boto Varela (Univ. Girona), Christian Heck (Univ. Charles de Gaulle-Lille 3),Jos&#233; Meirinhos (IF/FL-UP),Covadonga Valdaliso (CHSC/FL-UC; CH-UL),James Nelson Novoa (Univ. Pisa; FL-UL)13:00-14:30 | LunchWorkshop14:30 | Materials in MotionCoordinated by: Maria Jo&#227;o Melo (DCR/FCT-UNL) and Adelaide Miranda (IEM/FCSH-UNL)16:30 | Final discussionAbbreviations:CEAUCP &#62; Centro de Estudos Arqueol&#243;gicos das Universidades de Coimbra e Porto |CITCEM &#62; Centro de Investiga&#231;&#227;o Transdisciplinar &#171;Cultura, Espa&#231;o e Mem&#243;ria&#187; |CHSC/FL-UC &#62; Centro de Hist&#243;ria da Sociedade e da Cultura/Faculdade de Letras da Universidade de Coimbra |CH-UL &#62; Centro de Hist&#243;ria da Universidade de Lisboa |CNRS &#62; Centre national de la recherche scientifique |DCR/FCT-UNL &#62; Departamento de Conserva&#231;&#227;o e Restauro/Faculdade de Ci&#234;ncias e Tecnologia da Universidade Nova de Lisboa |FL-UL &#62; Faculdade de Letras da Universidade de Lisboa |IEM/FCSH-UNL &#62; Instituto de Estudos Medievais/Faculdade de Ci&#234;ncias Sociais e Humanas da Universidade Nova de Lisboa |IEM/ULe &#62; Instituto de Estudios Medievales/Universidad de Le&#243;n |IF/FL-UP &#62; Instituto de Filosofia/Faculdade de Letras da Universidade do Porto |IHA/FCSH-UNL &#62; Instituto de Hist&#243;ria da Arte/Faculdade de Ci&#234;ncias Sociais e Humanas da Universidade Nova de Lisboa |IHA/FL-UL &#62; Instituto de Hist&#243;ria da Arte/Faculdade de Letras da Universidade de Lisboa |INHA &#62; Institut national d'histoire de l'art |LAMOP &#62; Laboratoire de M&#233;di&#233;vistique Occidentale de Paris |UAb &#62; Universidade Aberta |UAB &#62; UniversitatAut&#242;noma de Barcelona |UNED &#62; Universidad Nacional de Educaci&#243;n a Distancia