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Universidade Nova de Lisboa, 27 and 28 November 2017ArgumentThe project&#160;Through, From, To Latin America: Networks, circulations and artistic transits from the 1960s to the present&#160;emerges from the collaboration of three research groups engaged in the development of transnational perspectives in contemporary art history and curating and in the study of relations between artistic production and migratory processes &#8211; with a particular focus on Latin America and Southern Europe. More specifically, the organization of this project involves: the group &#8220;Transnational Perspectives on Contemporary Art&#8221; associated to the research line Contemporary Art Studies at IHA/FCSH-UNL, the group &#8220;Art in a Global Perspective&#8221; at CIEBA / FBAUL and the research project &#8220;Decentralized Modernities: art, politics and counterculture in the transatlantic axis during the Cold War/&#160;MoDe(s)&#8221; (HAR2014-53834-P), at the University of Barcelona.&#160;Through, From, To Latin America: Networks, circulations and artistic transits from the 1960s to the present&#160;- inscribed in the program of Lisbon 2017 Ibero-American Capital of Culture - aims at opening a critical space of debate by engaging art historians, curators and artists of different generations and nationalities to discuss the role of different forms of dislocation &#8211; such as artistic migrations, exiles, networking, circulations of ideas and theoretical articulations, artworks and exhibitions &#8211; in the shaping of contemporary art in and beyond Latin America. In this sense, the very diverse and heterogeneous set of geographical and cultural areas incorporated by the term &#8220;Latin America&#8221; are envisioned here as specific and at the same time as territories strongly connected with other locations through a complex network of itineraries, circulations, appropriations and translations. In this network, different historical, political and economic processes &#8211; among them, colonization and decolonization &#8211; play significant roles. This project seeks to explore the tensions and interrelations between local inscription and connectivity, habitation and circulation, present enunciation and revisiting the past.&#160;Two different actions articulate the project&#160;Through, From, To Latin America: Networks, circulations and artistic transits from the 1960s to the present:&#160;an international conference and a set of workshops in the field of curating, artistic practice and art history. In fact, it aims to offer different possibilities and forms of engagement to the participants.The group &#8220;Transnational Perspectives on Contemporary Art&#8221; (Contemporary Art Studies - IHA/FCSH-UNL), the group &#8220;Arte numa perspectiva global/Art in a global perspective&#8221; (CIEBA/FBAUL) and the project &#8220;Decentralized Modernities: art, politics and counterculture in the transatlantic axis during the Cold War/ MoDe(s)&#8221; (HAR2014-53834-P) &#160;(University of Barcelona), together with the Program of Lisbon 2017 Ibero-American Capital of Culture, welcome communication proposals from art historians, curators and artists for the international conference&#160;Through, From, To Latin America: Networks, circulations and artistic transits from the 1960s to the present&#160;(Lisbon, Auditorium of Faculdade de Ci&#234;ncias Sociais e Humanas da Universidade Nova de Lisboa, 27 and 28 November 2017).Proposals for communications can address, but are not limited to, the following topics:The role of different forms of dislocation in the shaping of contemporary art in and beyond Latin America;Interrelations between local inscription and connectivity, habitation and circulation, present enunciation and revisiting the past;Analysis of artistic and curatorial projects that relate to the questions proposed;Exploration of South-South transits and circulations between Latin America, Southern Europe, Africa and Asia;Interconnections between artistic networks and social and political movements since the Cold War;Analysis of how artistic and cultural networks interfered with (or participated in) the geopolitics of Cold War and globalization.Keynote speakersMaria Thereza Alves, Artist, BerlinCarla Macchiavello, PhD, Assistant Professor in Art History, Borough of Manhattan Community College, CUNY, New YorkCuauht&#233;moc Medina, PhD, Chief Curator at Museo Universitario Arte Contempor&#225;neo (MUAC), Universidad Nacional Aut&#243;noma de M&#233;xico (UNAM)Isabel Plante, PhD, Professor of Art History, CONICET-IDAES/UNSAM, Buenos AiresCristiana Tejo, Curator and PhD Candidate in Sociology (UFPE), Recife / LisbonSubmissionsThis two-days conference invites proposals of up to 400 words for communications of 20 minutes. Please also include a brief biographical note (150 words), institutional affiliation (or independent) and your contacts. All documents sent should be in word or pdf format.We can only accept one proposal for each applicant.&#160;Proposals should be emailed by the&#160;15th of July 2017&#160;to the following e-mail address:&#160;americalatinaconferencia2017@gmail.comThe languages of the conference are Spanish, Portuguese and English.Selection&#160;The proposals will be selected by a Scientific Board composed by:&#160;Margarida Brito Alves,&#160;PhD, Professora Auxiliar, FCSH-UNL, LisboaMaria I&#241;igo Clavo, PhD,&#160;Professora Assistente, Universidade Carlos III, Madrid / MoDe(s)Cristina Pratas Cruzeiro, PhD, Professora Assistente Convidada, FBAUL, Lisboa/ Investigadora de P&#243;s-doutoramento IHA/FCSH-UNL e CIEBA/FBAULGiulia Lamoni, PhD, Professora Auxiliar Convidada, FCSH-UNL / Investigadora FCT,IHA/FCSH-UNL, LisboaPaula Barreiro L&#243;pez, PhD,&#160;Investigadora Ram&#243;n y Cajal/Professora Auxiliar, Departamento de Historia del Arte, Universitade de Barcelona, Investigadora respons&#225;vel do projecto "Decentralized Modernities: art, politics and counterculture in the transatlantic axis during the Cold War MoDe(s)", BarcelonaRui Oliveira Lopes, PhD, Professor Auxiliar, Universidade Brunei Darussalam, BruneiFabiola Mart&#237;nez, PhD, Professor and Coordinator of the Art History Program, Saint Louis University Madrid /&#160;MoDe(s)Paulo Reis, PhD, Professor do Departamento de Artes da UFPR e curador, Curitiba&#160;Applicants will be notified of the results of the selection by late July / early August 2017.&#160;An edited volume with selected papers presented at the conference will be proposed for publication.Faculdade de Ci&#234;ncias Sociais e Humanas da Universidade NOVA de Lisboa (Lisboa, Portugal), 27 e 28 de Novembro de 2017Apresenta&#231;&#227;oO grupo &#8220;Transnational Perspectives on Contemporary Art&#8221; (Contemporary Art Studies - IHA/FCSH-UNL), o projecto &#8220;Arte numa perspectiva global&#8221; (CIEBA/FBAUL) e o projecto &#8220;Decentralized Modernities: art, politics and counterculture in the transatlantic axis during the Cold War/ MoDe(s)&#8221; (HAR2014-53834-P) (Universidade de Barcelona), juntamente com o programa Lisboa Capital IberoAmericana da Cultura 2017, convidam historiadores de arte, curadores, artistas a apresentar propostas de comunica&#231;&#227;o para a confer&#234;ncia internacional, a realizar em Lisboa, no Audit&#243;rio da Faculdade de Ci&#234;ncias Sociais e Humanas da Universidade Nova de Lisboa, nos dias 27 e 28 de Novembro de 2017.Pretende-se que as comunica&#231;&#245;es incidam sobre o tema em an&#225;lise, sugerindo-se os seguintes t&#243;picos para orienta&#231;&#227;o:Papel de diversas formas de desloca&#231;&#227;o na constru&#231;&#227;o da contemporaneidade art&#237;stica na Am&#233;rica Latina e al&#233;m;Interliga&#231;&#227;o entre inscri&#231;&#227;o local e conectividade, entre habita&#231;&#227;o e circula&#231;&#227;o, entre enuncia&#231;&#227;o presente e revisita&#231;&#227;o do passado;An&#225;lise de projectos art&#237;sticos e curatoriais que incidam no tema em an&#225;lise;Explora&#231;&#227;o de tr&#226;nsitos e circula&#231;&#245;es sul-sul entre Am&#233;rica Latina, Sul de Europa, &#193;frica e &#193;sia.Interconex&#245;es entre redes art&#237;sticas e movimentos sociais e pol&#237;ticos desde a Guerra Fria.An&#225;lise de como as redes art&#237;sticas e culturais interferiram com (ou participaram em) a geopol&#237;tica da Guerra Fria e da globaliza&#231;&#227;o.Keynote speakersMaria Thereza Alves, Artista, BerlimCarla Macchiavello, PhD, Assistant Professor in Art History, Borough of Manhattan Community College, CUNY, New YorkCuauht&#233;moc Medina, PhD, Curador en Jefe del Museo Universitario Arte Contempor&#225;neo (MUAC) de la Universidad Nacional Aut&#243;noma de M&#233;xico (UNAM)Isabel Plante, PhD, Professora de Hist&#243;ria da arte, CONICET-IDAES/UNSAM, Buenos AiresCristiana Tejo, Curadora e Doutoranda em Sociologia (UFPE), Recife / LisboaSubmiss&#227;oConvidamos &#224; apresenta&#231;&#227;o de propostas de 400 palavras m&#225;x. para comunica&#231;&#245;es de 20 minutos. As propostas devem ser acompanhadas por uma breve biografia (150 palavras), pela indica&#231;&#227;o da afilia&#231;&#227;o (ou independente) e por contactos. Todos os documentos enviados dever&#227;o ser em formato word ou pdf. S&#243; ser&#225; aceite uma proposta de comunica&#231;&#227;o por proponente.As propostas dever&#227;o ser enviadas por emailat&#233; o dia 15 de Julho de 2017para o seguinte endere&#231;o: americalatinaconferencia2017@gmail.comComiss&#227;o Cient&#237;ficaOs idiomas da confer&#234;ncia ser&#227;o o espanhol, o portugu&#234;s e o ingl&#234;s. As propostas de comunica&#231;&#227;o ser&#227;o consideradas e selecionadas pela Comiss&#227;o Cient&#237;fica, com a seguinte constitui&#231;&#227;o:Margarida Brito Alves, PhD, Professora Auxiliar, FCSH-UNL, LisboaMaria I&#241;igo Clavo, PhD, Professora Assistente, Universidade Carlos III, Madrid / MoDe(s)Cristina Pratas Cruzeiro, PhD, Professora Assistente Convidada, FBAUL, Lisboa/ Investigadora de P&#243;s-doutoramento IHA/FCSH-UNL e CIEBA/FBAULGiulia Lamoni, PhD, Professora Auxiliar Convidada, FCSH-UNL / Investigadora FCT,IHA/FCSH-UNL, LisboaPaula Barreiro L&#243;pez, PhD, Investigadora Ram&#243;n y Cajal/Professora Auxiliar, Departamento de Historia del Arte, Universitade de Barcelona, Investigadora respons&#225;vel do projecto "Decentralized Modernities: art, politics and counterculture in the transatlantic axis during the Cold War MoDe(s)", BarcelonaRui Oliveira Lopes, PhD, Professor Auxiliar, Universidade Brunei Darussalam, BruneiFabiola Mart&#237;nez, PhD, Professor and Coordinator of the Art History Program, SaintLouis University Madrid / MoDe(s)Paulo Reis, PhD, Professor do Departamento de Artes da UFPR e curador, CuritibaOs proponentes ser&#227;o notificados relativamente aos resultados da sele&#231;&#227;o entre o final de Julho e o in&#237;cio de Agosto 2017.Uma sele&#231;&#227;o das comunica&#231;&#245;es apresentadas ser&#225; proposta para publica&#231;&#227;o.Mais informa&#231;&#245;es: http://americalatinaconferenciainternacional2017.weebly.com/