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This project works on reviewing the multiple dependence between philosophy and drama, on developing the contribution of dramatic concepts to philosophical thought, and vice versa, the contribution of philosophy to the scenic languages. We understand &#8220;drama&#8221; in the larger sense: it is precisely by the multiplicity of its languages that drama can enrich the philosophy of language. This project will accept contributions that refer to any of the languages used in the scene, from text to movement or space, as well as case studies in which the dramatic is found in theater, dance, film, opera or in euphoric or dysphoric situations of everyday life.&#160;Executive coordinator&#160;Paulo Filipe Monteiro (pfm@sapo.pt)OrganizationInstitute for Philosophy of Language (IFL)Faculdade de Ci&#234;ncias Sociais e Humanas - Universidade Nova de LisboaScientific CommitteeFreddie Rokem (University of Tel-Aviv)Herbert Blau (University of Washington )Jos&#233; Gil (IFL/Universidade Nova de Lisboa)Maria Filomena Molder (IFL/Universidade Nova de Lisboa)Martin Puchner (Harvard University)Paulo Filipe Monteiro (IFL/Universidade Nova de Lisboa)Programme17 January 2013&#160;9.30-10h&#160;Opening, with UNL Provost, FCSH Director, IFL Director and Conference Coordinator 10-11h Martin Puchner (keynote speaker): Wittgenstein's Dramatic Heirs11-12h&#160;Maria Filomena Molder (keynote speaker): The dramatic pattern of the Wittgensteinian language-games12-13h&#160;Rui Rom&#227;o: Drama in the philosophical work of Iris Murdoch Laura Cull: What is Performance Philosophy?lunch14-17.30&#160;Two parallell sessions:PANEL A:Sinead Hogan: The theatre of authorship: the absent mise-en-sc&#232;ne or Derrida between Mallarm&#233; and Beckett. Tom Stern: Progress, stagnation and repetition in philosophy and dramaDina Mendon&#231;a: Looking for surprise: insights from drama and philosophyVanessa Brito: La dramatisation de la pens&#233;e Bartholomew Ryan: Kierkegaard&#8217;s Mellemspil, or the performance in philosophyCostica Bradatan: Philosophy as performancePANEL B:Jos&#233; Maria Vieira Mendes: Theatre is not a space of equality. On theatre and literatureClaudio Rozzoni: The essence of theater between reality and unrealityGabriele Sofia: Theatre, Phenomenology and NeurosciencesAna Pais: &#8220;Almost imperceptible rhythms and stuff like that&#8221;: the power of affects in live performanceBruno C. Duarte: Pasolini&#8217;s Tragic ChorusTeresa Pedro: The idea of drama in F. W. J. Schelling's interpretation of Greek tragedyKelina Gotman: The Real and Its Doubles: Theatre, Philosophy &#38; Change18.00h-19.00&#160;Herbert Blau (keynote speaker): The Metaphysical Fight: Performative Politics and the Virus of Alienationdinner18 January 20139.30-10.30&#160;Jos&#233; Pedro Serra: Tragedy and Wisdom Cl&#225;udia Madeira: Hybris and Mimesis in contemporary performance art11h-12h Paulo Filipe Monteiro: Curtains and self12-13h Freddie Rokem (keynote speaker): Form and Pressurelunch14.00h-15.00&#160;Jos&#233; Gil (keynote speaker): Deleuze, Derrida, Artaud: body and writing15.30-17.00Nuno Nabais: Deleuze and the idea of a theater without imageAna Godinho: Drama and the specification of the concept17.30h-18.30 Eduardo Louren&#231;o (keynote speaker): Closing conference19 January 20139.00 -13.00&#160;PANEL C: Luzo-Brazilian Panel on Performance and Philosophy (in Portuguese)Ana Bigotte Vieira : Ideias de Europa para ideias de teatro?&#160;Ver&#244;nica Fabrini : Ao sul da cena&#160;Cl&#225;udia Petrina Leite da Silva : Por um corpo c&#233;nico em devir e suas resson&#226;ncias: o ateli&#234; coreogr&#225;fico do Rio de Janeiro&#160;Robson Carlos Haderchpek : O mito e o simb&#243;lico no espect&#225;culo&#160;Santa Cruz do N&#227;o Sei&#160;Melissa Lopes :&#160;Encontros &#205;ntimos: a rela&#231;&#227;o entre o dentro e o fora no trabalho de cria&#231;&#227;o do ator&#160;Ant&#244;nio Fl&#225;vio Alves Rabelo : Linhas de emiss&#227;o de for&#231;as, diferencia&#231;&#227;o e espelhamento&#160;Maria Beatriz Mendon&#231;a : &#201;tienne Decroux e Georges Bataille: di&#225;logos poss&#237;veis sobre a arte soberana&#160;Ana Clara Cabral Amaral : La&#231;os entre o desejo e a imagina&#231;&#227;o no corpo-em-arte&#160;Patr&#237;cia Leonardelli : Corpo da consci&#234;ncia e poss&#237;veis dramaturgias da mem&#243;ria que dan&#231;a&#160;