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EditorsDr Katharina Gerund (Erlangen/N&#252;rnberg);Dr Stefanie Sch&#228;fer (Jena)ArgumentOur special issue aims to examine the multifaceted ideological implications of this proliferation of black womanhood in popular culture. We understand popular culture as a site where &#8220;collective social understandings are created&#8221; (cf. Stuart Hall 2009) and as a marketplace governed primarily by economic interests, but also trading in symbolic capital, identities, and collective fantasies. Popular culture thus may model new subject positions, unsettle cultural authorities, and question cultural ideals &#8211; intentionally or inadvertently so. The contributions to this special issue discuss representations and performances of black womanhood in the transatlantic sphere. They raise issues about the genealogies of these images and their empowering and limiting qualities, about the &#8220;affective agency&#8221; (Rebecca Wanzo) and subjecthood that black women claim and/or are assigned in these cultural productions, and about the signifying functions of the black female body in visual economies: How does contemporary popular culture negotiate, revise, or recalibrate stereotypical depictions of black women? How can representations of black womanhood be discussed from different theoretical vantage points, such as Afro-Pessimism, Critical Race Studies, Black Feminism? And how can they be positioned within new formations of the Black Atlantic, within (trans)national &#8220;affective economies&#8221; (Sara Ahmed) and contemporary discourses on race, class, gender, and age in the US and beyond?Contributions may address a broad range of topics, pertaining to e.g. visual culture (comics, films, TV shows, etc.), material culture and bodily practices, literature, performances, or the arts. We welcome academic essays as well as images to our volume. Issues to be explored include but are not limited to:Black women as cultural agentsFeminist agendas and their representation in cultural discoursesEpistemologies of black womanhood and systems of knowledge productionAfropessimisms and ontologies of black subjecthoodHistories and genealogies of representing black womanhoodHow to submitPlease submit abstracts (500 words maximum) and biographical information to schaefer.stefanie@uni-jena.de and katharina.gerund@fau.deby January 15, 2018.Manuscripts of 5000 to 7000 words will be due by May 1, 2018. 