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Pr&#233;sentationLe dixi&#232;me colloque annuel de la European Society for Textual Scholarship (ESTS) aura lieu &#224; l'&#201;cole normale sup&#233;rieure, &#224; Paris, les 22-24 novembre 2013.Qu&#8217;elle soit consid&#233;r&#233;e comme une d&#233;viation qu&#8217;il convient d&#8217;&#233;liminer ou comme une transformation cr&#233;atrice qu&#8217;il convient de valoriser, la variation est au c&#339;ur de toutes les sciences du texte. Il est grand temps de confronter les diff&#233;rentes conceptions de la variation, de mani&#232;re &#224; examiner ce qu&#8217;elles ont en commun et quelles diff&#233;rences irr&#233;ductibles demeurent &#8211; sans toutefois viser &#224; l&#8217;uniformit&#233;, ce qui serait paradoxal pour un colloque consacr&#233; &#224; la variance.Les colloques de l&#8217;ESTS combinent des conf&#233;rences pl&#233;ni&#232;res et des ateliers o&#249; sont pr&#233;sent&#233;es trois (ou quatre) communications successives, suivies de libres discussions entre les orateurs et le public.Pour vous inscrire au colloque et consulter le programme, nous vous invitons &#224; visiter le site de l'ESTS.ProgrammeFriday 22 November 201309:30 &#8211; 10:00&#160;&#160;&#160;&#160; REGISTRATION AND COFFEE10:00 &#8211; 10:15&#160;&#160;&#160;&#160; OPENING AND WELCOME, salle DussaneDirk Van Hulle&#160;(President ESTS) &#8211; Genetic Criticism and Textual Scholarship: Notes towards a Rapprochement10:15 &#8211; 11:00&#160;&#160;&#160;&#160; INTRODUCTION TO THE CONFERENCE THEME, salle DussanePierre-Marc de Biasi&#160;(Director ITEM) &#8211; La variance en philologie et dans la critique g&#233;n&#233;tique11:00 &#8211; 11:30&#160;&#160;&#160;&#160; COFFEE BREAK11:30 &#8211; 13:00 PLENARY PANEL, salle Dussane (chair: Dirk Van Hulle)Daniel Ferrer&#160;&#8211; Variant and VariationDavid Greetham&#160;&#8211; When (and Why) Is Adaptation a Challenge to Variation?Roger L&#252;deke&#160;&#8211; Versions Matter13:00 &#8211; 14:00&#160;&#160;&#160;&#160; LUNCH BREAK14:00 &#8211; 15:30 PANEL 1, salle Dussane (chair: Aur&#233;lien Berra)Herv&#233; Baudry&#160;&#8211; La variance contrainte. Le fonctionnement &#233;ditorial de la censure expurgativeAnne Baillot&#160;&#8211; La mod&#233;lisation des donn&#233;es de l&#8217;&#233;dition num&#233;rique Lettres et textes. Le Berlin intellectuel dans les ann&#233;es 1800 et son approche de la variance dans les lettresNathalie Ferrand&#160;&#8211; Monstre philologique ou merveille g&#233;n&#233;tique? Rousseau dans le flux de la variancePANEL 2, amphith&#233;&#226;tre Rataud (chair: Dirk Van Hulle)Hannah Sullivan&#160;&#8211; Why Do Authors Produce Textual Variance (on Purpose)?Peter Kegel&#160;&#8211; Mouth wide open, not a single word. A Genetic Approach to Hermans&#8217; Novel Ik heb altijd gelijk (1951) within the Context of a Complete Works EditionManuel Portela&#160;and&#160;Ant&#243;nio Rito Silva&#160;&#8211; Encoding and Visualizing Variation in LdoDPANEL 3, salle de conf&#233;rences du 46 rue d&#8217;Ulm (chair: Paulius Subacius)Teresa Manuela Lussone&#160;&#8211; Les romans posthumes d&#8217;Ir&#232;ne N&#233;mirovsky: Les Feux de l&#8217;automne et Suite fran&#231;aiseAnna-Maria Sichani&#160;&#8211; A Palimpsest of Times and Voices: Towards a Digital Genetic Edition of Rough Drafts of Giorgos Cheimonas&#8217; The Builders (&#927;&#953; &#967;&#964;ί&#963;&#964;&#949;&#962;)15:30 &#8211; 16:00&#160;&#160;&#160;&#160; COFFEE BREAK16:00 &#8211; 17:30 PLENARY PANEL, salle Dussane (chair: Pierre-Marc de Biasi)Daniel E. O&#8217;Sullivan&#160;&#8211; La vari&#233;t&#233; et la variance m&#233;lodiques dans les chansons de Thibaut de ChampagneFran&#231;oise Leriche&#160;&#8211; Le d&#233;fi pos&#233; par la macro-variation proustienne : de l&#8217;&#233;dition critique &#224; une &#233;dition g&#233;n&#233;tiqueB&#233;n&#233;dicte Vauthier&#160;&#8211; Coups de sonde dans un dossier g&#233;n&#233;tique hispanique (essentiellement) num&#233;rique et essai de th&#233;orisation : El Dorado (2008) de Robert Juan-CantavellaESTS BOARD MEETINGSaturday 23 November 201309:30 &#8211; 11:00 PANEL 1, salle des Actes (chair: Jean-Louis Lebrave)Almuth Gr&#233;sillon&#160;and&#160;B&#233;n&#233;dicte Vauthier&#160;&#8211; De l&#8217;&#201;loge de la variante aux vertus de la variationRudolf Mahrer, Thierry Poibeau&#160;and&#160;Fr&#233;d&#233;rique M&#233;lanie&#160;&#8211; L&#8217;analyse linguistique de la variation textuelleAndrea Del Lungo&#160;and&#160;Pierino Gallo&#160;&#8211; Repr&#233;sentation de la gen&#232;se &#233;ditoriale, repr&#233;sentation de l&#8217;&#339;uvrePANEL 2, salle Celan (chair: Herman Brinkman)Loula Abd-elrazak&#160;&#8211; Entre ruptures et continuit&#233;s: les manuscrits des Miracles de Nostre Dame de Gautier de CoinciIsabel De la Cruz Cabanillas&#160;&#8211; Editing Middle English Variation: The Case of Ms Sainte-Genevi&#232;ve 3390Ariadne Nunes&#160;&#8211; Scribal Variation Not (Only) as a ProcessPANEL 3, amphith&#233;&#226;tre Rataud (chair: Jan Gielkens)Sakari Katajam&#228;ki&#160;&#8211; Textual Tasters: Excerpts Before First Editions and AfterHanno Biber&#160;&#8211; &#8220;Don&#8217;t ask why, &#8230;&#8221; About the Systematic Relation between the Digital Format and the Print Format in a New Edition of the Text Written by Karl Kraus in 1933Christopher Decker&#160;&#8211; Indecision and Revision in Edward FitzGerald&#8217;s Rub&#225;iy&#225;t of Omar Khayy&#225;m11:00 &#8211; 11:30 &#160;&#160;&#160; COFFEE BREAK11:30 &#8211; 13:00 PLENARY PANEL, salle des Actes (chair: Wim Van Mierlo)Hans Walter Gabler&#160;&#8211; The Draft Manuscript: Not a Witness, but the Thing ItselfKenneth M. Price&#160;&#8211; The Editorial Challenges Associated with Walt Whitman&#8217;s Blue Book, his Annotated Copy of the 1860 edition of Leaves of Grass13:00 &#8211; 14:00&#160;&#160;&#160;&#160; LUNCH BREAK13:30 &#8211; 14:00 POSTER SESSION, salle CelanSimon Zumsteg&#160;and&#160;Peter Daengeli&#160;&#8211; Hermann Burger&#8217;s Novel Lokalbericht as Process (of Gradual Production)Maria J&#248;rgensen&#160;&#8211; On the Variants in Nabokov's Pale Fire14:00 &#8211; 15:30 PANEL 1, salle des Actes (chair: Caroline Mac&#233;)Franz Dolveck&#160;&#8211; L&#8217;&#233;diteur peut-il se faire ex&#233;cuteur testamentaire ? Les variantes auctoriales de l&#8217;Africa de P&#233;trarqueGodfried Croenen&#160;&#8211; Methodological Cross-Over of Philology and Genetic Criticism: Challenges and OpportunitiesNatalia Fern&#225;ndez Rodr&#237;guez&#160;&#8211; Beyond the Text: Exploring the Limits of Textual Criticism in the Edition of Spanish Classical TheatrePANEL 2, salle Celan (chair: Jo&#227;o Dion&#237;sio)Rebecca Chung&#160;&#8211; ECCO&#8217;s Echoes: Developing a Historically-based Editorial Procedure for a Modern-spelling Text of Lady Mary Wortley Montagu&#8217;s Turkish Embassy LettersWim Van Mierlo&#160;&#8211; Emotion &#8220;Redacted&#8221; in Tranquility: The Stages of Revision in&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; the Manuscripts of&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; William&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; WordsworthAlexandre Dias Pinto&#160;&#8211; From the Reading Notes to the First Draft in the Creative Process of Southey&#8217;s History of PortugalPANEL 3, amphith&#233;&#226;tre Rataud (chair: Dirk Van Hulle)Jean-Christophe Olive&#160;&#8211; L&#8217;usage de la notion de variante en g&#233;n&#233;tique filmique: analyse des versions du sc&#233;nario de L&#8217;Enfer d&#8217;Henri-Georges ClouzotThomas Crombez&#160;&#8211; Visualizing the Variants of Digital Text Versions: The Case of Die Br&#252;der Karamasow (Susanne Meister &#38; Luk Perceval)Elsa Camus&#160;and&#160;Mirjam Sager&#160;&#8211; Site Internet pour l&#8217;&#233;dition g&#233;n&#233;tique des manuscrits de Paisajes despu&#233;s de la batalla (Juan Goytisolo)&#160; &#160; &#160;15:30 &#8211; 16:00&#160;&#160;&#160;&#160; COFFEE BREAK16:00 &#8211; 17:30 PLENARY PANEL, salle des Actes (chair: Dirk Van Hulle)Neil Fraistat&#160;and&#160;Travis Brown&#160;&#8211; Genetic Editing and the &#8220;Participatory Turn&#8221; of Textual ScholarshipStephen G. Nichols&#160;&#8211; What Do We Mean with &#8220;Variance&#8221;, Today?John A. Walsh&#160;and&#160;H. Wayne Storey&#160;&#8211; Indexicality, Visual Poetics, and the PetrArchive: A Scholarly Digital Edition of Petrarch&#8217;s Songbook17:40 &#8211; 18:00&#160;&#160;&#160;&#160; ESTS GENERAL MEMBERS MEETING, salle des ActesCONFERENCE DINNERSunday 24 November 201309:30 &#8211; 11:00 PANEL 1, salle des Actes (chair: Sakari Katajam&#228;ki)Erika Kihlman&#160;&#8211; Textual Variation in Medieval Sequence CommentariesMichael G. Sargent&#160;&#8211; Variation and Perfection: Can One Produce a Post-Modern Critical Edition of a Medieval English Text?Stacee Bucciarelli&#160;&#8211; Sir Gawain and the Green Knight: From Manuscript to Print to Digital EditionPANEL 2, salle Dussane (chair: Daniel Ferrer)Exo-, Endo- and Epigenetic Variance in the Beckett Digital Manuscript ProjectVeronica B&#227;l&#227;&#160;and&#160;Wout Dillen&#160;&#8211; Between Extant and Virtual Libraries: Beckett&#8217;s Variant Readings of The Divine ComedyMark Nixon&#160;&#8211; &#8216;all the variants of the one&#8217;: Beckett&#8217;s 1960s Faux D&#233;partsDirk Van Hulle&#160;&#8211; Epigenetic Criticism: Variance and Variation in Beckett&#8217;s L&#8217;Innommable / The Unnamable and Krapp&#8217;s Last Tape / La derni&#232;re bandePANEL 3, salle Celan (chair: Wim Van Mierlo)Carlota Pimenta&#160;&#8211; Typologie de variantes d&#8217;auteur. Novelas do Minho, de Camilo Castelo BrancoLuana Batista de Souza&#160;&#8211; Proposal for a Scholarly Edition Based on the Editio Princeps: The Case of O Seminarista, by Bernardo Guimar&#227;esPaulius V. Subačius&#160;&#8211; To Cut a Gem: How a Bad Poem Turned into a Collection of Good Verses11:00 &#8211; 11:30&#160;&#160;&#160;&#160; COFFEE BREAK11:30 &#8211; 13:00 PLENARY PANEL, salle Dussane (chair: Aur&#233;lien Berra)Thomas Bein&#160;&#8211; Variance in the Work of Walther von der VogelweideR&#252;diger Nutt-Kofoth&#160;&#8211; Variations in Understanding Variants: Hidden Concepts of Text in German Critical EditionsElena Pierazzo&#160;&#8211; What&#8217;s on the Page? Objectivity and Subjectivity and the Editorial Work13:00 &#8211; 14:00&#160;&#160;&#160;&#160; LUNCH BREAK14:00 &#8211; 15:30 PANEL 1, salle des Actes (chair: Alexandre Fachard)Anne-Catherine Baudoin&#160;&#8211; When Did the Resurrection of Christ Take Place? From Textual Variants to Theological ControversyGreta Franzini&#160;&#8211; Collaborative Annotation of Open Classical Texts&#193;gnes M&#225;t&#233;&#160;&#8211; Successful Latin Variants and Early Translations of Eneas Silvius Piccolomini's Historia de duobus amantibusPANEL 2, salle Celan (chair: R&#252;diger Nutt-Kofoth)Bert Van Raemdonck&#160;and&#160;Yves T&#8217;Sjoen&#160;&#8211; Editing Variation in Text and Peritext: Suggestions for a Broader Concept of the Literary Work for Textual Scholarship and Scholarly EditingGabriele Wix&#160;&#8211; Thomas Kling and the Constitution of Variance in the Process of Stratigraphic SoundingsViviane Arena Figueiredo&#160;and&#160;Ceila Maria Ferreira&#160;&#8211; J&#250;lia Lopes de Almeida: an Editorial Review of &#194;nsia eterna and Hist&#243;rias da nossa terraPANEL 3, salle Dussane (chair: Wim Van Mierlo)Veijo Pulkkinen&#160;&#8211; The Bibliographic Code of Aaro Hellaakoski&#8217;s Kesien Kes&#228; from a Genetic PerspectiveGiles Bergel&#160;&#8211; The Other Genetic Criticism: The Contribution of Phylogenetics to the Stemmatology of a Printed English Ballad TraditionMark Bland&#160;&#8211; Jonson&#8217;s revisions&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160;15:30 &#8211; 16:00&#160;&#160;&#160;&#160; COFFEE BREAK16:00 &#8211; 17:00 PLENARY PANEL, salle Dussane (chair: Alexandre Fachard)Paolo D&#8217;Iorio&#160;&#8211; Gen&#232;se textuelle et analyse philosophique : &#224; propos d&#8217;un titre de NietzscheJo&#227;o Dion&#237;sio&#160;&#8211; Critique g&#233;n&#233;tique apr&#232;s la lettre ?17:00 &#8211; 17:30 CLOSING REMARKS, salle DussaneJo&#227;o Dion&#237;sio&#160;(ESTS),&#160;Paolo D&#8217;Iorio&#160;et&#160;Pierre-Marc de Biasi&#160;(ITEM) &#8211; La g&#233;n&#233;tique, demainComit&#233; d'organisationAur&#233;lien BerraPierre-Marc De BiasiDaniel FerrerDirk Van HulleWim Van MierloInstitutions partenairesInstitut des textes et manuscrits modernes (ITEM, UMR 8132), ParisTextes, histoire et monuments, de l&#8217;Antiquit&#233; au Moyen &#194;ge (THEMAM, UMR 7041 ARSCAN), ParisCentre for Manuscript Genetics, University of AntwerpPresentationThe 10th Conference of the European Society for Textual Scholarship (ESTS) will be held at the &#201;cole normale sup&#233;rieure, Paris, on 22-24 November 2013.Treated either as a deviation to be eliminated or as a creative transformation, variation is central to every form of textual scholarship. It is high time to confront the various conceptions of what constitutes a variation, to see what they have in common and what irreconcilable differences remain &#8211; though it would be paradoxical for a conference devoted to variance to aim at absolute uniformity.&#160;ESTS conferences are characterised by a combination of formal plenary sessions and traditional paper presentations in panel sessions with three speakers, followed by lively exchange, dialogue and interaction between speakers and audience in many small groups.To register for the conference, or get more information about the programme, please visit the ESTS website.ProgrammeFriday 22 November 201309:30 &#8211; 10:00&#160;&#160;&#160;&#160; REGISTRATION AND COFFEE10:00 &#8211; 10:15&#160;&#160;&#160;&#160; OPENING AND WELCOME, salle DussaneDirk Van Hulle (President ESTS) &#8211; Genetic Criticism and Textual Scholarship: Notes towards a Rapprochement10:15 &#8211; 11:00&#160;&#160;&#160;&#160; INTRODUCTION TO THE CONFERENCE THEME, salle DussanePierre-Marc de Biasi (Director ITEM) &#8211; La variance en philologie et dans la critique g&#233;n&#233;tique11:00 &#8211; 11:30&#160;&#160;&#160;&#160; COFFEE BREAK11:30 &#8211; 13:00 PLENARY PANEL, salle Dussane (chair: Dirk Van Hulle)Daniel Ferrer &#8211; Variant and VariationDavid Greetham &#8211; When (and Why) Is Adaptation a Challenge to Variation?Roger L&#252;deke &#8211; Versions Matter13:00 &#8211; 14:00&#160;&#160;&#160;&#160; LUNCH BREAK14:00 &#8211; 15:30 PANEL 1, salle Dussane (chair: Aur&#233;lien Berra)Herv&#233; Baudry &#8211; La variance contrainte. Le fonctionnement &#233;ditorial de la censure expurgativeAnne Baillot &#8211; La mod&#233;lisation des donn&#233;es de l&#8217;&#233;dition num&#233;rique Lettres et textes. Le Berlin intellectuel dans les ann&#233;es 1800 et son approche de la variance dans les lettresNathalie Ferrand &#8211; Monstre philologique ou merveille g&#233;n&#233;tique? Rousseau dans le flux de la variancePANEL 2, amphith&#233;&#226;tre Rataud (chair: Dirk Van Hulle)Hannah Sullivan &#8211; Why Do Authors Produce Textual Variance (on Purpose)?Peter Kegel &#8211; Mouth wide open, not a single word. A Genetic Approach to Hermans&#8217; Novel Ik heb altijd gelijk (1951) within the Context of a Complete Works EditionManuel Portela and Ant&#243;nio Rito Silva &#8211; Encoding and Visualizing Variation in LdoDPANEL 3, salle de conf&#233;rences du 46 rue d&#8217;Ulm (chair: Paulius Subacius)Teresa Manuela Lussone &#8211; Les romans posthumes d&#8217;Ir&#232;ne N&#233;mirovsky: Les Feux de l&#8217;automne et Suite fran&#231;aiseAnna-Maria Sichani &#8211; A Palimpsest of Times and Voices: Towards a Digital Genetic Edition of Rough Drafts of Giorgos Cheimonas&#8217; The Builders (&#927;&#953; &#967;&#964;ί&#963;&#964;&#949;&#962;)15:30 &#8211; 16:00&#160;&#160;&#160;&#160; COFFEE BREAK16:00 &#8211; 17:30 PLENARY PANEL, salle Dussane (chair: Pierre-Marc de Biasi)Daniel E. O&#8217;Sullivan &#8211; La vari&#233;t&#233; et la variance m&#233;lodiques dans les chansons de Thibaut de ChampagneFran&#231;oise Leriche &#8211; Le d&#233;fi pos&#233; par la macro-variation proustienne : de l&#8217;&#233;dition critique &#224; une &#233;dition g&#233;n&#233;tiqueB&#233;n&#233;dicte Vauthier &#8211; Coups de sonde dans un dossier g&#233;n&#233;tique hispanique (essentiellement) num&#233;rique et essai de th&#233;orisation : El Dorado (2008) de Robert Juan-CantavellaESTS BOARD MEETINGSaturday 23 November 201309:30 &#8211; 11:00 PANEL 1, salle des Actes (chair: Jean-Louis Lebrave)Almuth Gr&#233;sillon and B&#233;n&#233;dicte Vauthier &#8211; De l&#8217;&#201;loge de la variante aux vertus de la variationRudolf Mahrer, Thierry Poibeau and Fr&#233;d&#233;rique M&#233;lanie &#8211; L&#8217;analyse linguistique de la variation textuelleAndrea Del Lungo and Pierino Gallo &#8211; Repr&#233;sentation de la gen&#232;se &#233;ditoriale, repr&#233;sentation de l&#8217;&#339;uvrePANEL 2, salle Celan (chair: Herman Brinkman)Loula Abd-elrazak &#8211; Entre ruptures et continuit&#233;s: les manuscrits des Miracles de Nostre Dame de Gautier de CoinciIsabel De la Cruz Cabanillas &#8211; Editing Middle English Variation: The Case of Ms Sainte-Genevi&#232;ve 3390Ariadne Nunes &#8211; Scribal Variation Not (Only) as a ProcessPANEL 3, amphith&#233;&#226;tre Rataud (chair: Jan Gielkens)Sakari Katajam&#228;ki &#8211; Textual Tasters: Excerpts Before First Editions and AfterHanno Biber &#8211; &#8220;Don&#8217;t ask why, &#8230;&#8221; About the Systematic Relation between the Digital Format and the Print Format in a New Edition of the Text Written by Karl Kraus in 1933Christopher Decker &#8211; Indecision and Revision in Edward FitzGerald&#8217;s Rub&#225;iy&#225;t of Omar Khayy&#225;m11:00 &#8211; 11:30 &#160;&#160;&#160; COFFEE BREAK11:30 &#8211; 13:00 PLENARY PANEL, salle des Actes (chair: Wim Van Mierlo)Hans Walter Gabler &#8211; The Draft Manuscript: Not a Witness, but the Thing ItselfKenneth M. Price &#8211; The Editorial Challenges Associated with Walt Whitman&#8217;s Blue Book, his Annotated Copy of the 1860 edition of Leaves of Grass13:00 &#8211; 14:00&#160;&#160;&#160;&#160; LUNCH BREAK13:30 &#8211; 14:00 POSTER SESSION, salle CelanSimon Zumsteg and Peter Daengeli &#8211; Hermann Burger&#8217;s Novel Lokalbericht as Process (of Gradual Production)Maria J&#248;rgensen &#8211; On the Variants in Nabokov's Pale Fire14:00 &#8211; 15:30 PANEL 1, salle des Actes (chair: Caroline Mac&#233;)Franz Dolveck &#8211; L&#8217;&#233;diteur peut-il se faire ex&#233;cuteur testamentaire ? Les variantes auctoriales de l&#8217;Africa de P&#233;trarqueGodfried Croenen &#8211; Methodological Cross-Over of Philology and Genetic Criticism: Challenges and OpportunitiesNatalia Fern&#225;ndez Rodr&#237;guez &#8211; Beyond the Text: Exploring the Limits of Textual Criticism in the Edition of Spanish Classical TheatrePANEL 2, salle Celan (chair: Jo&#227;o Dion&#237;sio)Rebecca Chung &#8211; ECCO&#8217;s Echoes: Developing a Historically-based Editorial Procedure for a Modern-spelling Text of Lady Mary Wortley Montagu&#8217;s Turkish Embassy LettersWim Van Mierlo &#8211; Emotion &#8220;Redacted&#8221; in Tranquility: The Stages of Revision in&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; the Manuscripts of&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; William&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; WordsworthAlexandre Dias Pinto &#8211; From the Reading Notes to the First Draft in the Creative Process of Southey&#8217;s History of PortugalPANEL 3, amphith&#233;&#226;tre Rataud (chair: Dirk Van Hulle)Jean-Christophe Olive &#8211; L&#8217;usage de la notion de variante en g&#233;n&#233;tique filmique: analyse des versions du sc&#233;nario de L&#8217;Enfer d&#8217;Henri-Georges ClouzotThomas Crombez &#8211; Visualizing the Variants of Digital Text Versions: The Case of Die Br&#252;der Karamasow (Susanne Meister &#38; Luk Perceval)Elsa Camus and Mirjam Sager &#8211; Site Internet pour l&#8217;&#233;dition g&#233;n&#233;tique des manuscrits de Paisajes despu&#233;s de la batalla (Juan Goytisolo)&#160; &#160; &#160;15:30 &#8211; 16:00&#160;&#160;&#160;&#160; COFFEE BREAK16:00 &#8211; 17:30 PLENARY PANEL, salle des Actes (chair: Dirk Van Hulle)Neil Fraistat and Travis Brown &#8211; Genetic Editing and the &#8220;Participatory Turn&#8221; of Textual ScholarshipStephen G. Nichols &#8211; What Do We Mean with &#8220;Variance&#8221;, Today?John A. Walsh and H. Wayne Storey &#8211; Indexicality, Visual Poetics, and the PetrArchive: A Scholarly Digital Edition of Petrarch&#8217;s Songbook17:40 &#8211; 18:00&#160;&#160;&#160;&#160; ESTS GENERAL MEMBERS MEETING, salle des ActesCONFERENCE DINNERSunday 24 November 201309:30 &#8211; 11:00 PANEL 1, salle des Actes (chair: Sakari Katajam&#228;ki)Erika Kihlman &#8211; Textual Variation in Medieval Sequence CommentariesMichael G. Sargent &#8211; Variation and Perfection: Can One Produce a Post-Modern Critical Edition of a Medieval English Text?Stacee Bucciarelli &#8211; Sir Gawain and the Green Knight: From Manuscript to Print to Digital EditionPANEL 2, salle Dussane (chair: Daniel Ferrer)Exo-, Endo- and Epigenetic Variance in the Beckett Digital Manuscript ProjectVeronica B&#227;l&#227; and Wout Dillen &#8211; Between Extant and Virtual Libraries: Beckett&#8217;s Variant Readings of The Divine ComedyMark Nixon &#8211; &#8216;all the variants of the one&#8217;: Beckett&#8217;s 1960s Faux D&#233;partsDirk Van Hulle &#8211; Epigenetic Criticism: Variance and Variation in Beckett&#8217;s L&#8217;Innommable / The Unnamable and Krapp&#8217;s Last Tape / La derni&#232;re bandePANEL 3, salle Celan (chair: Wim Van Mierlo)Carlota Pimenta &#8211; Typologie de variantes d&#8217;auteur. Novelas do Minho, de Camilo Castelo BrancoLuana Batista de Souza &#8211; Proposal for a Scholarly Edition Based on the Editio Princeps: The Case of O Seminarista, by Bernardo Guimar&#227;esPaulius V. Subačius &#8211; To Cut a Gem: How a Bad Poem Turned into a Collection of Good Verses11:00 &#8211; 11:30&#160;&#160;&#160;&#160; COFFEE BREAK11:30 &#8211; 13:00 PLENARY PANEL, salle Dussane (chair: Aur&#233;lien Berra)Thomas Bein &#8211; Variance in the Work of Walther von der VogelweideR&#252;diger Nutt-Kofoth &#8211; Variations in Understanding Variants: Hidden Concepts of Text in German Critical EditionsElena Pierazzo &#8211; What&#8217;s on the Page? Objectivity and Subjectivity and the Editorial Work13:00 &#8211; 14:00&#160;&#160;&#160;&#160; LUNCH BREAK14:00 &#8211; 15:30 PANEL 1, salle des Actes (chair: Alexandre Fachard)Anne-Catherine Baudoin &#8211; When Did the Resurrection of Christ Take Place? From Textual Variants to Theological ControversyGreta Franzini &#8211; Collaborative Annotation of Open Classical Texts&#193;gnes M&#225;t&#233; &#8211; Successful Latin Variants and Early Translations of Eneas Silvius Piccolomini's Historia de duobus amantibusPANEL 2, salle Celan (chair: R&#252;diger Nutt-Kofoth)Bert Van Raemdonck and Yves T&#8217;Sjoen &#8211; Editing Variation in Text and Peritext: Suggestions for a Broader Concept of the Literary Work for Textual Scholarship and Scholarly EditingGabriele Wix &#8211; Thomas Kling and the Constitution of Variance in the Process of Stratigraphic SoundingsViviane Arena Figueiredo and Ceila Maria Ferreira &#8211; J&#250;lia Lopes de Almeida: an Editorial Review of &#194;nsia eterna and Hist&#243;rias da nossa terraPANEL 3, salle Dussane (chair: Wim Van Mierlo)Veijo Pulkkinen &#8211; The Bibliographic Code of Aaro Hellaakoski&#8217;s Kesien Kes&#228; from a Genetic PerspectiveGiles Bergel &#8211; The Other Genetic Criticism: The Contribution of Phylogenetics to the Stemmatology of a Printed English Ballad TraditionMark Bland &#8211; Jonson&#8217;s revisions&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160;15:30 &#8211; 16:00&#160;&#160;&#160;&#160; COFFEE BREAK16:00 &#8211; 17:00 PLENARY PANEL, salle Dussane (chair: Alexandre Fachard)Paolo D&#8217;Iorio &#8211; Gen&#232;se textuelle et analyse philosophique : &#224; propos d&#8217;un titre de NietzscheJo&#227;o Dion&#237;sio &#8211; Critique g&#233;n&#233;tique apr&#232;s la lettre ?17:00 &#8211; 17:30 CLOSING REMARKS, salle DussaneJo&#227;o Dion&#237;sio (ESTS), Paolo D&#8217;Iorio et Pierre-Marc de Biasi (ITEM) &#8211; La g&#233;n&#233;tique, demainProgramme CommitteeAur&#233;lien BerraPierre-Marc De BiasiDaniel FerrerDirk Van HulleWim Van MierloSupporting InstitutionsInstitut des textes et manuscrits modernes (ITEM, UMR 8132), ParisTextes, histoire et monuments, de l&#8217;Antiquit&#233; au Moyen &#194;ge (THEMAM, UMR 7041 ARSCAN), ParisCentre for Manuscript Genetics, University of Antwerp