Mike Hedges production discography
# Mike Hedges production discography

This is the discography of record producer Mike Hedges.

## Discography

| Year | Title | Artist | Label | Producer | Engineer | Mixing | Arranger | Ref(s). |
| - | - | - | - | - | - | - | - | - |
| 1978 | Evita: Original London Cast Recording | Various artists | MCA Records | | Y | | | liner |
| 1977 | Central Heating | Heatwave | GTO Records | | Y | | | liner |
| 1978 | Electric Glide | Gary Boyle | Esoteric Recordings | | Y | | | liner |
| 1978 | Hobo with a Grin | Steve Harley | BGO Records | | | Y | | |
| 1978 | Barbara Thompson's Paraphernalia | Barbara Thompson's Paraphernalia | MCA Records | | Y | | | liner |
| 1979 | Three Imaginary Boys | The Cure | Fiction Records | | Y | | | |
| 1979 | The Candidate | Steve Harley | EMI Records | | | Y | | liner |
| 1979 | The Mafia Stole My Guitar | Alex Harvey | RCA Records | | Y | | | |
| 1980 | I Just Can't Stop It | The Beat | Fiction Records | | Y | | | |
| 1980 | The Affectionate Punch | Associates | Fiction Records | Y | Y | | | |
| 1980 | Seventeen Seconds | The Cure | Fiction Records | Y | Y | | | |
| 1980 | Boys Don't Cry | The Cure | Fiction Records | | Y | | | |
| 1981 | Hit It! | The Beat | Go-Feet Records | Y | | | | |
| 1981 | A | Associates | Fiction Records | Y | | | | |
| 1981 | Fourth Drawer Down | Associates | Situation Two | Y | | | | > |
| 1981 | Mask | Bauhaus | Beggars Banquet Records | | Y | | | |
| 1981 | "Charlotte Sometimes" (single) | The Cure | Fiction Records | Y | | | | |
| 1981 | Faith | The Cure | Fiction Records | Y | Y | | | |
| 1981 | ...Happily Ever After | The Cure | A&M Records | Y | Y | | | |
| 1982 | "The Love Parade" (single) | The Undertones | Ardeck Records | Y | | | | |
| 1982 | Into the Rain | Music for Pleasure | Polydor Records | Y | | | | |
| 1982 | "The Story of the Blues" (single) | Wah! | Eternal Records | Y | | | | |
| 1982 | Sulk | Associates | Beggars Banquet Records | Y | | | | |
| 1982 | The Golden Age of Wireless | Thomas Dolby | Venice in Peril | | Y | | | |
| 1982 | Borrowed Time | Diamond Head | MCA Records | Y | Y | | | |
| 1982 | A Kiss in the Dreamhouse | Siouxsie and the Banshees | Polydor Records | | Y | | | |
| 1983 | The Sin of Pride | The Undertones | EMI Records | Y | | | | |
| 1983 | All Wrapped Up | The Undertones | Ardeck Records | Y | | | | |
| 1983 | What Is Beat? | The Beat | I.R.S. Records | Y | | | | |
| 1983 | Special Beat Service | The Beat | Go-Feet Records | Y | | | | |
| 1983 | Hope (I Wish You'd Believe Me) (single) | Wah! | Eternal Records | Y | | | | |
| 1983 | Technology | The Group | Jive Records | Y | | | | |
| 1983 | Haunted Cocktails | Intro | MCA Records | Y | | | | |
| 1983 | Feast | The Creatures | Polydor Records | Y | | | | |
| 1983 | The Southern Death Cult | Southern Death Cult | Beggars Banquet Records | | Y | | | |
| 1983 | Right Now (single) | The Creatures | Wonderland | Y | | | | |
| 1983 | Dear Prudence (cover) | Siouxsie and the Banshees | Wonderland | Y | | | | |
| 1983 | Nocturne | Siouxsie and the Banshees | Polydor Records | Y | | | | |
| 1983 | Dark Crash | Music for Pleasure | Polydor Records | Y | | | | |
| 1984 | The Way We Wah! | Wah! | Eternal Records | Y | | | | |
| 1984 | Advance Album Sampler | Marc Almond | Phonogram Inc. | Y | | | | |
| 1984 | "Careless" (single) | Bourgie Bourgie | MCA Records | Y | | | | |
| 1984 | Lady Christabelle | First Priority | MCA Records | Y | | | | |
| 1984 | Hyæna | Siouxsie and the Banshees | Polydor Records | Y | Y | | | |
| 1984 | Vermin in Ermine | Marc Almond | Some Bizzare Records | Y | | | | |
| 1985 | "Say Goodbye to No One" (single) | The Impossible Dreamers | RCA Records | Y | | | | |
| 1985 | Arrive Without Travelling | The Three O'Clock | I.R.S. Records | Y | Y | | | |
| 1985 | The House Is Haunted by the Echo of Your Last Goodbye | Marc Almond | Some Bizzare Records | Y | | | | |
| 1985 | Stories of Johnny | Marc Almond | Some Bizzare Records | Y | | | | |
| 1986 | A Woman's Story (Some Songs to Take to the Tomb – Compilation One) | Marc Almond | Virgin Records | Y | | | | |
| 1986 | Baby, the Stars Shine Bright | Everything but the Girl | Blanco y Negro Records | Y | Y | | | |
| 1986 | Staring at the Sea | The Cure | Fiction Records | Y | | | | |
| 1986 | Strange Cruise | Strange Cruise | EMI Records | Y | | | | |
| 1986 | Cher O'Bowlies - The Pick of the Undertones | The Undertones | EMI Records | Y | | | | |
| 1986 | Save Me | The Undertones | Ardeck Records | Y | | | | |
| 1987 |
| 1987 | Drop | The Shamen | Communion Label | Y | | | | |
| 1987 | Long Live the New Flesh | Flesh for Lulu | Beggars Banquet Records | Y | | | | |
| 1987 | Singles (1984-1987) | Marc Almond | Virgin Records | Y | | | | |
| 1987 | Mother Fist and Her Five Daughters | Marc Almond | Virgin Records | Y | Y | | | |
| 1987 | Through the Looking Glass | Siouxsie and the Banshees | Wonderland | Y | Y | | | |
| 1987 | Desire | Toyah | E.G. Records | Y | | | | |
| 1988 | Applehead Man | Trip Shakespeare | Gark | Y | | | | |
| 1988 | Peepshow | Siouxsie and the Banshees | Wonderland | Y | Y | | | |
| 1989 | Skin (Autogift) | Eat | Fiction Records | Y | | | | |
| 1989 | You Used To | Distant Cousins | DRO Records | Y | | | | |
| 1989 | From Under the Hill | And Also the Trees | none | Y | | | | |
| 1989 | Welcome to the Beautiful South | The Beautiful South | Go! Discs | Y | | | | |
| 1989 | "Song for Whoever" (single) | The Beautiful South | Go! Discs | Y | | | | |
| 1989 | Boomerang | The Creatures | Geffen Records | Y | Y | | | |
| 1990 | I Know You Well | Shack | Ghetto Recording Company | Y | | | | |
| 1990 | Popera: The Singles Collection | Associates | East West Records | Y | | | | |
| 1990 | I've Come for my Award | The Beautiful South | Elektra Records | Y | | | | |
| 1990 | Choke | The Beautiful South | Go! Discs | Y | | | | |
| 1990 | The La's | The La's | Go! Discs | Y | | | | |
| 1990 | I Want Too Much | A House | Sire Records | Y | | | | |
| 1991 | What You See is What You Get | The Beautiful South | Go! Discs | Y | | | | |
| 1991 | Tell Him | Michel Van Dyke | Chrysalis Records | Y | | | | |
| 1991 | Jealousy | Michel Van Dyke | Chrysalis Records | Y | | | | |
| 1992 | 4-Cut Sampler | Siouxsie & The Banshees | Geffen Records | Y | | | | |
| 1992 | Lovely | The Senators | Go! Discs | Y | | Y | | |
| 1992 | Port in my Storm | The Senators | Go! Discs | Y | | | | |
| 1992 | Warm Hatred | Distant Cousins | Virgin Records | Y | | | | |
| 1992 | A Virgin's Tale - Volume I | Marc Almond | Virgin Records | Y | | | | |
| 1992 | A Virgin's Tale - Volume II | Marc Almond | Virgin Records | Y | | | | |
| 1992 | Twice Upon a Time: The Singles | Siouxsie and the Banshees | Polydor Records | Y | | | | |
| 1992 | Once Around the World | The Stunning | Solid Records | Y | | | | |
| 1993 | "That's Just Like Love" (single) | Black | Polydor Records | Y | | | | |
| 1993 | Are We Having Fun Yet? | Black | Polydor Records | Y | | | | |
| 1993 | "Don't Take the Silence Too Hard" (single) | Black | Polydor Records | Y | | | | |
| 1994 | "Love Me for a Reason" (cover) | Boyzone | Polydor Records | Y | | | | |
| 1994 | Interview And Tracks From Amplified Heart Plus A Ten Year Retrospective Of Songs | Everything but the Girl | Atlantic Records | Y | | | | |
| 1994 | Split | Lush | 4AD | Y | Y | | | |
| 1994 | Beautiful Morning | Sensation | One Little Indian Records | Y | | | | |
| 1994 | Burger Habit | Sensation | One Little Indian Records | Y | | | | |
| 1994 | Mute | Catchers | Setanta Records | Y | | Y | | |
| 1995 | The Sound Of... McAlmont & Butler | McAlmont & Butler | Hut Records | Y | | | | |
| 1995 | Yes (single) | McAlmont & Butler | Hut Records | Y | | | | |
| 1995 | Carry on Up the Charts: The Best of the Beautiful South | The Beautiful South | Go! Discs | Y | | | | |
| 1995 | Child Star | Marc Almond | Mercury Records | Y | | | | |
| 1995 | Fantastic Star | Marc Almond | Some Bizzare Records | Y | | | | |
| 1996 | Our Colander Eyes | Alison Moyet | Columbia Records | Y | | | | |
| 1996 | No One Speaks | Geneva | Vox Magazine | Y | | | | |
| 1996 | Last Night | Lush | Reprise Records | Y | | | | |
| 1996 | When My Arms Wrap You Round | Briana Corrigan | East West Records | Y | | | | |
| 1996 | Strawberries & Cream | Boutique | Trade 2 | Y | | | | |
| 1996 | I've Told You Before | Boutique | Trade 2 | Y | | | | |
| 1996 | Everything Must Go | Manic Street Preachers | Epic Records | Y | | | | |
| 1996 | Best of Heatwave: Always & Forever | Heatwave | Epic Records | | Y | | | |
| 1996 | No More Apologies | A House | Setanta Records | Y | | | | |
| 1997 | A Bestiary Of | The Creatures | Polydor Records | Y | Y | Y | | |
| 1997 | Yesterday Tomorrow Today | Northern Uproar | Heavenly Recordings | Y | | | | |
| 1997 | How Free | Don | London Recordings | Y | | | | |
| 1997 | Heads High | Don | London Recordings | Y | | | | |
| 1997 | White on Blonde | Texas | Mercury Records | Y | | | | |
| 1997 | Further | Geneva | Nude Records | Y | | | | |
| 1997 | "Best Regrets" (single) | Geneva | Nude Records | Y | | | | |
| 1997 | Fluff | Atomic Swing | Sonet Records | Y | | | | |
| 1998 | "The Everlasting" | Manic Street Preachers | Epic Records | Y | | | | |
| 1998 | This Is My Truth Tell Me Yours | Manic Street Preachers | Epic Records | Y | | | | |
| 1998 | Theaudience | Theaudience | Mercury Records | Y | | | | |
| 1998 | Heart as Big as Liverpool | The Mighty Wah! | Columbia Records | Y | | | | |
| 1998 | Only Forever | Puressence | Island Records | Y | | | | |
| 1999 | Jumpcut | Man Jumping | Shaping the Invisible | Y | | | | |
| 1999 | Best of Diamond Head | Diamond Head | Epic Records | Y | Y | | | |
| 1999 | The Man Who | Travis | Independiente | Y | | | | |
| 1999 | Yeah | The Wannadies | RCA Records | Y | | | | |
| 2000 | To Hull And Back (The Past And A Preview Of Painting It Red) | The Beautiful South | Universal Music Canada | Y | | | | |
| 2000 | Abbey Road Live | Colin Vearncombe | Nero Schwarz | Y | | | | |
| 2000 | Si Je M'Abandonne À Toi | Noa | Metheny Group Productions | Y | | | | |
| 2000 | Blue Touches Blue | Noa | Metheny Group Productions | Y | | | | |
| 2000 | True Confessions (Singles = A's & B's) | The Undertones | Ardeck Records | Y | | | | |
| 2000 | All That You Can't Leave Behind | U2 | Universal Music Group | Y | | Y | | |
| 2000 | The Greatest Hits | Texas | Mercury Records | Y | | | | |
| 2000 | Songs of Strength & Heartbreak | The Mighty Wah! | Castle Music | Y | | | | |
| 2001 | The Safety in Numbers EP | Idoru | Blanco y Negro Music | Y | | | | |
| 2001 | Home Movies | Everything but the Girl | Blanco y Negro Records | Y | | | | |
| 2001 | Ciao! Best of Lush | Lush | 4AD | Y | | | | |
| 2001 | Know Your Enemy | Manic Street Preachers | Epic Records | Y | Y | Y | | |
| 2001 | Now and Forever: The Andrew Lloyd Webber Box Set | Andrew Lloyd Webber | Really Useful Records | | Y | | | |
| 2001 | Greatest Hits | The Cure | Universal Music Group | Y | | | | |
| 2001 | Listen and Learn | Screaming Orphans | Warner Music Group | Y | | | | |
| 2001 | Solid Bronze – Great Hits | The Beautiful South | Go! Discs | Y | | | | |
| 2002 | Wasting My Time | Kosheen | Moksha Records | Y | | Y | | |
| 2002 | Tracks from the '90s | U2 | Interscope Records | Y | | Y | | |
| 2002 | Dive In | Darius | Mercury Records | Y | | | | |
| 2002 | The Way We Were: The Best Of A House 04.85-02.97 | A House | Setanta Records | Y | | | | |
| 2002 | Loss | Mull Historical Society | Blanco y Negro Records | Y | | Y | | |
| 2002 | Under the Waves | Lorien | Instant Karma | Y | | | | |
| 2002 | The Best of Siouxsie and the Banshees | Siouxsie and the Banshees | Universal Music Group | Y | | | | |
| 2002 | Forever Delayed | Manic Street Preachers | Epic Records | Y | | | | |
| 2002 | Like the Deserts Miss the Rain | Everything but the Girl | Rhino Records | Y | | | | |
| 2002 | We're on the Ball (single) | Ant & Dec | Columbia Records | Y | | | Y | |
| 2002 | a1 | a1 | Columbia Records | Y | | | | |
| 2002 | Make It Good | a1 | Columbia Records | Y | | | | |
| 2002 | Arrive Without Travelling/Ever After | The Three O'Clock | Collectors' Choice Music | Y | | | | |
| 2002 | The Best of 1990–2000 | U2 | Island Records | Y | | Y | | |
| 2003 | Kick Up the Fire, and Let the Flames Break Loose | The Cooper Temple Clause | Morning Records | Y | | | | |
| 2003 | Blind Pilots | The Cooper Temple Clause | Morning Records | Y | | | | |
| 2003 | "There by the Grace of God" (single) | Manic Street Preachers | Epic Records | Y | | | | |
| 2003 | Lipstick Traces | Manic Street Preachers | Sony Music | Y | | | | |
| 2003 | Life for Rent | Dido | BMG | Y | | | | |
| 2003 | Another Day | Lene Marlin | Virgin Records | Y | | | | |
| 2003 | Singles | Travis | Independiente | Y | | | | |
| 2004 | How to Dismantle an Atomic Bomb | U2 | Island Records | Y | | | | |
| 2004 | Crazy World | Aslan | EMI Music Ireland | Y | | Y | | |
| 2004 | Downside Up | Siouxsie and the Banshees | Polydor Records | Y | | | | |
| 2004 | Join the Dots: B-Sides & Rarities 1978–2001 (The Fiction Years) | The Cure | Fiction Records | Y | | Y | | |
| 2004 | Don't Leave Home (single) | Dido | Cheeky Records | Y | | | | |
| 2004 | Morning Hero | Izabo | BMG | | | Y | | |
| 2005 | Love (cover) | The Cure | Amnesty International | Y | | Y | | |
| 2005 | There's One Thing | Robert Post | Mercury Records | Y | | Y | | |
| 2005 | Robert Post | Robert Post | Mercury Records | Y | | Y | | |
| 2005 | Red Book | Texas | Mercury Records | | | Y | | |
| 2005 | Forever Faithless – The Greatest Hits | Faithless | Sony BMG | Y | | Y | | |
| 2005 | No Pain No Gain: Live 1991 | Revenge | LTM Recordings | | | | | |
| 2006 | Driveblind | Driveblind | Geffen Records | Y | | | | |
| 2006 | Heaven | Lorraine | Columbia Records | Y | | | | |
| 2006 | Renaissance 3D | Faithless | Renaissance Recordings | Y | | | | |
| 2006 | Sleep (single) | Texas | Mercury Records | | | Y | | |
| 2007 | Time Machine (The Best of Shack) | Shack | Sour Mash | Y | | | | |
| 2007 | "My Generation" (cover) | The Zimmers | Go! Discs | Y | | | | |
| 2007 | Soup | The Beautiful South The Housemartins | Mercury Records | Y | | | | |
| 2007 | The Boy with No Name | Travis | Sony BMG | Y | Y | | | |
| 2007 | 8060 | Xanther | Xanther Records | | | | | |
| 2008 | The Priests | The Priests | Epic Records | Y | | | Y | |
| 2008 | An Anthology | The Undertones | Union Square Music | Y | | | | |
| 2008 | I Know You're Married But I've Got Feelings Too | Martha Wainwright | MapleMusic Recordings | Y | | Y | | |
| 2009 | The Best Of 1980-2000 | U2 | Island Records | Y | | Y | | |
| 2009 | Harmony | The Priests | Epic Records | Y | | | Y | |
| 2009 | Camilla Kerslake | Camilla Kerslake | Mercury Records | Y | | | Y | |
| 2010 | If All The Flies Were One Fly: A Collection Of Rare And Unreleased Dentistry 1984-1995 | The Dentists | Bedroom 14 | Y | | | | |
| 2010 | The Very Best of Glenn Miller | Glenn Miller | Sony Music | Y | | | | |
| 2010 | Those Thousand Seas | Claire Tchaikowski | Grá Mór Phonic Records | Y | | | | |
| 2010 | Noel | The Priests | Epic Records | Y | | Y | | |
| 2010 | La Voce | Russell Watson | Epic Records | Y | | | | |
| 2010 | Callin' All | The La's | Polydor Records | Y | | | | |
| 2010 | Too Hot to Handle/Central Heating | Heatwave | Edsel Records | | Y | | | |
| 2012 | Voice from Assisi | Friar Alessandro | Decca Records | Y | | | | |
| 2012 | The Light Between Us | Scouting for Girls | Epic Records | Y | | | | |
| 2012 | This Is Christmas | Katherine Jenkins | Warner Records | Y | | | | |
| 2013 | Dreamchaser | Sarah Brightman | Decca Records | Y | | Y | Y | |
| 2013 | Greatest Hits | Dido | RCA Records | Y | | | | |
| 2014 | The Complete Studio Recordings | The Beat | Edsel Records | Y | | | | |
| 2014 | Origami | Lush | 4AD | Y | | | | |
| 2018 | Torn Down | The Cure | Polydor Records | Y | | | | |
| 2020 | West Bank Songs 1978-1989 (A Best Of) | The Undertones | BMG | Y | | | | |

## Compilation albums

| Year | Title | Artist | Song | Label | Producer | Engineer | Arranger | Ref(s). |
| - | - | - | - | - | - | - | - | - |
| 1981 | Britannia Waives the Rules | Associates | A Matter of Gender | Stunn | Y | | | |
| 1981 | Dancin' Master | The Beat | Hit It! | NME | Y | | | |
| 1982 | Dance 2 It Vol. 1 | The Cure | Primary | A&M Records | Y | | | |
| 1982 | Fruitcakes & Furry Collars | Marc Almond | Indigo Blue' | Record Mirror | Y | | | |
| 1989 | Smash Hits Party 89 | The Beautiful South | "Song for Whoever" | Dover Records | Y | | | |
| 1989 | Now That's What I Call Music 15 | The Beautiful South | "Song for Whoever" | EMI Records | Y | | | |
| 1990 | Indie Top Video (Take Three) | Distant Cousins | You Used To | Picture Music International | Y | | | |
| 1990 | Now That's What I Call Music! 18 | The Beautiful South | A Little Time | EMI Records | Y | | | |
| 1990 | The Awards 1990 | The Beautiful South | "Song for Whoever" | Telstar Records | Y | | | |
| 1990 | Now That's What I Call Music! 1980 | The Cure | A Forest | Universal Music Group, Sony Music | Y | | | |
| 1990 | Follow Our Trax, Vol. 5: Detour Over the Edge | Associates | Club Country | Warner Bros. Records | Y | | | |
| 1991 | Q The Album Volume One | The Beautiful South | Let Love Speak Up Itself | Telstar Records | Y | | | |
| 1991 | Hit Fascination 1/91 | The Beautiful South | A Little Time | Top 13 Music-Club | Y | | | |
| 1991 | Awesome!! | The Beautiful South | A Little Time | EMI Records | Y | | | |
| 1992 | Maximum Bliss | Siouxsie And The Banshees | Peek-A-Boo (Silver Dollar Mix) | Select Magazine | Y | | | |
| 1992 | Heart Rock, Vol. 2 | The Beautiful South | "Song for Whoever" | BMG | Y | | | |
| 1993 | Welcome to the Future 2 | Sensation | Beautiful Morning (Fluke's Magimix) | One Little Indian | Y | | | |
| 1993 | Now That's What I Call Music 1983 | Siouxsie and the Banshees | Dear Prudence | EMI Records | Y | | | |
| 1993 | That Loving Feeling Volume VI | The Beautiful South | A Little Time | Dino Entertainment | Y | | | |
| 1993 | Deafening Divinities with Aural Affinities: The Beggars Banquet Collection | Southern Death Cult | Moya | Beggars Banquet Records | Y | | | |
| 1994 | Best of Indie Top 20 | Lush | Hypocrite | Beechwood Music Ltd. | Y | | | |
| 1995 | Devolution (Alternative Rock Classics 1975-1985) | The Cure | A Forest | Big Life | Y | | | |
| 1995 | The Help Album | Manic Street Preachers | Raindrops Keep Fallin' on My Head (cover) | Go! Discs | Y | | | |
| 1995 | The Best... Album in the World...Ever! | McAlmont & Butler | Yes | Virgin Records | Y | | | |
| 1995 | The Love Album II | The Beautiful South | A Little Time | Virgin Records | Y | | | |
| 1995 | The Best 80's Album In The World...Ever! | The Beautiful South | "Song for Whoever" | Virgin Records | Y | | | |
| 1996 | Best of Indie Top 20 | Lush | Hypocrite | Beechwood Music | Y | | | |
| 1996 | The Best... Album In The World...Ever! | McAlmont & Butler | You Do | Virgin Records | Y | | | |
| 1996 | Wild CD/CD-ROM 06 | Manic Street Preachers | "Everything Must Go" | Wild Magazine | Y | | | |
| 1996 | The '96 Brit Awards | Manic Street Preachers | Raindrops Keep Fallin' on My Head (cover) | Columbia Records | Y | | | |
| 1996 | Huge Hits 1996 | Manic Street Preachers | "A Design for Life" | Sony Music | Y | | | |
| 1996 | Our Friends Electric | Associates | Party Fears Two | Telstar Records | Y | | | |
| 1996 | In Bed with Marina | Shack | Al's Vacation | Marina Records | | Y | | |
| 1997 | Now That's What I Call Music! 37 | Texas | Halo | Virgin Records, EMI Records | Y | | | |
| 1997 | The Best...Anthems...Ever! | McAlmont & Butler | Yes | Virgin Records, EMI Records | Y | | | |
| 1997 | Once in a Lifetime | The Mighty Wah! | The Story of the Blues | Telstar Records | Y | | | |
| 1997 | The Spring Collection '97 | Geneva | Into the Blue | Vox Magazine | Y | | | |
| 1998 | 4AD | Lush | Hypocrite | 4AD | Y | | | |
| 1998 | 1998 The Album | Theaudience | "A Pessimist Is Never Disappointed" | Melody Maker | Y | | | |
| 1998 | The Best of Indie Pop | Flesh for Lulu | Postcards from Paradise" | Max Music | Y | | | |
| 1998 | Now That's What I Call Music! Vol. 39 | | | Universal Music Group, Sony Music | Y | | | |
| 1999 | Now That's What I Call Music! 1980: The Millennium Series | The Cure | A Forest | EMI Records | Y | | | |
| 1999 | Now That's What I Call Music! 1983: The Millennium Series | Siouxsie and the Banshees | Dear Prudence | Virgin Records | Y | | | |
| 1999 | BSE Bangin' Summer Extravaganza | Travis | She's So Strange | Select Magazine | Y | | | |
| 1999 | Spring Offensive | Travis | She's So Strange | NME | Y | | | |
| 2000 | Dawn Of Electronica - Uncut | Associates | "White Car in Germany" | Uncut Magazine | Y | | | |
| 2000 | Unconditionally Guaranteed 2000.4 (Uncut's Guide To The Month's Best Music) | The Mighty Wah! | Disneyland Forever | Uncut Magazine | Y | | | |
| 2000 | The 2000 Brit Awards Double Album | Travis | "Why Does It Always Rain on Me?" | Columbia Records | Y | | | |
| 2000 | The 2000 Brit Awards Double Album | Manic Street Preachers | "You Stole the Sun from My Heart" | Columbia Records | Y | | | |
| 2000 | Tinsel Town | Manic Street Preachers | The Everlasting (Radio edit) | BBC Music | Y | | | |
| 2000 | The Best Anthems... Ever! [2000] | | | EMI Records | Y | | | |
| 2001 | The Album | Manic Street Preachers | "You Stole the Sun from My Heart" | Virgin Records | Y | | | |
| 2001 | Hut Recordings: 1991-2001 | McAlmont & Butler | Yes | Hut Recordings | Y | | | |
| 2002 | Alternative Eighties | Associates | "Party Fears Two" | Columbia Records | Y | | | |
| 2002 | Electric Dreams (80's Synth Pop Classics) | Associates | "Party Fears Two" | Virgin Records | Y | | | |
| 2002 | The Best Bands...Ever! | Travis | Why Does It Always Rain on Me? | Virgin Records | Y | | | |
| 2002 | Now Dance 2002 Part Two | A1 | "Caught in the Middle" | Virgin Records | Y | | | |
| 2002 | World Shut Your Mouth | The Cure | A Forest | Uncut Magazine | Y | | | |
| 2002 | Huge Hits 2003 - The Very Best Of Hits | Manic Street Preachers | There by the Grace of God | BMG | Y | | | |
| 2002 | Huge Hits 2003 - The Very Best Of Hits | A1 | "Caught in the Middle" | BMG | Y | | | |
| 2002 | Hits 53 | A1 | Make It Good | Telstar Records | Y | | | |
| 2002 | Hits 53 | Ant & Dec | We're on the Ball (single) | Telstar Records | Y | | Y | |
| 2002 | The Best Summer Album 2002 | A1 | "Make It Good" | Warner Music Group | Y | | | |
| 2002 | We're a Happy Family: A Tribute to Ramones | U2 | Beat on the Brat (cover) | Columbia Records | Y | | | |
| 2003 | Live Forever (The Best of Britpop) | Manic Street Preachers | "Everything Must Go" | Virgin Records | Y | | | |
| 2003 | Hot City Nights | Texas | Halo | Columbia Records | Y | | | |
| 2003 | Rock'N'Roll Riot (Vol 1 Kicking Off!) | The Cooper Temple Clause | The Same Mistakes | NME | Y | | | |
| 2003 | The Best of 80s Movies | Flesh for Lulu | I Go Crazy | Universal Music | Y | | | |
| 2004 | Ave Marina™ | Shack | I Know You Well | Marina Records | Y | | | |
| 2004 | Rough Trade Shops: Indiepop | Lush | Hypocrite | Mute Records | Y | | | |
| 2004 | Heroes [Sony] | | | Sony Music | Y | | | |
| 2004 | Q Awards: The Album | Travis | Why Does It Always Rain on Me? | EMI | Y | | | |
| 2004 | Best of Acoustic | Travis | Why Does It Always Rain on Me? | The Echo Label, V2 Records | Y | | | |
| 2005 | The Album | Travis | Why Does It Always Rain on Me? | EMI Records | Y | | | |
| 2005 | Make Some Noise EP | The Cure | Love (cover) | Amnesty International | Y | | | |
| 2005 | Little Steven's Underground Garage Presents CBGB Forever | U2 | Beat on the Brat (cover) | Wicked Cool Records | Y | | | |
| 2005 | World's Best Dad - The Ultimate Gift for Dad | Manic Street Preachers | "You Stole the Sun from My Heart" | Sony BMG | Y | | | Liner |
| 2005 | 12"/80s/2 | Associates | Party Fears Two | Family Recordings | Y | | | |
| 2006 | England The Album 2006 | Ant & Dec | We're on the Ball (single) | Virgin Records | Y | | | |
| 2006 | John Peel: Right Time Wrong Speed | The Cure | A Forest | Warner Music TV | Y | | | |
| 2006 | Senses Working Overtime (Circa 80) | The Cure | All Cats Are Grey | Rhino Entertainment | Y | | | |
| 2006 | Life Less Lived: The Gothic Box | The Cure | Charlotte Sometimes | Rhino Entertainment | Y | | | |
| 2006 | Life Less Lived: The Gothic Box | Southern Death Cult | Fatman | Rhino Entertainment | Y | | | |
| 2006 | Ave Marina: Ten Years of Marina Records | Shack | I Know You Well | Marina Records | Y | | | |
| 2006 | Cavern: The Most Famous Club in the World | Travis | Why Does It Always Rain on Me? | EMI | Y | | | |
| 2006 | Headliners: The Ultimate Festival Line-Up | Closer | BMG | | Y | | |
| 2006 | CBGB Forever | U2 | Beat on the Brat (cover) | Wicked Cool Records | Y | | | |
| 2006 | Mute Audio Documents | Robert Görl | Darling Don't Leave Me | Mute Records | Y | | | |
| 2006 | Mute Audio Documents | Robert Görl | A Ist Wieder Da | Mute Records | Y | | | |
| 2007 | Make Some Noise - The Amnesty International Campaign To Save Darfur | The Cure | Love (cover) | Amnesty International, Warner Bros. Records | Y | | | |
| 2008 | The Edge of the 80's | Associates | Party Fears Two | BMG | Y | | | |
| 2008 | The Edge of the 80's | Siouxsie and the Banshees | Dear Prudence | BMG | Y | | | |
| 2009 | Match of the Day: The Album | Manic Street Preachers | "A Design for Life" | Sony Music | Y | | | |
| 2009 | Hallelujah: Songs of Love, Hope & Inspiration | | | Sony Music | Y | | | |
| 2009 | Essential Great Voices | | | Sony Music | | | Y | |
| 2010 | Passione Vol. 2 | The Priests | Plegaria | Sony Music | Y | | Y | |
| 2010 | Essential: The 90s | Manic Street Preachers | "A Design for Life" | Sony Music | Y | | | |
| 2011 | Anthems Indie | Travis | Why Does It Always Rain on Me? | Ministry of Sound | Y | | | |
| 2012 | ........Anthems .........Electronic 80s 3 | Siouxsie and the Banshees | Dear Prudence | Ministry of Sound | Y | | | |
| 2012 | ........Anthems .........Electronic 80s 3 | Associates | Party Fears Two | Ministry of Sound | Y | | | |
| 2013 | The Best of War Child | Manic Street Preachers | Raindrops Keep Fallin' on My Head (Warchild Version) (cover) | Parlophone | Y | | | |
| 2017 | 101 No.1 Hits | The Beautiful South | A Little Time | Universal Music Catalogue | Y | | | |

## Soundtrack mixing

| Year | Film | Role | Songs and tracks | Ref(s). |
| - | - | - | - | - |
| 1983 | A Night in Heaven soundtrack | Producer | "Which Side of the Bed" by The English Beat | liner |
| 1992 | Valley of the Stereos | Sound Mixer | | |
| 1995 | The Doom Generation – Music from the Motion Picture | Producer | "Undertow (The Spooky Mix)" by Lush | liner |
| 2005 | Harry Potter and the Goblet of Fire soundtrack | Producer | "Hogwarts' Hymn", "Do the Hippogriff", "This Is the Night" | liner |
