Hypnotic Underworld
# Hypnotic Underworld

Hypnotic Underworld is an album by the band Ghost, released on January 27, 2004, on Drag City. The album is the first album to feature cellist/bassist Takuyuki Moriya and percussionist Junzo Tatewia, who replaced Hiromichi Sakamoto and Setsuko Furuya respectively.

The album has two cover songs: one of Earth and Fire's "Hazy Paradise" and one of Syd Barrett's "Dominoes".

## Track listing

All tracks are written by Ghost, unless otherwise noted.

## Personnel

The following people contributed to Hypnotic Underworld:

### Ghost

* Masaki Batoh – acoustic guitar, vocals, 12-string acoustic guitar
* Michio Kurihara – electric guitar
* Taishi Takizawa – bouzouki, flute, saxophone, theremin, tin whistle
* Kazuo Ogino – organ, piano, lute, Mellotron, Korg synthesizer, Celtic harp
* Takuyuki Moriya – electric bass, double bass, cello
* Junzo Tatewia – percussion, drums

### Additional personnel

* Masaki Hayashi - Engineer
* Ichiyusai Kuniyoshi - Artwork
* Kazuo Ogino - Photography
* Dan Osborn - Cover layout
* Keiko Yoshida - Photography

## Reception

Professional ratings :

| Review scores ||
| - | - |
| Source | Rating |
| AllMusic | |
| Pitchfork | (8.7/10) |
| Shaking Through | (3.8/5) |
| Stylus Magazine | (B) |

Hypnotic Underworld has received mostly positive reviews. On the review aggregate site Metacritic, the album has a score of 78 out of 100, indicating "Generally favorable reviews."

AllMusic's Sean Westergaard gave the album a very positive review, writing "Hypnotic Underworld is a new high-water mark from one of rock's most interesting bands. Highly recommended." Brandon Stosuy from Pitchfork also praised the album, writing "Much more could be said, but it's more important to state plainly, in barest terms, that Ghost have emerged as one of the most formidable (and important) rock bands I know. And Hypnotic Underworld is their rollicking masterwork." Shaking Through called the album "another worthy addition to the group's idiosyncratic catalog." Stylus Magazine's Dave Segal, while criticizing the album for meandering too long and Masaki Batoh's vocals, concluded his review with "Still, I’d rather hear Ghost’s overreaching ambition and exploratory excess than the stunted machinations of most current indie rock."

