The ExhibasasM sf shs RasaahsI Ana6nl


01 Ooalen.
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The Exhibasasa e shs HasashaI Aeadal }


No 10 Is full length portrait, cabinet size, by G.
w. Flagg; the attitude. u intended to be uncon-
IA, "CamiIla and Gil Bias" BY the same hand. Il
good in color, and spirited in design the eyes Of
sll Mr.. Flagg's females are strangely large; and
snd as,scs sa ne,e the hands ;h too are


Queen Of Sheba's visit to king Solomon" like the


Return OF Jeptha," shows the fallacy Of attempting
70 substitute freedom Of design, and supposed accu-
oi careiul and unweared study Of ma ure and living
models " ell Mr.. Flagg's pictures, we prefer the
Spanish Lady," it is graceful IN design, and pleas


No. II. "Portnits of Children"-T. wjehr.
man, new name in the catalogue this pic.
ture we do not like; Is by no means equal in color
Or execution, to some fruit. No. 2i6, by the same


No. 10. "Judas," E. Latilla-ThIs picture. as do
others by the same artist, evnces mnch ability In
PARTICULAR two cabinet pictures in the smaller saloon;
they should find purchaser IN the "Arts Union, .
tor TO our eye, they have great merit the "Judas''
is hung in such manner, as to defy careful ex-
animation.


No. To- "Cornish Coast Scenery" BY George
Harvey we DO not like the picture, bur as Mr..
may refer to it again.


No 10 "Robert c. Leslie, in the dir 80 he wore
al Sea, by Miss Anna Leslie-a creditabe portrait.
Ihis picture we take TO be the work Of beRinner,
and one who has little knowledge of nature IS !,
NOS. - and l9 Portraits BY E. White-Ons
u.eJ Di1;s fa aylee: E:q will be immedstsly recog
nseo rom It's striking resemblance to the original
Mr.: w: has, however, stronger claims upos our
notice than the above, in Nos ln and 28S The
!cmer called the Fair Student" and the latter


Italian beggar Boy" They are remayk sbiy beas
tifu IN tone, and the drapery In the later i nal
EXQUISITE. These pictures show very great in:a,,
P5cvement in Mr.. White since the last exhibifioyv
in the faces. This fault is very evident ia No Is7
and mars the beauty of the other fiesh tinl n No
2S The sky, too. IN the latter pict4D y hardly
equal s .G the other parts but ~ these are nes faults
ed from models, and that with much care. He y
destined to take high rank among his compeers


No. 20. "Jack w. Ranney-Mr. r. exhibits
find No s. "The Dead Courser," "s REPRESENTING @ "a
flock Of vultures disturbed in their repast by wolf
whose attitude is very forcible. Tho whole design
Is sexoeent, and In color We like it better than any
No: 1872 g Match Boy" s very good portrait,
though the match boy" is somewhat etherialised.
Nos 3Ol and SS2. "Crossing the Ferry" and
the $ Friendship in Adversely" have some good
looking steeds turned out to live it may be- bat die
it must be-is very happy.


No g. "a Pic-Nic Party" Thomas Cole, N.
A;-Mr. Cole has four pictures In the rooms. Of
which two are matchless in interest and beauty.
The others are not so much to our liking. No q
represents one Of the artists picturesque designs,
snliyened BY the presence Of party who have evi.
dently been making day of it. The grouping and
execution Of the figures are admirable, the atti.
tudes unconstrained and natural, and harmOnizlnQ
wei! in color with the rest of the picture the sky
and middle distance one of the best we remember
10 have seen BY MIR. O, and tho foreground beauti-
fu in the extreme. The oak, principal feature in
the scene, seems to have been huriiedly painted,
and strikes US as somewhat cold in color.


No l74. "ItQlian Sunset. This is one OF the
scenes in which Mr. Cole is peculiarly at home. and
has no rival. Among the great variety OF subjects
treated by his hand, we like those pictures in
which he gives US nature as viewed through his
own poetic imagination, no actual scene could rea-
lise the beauty and chastened effect found in this
picture. II is entirely idea and yet go true to nature
IN all Its component parts, as to place It beyond tho
necesslty-perha the possibility, OF discovering


No. l64. sThe Cross in the Wilderness" from
poem, by Mrs. Hemans-


"silsnt and mourniul sat an Indian chief,


.;S ss OS with rr.


And his arms folded in majestic gloom,


An And his bow Icy unstrung beneath the mound,


Which sanctinsd the gorgeous waste around"
This picture is circular one, Of cabinet size, with
the light radiating directly from the centre. The
action OF the poem is not developed in the design
but as an attemptto conrover the rules laid down by
all writers on art, that the light should emanase from
the sides. 1t is, perhaps, successful.


No. $50 "Vlew Of Lag0 de Nemi, near Rome"
The subject is uninterrsting, and, though doubt
less faithful portrait of the place, this picture is not
attractive the female figure. Ia the foreground,
seems out of place.


No "a Rev. T. H. Taylor, D. D., c. L. Elliott
A Mr.. E., exhibits seven portraits, among which
will be found the finest head (with, perhaps, the ex.
cePtion OF one by Hunnngton) IN the room--we al
lude to No. ls5. This picture forciby reminds US
Of head by Page, portrait OF Lowell, the peat,
which occupied the same place two years SINCE
Like that 1t is most elaborate in finish and accurate
in drawing. We do not reco!lect any thing Of In
mans superior to it; and Mr. Elliott has unques-
uonably, by his marked improvement through the
past year, placed himself in tho very frst rank
painter Of heads His portrait Of Dr. Taylor though
an excellent likeness, is marred by the crudeness Of
color IN the accessories. Tho picture Of "Oid
knick, a. the portrait of L. G. Clark is somewhat
atiectedly called, is excellent. Tho portrait Of Dr.
Stone, hardly inferior to No 1885, and is remarka-
BILE tor the beautiful transparency and clearness of
its shadows. while No. 22s, shows Mr.. E equally
at home in female portraits


No. Is "Uncle Philo, &C. Curtis, former pupil
Of Huntlngtoas, and an artist Of no ordinary pro-
mise This head is most accurate llkenesss Of
very great original. 1t placed high to be seen
to advantage.


No, 80 is portrait Of DR.. Potts by the same hand
Like No. lS4, it shows very marked improve
ment in this artist since tn last exhibition.