20 20 80 80 * David Bordwell Narration in the Fictional Film [1] 20 99 * Hugo Münsterberg [2] * (Louis Delluc) Photogénie [3] 17 * (Walter Benjamin) [4] * Sergei M. Eisenstein * Vsevolod Pudovkin [5][6] * André Bazin 1967 [7] [8] 1957 Gestalt * Rudolf Arnheim Partial Illusion Theory [9] * (Jean Mitry) [10] (The Aesthetics and Psychology of the Cinema ) [11] 100 * Christian Metz * * Ferdinand de Saussure [12] 50 New Look * Julian Hochberg [13] * * [14] * (Noël Carroll) Grand Theory [15] [16] 1996 * Joseph D. Anderson (The Reality of Illusion: An Ecological Approach to Cognitive Film Theory ) [17] * Gregory Currie The Film Theory that Never Was: A Nervous Manifesto [18] 101 * Ed S. Tan Illusion Theory [19] Witness Emotion * Greg Smith Mood Cue [20] Limbic System The Thalamus * Murray Smith Engagement Recognition Alignment Allegiance [21] Event-indexing Model [22] Situation Model [23] * Jeffrey M.Zacks * Joseph P. Magliano [24] Coarse Event Fine Event (FMRI) EEG 102 * Tim Smith [25] Attentional Synchrony , 2005 * James Cutting 1930 IMDb, Internet Movie Database [26] 2016 * [27] (2008) 70 32 38 Narrative Denotor / [28] 103 Netflix Amazon 104 [1] Bordwell, D. Narration in the Fiction Film. University of Wisconsin Press.1985. [2] Münsterberg, H. (1916). The photoplay; a psychological study. United States. 1916. [3] Delluc, L. Photogénie. M. de Brunoff. 1920. [4] Benjamin, W. The work of art in the age of mechanical reproduction. Penguin UK. 2008. [5] Begin, P. Buñuel, Eisenstein, and the Montage of Attractions : An Approach to Film in Theory and Practice. Bulletin of Spanish Studies, 2006,83(8), 1113-1132. [6] He L. Pudovkin: Film s Screenwriter, Director, and Actor, translated by He, China Film Express. 1985. [7] Bazin, A., & Gray, H. What is cinema? Berkeley: University of California Press. 1967. [8] Bazin, A., & Gray, H. The ontology of the photographic image. Film Quarterly. 1960.13(4): 4-9. [9] Arnheim, R. Film as art. University of California Press.1957. [10] Mitry, J. La Sémiologie En Question Langage Et Cinéma. 1987. [11] Mitry, J. The aesthetics and psychology of the cinema. Bloomington: Indiana University Press. 1997. [12] Metz, Christian. Film Language: A Semiotics of the Cinema. Trans. M. Taylor. New York: Oxford UP. 1974. [13] Hochberg, J., and Brooks, V. The Perception of Motion Pictures,in E. C. Carterette and M. P. Friedman eds. Handbook of Perception, vol. 10: Perceptual Ecology, New York: Academic Press. 1978: 259-304. [14] Bordwell, D. A case for cognitivism. Iris.1989: 11-40. [15] Bordwell, D.& Carroll, N. (Eds.). Post-theory: reconstructing film studies. University of Wisconsin Press. 2012. [16] Carroll, N. The power of movies. Daedalus. 1985:79-103. [17] Anderson, J. The reality of illusion: An ecological approach to cognitive In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press. 1997:42 59. [19] Tan, E. S. Emotion and the structure of narrative film: Film as an emotion machine. Mahwah, N.J: L. Erlbaum Associates.1996. [20] Smith, Greg M. Film structure and the emotion system. Cambridge University Press. 2003. [21] Smith, M.Engaging Characters: Fiction, Emotion, and the Cinema, New York: Oxford University Press.1995. [22] Zwaan, R. A., Langston, M. C., & Graesser, A. C. The construction of situation models in narrative comprehension: An event-indexing model. Psychological science. 1995: 292-297. [23] Zwaan, R. A. Five dimensions of narrative comprehension: The eventindexing model. Narrative comprehension, causality, and coherence: Essays in honor of Tom Trabasso. 1999: 93-110. [24] Zacks, J. M., & Magliano, J. P. Film, narrative, and cognitive neuroscience. In F. Bacci & D. Melcher (Eds.) Art and the senses. New York, NY: Oxford University Press. 2011: 435–454 [25] Smith, Tim J. "Watching you watch movies: Using eye tracking to [26] Cutting, J. E., DeLong, J. E., & Nothelfer, C. E. Attention and the 439. [27] Luan, L. Finding a Basic Interpretive Unit through the Human Visual Perception and Cognition-A Comparison between Filmmakers and Audiences (Doctoral dissertation, Bowling Green State University). 2016. [28] Borwell, D. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema, Cambridge: Harvard University Press. 1989.