Journal of the British Society for Phenomenology, Vol. 38, No. 1, January 2007 HEIDEGGER'S WILL TO POWER BABETTE BABICH Not so long ago, everyone was engaged in the search for psychoanalytic foundations of poetry, jetzt trieft alles von Volkstum und Blut und Boden, but it's still all the same. Heidegger, GA 39, 254 Heidegger's Beiträge and Nietzsche's Will to Power Nietzsche's importance for Heidegger is not in doubt as Heidegger engages Nietzsche, directly or indirectly, throughout his writings, both early and late. But without a discussion of the complexities of Heidegger's reading of the same Nietzsche Heidegger intriguingly associates with the question of modern science/technology as the nihilating essence of nothing other than Machenschaft, the function and meaning of the Beiträge in Heidegger's thinking will inevitably elude us.1 And the relevant conjunctions go further than a simple connection. Without emphasising the scientific significance of the question of truth (and modern technology), without attending to the differentiation to be made between the resonant conceptual associations of the German word Wissenschaft and those of the English (and French) science, indeed, without considering Heidegger's contributions to the broadest sense of philosophy of science, one can only misunderstand Heidegger's reflections on science and one further runs the risk of mistaking or even denying the continuity of Heidegger's thought.2 This same attention to continuity or a complex whole is also evident in the new turn to Heidegger's rhetoric,3 crucial just because it opposes the tendency to read one readerly construct known as the "early Heidegger" and another and similarly readerly con-struction called the "later Heidegger."4 Yet adding the influence of Nietzsche in Heidegger's thinking seems merely to compound the challenge for many readers, especially after Lukács, but also after the repeated forays of Richard Wolin and Tom Rockmore into the political forests of (more or less) foregone conclusions contra Heidegger. For Nietzsche's name continues to serve as an almost automatic signifier of irrationalism5 when it is not connected, as it continues to be, with Nazism. Hence Otto Pöggeler contends that Heidegger's excess regard for Nietzsche6 was at the root not only of Heidegger's brush with fascism but also his lack of understanding of the poets he is most famously associated with.7 On these terms, it has been argued that Heidegger's irrationalism is revealed in his apparent antipathy to modern science and technology, which same antipathy (the argument here is conclusive because it is circular) had already rendered his thinking initially and lastingly amenable to an association with Nazism but also with fascism in general.8 37 I argue that Heidegger deliberately composed the Beiträge zur Philosophie in order to keep it as an unpublished work throughout his life.9 Attesting to this reading, Heidegger's epigraph to the Beiträge articulates this withholding gesture: "Here is tellingly held fast [andeutend festgehalten] what was reserved in prolonged hesitancy [in langer Zögerung Verhaltene]". (B, Epigraph. Cf. B §13, Die Verhaltenheit).10 Such a proclaimed "retention" of the text was rather less than absolute as Heidegger quite overtly directed a variety of scholars to the Beiträge over the years, including Otto Pöggeler, among others. Indeed, by way of Pöggeler's 1959 essay "Ereignis," addressed to the subtitled theme of the Beiträge, Heidegger could seem to have arranged an advance interpretation of his second "master"-work.11 Patently too, Pöggeler's Martin Heidegger's Path of Thinking (first published in 1963), makes explicit substantive reference to the Beiträge,12 contradicting Pöggeler's assertion in 1991 (in the same locus that he names the Beiträge Heidegger's "second major work"),13 that "Heidegger never mentioned this work, even to his closest students."14 As I read it, Heidegger composed his Beiträge on the model of the publishing phenomenon that could be called Nietzsche's "Contributions to Philosophy," had Nietzsche only written his own Will to Power, as, of course, he did not. There are other patterns,15 but it is not irrelevant that the material that became Nietzsche's The Will to Power derives from the very Nachlass, or unpublished remains, Heidegger celebrates in his lecture courses as the heart of Nietzsche's philosophy, and which same non-book, The Will to Power, Heidegger, in his Introduction to Metaphysics, identifies as Nietzsche's "planned major work [Hauptwerk]."16 Thus Heidegger's first lecture course on Nietzsche, presented during the period of the Beiträge's composition (in the series of the same courses Heidegger notoriously and, for many readers, implausibly, describes as instantiating his resistance to National Socialism), includes an importantly parallel reflection on the elusive notion of Ereignis. Ereignis is famously difficult to translate in a Heideggerian context and there are several options: appropriation, occasion, eventuality, William J. Richardson's e-vent, or else emergence, the word John Bailiff uses to translate Pöggeler's Ereignis, which same translation echoes in the more metonymically ambivalent emergency, as we can find it in Elden and Polt, among others.17 In the Nietzsche lectures, Heidegger sets Ereignis equivalent to "nihilism,"18 which nihilism Heidegger polemically affirms as the focus of Nietzsche's thought as such.19 As it engages the issues of power [Macht] and domination [Machenschaft] in an explicit and politicized fashion, the Beiträge may also, in just this explicit sense, be taken as Heidegger's Will to Power.20 Thus Heidegger engages the concept of political power in global or indeed geo-graphic terms.21 It is Machenschaft that for Heidegger exemplifies the character of modernity, which character, so Heidegger maintained, following Nietzsche's 38 historicising, was a framework already cast and determined in the nineteenth century. (See B § 102, Das Denken...) As Heidegger would later identify this modernity in his lectures to the Club of Bremen, Machenschaft represents the objective/objectifying world view of modern techno-scientific culture. Throughout its differing political manifestations, the essence of Machenschaft was, for Heidegger, expressed by way of a practical and all-too-political and politicized commitment to all the devices – technical and cybernetic, biological and psychological – of modern science and its totalizing development. As such, Machenschaft crosses political borders, as a global essence of the kind that for Heidegger dissolved the supposed differences between Bolshevism (this is Russia) and Capitalism (this is instructively, for Heidegger, not the UK, not France, but the US) as well as the reigning rule of National Socialism (this is Germany in its absorption with European conquest). It goes without saying that such inflammatory comparisons and assimilations continue to plague political analyses of Heidegger. From Heidegger as Editor to the Published Edition of Heidegger's Beiträge I have made the case that Heidegger was consciously (or unconsciously) inspired (as almost any reader of Nietzsche's texts can be seduced into seeking) to appropriate Nietzsche's style. Yet to raise the question of Heidegger's encounter with Nietzsche's thinking in terms both of its substance and its explicit stylization is to raise the more complicated question of style as such in Heidegger's own work. Most philosophical studies of Heidegger avoid the question of style in Heidegger's writings, apart from a generalized presumption of obscurity as either damning – we may name this, roughly following Robert Bernasconi, the "Gilbert Ryle response," which Rylean response Simon Blackburn has recently exhumed for his own part22 – or else as precisely liberating – presenting seemingly inexhaustible material for a robust industry of explication and/or rehabilitation (rescuing the "good bits," and so engendering a politically corrected Heidegger or even a Heidegger, like a Nietzsche, up to analytic snuff). In 1935, Heidegger was named to the board of directors for the National Socialist edition of Nietzsche's collected works.23 This experience brought Heidegger into contact with the editorial forces that control an author's legacy, even an author of Nietzsche's formidable stylistic powers. And as is typical enough, the parallel Heidegger drew was a personal one. In response, Heidegger composed what might stand as his own "Nachlass" material. The Beiträge would then work to limit Heidegger's vulnerability to editorial manipulation inasmuch as it could be claimed as Heidegger's authoritative legacy. If I am right that Heidegger intended the Beiträge as part of his edition "aus letzter Hand," that is, as last set forth by the author himself, it is ironic indeed 39 that it has not been published as such. For if, as we do know, Heidegger himself first composed and arranged and then left the order of his manuscript (and corresponding typescript) unaltered from 1939 until his death in 1976, we have today nothing less substantially significant than a radical reordering of the order or arrangement of the divisions of the Beiträge as it has in the interim been published in both German and English editions. Shifted from its original position as the section following the prelude, Seyn, now makes up the eighth section as the final division of the text. The shift radically changes the disposition of the work. Rather than having the text end, as suggested in Heidegger's prospectus, with The Last God [Der letzte Gott] (B §§ 1, 23, 34, 39, 42, 43), which section is, in turn, now displaced from its ultimate position to a penultimate locus, the Beiträge now definitively concludes, this is the beauty of a publishing decision, with Seyn. Such an ending accords with certain interpretive expositions of Heidegger's thinking, confirming a break between the Heidegger of Being and Time and the socalled "later Heidegger" (I and II) rather than highlighting the prime problem of the readerly reception of Being and Time for Heidegger (which engagement may be read as the substance of Seyn, and here, too, Heidegger could well identify with Nietzsche, and the liabilities of this first book for readers inclined to what Heidegger throughout his life regarded as "journalistic" simplifications and misrepresentations).24 Apart from my own discussion, the radicality of the textual disposition of the Beiträge from its original form to its published rearrangement has not been the subject of commentary.25 We recall here that the Beiträge's editor, Friedrich Wilhelm von Herrmann was able to justify his ordering of the published text as he cited a note slipped into the typescript, dated 8 May 1939: "'Seyn' as Part II is not correctly arranged; as an attempt to grasp the whole once again, it does not belong at this juncture."26 Von Herrmann took this note to justify shifting "'Seyn' as Part II" to the end of the manuscript, manifestly on the assumption that the phrase, "as an attempt to grasp the whole once again" necessitated placing Seyn as epilogue.27 How should one read or interpret the slip of paper in question where Heidegger not infrequently calls attention to the order of exposition appropriate to, or else: contra the reader's suppositions (and indeed to the optimum order of approach to particular authors: Aristotle before Nietzsche, to take a particularly non-random example) or else his remarks in his lecture courses where such asides also correspond to the didactic disposition of the course? It is anything but uncommon in Heidegger's case to find him drawing attention to an apparent ordering dissonance in his published texts28 and, as I have elsewhere explored Heidegger's "musical" style of writing,29 he also offered both anticipatory and retrospective reviews – in good scholastic style – throughout his texts and not merely at the conclusion of the same. Indeed Heidegger's addenda [for 40 Heidegger often added to his text (he belonged to a writerly generation that added insertions to a completed text, a generational habit that has vanished with word-processing and its volatilization of the very idea of such "original" conceptual outlines or schemas and plans)] in the form of such subsequently inserted parentheses (indeed of more than one kind: both round and square) have been the subject of no little dispute in the case of the Introduction to Metaphysics [when exactly did he add them? were some of these "mental" parentheses (or reservations) already present to him at the time of composition? did he compose all of them later? some of them? why were they added?]. Given such questions and given the length of time between 1939 and 1976 and considered together with his ongoing editorial engagement with his own collected works, I have found it at least plausible to suppose that if Heidegger had in fact meant to introduce such a displacement of his second section to the end, he could have done so (and the thematic recurrence of material from the Beiträge throughout his later works makes this more rather than less plausible). Nietzsche as the Last Metaphysician: Science and Technology and the Truth of Illusion In the later Zollikon Seminars, referring to the subtitled theme of the Beiträge: Vom Ereignis, Heidegger links the misapprehension of these two themes as he reflects on the failure to understand (the essence of) technology and Ereignis as a consequence of a decisive "conviction" on the part of the modern era: "as long as one understands being as presence ... one cannot understand technology and surely not the event of appropriation [Ereignis] at all."30 Heidegger links the question of Ereignis to the question of science and the question of art, which is always, although commentators somehow manage to be astonished by this connection, nothing other than the question concerning technology. Thus although von Herrmann rightly attends to the relevance of the essay on 'The Origin of the Work of Art' (the ultimate justification for his editing decision), and although Stuart Elden, for one, also emphasizes the significance of the conjunction between poiesis/technē in his reading of both the Beiträge and sections of Heidegger's lecture courses on Nietzsche,31 the trick still remains for today's reader to bring the two together. What do Heidegger's reflections on truth in art and truth in technology tell us in the context of his engagement with Nietzsche? For in his Nietzsche lecture courses, Heidegger emphasizes that the state of the question itself, considered as questioning as such and in the wake of or following the modern technological epoch, can best be illuminated in terms of Nietzsche's reflective self-assessment of his own first work, The Birth of Tragedy. As Nietzsche writes in his Attempt at a Self-Criticism, " the task is to regard science through the lens [Optik] of the artist, but art in that of life."32 The question Nietzsche raises here, claiming that he is "the first" to do so, is nothing 41 less than "the problem of science itself, science ... as problematic, as questionable" (Ibid.). For Heidegger, writing in 1936/37, Nietzsche's critical provocation of what he named the "problem of science" has been misunderstood from the start: "Half a century," he wrote, "has passed in Europe since these words were written. In these decades, this point has again and again been misinterpreted and, indeed, especially by those, who sought to struggle against the increasing rootlessness and devastations of science." (N1, 218) Not a matter of missing or overlooking Nietzsche's passion or his joyful or 'gay' science, Heidegger explains that what has been missed or misunderstood in reading Nietzsche is his insight into the coming to pass of nihilism as such. This is, of course, the same theme that would become the subject matter of Heidegger's 1949 lectures, Einblick in das was ist (GA 79). The called-for 'insight' into chronic decadence and the sudden devastations of the modern world, the same insight that requires Nietzsche's radical questioning after science, precisely considered as science, is the counter-intuitive call repeated in Was heisst Denken? (GA 8) This is the call to question the very thing that we in the modern age of science and technology do not question. As Nietzsche undertook to doubt more radically than Descartes and to raise the possibility of critique yet more radically than Kant, Nietzsche's method adumbrates the same questioning Heidegger shared with Nietzsche, a project which also includes Hölderlin's syncretistic constellations in Heidegger's project of redoubled questioning, as Heidegger's 1942 lecture course on Hölderlin's Ister (GA 53) also makes clear.33 Heidegger does not merely install Nietzsche in the pantheon of philosophy (always already and in itself a not irrelevant achievement): "What Nietzsche for the very first time, and indeed with reference to Platonism, recognized as nihilism, is in truth, and seen according to the grounding question that is alien to him, merely the foreground of the far deeper happening of the forgetting of being, which comes forth more and more directly in the course of finding the answer to the guiding question [Leitfrage]." (B §55, Anklang. Seinverlassenheit) With respect to this epochal connection with the eventuality of appropriation, what comes to pass, that is to say, Ereignis, Heidegger emphasizes that the phrase "God is dead" routinely associated with nihilism obscures the compass of Nietzsche's claim: "'God is dead' is not an atheistic principle but rather the formula for the foundational experience of an eventualization [Ereignis] of Western history." (N1, 156, emphasis added) Thus "Seynsverlassenheit," as the basic experience of the eventualizing of Western history is "perhaps most covered over and denied by way of Christianity and its secularized descendants" (B §55). Heidegger sets his own articulation of truth as ßh<Qeia in opposition to the rationalist confidence of the interchangeability of correctness with truth at every level, especially at the level of the absolute (as patently expressed in 42 Hegel and as realistically, positivistically presupposed in the technological articulation of modern natural science).34 But in a section entitled, Thinking: The Guiding-Thread of the Guiding-Question of Western Philosophy Heidegger emphasizes the inadequacy of this absolutizing ambition in modern science, reminding us that it is Nietzsche who shows us "how little" such a controversion as the rationalist project per se "can succeed." (B §102) On Heidegger's reading, Nietzsche's powerful one-page history of philosophy traces the transformative history of Platonic or purely ideal truth, successively reduced to illusion. Nietzsche is thus the "last and most passionate [thinker] to inquire into truth." (B §234, Die Frage nach der Wahrheit). For Heidegger both Platonism (which Heidegger duly distinguishes from Plato) and positivism may be viewed as modes of calculative thought, assuming, be it in a supersensuous or an empiricist mode, that "knowing is approximation to what is to be known." (N1, 151) As Nietzsche understands the progress of truth as "The History of an Illusion," the opposition between the apparent and the real (that is also "ideal truth" and phenomenal reality, which is also to say the progress of scientific discovery) inevitably "decays into necessary illusion, into an unavoidable consolidation, entangled in beings themselves [here we recognize Heidegger's challenge to the ontic metaphysics of Western technical rationality], now determined as 'will to power'" (B §102) In this sense, Heidegger argues that Nietzsche constitutes both the culmination of and at the same time the overcoming of Western metaphysics. Heidegger's challenge to Western techno-scientific rationality is manifest in this declaration of the closure and turning point of metaphysics. Heidegger, Technology, and the Devastation of Style: Nietzsche and Heidegger What I have been calling Heidegger's Will to Power is thus Heidegger's appropriation not only of the idea of Nietzsche's Nachlass (the very idea), remaking the Nachlass as Heidegger reconceived this project as his own legacy, but also in the wake of the seductive allure of a thinker who could summon the kind of readership Nietzsche commanded and who could really do the kinds of things with words that Nietzsche achieved with his writing. Heidegger succeeded, at least until his death, with his first ambition: that is to say, he guarded the finished work that would be his Will to Power, as his writerly legacy. Yet he would be "ruined," or "destroyed" (kaputtgemacht! to use his own expression),35 by the effort to engage and to follow Nietzsche's style and it is in this same language-stylised sense that I have elsewhere argued that we might begin to understand his declaration of Nietzsche as his ultimate undoing.36 This is Nietzsche's stylized direction of his texts to certain readers (always an achievement in a published – and therefore, as Nietzsche would remark, a public and consequently all-too43 common [cf. BGE §30] – work). But Nietzsche intended his stylistic achievement esoterically. The selective device in question is as old as Plato. By drawing his readers into the text, writing a seemingly accessible text and, most importantly, by giving all comers something to take away from the text as a supposed meaning, Nietzsche was able to exclude the majority of his readers. As a consequence of this precisely exoteric accessibility, what (ever) esoteric meaning the text might be said to have would effectively be 'protected' in plain view. For Heidegger, Nietzsche's esoteric distinction bears directly on Heidegger's own otherwise differently esoteric, but still Nietzsche-inspired, conception of the nature of questioning as the still awkward elusiveness of his invocation, "For the Few – For the Rare" [Für die Wenigen – Für die Seltenen] (B §5; cf. NI). The appeal of this same stylistic restraint culminates in Heidegger's unremittingly problematic expression of silence, which is, to be sure, a silence that is not (or not only) a matter of speechlessness. "The word breaks, not as a failure of otherwise full speech but originarily," Heidegger writes: "the word does not even come to word." (B §13, Verhaltenheit, Schweigen und Sprache). Reflecting on "holding silence and questioning"(B §38, Die Erschweigung), he will claim that an intimate, even essential, relationship inheres in both questioning and restrained silence. What is at stake turns on the issue of "seeking" for the one who has ears to hear. Where Heidegger sets questioning in its guiding modality as authentic or genuine questioning (as opposed to the kind of questioning that, so Heidegger emphasizes by contrast in the Beiträge, corresponds to "curiosity" and which, we can add, likewise corresponds to investigative or techno-scientific research), Heidegger further details the nature of questioning in the Nietzsche lectures.37 The style of questioning to be opposed is answer-bound or problemdirected inquiry, the routine or "normal" scientific inquiry that for Heidegger inevitably stops short of authentic questioning. Contra received logic, or better said, in opposition to received beliefs or convictions on logic,38 Heidegger proposes the radical poverty of reflective thinking. I have elsewhere drawn attention to Heidegger's emphasis upon the immediate, that is, the here and the now, the small or the trivial and easily overlooked, as he invokes this emphasis in his discussions of technology.39 Intriguingly, the minimal achievement that is the modesty of open reflection, or reticent questioning, turns out to offer us far more than we are used to regard as thinking, just because we find ourselves brought out beyond the calculative thinking of our day: "the poverty of reflection is the promise of a wealth whose treasures glow in the resplendence of that uselessness which can never be included in any reckoning."40 The tenor of this proposal – "the poverty of reflection," "resplendent uselessness" beyond any calculation (measure, reckoning), continues to strike 44 many readers as wrong-headed if only because it seems to challenge science in its modality as calculating investigation. By contrast, although this is not a simple contrast, were this a religious reference for Heidegger, a reference to the spiritual side of life rather than an explicit discussion of scientific inquiry, logic, and technology, we would have little problem with such language and some readers of Heidegger and technology emphasize a spiritual or meditative dimension for just this reason. To critique science, to advert to the limits of logic and language or even and only to clarify the respective roles of philosophy and science without giving the palm to science, seems plainly antiscientific and it is relevant to this anxiety that more than one author has suggested that Heidegger was science-incompetent (an inaccurate, but tenacious, assertion).41 If today's philosophy of science is no longer dominated by scholastic philosophy or neo-Kantianism, as in Heidegger's day, it continues to be dominated by the still enduring analytic approach to conceiving the very scientific problem of science on the terms of the modern world view (this is what Heidegger means by speaking as he does of "science as world view," i.e., contra the idea and ethos of Heidegger's thinking of science in the Beiträge and beyond).42 Much of Heidegger's enthusiasm for Nietzsche's claim concerning the victory of scientific method over science itself derives from the philosophical importance of the qualifying philosophical ability to make distinctions.43 As Heidegger cites Aristotle's judgment on judgment at the conclusion to "The End of Philosophy and the Task of Thinking" as well as throughout the Zollikon Seminars (and following a lifetime of such references): "For not to know of what things one may demand proof, and of what one may not, argues simply a want of education."44 For his part, Heidegger is at pains to emphasize that his philosophical analysis and "characterization of 'science' does not correspond to hostility to science because the same is simply not possible." (B §76.21, Sätze über »die Wissenschaft«). In sum: "Philosophy is neither for nor against science." (Ibid.) Heidegger's critics are famously unmoved by such arguments. And the reason for this is clear if it is also importantly a matter of affect. Under the aegis of science, which often claims the aura of objectivity, the appropriate affect continues to be all-important, For this reason, among others, any criticism of science is automatically taken as a sign of irrationality on the critic's part. All Heidegger's training in logic and mathematics, all his painstaking references to Aristotle, the first master of scientific logic, together with his references to the development of that logic into the organon of precisely modern science in Descartes (and Galileo) and in Kant (and Leibniz), all of this has and can do nothing to abrogate the charge of irrationality.45 Heidegger had to expect this objection. What he will later name the thoughtlessness of modern science in What is Called Thinking? excludes 45 in advance, as he writes in the Beiträge, "every question after the truth of Seyn (all philosophy) ... as unnecessary and dealt with without urgency, excluded from the practical domain." (B § 73, Die Seynsverlassenheit und »die Wissenschaft«). Fixated in machination, modern science preemptively excludes philosophy (a preemption that extends to what is known as the philosophy of science) "inasmuch as modern science claims to be a, or even the only standard knowledge." (ibid.) The Beiträge thus repeats what Heidegger also affirms in his better-known passage in An Introduction to Metaphysics. Regarded in terms of the calculative, technological-rational ideal of modernity, regarded as a triumphalist "logical" ideal, Heidegger claims that both "America" and "Russia" are effectively, on these very logical or scientific terms, identical or "the same." In context (and it is clear that this context would make a great deal more difference in the debate on Heidegger and Nazism had he published his Beiträge rather than retaining it as he did), Heidegger reproves or challenges the then-current regime, that is to say, National Socialism, as he explicitly names it in the Beiträge, as representing the same dynamic politicizing, the same technologizing order and ordering momentum as other (and otherwise different) imperial cultures. In consequence, the impetus Heidegger calls Machenschaft would be as common to 'Bolshevik' Russia as to 'Capitalist' America, and such technological machination would also be characteristic of 'National Socialist' Germany as well.46 Accordingly, Heidegger argues, "the 'folk' [i.e., National Socialist or "German'"] 'organization'of science moves on the same track as the 'American.'" (B §76.10, Sätze über »die Wissenschaft«) We can argue – if it remains a touchy political claim – that this very same globalizing ideal, i.e., technological machination as such, continues unabated in the more totalized than monopolistic capitalist-cumconsumerist ethos of our own day. Commentators have attempted, with varying success, to undertake a hermeneutics of Heidegger's quasi-Winckelmannian or aesthetic descriptors of the "inner truth and greatness" of National Socialism.47 Heidegger cannot be exonerated from the rhetorical excesses of National Socialism, particularly with respect to racism and its mortal consequences. But it might do, at least for the sake of an all-too neglected issue, to consider the side of racism that is species-ism. Looking beyond our absorption with ourselves as human beings in a world of other beings who share life with us, our continued absorption with humanity (alone and only) might yet reveal itself as a symptom of a problem we have yet to engage. This is the philosophical problem of life as such, all life, and hence a problem with immediate consequences (if most analyses speak of these for our still all-too-calculating sensibilities as bio-costs or as lifeor eco-tradeoffs). I refer here to a parallel between the Holocaust and animals in Heidegger's reference to agriculture as a "mechanized food industry [motorisierte 46 Ernährungsindustrie], in essence the same [im Wesen das Selbe] as the fabrication of corpses in gas chambers and extermination camps, the same as the blockade and the starvation of countries, the same as the fabrication of hydrogen bombs."48 This disquieting parallel could not be better analysed as has already been done by Emmanuel Levinas and by others who have emphasized that it is not to be countenanced in its sheer and rhetorical substance. As Levinas expresses it: "This stylistic turn of phrase, this analogy, progression, are beyond commentary."49 And while taking Levinas's point, we do well to recall that Heidegger's own substantive context was originally that of a reflection on the difficulty of a seemingly straightforward term: Stellen, setting up or disposing, placing, positioning or framing. Heidegger is here concerned to draw out the transformation of the word in its use and what that use tells us about the modern world. "A district of land is set up with respect to the presence of coal, so to say, and the ore in it."50 The disposition in question is for the sake of the resources to be mined as such. The ordering of Ge-Stell is familiar to us from The Question Concerning Technology. Thus we follow his argument as he emphasizes that "By means of such a set up, the land becomes a coal mining district, the ground becomes a mineral deposit." Thus Heidegger reflects that a manner of speaking that had once meant something altogether different in traditional agriculture, to "set" a field [die Feldbestellung], has now "gone over into the same ordering [Be-stellen] that sets up the air for nitrogen, sets up the ground for the sake of coal and ore, ore for uranium, uranium for atomic energy, this for destruction on demand."51 On the terms of Heidegger's context, that is, with respect to a review of the original character of agriculture in its traditional sense now transformed into the new and dominant form of the modern food industry,52 Heidegger's comments can do with commentary just to the degree that they are fitting enough, if still (and on several levels) unsettlingly so. The perspectival context of the food industry can seem to be a matter of providing for the needs of human nutrition. This is the viewpoint of food, for us, as we need to be nourished. Moving, with Heidegger's "stylistic turn of phrase, analogy, progression," from the food industry to the manufacture of corpses, we are speaking of animals, as such, and, rendered as so many varieties of meat. The viewpoint of the animal is defined from the outset as more than other: more alien to us than any other to ourselves. Thus we are not taking the viewpoint of the stranger (we know this tradition even if we do not observe it). Instead we are referring to the utter alterity of those who are familiar, all-toofamiliar. These utter other others are the animals (and note that even here we do not begin to speak of plants, let alone the elements as Empedocles and a long tradition would speak of these, and as Arne Naess and others can speak of the earth itself). 47 Rilke, who invokes the animal's immersion or insertion in what he names the Open, plays on the same utter alterity. God creates creation itself – this is die Kreatur – the animal as creature, but the human is something else again, higher here than Rilke's angels. From such a perspective, if we attend to the life-context and circumstances, that is: what the phenomenologist calls the world of the animals raised and butchered for food or (and this includes cats and dogs, in addition to horses, pigs, sheep, cows, and so on) leather, wool, fertilizer, etc., then we may in the process be able to attend – and I am here seeking to emphasize how elusive such an attention would be – to the animal's perspective, as the storyteller Isaac Bashevis Singer has suggested that we might, somehow, begin to do. In his story, "The Letter-Writer," Singer offers a comparative analogy (one that is uncannily, awfully, similar to Heidegger's) to remind us that from the viewpoint of animals and their suffering, that is, if we begin to consider their imprisonment, their torture, and their way of execution, as they are butchered in wretched consciousness (the stunning supposedly demanded by law, at least in the US, is not just sometimes but as a rule incomplete, just because, among other reasons having to do with automation and with speed, the regulation that the animal not be conscious as it is slaughtered is factively opposed to the industry demand to have the animal's own heart pump out its own life-blood). In concentration camps that dare not even lay claim to be named as such, that is to say, in the "meat packing" industry, the animal is without any possible recourse and thus it is that "all people are Nazis."53 From this point of view, Singer underlines in sadness, "for the animals it is an eternal Treblinka." If we almost automatically respond to the story-teller's parallel by refusing it: dismissing it by pointing out that, after all, animals are only animals and the proper concern of justice has to do with humanity, we not only overlook our own animal being but we ineluctably replicate, as Adorno has also observed, the same fascist logic that dismisses concern for the victims of extermination by saying that some victims of injustice, say, need not be considered as they are only [nur] Jews, just as we diminish injustices done to other victims, saying that, after all, they are only Bosnians, only Rwandan Tutus, only Iraqi civilians and so on. Thus Adorno emphasized what can seem the counterintuitive (and thus the successful) logic of oppression as it operates by way of the emphasis on human valuation (beyond price) in Kant, justifies distinguishing the transcendent worth or dignity of persons (human beings) by contrast with (and this is the point here) the "market value of things and animals,"54 that is to say: all things that, like animals and including slaves or others esteemed non-human or sub-human, can be said, in distinction to the human, to have a literal market price. Thus Adorno declares, paralleling Singer's comparison, but also echoing Heidegger's parallel (as Levinas for his own part had underscored it in an opposed context), "animals play for the idealist system virtually the same role as the Jews for fascism."55 48 In the eighth of his Duino Elegies, Rilke writes of what the animal sees as it looks into "the Open, which is," he says, "so / deep in animal's faces." We (as Plato captivates us in his story of the cave of our fascinated idealism), look behind, "our eyes are turned / backward." We train ourselves not to see "what is really out there," but, stand over against objects, things for us, rather than, for Rilke, facing God. It is not irrelevant to note that even Walter Benjamin's "Angel of History" looks backward. By contrast, for Rilke, "Our eyes only are / as if reversed." Rilke repeats the image here of that monstrous Nietzschean figure of Lyncaeus, who could turn his eyes within, seeing with paradoxicallynamed Lynx-eyes. Lyncaeus' eyes are the eyes of human reflection and self and inward-turning into the space of subjectivity and to the times that are not all times, but our past and our future. In reflecting on such a constellation of images and meanings, as a moral call to action, we do not take the perspective view or glance of the animal. Indeed and much rather, we systematically avoid it. This is what Rilke means, if his precisely elegiac voice takes him in his conclusion to give us a melancholy place, as poetic watchers, as "spectators, always, everywhere," who, like distracted godlings, are always set in the pose of one poised to leave. So "turned toward the world of objects," which we order in the time of past and future constituted – built – of our own consciousness, "We arrange it." Only to see the decay of the world so made: "It breaks down." Our response to this breakdown is immediate and issueless. And as children replace their toys after a fall, we "re-arrange it," and "then break down ourselves." All I am doing here, as a writer, as an intellectual, as a teacher, is to write, and writing is not action, no matter what we academics (or critics of the academy) may say. All the reader is doing here, if the reader has come so far, is to read. If possibility is higher than actuality, we can remember that more than thinking stands the prospect (still not yet the act) of action in all its possibilities: to be enacted, to be taken up or appropriated, and just in this sense: en-owned. The Question Concerning Technology as the Question of Globalization In the reigning conviction that the current world conflict in the struggle against terrorism is a struggle against an anti-rationalistic, anti-scientific world-view, the Manichaean vision of one world (the "free world") that is promodernity, and another world (that would be the terrorist's world) somehow contra-modernity, continues to dominate. This conviction persists in spite of the ubiquity of both the resources of technology and of scientific rationality on all sides in the last century and before (if we, once again, recall Heidegger's Nietzschean reminder to us that the nineteenth century sets the tone for today's now twenty-first century science [cf., B §102]). Thus and seemingly to advance a simplified agenda, many political analysts tend to color any 49 opponent of Western culture with the Luddite brush of a putative antirationalism. But, as Israel's recent invasion of Lebanon makes plain in the wake of Hezbollah's high-tech resistance to a high-tech invasion and as the recent North Korean test (or exhibition) of nuclear prowess similarly demonstrates, a perfectly pro-science dogma and a matching technological aptitude reign supreme in our world, permeating even creationist ideology on the conservative side of American politics. For it is relevant that what is wanted, even among religious fundamentalists in the US, is never to abolish science or science instruction but only to advance the doctrines of creationism as science, that is to say, as it is called in such debates, creation science. It will do to reflect on Heidegger's warning to us in his 'Question Concerning Technology,' a warning which has nothing to do with what Heidegger speaks of as the "danger." Heidegger's caution is not concerned with what technology might wreak or do to us but rather with what we presume to know about technology, which is also the reason he inquires after the essence of technology. We are thus warned that we are most in thrall to technology not when it astonishes us but exactly when we take it for granted, when we assume that we are control, that is, when it is ubiquitous enough that we presume upon its anthropological and instrumental character, convinced that, as he says, "everything depends upon getting technology as an instrument in hand in the appropriate way. One will, as it said, get technology spiritually in hand."56 The rationalist ideal Heidegger named logic well beyond the dominion of the imaginary sublime is now consummate as the virtual image of modern technology. This is what Heidegger in the Beiträge analyses as technological enchantment, it is also Baudrillard's "virtual" hyperreality in his ongoing reflections on the imaginary (first) Gulf War and the second ongoing war in Iraq, broadcast or publicized or disseminated in the United States in carefully calculated soundand photo-bites – all the news 'fit to print' or think to notice on the nightly news. This is the irreal hyperreal that stands as the certification of the only reality, we acknowledge as Real.57 For both Heidegger and Baudrillard, the modern scientific world view that rages today ever more unencumbered by any 'possible' (imaginable) alternative is the rule that remains. Neither pluralism nor a 'return' to the phantasm of traditional societies can alter the monotonic play of technique. Neither the modern world nor supposedly pre-modern societies may be thought or understood as anything other than technological. There is only modernity, liberal or not, as we choose to claim it, and this is what Heidegger in the Beiträge names Machenschaft. From this perspective, as Pöggeler also emphasizes, all reflections following or in the wake of metaphysics become inescapably "transitional."58 Modelled on Nietzsche's seemingly fragmentary form of the aphorism and the 50 truncated outline, such "contributions" are and can be all that remain of Heidegger's legacy – his Will to Power. This is also because, in the keenest transition from Heidegger I to Heidegger II, paraphrasing Hölderlin's Death of Empedocles and in equally patent reference to Nietzsche, Heidegger begins his Beiträge with an express allusion, referring as much to the history of philosophy as to the misapprehensions inspired by his own first book: "The time of 'systems' is over..."(B §1, Die »Beiträge« fragen in einer Bahn...)59 If Hölderlin's Empedocles, resisting popular acclamation as king, declares the time of lordship past, we need to note that the allusion for Hölderlin himself invoked the French Revolution. How shall we take Heidegger's '"systems"'?60 The problems of today's modern technology are not merely the problems of nations and dictators, the problems of politicizing and of war, where our proximity to political violence, even on the level of the state of the world, remains safely 'virtual' not only because at a distance but also because publicized only intermittently, so that we, the consumers, can, in the interim, turn our attention to the distractions of advertised possible lives, perhaps assuming too, as we often assume, the problem resolved. (We do make such assumptions: consider the problem of storing nuclear waste, a problem since the beginning of the atomic age. One might consider it somehow solved, given all the time that has passed. One would be wrong.) Political problems today are increasingly enmeshed in conflicts concerning the world. And one can say that they always were. But these are the resources that are reserved or needed for specific technologies, not only our technological dependency (what kind of need is this?) on the same fossil fuels, that Heidegger in Gelassenheit, a public lecture given in 1955, took to be a need that he in his own very technologically enchanted innocence assumed destined by nothing less than atomic power to be rendered nugatory. We need a critical perspective because the developmental or resource/reserve politics of modern technology is a biopolitics in a sense that Foucault's theorists have not imagined. For such a biopolitics one needs Lacan, Bourdieu, Baudrillard but also Badiou and one also needs Adorno and one still needs Heidegger. This is a critique of technology, that is also a questioning of technology addressed to the economic engine that drives the dynamic of the genome project, like the discovery of DNA in Heidegger's day (and it is worth saying that Heidegger was more prescient with regard to the chemistry of life than he was with respect to gas and oil).61 In our own day, this is the fruit of the high bio-technological powers of nothing but the exactly motorized, aggregately or corporately industrial, agriculture industry. It makes every bit of difference to this point that Dolly was a sheep, cloned for the first time nowhere else but Scotland. The same promise drives Aubrey de Grey's nanotechnological fantasies of retroengineering mortality by cleaning out cellular debris by mechanical means 51 (the computer programmer's vision of nano-rotorooters or household plumbing remedies at the mitochondrial level) and the seemingly more proximate promises imagined to await humanity (and investment options) behind a moral curtain of religious limitations, there for the taking, as the allure of stem-cell research. It is worth paying attention to the metaphorical dreams of modern technology. Not a representation of Shelley's Frankenstein, of cobbled together body parts, joined with Volta's power of the electricity of nature, not even Fritz Lang's robot fantasy that still charms us in television's androids, technology's new illusions have given way to the fantasy of the cyborg. (For my part, I would hold that there is a difference between the amalgamation of human and machine as it appears as early as Pythagoras' golden thigh or Daedalus's wings of wax and feathers and a span of flight high enough that the sun becomes a danger and, by ordinary technological contrast, a man with a hearing aid: but the we-are-cyborgs enthusiasts disagree with me). This displacement continues in the flat avatars of gaming spaces and imaginary discontents (and second lives), between the virtual and the real. Add to this the disappointingly postdated language of genes and our hope to find ourselves and not just rice and soybeans and corn named in our essence; what we miss in cyberspace can perhaps be attained, if not or not yet by way of genetic reor retro-engineering, then by way of a mechanism already functional, via stem-cell research or failing that, as it may fail, by means of a biotechnology as yet to be invented. The point here is not then that humanity itself and not only the 'natural' world of so-called 'natural resources' may one day come to be taken in the image of what Heidegger called standing reserve. For this is already (and already trivially ontic) reality. In terms of marketing potential (and the grand 'information theory' of the genome), we may name the entire population of Iceland. In practical or working functionality (on a more traditional cytological level), we can refer to fertility clinics as veritable banks of human beings, potential and actual. So many ova, so many vials of sperm, so many embryos, not to mention stem cells and cloned cell-lines, the basis of genetic research not limited to the future, but already cultivated, in some cases for well more than fifty years. All already stock on hand and nothing at all compared with the (still-virtual or as yet unactualized) promise of the same technology. If the genome project has proven to be as anticlimactic as it has, the genetic code, the sheer molecular idea of a registered and accessible essence of humanity continues to allure us as a signifier we, perfectly complicit, hope to take for granted in place of or as a remedy for the lived complexities of human life and death. Rilke reminds us that it is exactly death that makes us, all of us, animals. Unlike the animal, which moves "already in eternity, like a fountain", we humans, alone and "only, can see death." In the contradiction that is the 52 complement to the metaphysical condition or to the convictions Rilke has the grace to invoke as the Open, "that pure space into which flowers / endlessly open," there is "that pure / unseparated element which one breathes without desire and endlessly knows." This is the truth of our deepest destiny. Dying, Rilke says, we do not move into the Open. For the poet, we are now one with the animal, almost and in all the possibility that for Heidegger remains, as we have already alluded to this, higher than actuality: "nearing death, one doesn't see death; but stares / beyond, perhaps with an animal's vast gaze." In a mortal world, "forever turned toward objects," seeing in them "the mere reflection of the realm of freedom, / which we have dimmed", it may be time (this would be Nietzsche's "high time") to think about what we do. Not what we eat and what world we live in but what we do and have done and what we stolidly continue to do to that world and to the beings we raise in order to live off their life, from their suffering, consuming and shod by and dressed in the products of the same. For we have indeed inherited the earth, we do indeed have dominion over it, over all the animals that crawl, fly, or swim. And be it by hunting, poisoning, neutering, genetic modification, or ordinary sacrifice (which language, as Shiv Visvanathan reminds us with the example of "triage,"62 also makes an appearance in the conventions of political ecology and sustainable development), we have proven ourselves East and West, North and South to be consummate masters at emptying the world of as many species as we can, and at break-neck speed. The ecologists have informed us that the dynamic of modern technology cannot be 'sustained'. But what upsets us is neither the enormity of our temerity nor the efficiency of our destruction of species, or our pollution of land or water, or our veritable alteration of the air, that is to say, the winds, our climate, the balance of the world's temperature or times. What upsets us, as it would upset a small child, is the single thought that the things we do might not be doable for all time. That it cannot be sustained is what galls us, not what we do. That is the project of 'sustainable development' as a problem to be solved by science and technology, via legislation and above all as the critics of the very idea of sustainable development have reminded us from the start, beginning with Adorno and with Marcuse, Langdon Winner, Aidan Davison, Vandana Shiva, and Ivan Illich, by way of corporate involvements or profits. Yet the idea of sustainable development in its purest sense, if we could find a way to believe in this ideal, that is, even at its optimistic best, in advance of the automatic cooption of vested interest, apart from capital, suggests only the very politic conception of limits or restraint, but never change. We seek to slow, we hope to conserve, and that is exactly because we mean to continue as we have ever done. In this way, Heidegger's question concerning modern technology and modern science does not inquire into the practical question of instrumental 53 reason but much, much rather seeks to ask, "what may I hope?" as Kant had posed this more venturesome question (in Rilke's sense, as Heidegger draws it out for us) after the first two of his critical questions, "what can I know?" and "what must I do?" And in the book that can be read together with Being and Time, namely Kant and the Problem of Metaphysics, Heidegger adds a dissonant parallel, suggesting that Kant had raised a further and fourth question, "What is the human being?" [Was ist der Mensch?]. Among other things, this fourth question, as Heidegger situates it here, is the reason Heidegger's Being and Time is articulated by means of an inquiry into that being that is always mine to be, that being that remains always ours to be, Da-sein. As Heidegger expresses this question beyond anthropology (and its coordinate instrumental articulation), the danger of modern technology is relevant to this fourth question, as he explores what remains his most dissonant challenge to us today, spoken as a challenge to Western metaphysics, which is to say, by raising the question of humanism, as the question of human being, as a question. Nietzsche for his part had earlier raised this same question in terms of nature, a question inviting or daring us to de-humanize our understanding of nature, a question he argued that would help us re-naturalize humanity. "When will all these shadows of God cease to darken our minds? When will we complete our de-deification of nature? When may we begin to 'naturalize' humanity in terms of a pure, newly discovered, newly redeemed nature?"63 The current debates on 'naturalism', as analytic philosophers understand the notion, so both Heidegger and Nietzsche would remind us, inevitably fail to raise the grandly and the trivially complex question of nature just because the conventionality of such debates takes its point of departure from the very position Nietzsche challenges. These debates (and the language of the same) assume that we know what the natural is and that we know what nature is. For Nietzsche, we can only fail to naturalize humanity to the extent that we deify – which is also to say that we reify – nature, distancing it from ourselves whereby we exclude the human (as such) from what we take nature to be. It is this exclusion that fails, now for Heidegger, to ask the question of essence, which is, as we know, for Heidegger, a failure of thinking or letting be: Gelassenheit. There is today no task more pressing than to raise Heidegger's question of humanism precisely as the question of the human, whereby we might begin to raise the question of animal, plant, that is to say, and withal, natural (and that always means also supernatural) being, as open questions. Raising the question of technology (art) and nature, as multifarious aspects of the question of humanism, might take us in just the spirit of self-overcoming that is for Heidegger, and for Nietzsche, the meaning of what I elsewhere call the posthuman, that is, above-human – the Übermensch – beyond ourselves. Fordham & Georgetown Universities 54 References 1. Although Heidegger's relationship to Nietzsche is well-marked in Heidegger's writings, beginning with but especially after his Being and Time, and in the Beiträge zur Philosophie (Vom Ereignis) [Gesamtausgabe 65, Friedrich-Wilhelm von Herrmann, ed. (Frankfurt am Main: Vittorio Klostermann, 1989), in English as Contributions to Philosophy (From Enowning), Parvis Emad and Kenneth Maly, trans. (Bloomington: Indiana University Press 1999)] in particular, this relationship is only infrequently invoked in recent discussions of the Beiträge, with the exception of Stuart Elden who makes use of Heidegger's Nietzsche lectures. Likewise absent from most discussions of the Beiträge to date, with the exception of Elden and Glazebrook (both cited below), the question of science and technology was key for Heidegger throughout his life. And although scholars read Heidegger in terms of engagement with Nietzsche's thinking (not easy as I argue elsewhere) and although others have attempted to read Heidegger in terms of his concern with science and technology, such scholarship is not only far from the rule in Heidegger interpretation but the conjoined emphasis I argue here is still more rarely to be found. It is to the point that the conjunction between Nietzsche and science was Heidegger's own. 2. For a fuller discussion, see Babich 'Heidegger's Philosophy of Science and the Critique of Calculation: Reflective Questioning, Gelassenheit, Life', forthcoming in Patricia Glazebrook, ed., Heidegger's Critique of Science, (Albany: State University of New York Press 2007). I make reference to Fred Dallmayr's review discussion of the Beiträge as well as to Daniel O. Dahlstrom's review of the same text; Babich, 'Heidegger Against the Editors' Philosophy Today, 47 (Winter 2003): 327-359. See too, with respect to Heidegger, Günther Neumann's Die phänomenologische Frage nach dem Ursprung der mathematischnaturwissenschaftlichen Raumauffassung bei Husserl und Heidegger (Berlin: Duncker & Humblot, 1999). See also Heidegger's discussion of science in the seminars given for medical professionals and psychoanalysts and other scientific practioners, Zollikoner Seminare, Protokolle – Gespräche – Brief; Medard Boss (Frankfurt am Main: Klostermann 1987); translated as Zollikon Seminars: Protocols – Conversations – Letters, edited by Medard Boss, Franz Mayr and Richard Askay, trans. (Evanston: Northwestern University Press, 2001). For a discussion of the relevant differences between Wissenschaft and science, see Babich, 'Nietzsche's Critique of Scientific Reason and Scientific Culture: On "Science as a Problem" and "Nature as Chaos'" in: Gregory M. Moore and Thomas Brobjer, eds. Nietzsche and Science (Aldershot: Ashgate, 2004), pp. 133–153. 3. I have discussed this elsewhere in terms of Heidegger's rhetorical and didactic compositional style, which I analyse in musical terms. See Babich, Words in Blood, Like Flowers: Philosophy and Poetry, Music and Eros in Hölderlin, Nietzsche, Heidegger (New York: State University of New York Press, 2006), Chapter Six as well as an earlier exploration in Babich, 'A Musical Retrieve of Heidegger, Nietzsche, and Technology: Cadence, Concinnity, and Playing Brass', Man and World. 26 (1993): 239-260. Newer readings of Heidegger in connection with rhetoric (not necessarily in the classical sense, though this would have been ideal, but in its modern constellation) can be expected to broaden our sensibility to the importance of Heidegger's stylistic modes. See the contributions to the collection edited by Daniel M. Gross and Ansgar Kemmann, Heidegger and Rhetoric (Albany: State University of New York Press 2005). A German edition of this important collection is forthcoming. 4. How late? Will this be the Heidegger of the turn? The Heidegger of the Spiegel interview? The Heidegger of the seminars at Le Thor, Zähringen, Zollikon? The Heidegger in the years before his death, reviewing his writings for publication? 5. Arguably the inspiration for subsequent associations with irrationalism, see Georg Lukács 1946 book: The Destruction of Reason: Irrationalism from Schelling to Nietzsche, trans. Peter Palmer (Atlantic Highlands: Humanities Press, 1981). The political vector of this association returns in Luc Ferry and Alain Renaut, eds. Why We Are Not Nietzscheans Robert de Loiaza, trans. (Chicago: University of Chicago Press, 1997) as well as, if also without, to be sure, Lukács' anti-imperialist/anti-capitalist convictions, Jacob Golomb and Robert S. 55 Wistrich, Nietzsche Godfather of Fascism: On the Uses and Abuses of a Philosophy (Princeton: Princeton University Press, 2002). 6. The emphasis on excess is not accidental here and we may recall that Habermas has spoken of Nietzsche's influence as an 'infection' or 'contagion' (contaminating grounds for Habermas for suspecting not only Heidegger's political sensibilities but even for calling from some distance from Adorno and Horkheimer, the founding fathers of the Frankfurt School). See Jürgen Habermas's essay 'On Nietzsche's Theory of Knowledge: Postscript for Nietzsche's Erkenntnistheoretischen Schriften' and the companion essays in Babich, ed., Habermas, Nietzsche, and Critical Theory (Amherst, New York: Humanity Books, 2004), pp.47-68 and following. 7. See Otto Pöggeler, Neue Wege mit Heidegger (Freiburg i. B: Alber, 1991), including reference to the English translation: The Paths of Heidegger's Life and Thought trans. John Bailiff, (Amherst, NY: Humanity Books 1997). 8. These names can be multiplied almost at will, but notorious among these are the French antiHeideggerians, most recently Emmanuel Faye but also Richard Wolin, Hans Sluga, Johannes Fritsche, and so on. 9. See further, Babich, Words in Blood, Like Flowers, Chapter Fourteen. 10. Heidegger, Beiträge zur Philosophie, Epigraph. xvii, . Cited henceforth in the text as B, followed by section number and title. All citations are given in my own translation (adjusted, when possible, to accord with the existing English translation for the sake of accessibility). 11. See Pöggeler, 'Sein als Ereignis', Zeitschrift für philosophischer Forschung, 13/4 (1959): 599-632. Translated by Rudiger Hermann Grimm as 'Being as Appropriation', Philosophy Today, 19 2/4 (1975): 152-178. 12. Pöggeler, Martin Heidegger's Path of Thinking, pp. 115-116. 13. Pöggeler, The Paths of Heidegger's Life and Thought, p.1. 14. Ibid. Pöggeler's first book, Martin Heidegger's Path of Thinking, alludes to the subtitle of the Beiträge in a way that would seem to indicate at least a familiarity with Heidegger's elliptic epigraph: speaking of the thanks made to "what remained unsaid, as what is to be said in the future, and is thus heedful to what is promised but unconcealed (cf. Das Ereignis)." p.228. 15. The subtitle of Spengler's 1931 Der Mensch und die Technik was subtitled Beiträge zu einer Philosophie des Lebens. Heidegger quotes this text (with antipathy) in his 1942-1943 lecture course on Parmenides.. 16. See Heidegger's Einführung in die Metaphysik (Tübingen: Neske, 1953 [1935]), p.152. Heidegger notoriously also named the same unpublished sources the locus of Nietzsche's "genuine" philosophy. See Heidegger, Nietzsche (Pfullingen: Neske, 1961), in two volumes, for such declarative references throughout, especially Volume I. 17. Elden surprisingly does not take note of Pöggeler's several studies when he discusses the status of the claim that the Beiträge might be designated as Heidegger's second major work after Being and Time. For Elden, it simply "appears on the dust jacket of the German version". Elden, Speaking Against Number: Heidegger, Language, and the Politics of Calculation (Edinburgh: Edinburgh University Press, 2006), p. 165. But see above, as well as Pöggeler's own account of Heidegger's reason for writing the Beiträge after the events of 1933-34 in Neue Wege Mit Heidegger, (Freiburg: Alber, 1992), "Als er sich auf seine philosophische Arbeit zurückgeworfen sah, schrieb Heidegger in den Jahren 1936-1938 sein zweites Hauptwerk." p.11. If Elden similarly explains the nature of the Beiträge as such a "working through," he makes no reference to Pöggeler's discussion of this same dynamic or, indeed, of Heidegger's so-called self-critique in his own reading. 18. Heidegger writes "Eine der wesentlichen Formeln zur Kennzeichnung des Ereignisses des Nihilismus lautet: »Gott ist tot.« ... Mit Nihilismus meint Nietzsche die geschichtlichen Tatsache, d.h. das Ereignis, dass die obersten Werte sich entwerten, dass alle Ziele vernichtet sind und alles Wertschätzungen sich gegeneinander kehren." Heidegger, Nietzsche I p.185. And in a much milder manner, what Pöggeler had already done for German scholars 'in the know,' David Farrell Krell, as translator, would do in one of his notes to the text. Krell points 56 out that Heidegger's invocation of "the 'event' of nihilism," cited four times in this and the following paragraphs, occasions perhaps the earliest 'terminological' use of the word Ereignis in Heidegger's published writing." Krell goes on to conclude with what this reader reads as a reference to the Beiträge made by Heidegger and published in 1969. Krell is referring to the protocol made by Alfredo Guzzoni to the lecture 'Zeit und Sein', dated 11-13 September 1962. See Zur Sache des Denken (Tübingen: Niemeyer, 1969), p.46; Guzzoni's protocol is also translated in On Time and Being, Joan Stambaugh, trans. (New York: Harper and Row, 1972), p.43. See the prior reference to the context of this reference in the Letter on Humanism and Identity and Difference, p.36. Krell cites as follows "The relationships and contexts which constitute the essential structure of Ereignis were worked out between 1936 and 1938, which is to say, precisely at the time of the first two Nietzsche lecture courses." Heidegger, Nietzsche: Volume I (San Francisco: Harper & Row, 1979), p.156. 19. It is worth attending to the connection between Heidegger and Spengler in Heidegger's Nietzsche lectures. 20. See Elden, Speaking Against Number, Chapter Three, cited above, for another approach, especially in its earlier publication as 'Taking the Measure of the Beiträge: Heidegger, National Socialism and the Calculation of the Political', European Journal of Political Theory, 2/1(2003): 35-56 as well as, for a complex and important reading, Reiner Schürmann, 'A Brutal Awakening to the Tragic Condition of Being: On Heidegger's Beiträge zur Philosophie', trans. Kathleen Blamey in Karsten Harries and Christoph Jamme, eds., Heidegger: Politics, Art, and Technology (New York: Holmes and Meier, 1994), pp.89-105. For an overall approach, see Fred Dallmayr's 'Heidegger on Macht and Machenschaft', Continental Philosophical Review, 34 (2001): 247-267. 21. Elsewhere, I explore the political and corresponding ethical implications of Heidegger's nonpublication of the Beiträge, be it during the time of its composition or afterwards. This failure of political action (and of courage) cannot be gainsaid. Yet the political insights of this same text are important. 22. See Simon Blackburn, 'Enquivering', The New Republic, 30 October 2000. 23. Walter Otto was a member of the board of directors of the critical edition of Nietzsche's works planned during the time of National Socialism since 1933 and invited Heidegger as well as Heyse and Max Oehler in 1935. For a schematic listing of this involvement, see David Marc Hoffman, Zur Geschichte des Nietzsche-Archivs (Berlin: Walter de Gruyter, 1993), p.115. 24. Thus Beiträge § 259, entitled Philosophie, like the section preceding it, effects an express recapitulation modeled on Nietzsche's repetition of the theme of "ascetic ideals" in the third part of The Genealogy of Morals (reprising parts I and II), a troping allusion Heidegger repeats throughout the Beiträge. Heidegger thus challenges the "journalistic" demand for average understandability as it now characterizes academic discourse thus setting history equivalent to so much "newspaper science." (B 76.9; 76.10; 76.18). "Making itself intelligible [Das Sichverständlichmachen] is suicide for philosophy." (B §259). 25. Without addressing the issues I am raising here, Silvio Vietta calls attention to questions of identifying relevant dates, Heideggers Kritik am Nationalsozialismus und an der Technik. (Tübingen Niemayer,1989), pp. 70ff. 26. See von Herrmann's "Editor's Epilogue: Contributions to Philosophy," Contributions, p.365, B, p. 514. 27. The assumption is fairly radical because, as von Herrmann also notes, the fiftieth section of the Beiträge both in "the manuscript as well as the typescript begins with Be-ing [Seyn]." Ibid. 28. These routine asides and comments on the arrangement of his texts (directed to the presumptions readers might have and employed to undercut the apparent ordering of the text as a whole) are far from unusual for the Heidegger who makes similar comments about argumentative array in Being and Time or Introduction to Metaphysics or What is Called Thinking. 57 29. See Note 3 above, for reference to my discussion of the cadence of Heidegger's schematic argumentation as well as, more recently, Babich, Words in Blood, Like Flowers, Chapter Eight. 30. Heidegger, Zollikon Seminar, p. 182. 31. See the discussion of von Herrmann above and, again, see Elden, Speaking Against Number. 32. Friedrich Nietzsche, The Birth of Tragedy, Walter Kaufmann, trans. (New York Random House, 1967); §ii; translation modified. 33. One of the virtues of The Ister, the 2004 Australian documentary by David Barison and Daniel Ross is the focus on technology, exemplified by the film's intercalated citations from Heidegger's lecture course. Like commentary on the Beiträge, scholars have rarely focused on technology with reference to Heidegger's 1942 lecture course on Hölderlin's The Ister. 34. Cf. Beiträge, §102 and §104. 35. Gadamer has famously recounted Heidegger's expression of regret at the end of his life" "Nietzsche ruined me!" [Nietzsche hat mich kaputtgemacht!] Although I have, as have others, this directly from Gadamer, Gadamer himself did not hear this from Heidegger, as he tells us he heard it from Heidegger's son. On the occasion of a conference on the twentieth anniversary of Heidegger's death, in the context of his speaking remarks for a discussion on Heidegger and Nietzsche (Gadamer himself had spoken on Heidegger and Hegel), Gadamer reflected on the meaning of "transition" or Übergang (both in philosophy in general and specifically in terms of Nietzsche's thinking). Concurring with Heidegger's assessment, Gadamer reflected that "it would not be with a conscious "I've done it" that Nietzsche effected the transition. And then there is a remark I repeatedly now invoke, ever since I first heard it from Heidegger's son, that in the last months of his life, Heidegger constantly repeated 'Nietzsche ruined me!' One could hear that declaration from him regularly, acknowledging his own failure. What Nietzsche had attempted to do, he likewise failed to achieve." Gadamer, 'Heidegger und Nietzsche. Zu Nietzsche hat mich kaputtgemacht', Aletheia 9/10 (1996): 19. 36. See Babich, Words in Blood, Like Flowers, Chapter 1. 37. Heidegger, Nietzsche 1, p.142; cf. Beiträge § 5. 38. This received logic would not merely be the logical positivists (the logic that was to become Carnap's intellectual capital) but would have more generic proponents of another less rigorous kind in the journalistic self-importance and correspondingly cavalier selfconfidence of the critics of Being and Time that would take Heidegger's musing to more bitter reflections in other contexts, I refer here to Heidegger's comments on death and what he called the "journalistic" (and "philistine") interpretations of his Being and Time which, when it was not presented as an anthropology (evolving into the terms of existentialism) was presented as a philosophy of death. See Heidegger's remarks in the Beiträge, §§ 161-164. 39. See further, Babich, 'The Essence of Questioning after Technology: Techne as Constraint and Saving Power', JBSP, 30/1 (January 1999): 106-24 and, a good bit more extensively, Babich, 'On the Analytic-Continental Divide in Philosophy: Nietzsche's Lying Truth, Heidegger's Speaking Language, and Philosophy' in C. G. Prado, ed., A House Divided: Comparing Analytic and Continental Philosophy. Amherst, NY: Prometheus/Humanity Books, 2003. Pp. 66-103. 40. Heidegger, 'Science and Reflection', in Heidegger, The Question Concerning Technology and Other Essays, William Lovitt, trans. (New York: Harper, 1977) p.181. 41. The 'anti-science' charge would dog Heidegger beginning with the earliest reviews of Being and Time, then directed to claims he makes there concerning truth and especially concerning physics itself, BT, p. 269/SZ.226-227. See also his characterization of Galileo, "als Physiker Philosoph." Logik. Die Frage nach der Wahrheit, (1925–26), GA 21, S. 97. Later his direct comments on science and thinking drew greater fire. I have detailed this elsewhere, see, in particular Babich, 'Der Wissenschaftsbegriff bei Martin Heidegger und Medard Boss: Philosophisches Denken und Daseinsanalyse' in Harald Seubert, ed., Heidegger und Daseinsanalyse (Köln: Böhlau, 2003), pp.249-268 as well as Babich, 'Heidegger's Philosophy of Science: Calculation, Thought, and Gelassenheit' in Babich, ed., From 58 Phenomenology to Thought, Errancy, and Desire: Essays in Honor of William J. Richardson, S.J. (Dordrecht: Kluwer, 1995), pp.589-599. 42. For more on Heidegger on science, see references in two notes below, as well as in a context including an overview of earlier discussions of this theme, Babich, "Heidegger's Philosophy of Science" (cited note 2 above). 43. See Robert Sokolowski's classic and insightful discussion: 'Making Distinctions,' Review of Metaphysics 32 (1979): 639-676. 44. Aristotle, Metaphysics, 1006a, cf., Nicomachean Ethics, 1094b, etc. Citation follows the translation given in Heidegger, Zollikon Seminars, p. 6. Cf. Heidegger, Time and Being, Joan Stambaugh, trans. (New York: Harper, 1972); p. 72. 45. I have long opposed such a reading and note that there is now increasing attention to the question of Heidegger and logic, such as, for example, a new collection of essays edited by Alfred Denker and Holger Zaborowski, eds., Heidegger und Logik (Amsterdam: Rodopi, 2006). More broadly, see Dan Dahlstrom, Heidegger and the Concept of Truth, (Cambridge: Cambridge University Press, 2001) and, on Aristotle, see Patricia Glazebrook's Heidegger's Philosophy of Science (New York: Fordham University Press 1999) and for a still more focused reading from a similarly Aristotelian perspective: William McNeill, The Glance of the Eye (Albany: State University of New York Press, 1999). 46. Heidegger's conviction concerning the sameness of both Russian and American regimes (for the longest time both were imagined as patently antithetical) is at once absurd (it is tacitly or immediately rejected as naive or wrong) and it is also, given the tactically, politically unexpected events of recent history, exactly accurate. 47. Heidegger, Introduction to Metaphysics, p.152. 48. "Ackerbau ist jetzt motorisierte Ernährungsindustrie, im Wesen das Selbe wie die Fabrikation von Leichen in Gaskammern und Vernichtungslagern, das Selbe wie die Blockade und Aushungern von Ländern, das Selbe wie die Fabrikation von Wasserstoffbomben." Heidegger, Bremer und Freiburger Vorträge GA 79 (Frankfurt: Vittorio Klostermann, 1994), 'Das GeStell', p.27. The incendiary quote from this then (and as yet still) untranslated text was first cited in violation of authorized access to the text in question, a matter of great consternation for the Heidegger family. Nevertheless the breach, in the form of a citation included in a book otherwise little debated, inspired an academic scandal as excerpts can do (acontextually adds to this) in the Winter 1989 issue of Critical Inquiry 16/2 on 'Heidegger and Nazism' and featuring Gadamer, Derrida, Habermas, and most significantly Levinas's discussions of Heidegger's failure to speak about his Nazi past. I discuss this further, and offer additional references in Babich, 'Heidegger's Silence: Towards a Post-Modern Topology' in Charles Scott and Arleen Dallery, eds., Ethics and Danger: Currents in Continental Thought (Albany: State University of New York Press, 1992), pp. 83-106. 49. Emmanuel Levinas, 'As if Consenting to Horror' Critical Inquiry 16/2 (Winter 1989): 483488; here p.487. 50. Heidegger, 'Das Ge-Stell', GA 79, p.27. 51. Ibid. 52. There are numerous books of note on this theme in recent years. See for a general and comprehensive start, Marion Nestle, Food Politics: How the Food Industry Influences Nutrition and Health (Berkeley: University of California Press, 2002) but also Mathew Scully, Dominion (New York: St. Martin's Press, 2002). 53. Isaac Bashevis Singer, 'The Letter-Writer', cited from the historian Charles Patterson's Eternal Treblinka: Our Treatment of Animals and the Holocaust (New York: Lantern Books 2002), p.183. Patterson's book borrows its title from Singer's short story. 54. Adorno, Beethoven: The Philosophy of Music, Edmund Jephcott, trans. (Cambridge: Polity, 1998), p.80. 55. Ibid. 56. Heidegger, The Question Concerning Technology and other Essays, William Lovitt, trans. (New York: Harper, 1977), p. 5. Translation modified. 59 57. Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact, Chris Turner, trans. (Oxford: Berg, 2005). 58. Pöggeler, Martin Heidegger's Path of Thinking, p.115. 59. This reference to Hölderlin's Empedocles was important in much the same way for Nietzsche's Zarathustra. This is a complex point of reference and interconnection and I discuss this in Words and Blood, Like Flowers, Chapter Four. See too Veronique Foti, Epochal Discordance (Albany: State University of New York Press, 2006) and David B. Allison's discussion of Zarathustra in his Reading the New Nietzsche (Lanham: Rowman & Littlefield, 2001). See here also Beiträge §43 where Heidegger cites Nietzsche's Twilight of the Idols: "Der Wille zum System ist ein Mangel an Rechtschaffenheit." 60. It is important to consider, in addition to the points and references noted just above, Pierre Bertaux, Hölderlin und die französische Revolution (Frankfurt am Main: Suhrkamp, 1969) just to begin to explore the significance of this event for an understanding of Hölderlin's life story (most particularly, most incendiarily, Hölderlin's madness) and see any number of extant historical accounts of the political involvement of Hölderlin's writing for an understanding of the allusion. 61. Heidegger himself attends to this very constellation. See, for a discussion, Babich, 'Heidegger's Philosophy of Science and the Critique of Calculation'. 62. Visvanathan, Shiv, (1988), 'On the Annals of the Laboratory State' in: Ashis Nandy, ed. Science, Hegemony, and Violence: A Requiem for Modernity (Oxford: Oxford University Press, 1988), pp. 257-288, here p. 259. 63. Nietzsche, The Gay Science, Walter Kaufmann, trans. (New York: Vintage 1974), §109.