Énée et Lavinie (Dauvergne)
# Énée et Lavinie (Dauvergne)

Énée et Lavinie (Aeneas and Lavinia) is an opera by the French composer Antoine Dauvergne, first performed at the Académie Royale de Musique (the Paris Opéra) on 14 February 1758. It takes the form of a tragédie lyrique in five acts.

It is a resetting of a libretto by Bernard Le Bovier de Fontenelle, which was originally set by Pascal Collasse in 1690. The story is taken from the later books of Virgil's Aeneid.

## Roles

| Cast | Voice type | Premiere |
| - | - | - |
| Junon (the goddess Juno) | soprano | Marie-Madeleine Chefdeville (née Jendrest) |
| Venus (the goddess Venus) | soprano | Marie-Jeanne Larrivée Lemière |
| Iris | soprano | Marie-Jeanne Larrivée (née Lemière) |
| Le roi, the King of Latium | basse-taille (bass-baritone) | Henri Larrivée |
| La reine, the Queen | soprano | Mlle Davaux |
| Lavinie (Lavinia), their daughter | soprano | Marie Fel |
| Turnus, King of the Rutuli | basse-taille (bass-baritone) | Nicolas Gélin |
| Ilionée (Ilioneus) | basse-taille (bass-baritone) | Person |
| Camille (Camilla) | soprano | Mlle Rivier |
| L'ombre de Didon (the ghost of Dido) | soprano | Mlle Sixce |
| Énée (Aeneas), a Trojan prince | haute-contre | François Poirier |
| Le grand prêtre de Janus (the high priest of Janus) | haute-contre | Jean-Pierre Pillot |
| Premier faune, the first faun | haute-contre | Jean-Pierre Pillot |
| Second faune, the second faun | basse-taille (bass-baritone) | Albert |
| L'oracle de Faunus, the oracle of Faunus | basse-taille (bass-baritone) | Desbelles |
| Une troyenne, a Trojan woman | soprano | Sophie Arnould |
| Hébé (the goddess Hebe) | ballerina | Mlle Puvignée |
| Chorus: Priests of Janus, Rutulian soldiers, Trojan soldiers, Latin peoples |||
| Ballet: Latin peoples, fauns and dryads, bacchantes, gamblings and pleasures, Hébé's retinue, sylvan divinities |||

## Synopsis

Aeneas, fleeing the destruction of Troy, has arrived in Latium in Italy. The King of Latium wants to marry his daughter Lavinia to Aeneas, but the Trojan has a rival in the local prince Turnus, who is favoured by the queen and the goddess Juno. Juno provokes Turnus to fight the Trojans. The king consults the oracle of his father, the god Faunus, who says that Lavinia must choose her husband for herself and then there will be peace. The ghost of Dido warns Lavinia not to trust her faithless lover Aeneas. The god Bacchus also inspires Lavinia with a hatred of the Trojans and she announces she will marry Turnus. Aeneas reproaches her for her choice and tells her he only abandoned Dido because the god Jupiter told him to. Lavinia admits she loathes Turnus and was only persuaded to marry him by a divine fury sent by Bacchus. Turnus arrives and Aeneas challenges him to single combat. Turnus accepts. The goddess Venus brings Aeneas special armour. Aeneas and Turnus fight (offstage) and Aeneas is victorious. Juno renounces her hatred for the Trojans and the opera ends with the wedding of Aeneas and Lavinia.

## Sources

* David Charlton Opera in the Age of Rousseau: Music, Confrontation, Realism, Cambridge University Press, 2012.
* Félix Clément and Pierre Larousse Dictionnaire des Opéras, Paris, 1881.
* (in French) Benoït Dratwicki, Antoine Dauvergne (1713—1797): une carrière tourmentée dans la France musicale des Lumières, Editions Mardaga, 2011.
