Question: What are some examples of Filipino Traditional Music? P.S.they must be old filipino music... not the modern ones we used today...

Answer: Hello! I hope this helps...\n\nIndigenous musical styles\n\n*Southern styles\nAmong the various groups of the island of Mindanao and the Sulu Archipelago, a highly sophisticated musical repotoire called kulintang exists in which the main instruments used are bossed gongs not dissimilar to gongs used in Indonesia.\n\nAmong the Tausug of the Sulu Archipelago, The Sindil (sung verbal jousts) is a musical lighthearted style that is sung by a duo of both sexes sung in front of an audience. Teasing, jokes, and innuendos flow into the verses, the better ones being applauded by the audience. The gabbang xylophone and biyula traditional violin are the instuments mainly used. Although Sindil is a particular genre of music, the verbal jousting musical type is also found in many other parts of the country, especially among the Visayan peoples, who are ethnically related to the Tausug. Sindil are normally used at weddings and other festive events.\nOther musical traditions of this region are those of the serenade form Kapanirong and the outdoor "loud" music repotoire called Tagonggo.\n\n*Northern styles\nAmong the indigenous peoples of the Central Cordilleras of the northern island of Luzon, music is also played with gongs, but unlike those of southern repoitoires, these gongs, called Gangsa, are unbossed and have their origins in mainland Asia. Music is usually played to accompany dance, and because of this is mostly percussion based. gong ensembled are normally accompanied by drums. The music is polyphonic, and uses highly interlocking repeated patterns.\n\nSPANISH INFLUENCE\n\n*Harana\nThe Harana first gained popularity in the early part of the Spanish Period. It's influence comes from folk Music of Spain and the Mariachi sounds of Mexico. It is a traditional form of courtship music in which a man woos a woman by singing underneath her window at night. It is widely practiced in many parts of the Philippines with a set of protocols, a code of conduct, and a specific style of music. Harana itself uses mainly Hispanic protocols in music, although its origins lie in the old pre-colonial Philippine musical styles which still practised around the country (See Also Kapanirong style of the Maguindanao of Mindanao). The main instument used for Harana is the Guitar, played by the courter, although other string instruments such as the Ukelele and less frequiently, the Violin and Trumpets are also used.\n\n*Kundiman\nThe Kundiman is a lyrical song made popular in the Philippines in the early 19th century, but having origins in older pre-colonial indigenous styles. Composed in the Western idiom, the song is characterized by a minor key at the beginning and shifts to a major key in the second half. Its lyrics depict a romantic love, usually portraying the forlorn pleadings of a lover willing to sacrifice everything on behalf of his beloved. In many others, it is a plaintive call of the rejected lover or the broken-hearted. In others, it is a story of unrequited love. Almost all traditional Filipino love songs in this genre are heavy with poetic emotion.
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