Equally influenced by the films of the Italian neorealists, novelists such as Luis Romero ("La noria", 1951), Rafael Sánchez Ferlosio ("El jarama", 1956), Jesús Fernández Santos ("Los bravos", 1956), Carmen Martín Gaite ("Entre visillos", 1957), Ignacio Aldecoa ("El fulgor y la sangre", 1954), and Juan Goytisolo ("Juegos de manos", 1954) produced a social realist tradition that was as celebrated as it was short lived.