Working at Raynham from 1725 to 1732, Kent added the north wing to Raynham and decorated the interior, where much of Kent's finest work can be seen, especially in the elaborately carved architectural chimneypieces, the architectural doorcases and the painted staircase imitating niches and sculpture in "trompe l'oeil" and the painted ceiling imitating mosaic in the 'Belisarius' Room.