These tasks were assigned to three teams: an audio team at Sony recorded live tracks and remixed 45 minutes of jazz tunes (which included a few new live parts and some new solos); another team at Pyramind Studios in San Francisco replaced old samples with better sounds in another 45 minutes of music and re-mixed all of the cut scenes in six languages; and finally the Melbourne Symphony Orchestra (MSO) recorded about a 30 minutes of orchestral music.