However, this attribution is controversial: Roger Paulin, William St. Clair, and Elinor Shaffer provide a lengthy rebuttal to Burwick and McKusick, offering evidence including Coleridge's repeated denials that he had ever translated Faustus and arguing that Goethe's letter to his son was based on misinformation from a third party Coleridge's fellow Romantic Percy Bysshe Shelley produced admired fragments of a translation first publishing Part One Scene II in "The Liberal" magazine in 1822, with "Scene I" (in the original, the "Prologue in Heaven") being published in the first edition of his "Posthumous Poems" by Mary Shelley in 1824.