The Opéra-Comique discovered some fresh energy in 1950s, restaging "Roméo et Juliette", "Orphée et Eurydice", "Le roi malgré lui" and "Les noces de Jeannette" and introducing "Bluebeard's Castle", Landowski's "Les Adieux" and Dallapiccola's "Volo di Notte" to attract new audiences and keep the attention of the arts establishment.