Her writings included "Legislation and Science" (1883), "Heretics from the Bayreuth Sanctuary" (1897), translations of Ouida, and a 1904 criticism of Isadora Duncan's controversial dances to Beethoven music: "She [Duncan] appears to have no feeling for the fact that musical works of art, born of pure artistic feeling as ends in themselves, are not to be degraded as means to other ends."