text: You'll find Diagram 7 U0026quot Round Transit Stop And Tail Light at least the next varieties of [negara]: Chart-like [negara], which take an amount of items and relationships between them, and express them by offering each item a 2D position, even though the relationships are expressed as connections involving the items or overlaps between your items samples of such techniques: tree diagram network diagram flowchart Venn diagram existential graph Graph-based diagrams these display a relationship between two variables that take either discrete or perhaps a continuous ranges of values examples: histogram bar graph pie chart function graph scatter plot Schematics and other types of diagrams, e.g., train schedule diagram exploded view population density map Pioneer plaque Three-dimensional diagram Many of these varieties of diagrams are commonly generated using diagramming software such as Visio and Gliffy. Thousands of diagram techniques exist. Even more examples follow. Diagrams can be classified based on use or purpose, for instance, explanatory and/or how to diagrams.
  
  Humanity has always dreamed of eradicating poverty and creating a good life for all individuals and communities, and has therefore made numerous efforts and strategies to combat poverty. But prescribing a solution, regardless of the different origins of poverty, cannot be as effective. In the Islamic economic system, zakat has also been cited as a strategy to eliminate poverty.
  Today, due to changing social relationships and social systems, the potential income of zakat is not capable of sufficiently accommodating the enormous amount of poverty present in societies. And this contradicts the role of zakat in poverty alleviation, which the hadiths have referred to. The question that arises is whether Zakat is a solution to all kinds of economic poverty? In this regard, good scientific efforts have been made to resolve this conflict and explain the problem of zakat in various studies, which have mainly focused on expanding zakat resources.
  In this paper, the roots of poverty are divided into four categories: natural, self-made, capitalism, and colonial, through the formation of a hadithic family and using verses and narratives, and then conclude by expressing Islam's strategies for combating all forms of poverty. It turns out that the poverty in
  
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  Elisheva was born on March 29, 1965, in Jerusalem ,a younger sister to Yitzhak, at that time 17 months her senior and a twin sister to Yedida, who was 5, minutes her junior. Elli, as she was affectionately known by all, was named after an aunt of her father Charlie. Dida, as she is known, was named Yedida, a friend, in the hope that the girls would be life long friends. And so it has been. Another brother, Ari joined the family in December 1969, and so Elli and her siblings had a baby that they could love and spoil. Elli was always connected to and interested in each and every family member and, at one time or another, she helped each one.
  Elli grew up in Bet Hakerem, Jerusalem and attended the neighborhood Bet Hakerem Elementary School and L'Yad ha Universita High School. She spent two separate sabbatical years in the U.S, with her family in Durham, NC and 5 summers in Camp Ramah.
  Elli grew up in an English speaking home (I, her mother, spoke English to all) but outside the home and with her father and siblings, her main language was Hebrew. Despite the refreshers to her English, which she received in the U.S. over the years, and although she was truly bilingual, she felt more comfortable writing in Hebrew, which she considered "her language".
  Over the years Elli made her mark in several areas, many of which had their roots in childhood and adolescence. As a youngster she joined "Noar l'Noar" (Youth to Youth), a Bnai Brith organization, and was a big sister to a disadvantaged child. Weekly she met this child, helped her with homework and took her on "tiyulim". In the summer after the ninth grade she participated in a "mischlachat" (delegation) and attended a Bnai Brith summer camp in Starlight, Pennsylvania with children from different countries. There she met an English girl who was to become a lifelong, beloved, and devoted friend, Rebecca Wolman. Rebecca and Elli corresponded ever after and managed to meet one another over the years in England or Israel until Rebecca made aliyah. As time went on, they shared a passion for theater and writing. For Elli, this love was already evident in the ninth and tenth grades, when she participated in a theater "chug" (club) at the Khan Theater where she studied, analyzed and viewed plays. During her Army stint in the Intelligence Service, she managed to attend the Theater "chug" at Tel Aviv University and later became a student in their Theater department, majoring in acting. She acted in many plays put on by the Theater department, and her hope at this time was to make it as an actress. She received her B.A. Cum Laude in Acting and Theater from Tel Aviv University in 1990.
  Elli's interest in poetry also goes back to her childhood. In 1976, when she was 11, she wrote her first book of poetry - a gift to her parents in honor of their 15th wedding anniversary. There were 11 poems in this collection, the themes of which already demonstrated her sensitivity to the environment, social issues and her concern for others.
  In 1988, Elli married Benny Shaibe. They were together for a ten year period until they divorced. Some of that time was spent in San Francisco, where Elli actively participated in Fringe Theater. She wrote and acted in a play based on the life of her namesake, "Elisheva" who had lived in Berlin during the war and had to act out many parts in order to survive. Elli was always intrigued and troubled by her namesake who was also a teacher and a poet, a woman who married and was widowed young without children, and who herself died young after having survived the hardships of the war. Her relationship to this aunt and her name and her identity as a twin were all issues Elli struggled with. The play, a monodrama, which explored the experiences of a Jewish woman living underground in Nazi Germany, was written in three versions, one in Hebrew with the name, "Elisheva" and two versions in English, "A Few Days Longer than a Rose" and "The Mustard Seed". The latter, "The Mustard Seed", was staged at the Solo-Mio festival in San Francisco in 1992.
  Back in Israel in 1993, Elli worked in a variety of settings, teaching drama and creative writing in Ayalon, Ma'asiyahu and Hasharon Prisons. Elli worked with the inmates in Hasharon Prison who wrote and performed plays based on their lives. In one play, "Little Red Riding Hood" the inmates described their experiences of being seduced into the world of drugs and crime. The performance was a very moving experience for participants and audience alike. The many letters Elli received from the inmates, attest to their remarkable experience. Also in 1993, Elli wrote and acted in "Edenbird no. 17", a cabaret play for three women performed at Hasimtah Original Theater Festival in Jaffa. The play is composed of a variety of stories in the lives of women from childhood to old age, many of them hilariously funny and insightful, but at the same time, deadly serious. Both in her acting and in her writing, Elli had a very keen sense of observation and herself was a skillful comic.	
  From 1995 -1998, Elli taught drama and co-directed plays with children at "Bet Taf", a children's residential institution in Pardes Chana. She also taught in the Tiberias municipality as a Community Theater Group Leader, working through the "Artist in the Community" Project of Omanut La'am (Art for the Public) under the leadership of theater director Sinai Peter. As part of their activities, she led a drama workshop for women focusing on Jewish themes, and taught creative drama and storytelling. At about the same time, Elli was also working at the Arazim School in Rishon Le'zion, where her work with children and youth with behavioral problems focused on biblical stories and plays for the Jewish holidays. All of these projects provided tough challenges, working with children and adults who had a difficult time in life. Elli devoted a great part of herself to developing strong relations with the children she taught and involving them in drama, she developed many ideas for reaching out and teaching them.
  At this time, Elli, herself, was continuing her own education and writing plays. In 1995, she wrote "Ben Shitrit's Baby", a surrealistic, realistic monodrama, based on life in prison, written for the Theatroneto Festival, performed by Alon Abutbul and directed by Doron Tavori.
  From the late nineties, one sees Elli's development simultaneously in the three strands of poetry, playwriting and teaching, although one or the other usually dominated at a given time. She began working for Matan, Arts and Culture Project for Youth (1999-2003) as head of the Creative Writing Department, responsible for developing and administering the creative writing program for youth and adults. Elli also led bibliodrama workshops, which explored biblical themes through dramatic and psychodrama techniques. In 1997, through a special scholarship, Elli participated in the Poets' Workshop sponsored by "Helicon" and "Mishkanot Shaananim", and directed by Amir Or. This gave Elli's career as a poet a significant boost. In the years following, she was a co-editor and producer of Helicon's "Poetry Cabaret", held once a month in Tel Aviv. This was an opportunity for her to present others' poetry as well as her own. She also led workshops for Helicon for both Jewish and Arab adults to mentor others. Some of Elli's poetry was also published in Israel's major literary magazines at this time.
  In 1997, Elli wrote the play "Sultana Amoreh" which was performed at the Acco Alternative Theater Festival. "Sultana Amoreh" was a political piece about men and women running away from their country on a "love boat", trying to escape civil war that was raging there. In 1999, Elli wrote "Blood Oranges", a play performed at the Tzavta Theater in Tel Aviv. The play deals with the interaction between an older woman and a younger man on the night she hears of the death of her last son. All this creative activity took place while Elisheva was completing a course in psychodrama at the Seminar HaKibbutzim College in Tel Aviv and beginning her studies for the M.A. degree at Ben Gurion University in the Negev.
  In 2000, Elli's first book of poetry, "The Nape of Light", was published by Helicon. From the late nineties until her untimely death, Elli was also teaching drama in the classroom to students of education in the Pre-School Program at Seminar Hakibbutzim College. At the same time that she was working with Matan and Helicon, and was studying at Ben-Gurion University, she was commissioned by Haifa Theater to write the play "Seamstresses". The play, produced in 2002, directed by Oded Kotler, was performed for several months. It was based on a true story in Israel dealing with women seamstresses who take over a shut-down textile factory.
  The year 2003 was another very fruitful year for Elli. She was part of a delegation of Israeli and Palestinian playwrights chosen to co-write a play commissioned by The Heilbronn Theater in Germany. Elisheva contributed two plays written in English to the final production which was called "Opposing Sides". The plays were "The Demonstration" and "According to the Rules", and dealt with the Israeli-Palestinian conflict from a personal perspective. Both of these plays have since been read and performed at Jewish Theaters in the United States.
  In still another project, in May of 2003, as part of the "Gvanim" program for furthering Jewish Pluralism in Israel sponsored by the Jewish Federations of San Francisco and New York, Elli was one of a delegation of young Israeli artists who traveled to San Francisco and New York in order to exchange ideas with Jewish educators and community leaders. During the year leading up to the trip, the group studied together in Israel and upon their return, the different members initiated projects in the Israeli community. Beit Tefillah, a worship service which attracts non-religious Israelis, is one of the projects that developed as a result of this activity and seed money from the Federations in the U.S. Elli was very active in this community. To the end of her life, she loved to participate in and received great benefit from the Kabbalat Shabbat services of Beit Tefillah, held at Alma College.
  In June of 2003, at the Metulla Festival of Poetry, Elli was awarded the prestigious "Tevah" prize in poetry. Earlier, in 2002, Elisheva was awarded The Prime Minister's prize for poetry.
  The year 2004 was to be Elli's last year, and this too she lived to the fullest right to the very end, working for Matan, Helicon, Seminar Ha kibbutzim, while continuing her writing and her studies. She also traveled once a week to Beersheba in order to complete her university studies. As with everything Elli did, she worked assiduously at her studies. She completed her degree for a Master of Arts in the Department of Hebrew Literature at Ben Gurion University in the Negev. I (Judy) received Elisheva's MA degree in Creative Writing (with distinction) posthumously, in June 2005, in a very poignant ceremony at which some of Elli's poetry was read.
  In the summer of 2004, Elli participated in the prestigious International Poetry Festival at Ledbury in Wales with another Israeli poetess, Tal Nitzan. Despite the already debilitating pain she had begun to suffer; she gave her very best to this project. Upon her return to Israel, she put her waning energies into a lifelong dream of hers, setting up a home with her partner, David Fishelov. Tragically, the dream was cut short.