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  We are very excited to publish the VectorHack Festival 2018 lineup today. I really feel like we have invited some of the most brilliant minds in the field of experimental, audiovisual vector graphics to Zagreb and Ljubljana for one week (01-07 OCT 2018) of hacking, presentations, keynote talks, workshops, and live performances.
  Using the Pure Data programming environment, you can directly control the vertical and horizontal movements, as well as the brightness, of a beam of light. You will then investigate Lissajous figures, 3D models, Rutt-Etra video scan processing, and other audio-driven visual shapes and forms which can be displayed and manipulated in real time on an XY oscilloscope, or with oscilloscope emulating software directly on your laptop.
  VECTOR SYNTHESIS is an audiovisual, computational art project using sound synthesis and vector graphics display techniques to investigate the direct relationship between sound+image. It draws on the historical work of artists such as Mary Ellen Bute, John Whitney, Nam June Paik, Ben Laposky, and Steina & Woody Vasulka among many others, as well as on ideas of media archaeology and the creative re-use of obsolete technologies. Audio waveforms control the vertical and horizontal movements as well as the brightness of a single beam of light, tracing shapes, points and curves with a direct relationship between sound and image.
  During this workshop, you will learn how to use a custom library in the Pure Data programming environment to directly control the vertical and horizontal movements, as well as the brightness, of a beam of light. You will then explore Lissajous figures, waveform representations, and other multiplexed, audio-driven visual shapes and forms which can be displayed and manipulated in real time on an XY oscilloscope, Vectrex game console, ILDA laser display, and other analog vector displays, or with oscilloscope emulating software directly on your laptop.
  GROWTH is a forest of ambiguities. It is an inward gaze, a state of being, and a largely improvised performance by the hands of Berlin based non-musician Lars Ennsen which may be classified in terms of minimal, ambient, and drone.
  RANDOM SONIC ATTACK landed on planet earth approximately half a year ago. A collaboration between Goolyk & Damn Jar. Cassette tape album is in the processing state. In the meantime you can listen to one studio improvisation and one live recording here:
  HÉLÈNE CANUET is a polymorphe French photographer, writer and performer. Rare on the art scene over 4 years , her work was only show in few galeries in Berlin. Lyrical, surrealistic or conceptuel her propositions are always very personal, almost intimate on the edge of poesie and social politic. Based on improvisation some of her projects seems done to snaked emotion and fired expectation.
  Explore DIY electronics and sound art performance with your own SoundBox during this two-day workshop in Berlin-Kreuzberg.
  SoundBoxes are small, primitive electro-acoustic instruments built from a wooden box, a speaker, a small audio amplifier and a contact microphone. They can create a variety of drone and reverb-type sounds through feedback between the speaker and microphone, or they can bring out the hidden sounds found within everyday objects. They also have small touchpoints which can be used to produce a variety of “circuit bending” sounds.
  During the first day, we will learn about electricity, how it becomes sound and then how to build the SoundBoxes themselves. On the second day, we will explore the possibilities of the SoundBoxes, with the goal of collaboratively creating a score for a sound performance of approximately 10-15 minutes in length.
  This workshop does not require any previous knowledge of electronics, only an interest and a curiosity in both sound and instrument-building.
  SoundBoxes are small, primitive electro-acoustic instruments built from a wooden box, a speaker, a small audio amplifier and a contact microphone. During the first of two workshop days, participants learned about electricity, how it becomes sound and then how to build their own personalized SoundBoxes.
  On the second day, they explored the possibilities of the SoundBoxes through a series of listening and improv exercises, with the goal of collaboratively creating the score for an immersive, surround-sound performance inspired by the works of Alvin Lucier, Pauline Oliveros, John Grzinich, David Tudor, Gordon Monahan and others, performed in a darkened room for an eyes-closed audience.
  In the piece, a swarm of individual, simple sound sources such as tones and textures are modulated and moved through the space physically by the performers to create a complex sonic environment. Delicate and intimate sounds pass closely near the bodies and ears of the audience, while stronger, more extreme sounds occur at the edges of the space to give a sense of the architecture of the room and the objects in it.
  Atelier Macumba presents the second public workshop in our Berlin-Lichtenberg studio with London circuit-bending master Tasos Stamou. An introduction to hardware hacking which provides a practical and theoretical background in modifying and alternative electronic instrument design techniques using recycled electronics. It is suitable for beginners, as well as to more experienced hackers and sound explorers who wish to push forward their ideas and projects of innovative sound interfaces.
  – Practical, hands-on workshop, including all tips to the most common and effective circuit bending modifications.
  – Theoretical introduction to handmade electronic instruments, including historical context and presentation of contemporary artists utilizing DIY electronics.
  – Participants are welcome to bring their own electronic toys for hacking, otherwise “hackable” toys will be provided from a large selection. Please contact us with any questions regarding “hackability” of your own devices.
  – Workshop participants will have the chance to perform with their own hacked instruments as members of an improvised circuit bending ensemble after the workshop completion.
  Tasos Stamou is a sound artist, a dedicated circuit bender and an instrument modifier/designer. He is an active member of music tech communities (Music Hackspace & Hackspace London, Hellenic Electroacoustic Music Composers Association). He has been utilizing his hacked creations into various performances (such as at the BENT Festival, New York) and recordings of obscure electronica ( Absurd, Triple Bathe, Orila, Lal Lal Lal, Kukuru Recordings). He has been leading hardware hacking workshops in festivals (Green Man Festival, SOTU Festival Lithuania, Athens Video Art Festival, NXNW Festival in Cologne, etc.) and music tech labs (Macumbista Studio in Berlin, Cafe Oto, Music Hackspace and Noise=Noise in London, STPLN in Sweden, WORM in Rotterdam, etc.).