text: Don't Let Them Shoot the Kite (Turkish: Uçurtmayı Vurmasınlar) is a 1989 Turkish drama film, co-written, co-produced and directed by Tunç Başaran based on a story by Feride Çiçekoğlu, featuring Nur Sürer as a female political prisoners who befriends the child of a fellow inmate. The film was screened in competition at the 26th Antalya Golden Orange Film Festival, where it won Golden Oranges for Best Film, Best Actress, Best Screenplay and Best Cinematography, the 10th Mediterranean International Film Festival, where it won 2nd Best Film, and the 8th Istanbul International Film Festival, where it won Best Turkish Film. The film was selected as the Turkish entry for the Best Foreign Language Film at the 62nd Academy Awards, but was not accepted as a nominee.[1]
  When a woman is sent to prison for drug smuggling, Barış, her young son, is sent with her, as is the custom in Turkey. Inside this all-women’s penitentiary, Barış (Ozan Bilen) searches for companionship and guidance—and finds them both in the form of Inci (Nur Sürer), a political prisoner with whom he forms a very special bond. A beautifully observed, tender story of the growing affection between a woman and a child who is not her own, Tunç Başaran’s film, with a screenplay by Feride Çiçekoğlu based on her novel, builds an effective counterpoint between the prison world, with its discipline, intrigues and threat of violence, and the private space Inci and Barış manage to create for themselves. Voted Best Turkish Film of the Year at the 1989 Istanbul Film Festival. Venue: Walter Reade Theater, Howard Gilman Theater
  The Blizzard is a quarterly football magazine edited by Jonathan Wilson, published in both download and hard copy formats by Blizzard Media. The magazine was sold on a pay-what-you-like basis.[1]
  The Blizzard took its name from an eclectic Victorian Sunderland – based newspaper set up by Sidney Duncan, which ran for 12 issues and was established in 1893.[2] Wilson, who also comes from Sunderland, wanted to replicate the eclectic nature of this publication. The Editor's Note,[3] which began Issue Zero, set out the magazine's ethos as an alternative to that which was currently available in football media. Jonathan Wilson wrote:
  "I’d been frustrated for some time by the constraints of the mainstream media and, in various press-rooms and bars across the world, I’d come to realise I wasn’t the only one who felt journalism as a whole was missing something, that there should be more space for more in-depth pieces, for detailed reportage, history and analysis. Was there a way, I wondered, to accommodate articles of several thousand words? Could we do something that was neither magazine nor book, but somewhere in between? As I floated thoughts and theories to anyone who would listen, I became aware there were other writers so keen to break the shackles of Search Engine Optimisation and the culture of quotes-for-quotes’-sake that they were prepared to write for a share of potential profit, that the joy of writing what they wanted and felt was important outweighed the desire to be paid."
  The Blizzard accommodates longer articles than a typical football magazine, with pieces up to 8000 words long.[2] Topics are often more obscure and esoteric than other magazines, aiming to either cover little-explored components of football culture, or to take new perspectives on previously well explored issues.[3][4]While the initial issue was published virtually, a limited print run was released. All subsequent issues have appeared both as pdfs, and in-print.
  ^ Sweney, Mark. "The Blizzard digital football magazine kicks off on 'pay what you want' basis". The Guardian. Retrieved 25 June 2014.
  At T40 this week, Logic's "1-800-273-8255" f/Alessia Cara & Khalid (Def Jam) is mounting the charge to take over the #1 spot on the chart, but it will be a close call. Camilla Cabello's "Havana" f/Young Thug (Syco/Epic) takes a big leap and lands securely inside the Top 10, while Taylor Swift's "Ready For It" (Big Machine/Republic) is officially Top 15.
  Meanwhile at Rhythm, Post Malone's "Rockstar" f/21 Savage (Republic) is firmly entrenched at the top spot, with J Balvin's "Mi Gente" f/ Beyoncé (PW/UMLE/Columbia-Republic) and G Eazy's "No Limit" f/ A$AP Rocky & Cardi B (RCA) are both showing strong gains inside the Top 10.
  And at Modern Rock, Imagine Dragons' "Thunder" (KidinaKorner) remains at #1, while Beck's "Up All Night" (Capitol) enters the Top 5, The Lumineers' "Angela" (Dualtone) makes a strong move to #7, up 200 spins, and Walk The Moon's "One Foot" (RCA) arrives in the Top 10.