text: 2010, in: Richard Sandell, Jocelyn Dodd, & Rosemarie Garland-Thomson, Re-presenting Disability: Activism and Agency in the Museum, London: Routledge, pp. 179-193.
  Categories: Aesthetic Representation, Aesthetics, Depiction, Painting and Drawing, Value Theory
  Keywords: disability, painting, portrait, portraiture
  Added by: Hans Maes
  Summary: In-depth analysis of how the Saving Faces exhibition challenges stereotypes of disabled people as dependent invalids or exotic specimens. Discusses the artist's rejection of experimentation in favour of a painting style that is as 'straight' as possible (and so makes for an interesting contrast with the use of cubist painting in Anita Silver's essays). Also draws attention to the interaction between artist and sitter and to the process of portraiture.
  Comment: Useful in discussing portraiture, as well as depiction and representation in general.
  Artworks to use with this text:
  Mark Gilbert, Saving Faces (2000)
  Gilbert was artist-in-residence at the oral and maxillofacial surgery department of a London hospital. His brief was to illustrate what is, and also isn't, possible with modern facial surgery; and to capture the emotional journey undertaken by patients in ways that standard clinical photography cannot.