text: This is a racking-up assertion, though with any mention of its amazing characterization, there is a fudded viewer who is confused by its controversial endpoint. It’s based on obligatory cute prologue of a precocious boy together with is family, who move to Canada with animals. Without doubt, many debate the ending with family and friends, but in order to steer this discussion, there is need to gather a concise analysis of the ending story of the Life of Pi that explain the finale contemplation (Spall et.al 11). Pi’s irrational idea used to pose and solve scientific whims enables him to present the story in two parallels. Thus, he describes using world perception in explaining how he survived on the Pacific for a good 227 days. Critically, this is a momentous reflection of his theological beliefs. For that case, this article aims at articulating and closely examining on the belief in God. Arguably, using the story of animals with its deep features makes it difficult for investigators to comprehend and believe the human story.
  Overall, personal preference poses a great thematic meaning, while examined in an overarching contextual story. Considering the layout of the two versions of Pi’s story, the story acclaims the struggle for survival via seemingly insurmountable odds. And so, Pi is responsible for some of the horrific happenings in his own personality, forcing the reader to decide the kind of actions acceptable in a life-to-death condition.
  Considering the initial struck of the story, it’s essentially a feature of some of the styles of writing that are within the Bible. Surely, I do struggle with the Bible because of many fictitious stories employed. Therefore, if the actual happenings of the people are illustrated, then it’s clear that the stories with animals are just the way to indicate a similar story with people employed in a more creative way of thinking (Spall et.al 17). It’s my feeling that the same devices were used in the Bible to generate some of the stories and make them effective while being read. Just figure out, if this story had no animal characters, then it would necessarily mean that the story would be unsatisfying. Not only did this story provide an intent description and make out of people to be the actual story, but also got me to be a little less unconvinced with the use of stories in the Bible.
  The primary survival is all the story tries to imply when Pi is at the sea. Even with the shipwrecked occupants of the little lifeboat, this doesn’t signify their destiny, rather; they continue to fight against it. The second version of the story asserts vividly on the theme and the first story seems like fictionalized story of the second. Not only were the orangutan and tiger being brought out in terms of facial emotions, but they are very well suited as rendering a hypnotically framework of the story, making the story to be more amusing. He must eat meat and take life; two difficult things that had been anathema to him before his wake for survival. This makes
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  him leave his usual vegetarianism and adapt to fish, and even severely wounded zebra struggles to live, and his painful battle, demonstrates the sheer strength posed by the force of life. From the novel, living creatures will continue to outperform, and unexpectedly the only things to survive heroically (Spall et.al 33). Besides, both the treachery of hyenas and the blind Frenchman attempts to illustrate the furthest creatures will go when faced with possibility of being extinct. Responsively, Pi’s praises on the fierce tiger outlooks his own personality as responsible for some bad events in his life.
  The use of stories in Pi’s journey enriches some distinct levels of profound text. Of course, there is the journey that Pi himself tries to reach in any form of land, and there is another more metaphorical journey he makes as a result of his realization and maturity more than anything else, and that is the reason why he makes use of animal story in his new life as the brutal realities of being a new controlled creature in seek for food and water. Every single survival in his life, either form the storm or anything else signifies a constantly tampered fear of living. And as he talks out, the fear survival from storms creates a tempered jubilation inside him but his maturity is what encompasses the express of struggle for survival in recognition to his own mortality.
  Being devoted to God is one prominent thing in the life of Pi. Nevertheless, his devotion becomes less prominent in the case of the lifeboat, because of physical needs taking control of spiritual ones. This doesn’t mean that he loses doubt and belief in God, however; because of his endurance to hardships, he somewhat focuses less on God. This in turn yields his yearning for survival, a question for seeking freedom as he fights at the sea. He is in short of responsibility and no one to look up to, yet this does not make him to be free as he struggles for his survival. A case in point, he is a vegetarian, but he must adapt to fish in order to stay alive. And as Pi tells the whole story, he tries to make a more profound illustration to the officials questioning him (Spall et.al 41). Through this he indicates that truth is not absolute and the officials can decide whichever story to follow. No absolute truth as everything has become inventions of facts and everyone is observing from his own perspective. Thus, employing animal stories works a lot in symbolizing the geographical structure of the book.
  While other analysis and characterizations are vital in creation of the story, plot and context are also important in analyzing the narrative and drama. So, some two aspects are considered; characterization and prose, and they are referred to as narrative situation or narrative perspective that aids in distinguishing characterization and prose. The situation of communication in prose comprises of some levels that helps in further distinction between overt and covert narrators (Tieje 26). Hence, prose as a style of narrative construction, provides an impression of
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  the narrator, whether he is showing or telling. On contrary, characterization helps the narrator to transmit the events and situations verbally. However, it’s possible for the narrator to adopt on the characters in the story. For that reason, this makes characterization style the vital choice of perspective independent in expressing the distinction amongst the one speaking and the one perceiving. In order to provide a story with vivid elaborations, it’s often acknowledged to use characterization other than prose just the same case Pi has employed in using animal stories.
  By and large, the act of narrating and telling stories is a vital theme throughout this story. In particular, it’s a story within a story and is framed by fiction of Yann Martel, who critically provides description of how he first came to comprehend the fantastic tale. It’s at the end of the novel where interrogation from Pi reveals the absence of animals as he had spent 227 days in survival with other humans who at the end perished. This does not imply Pi is a liar, but from the various versions of his story, each contains a distinct kind of truth, while others contain some emotional and thematic truth (Spall et.al 55). In some cases, presence of animal stories expresses a disdain rationalism of those who only put their faith in one thing, as this amazes the listeners and bind them to live longer imagining. As well, storytelling is a significant means of survival. The sea events are very horrible in a way to provide direct complications. But Pi’s recasting of humanlike animals provides a clear indication on the true cruelty posed by humans in their day-to-day lives. What’s more, Pi believes the use of tiger-like aspect as the civilized human aspect would stand in deep opposition just as he and Richard Parker are both friends and enemies.
  Work Cited
  Spall, Rafe, and Yann Martel. Life of Pi. 20th Century Fox Home Entertainment, 2013.
  Tieje, A. J. (1916). The Theory of characterization in prose fiction prior to 1740 (No. 5). University of Minnesota.
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  Author: Lloyd Gilbert
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