text: Caroline Miller | Stagetime
  Aber-Short Film of an operatic/aer...
  (She/her) Praised for her clear and expansive voice as well as her fire onstage, Caroline is involved in new opera and bringing music and opera to new audiences. She has extensive experience in operetta and theater which makes her an incredibly exciting performer.
  Resident Artist, 2019-2020
  Äanchen, 2018
  Soprano Soloist, 2017
  Artistic Director, 2016-present
  Opera Chorus at Summerscape, 2013-present
  Masters of Music in Vocal Performance, 2010-2012
  Mascha (The Chocolate Soldier), Bellabruna (Blossom Time), Phyllis (Iolanthe), 2010, 2012
  You are viewing Caroline Miller's public Stagetime profile. To access the network and connect with Caroline, join Stagetime here.
  Toledo Opera, 2023
  A Women's Suffrage...
  The Pleiades Project, 2021
  German Romantics: ...
  The Pleiades Project + IN Series, 2020-2021
  Gretel (Humperdinck)
  Toledo Opera, 2019
  The Gonzales Canta...
  IN Series, 2020
  Caroline Miller is a "warm soprano [with] emotional bite," praised as a compelling singer-actor with vocal flexibility and dramatic intensity, who is "especially adept at comedy." Committed to the interpretation of new operatic works and collaboration with composers, Caroline has premiered the role of Verlena Sue in A Wake or A Wedding by Richard Pearson Thomas with Encompass New Opera (NYC) and the role of GH in The Passion According to GH by Lacy Rose, as part of Madou Mines Residency (NYC). Highlights of her operatic work also include: Juliana in Argento's The Aspern Papers, Echo in Strauss's Ariadne auf Naxos and Blanche in Poulenc's Dialogues des Carmélites. In the 2019-2020 season, Caroline is a Resident Artist with Toledo Opera, appearing as Gretel in Hansel and Gretel vs the Witch, the Plaintiff in Gilbert and Sullivan's Trial by Jury and Lady-In-Waiting and First Witch in Monk Tarrots' new production of Verdi's Macbeth. In the 2020-2021 season, Caroline returns to Toledo Opera as Valencienne in Franz Lehár's The Merry Widow.
  "Caroline Miller's Bellabruna was marvelous. Her well-placed, dramatic voice featured just the amount of operatic vibrato and profundity that one would expect from this pompous and arrogant character."
  — J.D. Goddard, ClevelandClassical.com
  You are viewing Caroline Miller's public Stagetime profile. To access the network and connect with Caroline, join Stagetime here.
  Praised for her clear and expansive voice as well as her fire onstage, Caroline is involved in ne...