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  All Critics 67 Top Critics 25 Fresh 62 Rotten 5. To put it mildly, "Dogtooth" is not for everyone, but it can grow on you even if you think you've rejected its influence.
  John Hartl. This is the second feature for Lanthimos, and it's a leap from his well-received debut Kinetta.
  He skilfully doles out tantalizing pieces of information, keeping the viewer in a constant state of suspense and wonder. Peter Howell.
  Jennie Punter. John DeFore. As a film, it's pure and singular, but it's not quite fully formed enough to be what one could call truly visionary.
  Mark Olsen. Doesn't rank as a great film, but it's difficult to take your eyes off it, as you wonder what impossibly bizarre thing might happen next.
  David Lewis. Danielle Solzman. Dogtooth has bite, and while it isn't always easy to watch, it's one of the most uniquely haunting, and unnerving, films of Matthew Lucas.
  We watch on and on - sometimes in horror, often in confusion, and always in complete awe of its strange and perplexing energy. David Keyes.
  Lanthimos has produced a film that continues to run in your mind after the credits roll, only we are free to enjoy what the characters lack -- normality.
  Lucy Popescu. With much less at its disposal, it out-Cronenbergs Cronenberg by way of a sunny creepiness that insists on its normality even as it turns incestuous and bloody.
  Primarily about language and the family, it should be seen by homeschoolers everywhere. Thoughts on these lines - the harms caused by leaving people in the dark are the obvious things one can take back from the movie.
  I am very interested in the alternate viewpoint of the parents though. They genuinely thought exposing the children to the world would be harmful for them.
  While that is not some thing one can possibly agree with, there are some positives which do come out of it in my opinion.
  For instance, when one of the girls who has never having been exposed to popular culture, dances, she creates some thing unique. As she has not seen any thing before, she is not influences by any thing and creates her own style.
  That is a positive in my mind. This is film which is close to a masterpiece. I am quite pleased then, that it is slowly getting appreciation and is ending up in a few best of the year lists as well.