text: "We must find samurai to fight for us," he growls. The villagers look shocked. "But we can't afford samurai!" they say, "We have nothing to offer them for payment except rice! How can we find samurai we can pay with only rice?" The elder looks at them with a steely eye and says:
  Let me lay this out on the table: I loved Akira Kurosawa's Seven Samurai. Loved it, loved it, loved it. Now for those of you who don't know, Seven Samurai is a Japanese film epic dating back to the 1950's that consistently appears on many critic's "Greatest and Most Influential Movies Ever" lists, and for me it lost none of its potency despite aging half a century. So when I heard that Gonzo had released an anime adaptation of Kurosawa's masterpiece with mecha, steampunk and a "fight the system" storyline, I feared the worst. Yes, the storyline had been approved by Kurosawa's estate; yes, the studio gave the anime twice the budget of a non-high resolution animation and yes, the anime was directed by Toshifumi Takizawa of Dirty Pair TV fame. But I had seen too many butchered Hollywood remakes of classics not to be worried.
  If you peeked ahead at the rating, you'll see that I enjoyed Samurai 7 to give it four stars, despite a few caveats I'll write about later. If I had expected it to be Seven Samurai Redux, it would have been a lot less, because the anime looks silly in comparison to Kurosawa's original. But to expect that would have been unreasonable, because Samurai 7 isn't so much a remake, or an adaptation- it's a tribute made with very deep respect for the memory of Kurosawa. With yes, mecha. I enjoyed Samurai 7 on its own merits, regardless of its source material.
  There's plenty to be enjoyed in this anime. Gonzo's cast of characters largely mirror the original movie, but here because of sheer length they are given a chance to shine more than in the original epic, where the cast was a bit crowded. The best example of this is the youngest samurai of the bunch, Katsushiro. Seven Samurai clocks in at over 200 minutes plus Intermission, during which we see Katsushiro quickly grow from young, uncertain samurai to... well, still a bit uncertain of his place in the world, but hopefully wiser. Samurai 7 weighs in at over twelve hours, which makes watching Katsushiro's growth seem more natural, and come to a more satisfying conclusion. His romance with Kirara is also better developed simply because Samurai 7 has more room, and because Kirara is a stronger player in the anime, though the anime blazes its own path in how their union turns out. In fact, the anime does a fine job of taking all of Kurosawa's samurai and making them its own, not just carbon copies of their movie doppelgangers, especially when the anime goes into its final, closing arc.
  There is an extra storyline in Samurai 7 that doesn't appear in Seven Samurai about how merchants have become the ruling class, and how the peasants and samurai fight back against an evil emperor. The "fight the system" theme is pretty common in anime, and snobbier anime fans than I will write off the closing arc as cheap, and not in the spirit of Kurosawa's original work. To be blunt, these fans don't know their Kurosawa. The original Seven Samurai was criticized in Japan because of its theme of valuing the needs of the individual over the needs of the community, which is a strongly held Japanese virtue. Kurosawa's films were becoming increasingly Western, and he would use his movies for the next forty years to argue that the individual should not be the instrument of the group. Samurai 7 epitomizes that idea with bloody rebellion. And for me, once the anime left Seven Samurai's plotlines and told its own story, the anime really took off.