text: Located in the Arbuckle Mountains (some of the oldest mountains on earth), Turner Falls Park has been described as one of the three geological windows into the planet's past, along with the Grand Canyon and the Black Hills of South Dakota. These ancient mountains make a beautiful backdrop for an outdoor adventure.
  A highlight of Turner Falls Park is the clear water that flows throughout the park, creating rippling creeks and natural swimming pools perfect for keeping visitors cool on hot summer days, although the crown jewel of the park's watery playground remains the 77-foot picturesque waterfall. Visitors will also enjoy hiking along the nature trails, exploring the park's three caves, discovering Collings Castle and fishing the trout-stocked streams from November through March.
  Campers will also find RV and tent campground areas as well as privately-owned rental cabins in the park. Please note, no pets are allowed in the park and children under 12 are required to have a certified flotation device.
  
  Sterling Silver Turquoise Bracelets Made by Native American Artists from the Navajo Indian Tribe and the Zuni Indian Tribe.
  Southwestern Indians have worn jewelry made from pieces of shell, turquoise and other materials for centuries. The jewelry we think of as "Indian" began to evolve about 100 years ago. The Navajo were the first to produce jewelry that required the working of metal. Their love of metal working can be traced to the Spanish arrival in the Southwest. The major characteristic of Navajo jewelry today is the emphasis on metal work. The Navajo jewelry is designed to fit the stones. Stamp work, leaves and feathers fashioned of sterling silver are used to accent turquoise and other stones.
  
  We are pleased to offer a broad range of modern dog collars, dog harnesses and dog leads for all shapes, sizes and breeds of dogs and puppies.
  With great colours, designs and a quality that is second to none, you really will be spoilt for choice.
  
  Powerful in its neorealism and examination of an abusive relationship, Custody is an impressive feature debut that demands to be seen.
  Powerful in its neorealism, Custody is an impressive feature debut from French director-writer Xavier Legrand; indeed it was awarded the Lion of the Future award at Venice, while Legrand received the Silver Lion for best director. Dealing with the ongoing consequences of an abusive relationship and a woman’s inability to truly escape her abuser, the film is not an easy watch, and is in fact a follow-up to Legrand’s Oscar-nominated short, Just Before Losing Everything. Clearly, this filmmaker is one to watch.
  It’s a taut opener, with a tension that is palpable from the very beginning. A family mediation session sees divorced parents Antoine and Miriam making their cases regards custody of 11-year-old Julien. The boy has stated that he doesn’t want to see his father, but Antoine’s lawyer makes a passioned argument, claiming Miriam’s allegations of domestic violence are untruthful, and that Julien is being pressured. The camera largely focuses on one at a time in this scene, underlining the judge’s—and viewer’s—position here: it is not clear which parent is to be believed. Antoine presents himself as hard done by, seemingly aghast at the accusations and desperate to see his son, while Miriam sits pursed-lipped, mostly silent and inflexible.
  The judge rules joint custody. There was however a key moment during the meeting that served as a clue to Antoine’s intentions: at one point, he states that he should know where the family is living. As the story unfolds, we learn that young Julien is merely a pawn; the endgame is Antoine’s access to Miriam. He remains obsessed with his control over his former wife, seeking any excuse to pressure her into talking to him, demanding she say please when making a request. Initially attempting to manipulate Julien into revealing where they are living, he eventually insists, the boy’s valiant efforts to protect his mother having become too frustrating for this abuser to bear.
  Also near unbearable is the film’s tension. Legrand’s pacing is excellent; it is clear that Antoine will up the ante in his quest for control, we just don’t know when, and must bear the burden with Julien and his family. And, Denis Ménochet is utterly chilling as Antoine. An imposing stature highlights his character’s abusive nature, and the actor flips between calm manipulation and rage with ease. Newcomer Thomas Gioria is also impressive as Julien; his distress around his father is heartbreakingly believable.
  The film’s climax is more thriller territory than the previous drama, and does feel a little tacked on. It’s a small gripe, however, and is only regards style; the realism remains and Custody makes its point perfectly, which is that abusers are near impossible to escape. An absolute must-see.
  
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