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  Lumpen, willfully goofy, oddly moving ceramics are Jake Ziemann’s forte, and his work will be all over the West Coast in the near future, including in group shows at R/SF Projections in San Francisco and BBQLA in Los Angeles, and in a project with the art gallery Shulamit Nazarian next year.
  The artist's practice carries forward a conversation started by luminaries of the medium, like Ken Price and Ron Nagle. It’s abstract sculpture cross-pollinated with Saturday-morning cartoons, blending serious formal chops with a sense of humor and absurdist pathos. Delicate masses—recalling drooping tongues or bulbous, alien phalluses—perch delicately atop sturdier plinths (plaster, milk crates, marble slabs). “The bases are typically utilitarian materials that suggest ‘the studio,’ or construction,” Ziemann says. “I see them as metaphors for the labor it takes to develop relationships with friends, lovers, and the world around me—a way to formally investigate notions of intimacy, codependency, and vulnerability.”