text: 2018 was a year of relative change. In some ways there were moments of innovation and the desire for new works. But this certainly wasn’t without the current climate still looming in the shape of franchise giants like Marvel and DC, in fact of the 47 reviews for the year, 18 or 38% of them were sequels, prequels or spin off films. If we were to include reboots, films based upon a game or book as well, that figure is overpowering compared to the 16 original ideas of those 47 reviews (not including tales inspired by true events). Still, many of the films based on books or games weren’t especially huge franchises – with the exception of Tomb Raider. Having said that, many of the reboots were of big names: Halloween, Robin Hood and Sony’s Spider-Man: Into the Spider-Verse – yet again trying to keep their Spider-Man alive for the third time in 20 years. The criticism that there are too many unoriginal ideas in Hollywood has some merit but it’s not to say there aren’t original films out there.
  In fact, looking to the original outings, there is an overwhelming presence of horror – horror of all genres! What seemed to be dying into jump scare riddled hauntings, has since seen some interesting revivals. Unsane even dared to push technology, A Quiet Place pushed sound design and Hereditary brought back some much-needed life into the genre. All were original ideas and fared a lot better than horror reboots like Halloween and The Predator. The other strange amount of presence comes from heist movies. Den of Thieves, King of Thieves, Widows and Ocean’s Eight were amongst the films that took Heist elements to the forefront – with only Ocean’s Eight being a sequel (though some were based on true events). What is perhaps less surprising is the kinds of thrillers that we’re getting with Red Sparrow and Hotel Artemis, whilst sequels also throw in Sicario: Day of the Soldier. These films show the tense political climate that we seem to be in and the dark tones of these films and the complexity of films like BlackKklansman – bringing in real events to further hammer in the film’s themes as a modern concern.
  With franchise films, we see similar themes come back but with a lot more of a lighter tone. They do need to follow on from the established franchises that have been built up already – MCU or DCU etc. The biggest landmarks for these franchises came with films like Avengers: Infinity War, which showed the build-up of over 20 films previously over 15 years; but interestingly, even here, with the light marvel we had a dark tone SPOILERS: Thanos, the villain, wins and kills half the population. END OF SPOILERS. The vast majority of these films are super hero films in science fiction or fantasy settings and the darker implications and complexity of what happens seems to hint at a dissatisfaction and longing. We’re confused, conflicted and not dreaming of the real at all. Despite the relatively safe bets of these super hero films the original horrors are the other successful counterpoint. New stories, but dark and fearful.
  It is perhaps refreshing that we’re starting to get a lot more original ideas with films that look to push boundaries of filmmaking: A Quiet Place and Unsane; but there is no surprise with franchise films like Avengers: Infinity War. The interesting aspect of these franchise films is that with Solo: A Star Wars Story, The Nun and especially Venom; we’re getting more spin off films. Characters continuing and developing, or seeing their origins; and there’s also a lot of conflicted anti-heroes or villains. This was kind of a big thing, for Marvel anyway (DC is almost copying), and you certainly see this with Black Panther, Ant-Man and the Wasp and Aquaman. Interestingly reactions have been relatively mixed with concerns that the nostalgic buzz is starting to die out, but with a look to 2019 it does seem like this will continue on regardless. We’re all set for Joker and Birds of Prey (separately), though also seemingly nervous about others: Silver Surfer, Gambit, Joker and Harley Quinn, Star Trek 4, Dr. Doom, Alien: Awakening. Fortunately, despite how these films reflect bad times, we may get some original outings in 2019, but the franchises will continue: Avengers: Endgame, Dark Phoenix, Spider-Man: Away From Home, IT: Chapter Two, Godzilla: King of the Monsters. Despite the original versus unoriginal argument around film today, the success of Red Sparrow is actually almost completely in how it strives to an emotional experience: through performance, cinematography and how the stories are told.