Perhaps what Tcheka presents is an entirely new vision of what it means to be Creole in the age of globalisation: to be a hybrid product of the historical forces of slavery, colonialism and national independence, but at the same time, to be deeply affected by post-modern forces as well by the growing inevitability of travel and trans-national encounters, by the emergence of new regimes of knowledge, art and capitalism and by the increasing inseparability of technology and the human imagination.
Sio tu wa kiSantiago, sio tu waki Cape Verde na sio muziki tu. Labda kitu Tcheka anachokiwasilisha ni katika muonekano mpya kabisa kuhusu nini inamaanisha kuwa mCreole katika zama za utandawazi: kuwa zao la muunganiko wa nguvu za kihistoria za utumwa, ukoloni na uhuru wa kitaifa, na wakati huo huo kua umeathirika na maendeleo baada ya maendeleo pamoja na kukua na kutoepuka safari na makutano ya mataifa tofauti kwa kuibuka kwa serikali mpya za kimawazo, sanaa na ubepari na kuongeza kutotenganisha teknolojia na uwezo wa mawazo wa binaadamu.