The musical expression of some emotion seemed perpetually on the point of beginning, when it suddenly broke into fragments of the expression of other emotions or even into unrelated sounds which, elaborate though they were, were only connected by the whim of the composer.
Senza posa cominciava, come se si preparasse l’espressione musicale d’un sentimento, ma subito si scomponeva in nuovi frammenti di frasi musicali, accennate, e a volte in suoni per null’altro legati se non che per capriccio del compositore, e straordinariamente complessi.