The cinematography of Far from the Madding Crowd was by Roger Deakins.
In Citizen Kane (1941), cinematographer Gregg Toland and director Orson Welles used tighter apertures to create every detail of the foreground and background of the sets in sharp focus
 Comyns Carr/Hardys version was finally staged at the Royal Court Theatre in Liverpool, where it opened on 27 February 1882 as Far from The Madding Crowd, with Marion Terry as Bathsheba and Charles Kelly as Oak

