Luthier Max Amberger improved the design of the concert zither, which replaced the Volkszither, which had four melody strings and less than fifteen accompaniment strings.
His ideas were not, however, widely accepted until 1862, when luthier Max Amberger of Munich fabricated a new zither based on Weigel's design. In 1838, Nikolaus Weigel of Munich conceived the idea of adopting fixed bridges, adding additional strings, tuning them in the cycle of fifths, and chromatically fretting the fingerboard  effectively converting a rather crude folk instrument into the concert zither. Within a relatively short time the new design had largely replaced the old Volkszither (though still called by the same name among folk musicians) throughout central Europe, particularly in the Alpine countries. These are arranged as follows: four or five fretted melody strings, placed above a guitar-like fretboard; 12 unfretted "accompaniment" strings; followed by 12 unfretted "bass" strings; followed by a varying number of "contrabass" strings, with five or six being the most common number. 
