Mr. Nobody is a drama film.
 Vanbrugh's The Provoked Wife (1697) has a light touch and more humanly recognisable characters, while The Relapse (1696) has been admired for its throwaway wit and the characterisation of Lord Foppington, an extravagant and affected burlesque fop with a dark side
 Formalist film theory, led by Rudolf Arnheim, Bla Balzs, and Siegfried Kracauer, emphasized how film differed from reality and thus could be considered a valid fine art

