The Bassoon King's working title was My Life in Art, Faith, and Idiocy.
 Examples of this include Nikolai Rimsky-Korsakov's bassoon solo and cadenza following the clarinet in Sheherazade, Op
 1830-1900 ====The role of the bassoon during the Romantic era varied between a role as a supportive bass instrument and a role as a virtuosic, expressive, solo instrument

