Rubuta ci gaba don wannan sakin layi - A lokacin rabin rabin shekarun 1930 halartar Pieraccini a cikin nune-nunen ya zama ƙasa da yawa, a wani ɓangare saboda akwai ƙarancin damar da ta dace. Ta yi, duk da haka, ta shiga cikin 1935 Rome Quadriennale, ta ba da gudummawa guda biyu da zane-zane uku ("Ballerina", "Giovannella", "Danzatrice in riposo"). A watan Fabrairun 1938 ta shirya baje kolin mutum a Galleria Gianferrari a Milan, inda ta nuna zane-zanenta guda hamsin, da dama da kuma zane-zane da yawa. Akwai wasu nune-nunen nune-nunen uku da ba su da yawa a cikin Roma kanta. A cikin 1941, tare da Italiya a cikin yaƙi, Pieraccini ya haɗu tare da mai sassaka Timo Borlotti don baje kolin haɗin gwiwa a Galleria di Roma. Bayan 1945
akwai wani nuni a "Galleria La Finestra" a 1950 da kuma a cikin dakunan baje kolin Libreria Macchia a 1956. A wannan lokacin, duk da haka, tare da saurin ci gaba bayan yakin basasa a cikin zane-zane na yammacin Turai na abstractionism, Leonetta Cecchi Pieraccini ba zai iya gane kanta a matsayin wani ɓangare na tsarin zane-zane na zamani a Roma ba. A maimakon haka, sai ta soma yin rubutu.