Rubuta ci gaba don wannan sakin layi - Ayyukansa na farko suna da tasirin kishin kasa mai karfi da kuma tunanin Gandhi na zaman lafiya da rashin tashin hankali. Kodayake Joshi yana da tushen kishin kasa, ayyukansa kuma suna da jigogi na "Hadin kai da duniya da kowane ɗan adam". A shekara ta 1956, an sami canji a falsafarsa daga zamanin Gandhi da ka'idodinta zuwa bambancin rayuwar zamani. Wakarsa "Chinnabhinna cchu" (Na warwatse) ya nuna wannan canjin a falsafarsa. M. V. Desai ya yi la'akari da cewa waƙoƙin "Chinnabhinna cchu" da "Shodh" (Bincike) suna nuna "alamu ne da ke nuna raunin halayyar ɗan adam da kuma neman kyawawan shayari a cikin kalmomi". Indra Nath Choudhuri ya ba da shawarar wannan "bayyanar bayanan yanke ƙauna da ke fitowa daga jin rashin taimako" wani ɓangare ne na abin da ya faru a cikin mawaƙa Indiya daga tsakiyar 1950s kamar Faiz Ahmad Faiz (Urdu), Jibanananda Das, Navakanta Barua, Agyeya, da sauransu. Kodayake adabinsa daga bayan 1950s ya fara bayyana bambancin ra'ayi amma kuma yana da ƙimar haɗin kan ɗan adam da zaman lafiya wanda ya bayyana a farkon 30s. Tun daga farkon 1945 da 1947, waƙoƙin Joshi sun fara bayyana rashin jin daɗinsa da bambancin da ya taso daga abubuwan da suka faru a wannan shekarun. Bayan harin Hiroshima da Nagasaki, Joshi ya yi shakkar nasara
ya fito ne daga irin wannan lalacewar a cikin waƙarsa: