️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️ Anamnesia" comprised a series of screenings of videos from the 1970s and 1980s, collected through the early Satellite Video Exchange program, and was accompanied by a publication. In her curatorial contribution, titled "DISPATCHES: of wrested resumption, in time and area", Nicholson restored video documents from 1973 to 1979 that addressed the legacy of the Oglala Sioux and American Indian Movement stand at
Wounded Knee, and reflected on concurrent narratives on prison asylum activism, the civil rights movement, and contemporary movements involving political and cultural engagement.<unk> Wounded Knee, and reflected on concurrent narratives on prison asylum activism, the civil rights movement, and contemporary movements involving political and cultural engagement.<unk> Wounded Knee, and reflected on concurrent narratives on prison asylum activism, the civil rights movement, and contemporary movements involving political and cultural engagement. Artists participating in "Anamnesia" included Sharon Bradley, Crista Dahl, Amy Kazymerchyk, Donato Mancini, and Alex Muir.