1920 Marshall began a campaign to raise funds for a national conservancy which would include Negro music. ️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️ Marshall returned to the pursuit of a national conservancy in April 1922, calling together various leaders in black music and a follow-up production of the "negro music and drama" was scheduled for May.<unk> Marshall returned to the pursuit of a national conservancy in April 1922, calling together various leaders in black music and a follow-up production of the "negro music and drama" was scheduled for May.<unk> Marshall returned to the pursuit of a national conservancy in April 1922, calling together various leaders in black music and a follow-up production of the "negro music and drama" was scheduled for May. Walter Damrosch<unk> was listed as specifically supporting the idea of the national conservatory. ️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️ ️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️ Marshall was approaching having something for a national conservancy set up in New York by May 1924, but instead she went to Haiti with her husband's work, making a brief return trip in August, as he was appointed to a commission to investigate abuses during the
<unk> <unk> <unk> ️<unk>️<unk>️<unk>️<unk>️<unk>️<unk>️ ️<unk>️<unk>️<unk>️<unk>️<unk>️