Palanti wuxuu sii waday inuu naqshadeeyo oo muujiyo daboolka buugaagta iibka ee dukaamada Milan laga bilaabo 1901 ilaa 1912, isaga oo u shaqeynaya Ururka Iskaashatada Talyaaniga. Laga soo bilaabo 1902, wuxuu bilaabay inuu la shaqeeyo Teatro alla Scala oo ah naqshadeeye dhar iyo naqshadeeye, iyo sidoo kale naqshadeynta boodhadhka xayeysiinta illaa 1916. Shaqadiisa waxaa ka mid ahaa waxyaabaha kale naqshadeynta bandhigga ugu horreeya ee Madame Butterfly ee Giacomo Puccini sanadkii 1904. Waxa kale oo uu bixiyay naqshadeynta goobta iyo dharka xilli ciyaareedkii opera ee 1905-06 oo ay ku jiraan The Marriage of Figaro iyo La Dama di Picche; Simon Boccanegra 1910-11, Romeo iyo Juliet iyo L'Armida; Don Carlos 1912; Oberon 1913; iyo La Battaglia di Legnano 1916. Wuxuu soo saaray boodhadh caan ah oo loogu talagalay bandhigyada La fanciulla del West (1911), Isabeau (1912), iyo Parsifal (1914). Sannadkii 1907 wuxuu noqday borofisar ku-xigeenka Dugsiga Qurxinta ee Akadeemiyadda iyo Dugsiga Sare ee Farshaxanka Isticmaalka Warshadaha ("Scuola superiore d'Arte Applicata all'Industria") iyo laga bilaabo 1913 wuxuu beddelay Ludovico Pogliaghi oo ka tirsan dugsiga qurxinta gaarka ah ee Akadeemiyada Brera. Sanadkii 1902, wuxuu iskaashi la sameeyay naqshadeeyaha Gaetano Moretti si uu u naqshadeeyo alaabta guriga oo lagu soo bandhigay Turin, ka dibna sanadkii 1907 shaqadiisii waxaa loo adeegsaday in lagu qurxiyo Palazzo di Giustizia. Sanadkii 1906, waxaa laga codsaday inuu naqshadeeyo boostado taxane ah oo loogu talagalay Bandhigga Caalamiga ah ee Milan
Waxaad Wuxuu sii wadi lahaa inuu ka qayb galo labadaba Bandhigga Caalamiga ah ee Centennial ee Buenos Aires, isagoo qurxinaya wejiga taambuugga Talyaaniga, iyo Bandhigga Caalamiga ah ee Brussels oo qurxinaya saqafka taambuugga Talyaaniga ee 1910.