Qoraa sii wadida cutubkan - Ka dib "Askari" (1848) wuxuu bilaabay "Maalin Juun ah", oo aan wali la dhammayn, wuxuuna soo bandhigay "A Smoker" (1849) iyo "Bravos" ("Les Bravi", 1852). Sanadkii 1855 wuxuu gaadhay heerkii ugu sareeyay ee guushiisa "The Gamblers" iyo "The Quarrel" ("La Rixe"), oo uu Napoleon III u soo bandhigay Maxkamadda Ingiriiska. Guushiisa waxaa lagu sii adkeeyay Salonkii 1857, markii uu soo bandhigay sagaal sawir, iyo sawirro; oo ay ka mid yihiin "Ninkii Dhalinyarada ahaa ee Waqtiga Regency", "Farshaxanka", "Shoeing Smith", "Musician", iyo "A Reading at Diderot's". Markii, xagaagii 1859, Emperor Napoleon III, oo ay weheliyaan Victor Emmanuel II Boqorka Piedmont iyo Sardinia, ay isku dayeen inay ka saaraan Habsburgs dhulalkooda waqooyiga Talyaaniga, Meissonier wuxuu helay guddi dowladeed si uu u muujiyo muuqaallo ka socda ololaha. "Boqorkii Napoleon III ee Solferino" Meissonier wuxuu qaatay in ka badan seddex sano si uu u dhameystiro. Shaqada, goob dagaal, waxay matalaysay wax ka baxsan sawirka "bonshommes" iyo musketeers inkasta oo Meissonier uu horey u sawiray muuqaallo rabshado iyo xasuuq, sida "Xusuusta Dagaalkii Sokeeye", iyo 1848
run ahaantii wuxuu ahaa kabtan ka tirsan ilaalada qaranka, markii uu ku dagaalamay dhinaca dawlada jamhuuriyada intii lagu jiray "Maalintii Juun". Xilligii dayrta ee 1861 waxaa loo doortay jagada Institut de France markii xubnaha Académie des Beaux-Arts ay u codeeyeen inuu ku biiro tiradooda. Salonkii 1861 wuxuu u diray "A Shoeing Smith", "A Musician", "A Painter", iyo "M. Louis Fould"; kii 1864 "The Emperor at Solferino", iyo "1814". Kadib wuxuu soo bandhigay "Khilaafka Khamaarka" (1865) iyo "Desaix iyo Ciidanka Rhine" (1867).