dhamaystir weedha soo socota: Markii Count de Mornay uu u safray Morocco 1832 si uu u sameeyo heshiis taageera dhawaan
Markii ay Faransiisku qabsadeen Algeria, wuxuu la socday farshaxamiistaha Romantic Eugène Delacroix. Delacroix kaliya kuma riyaaqin bariga meelahaas; wuxuu sidoo kale u qaatay qaab cusub oo nool oo loogu talagalay shaqadiisa qadiimiga ah ee qadiimiga ah: "Yunanka iyo Roomaanku waxay halkan joogaan albaabkeyga, Carabta oo isku duubaya buste cad oo u eg Cato ama Brutus... " Wuxuu si joogto ah u sawiray oo u rinjiyeeyay sawirada biyaha, isagoo waqtigaas qoray "Waxaan la mid ahay nin ku jira riyo, oo arka waxyaabo uu ka baqayo inay isaga ka baaba'aan". wuxuu dib ugu laabtay sawiradiisii iyo xusuustiisii Waqooyiga Afrika inta ka hartay shaqadiisii, isagoo wata 80 sawir oo saliid ah sida "The Fanatics of Tangier" iyo "Women of Algiers" oo noqday halyeey iyo saameyn ku leh fanaaniinta sida Van Gogh, Gauguin, iyo Picasso. Waxay si gaar ah ugu riyaaqeen tayada iftiinka: Cézanne, "Dhammaan midabkan iftiinka leh... waxay umuuqataa... inay indhaha soo gasho sida galaas khamri ah oo ku soo qulqulaya mindhicirkaaga isla markaana kaa dhigaysa inaad sakhraanto isla markiiba". Tangier ayaa markii dambe noqotay meel ay ka soo booqdaan farshaxanada doonaya inay la kulmaan midabada iyo iftiinka uu ka hadlay naftooda <unk> natiijooyin kala duwan. Matisse wuxuu dhowr jeer booqday Tangier, isagoo had iyo jeer degganaa Grand Hotel Villa de France. "Waxaan ka helay Marooko muuqaalo", ayuu ku andacooday, "si sax ah sida ku cad sawirada Delacroix". Ardaydiisii ayaa iyaguna lahaa kuwo iyaga u gaar ah; Farshaxanistaha reer California Richard Diebenkorn waxaa si toos ah u saameeyey midabada soo jiidashada leh iyo qaababka qaabdhismeedka ah ee sawirada Matisse ee Morocco.