Kammala jumla mai zuwa: Kashi na ƙarshe na halittar Sadoveanu ya ƙunshi jerin abubuwa inda tsarin labarin ya kasance, a cewar Crohmălniceanu, "an gyara" don nuna nau'in mashahurin da ya fi so wanda sabuwar al'umma ta ci nasara. A takaice dai, Ungureanu ya yi jayayya, sabon salon shine na "labarai da kuma bayanin bayyane, wanda ya dace da umarnin da ke zuwa daga sama". Irin waɗannan ayyukan sun haɗa da 1951 "Nada Florilor" ("The Flowers' Lure") da "Clonț-de-fier" ("Iron Bucktooth"), tare da wani yanki da ba a gama ba, "Cântecul mioarei" ("Waƙar Ewe"). A cikin "Nada "..., ɗan ƙaramin ɗan Culai ya bi gwarzo, Alecuțu, zuwa rayuwar masana'anta. "Clonț-de-fier", wani ra'ayi ne game da "Demonul tinereții", game da wani ɗan majami'a wanda ya dawo daga ɓoyewa zuwa duniyar ma'aikata, inda manyan gine-gine ke sake fasalin shimfidar wuri. A cewar Ungureanu, ya kuma nuna sararin samaniya na Sadoveanu wanda aka cire "duk ma'anarta mai zurfi". Yayinda marubucin su ya zo don nuna sabbin ka'idojin al'adu, littattafan Sadoveanu na baya, daga "Frații Jderi" zuwa "Baltagul", sun kasance ƙarƙashin kulawar kwaminisanci. An yanke maganganu daban-daban da suka saɓa wa ka'idojin akida daga sabbin bugu: littattafan gaba ɗaya ba za su iya ƙara ambaton Bessarabia ba (yankin da aka fara haɗawa da Tarayyar Soviet ta hanyar wani ɓangare na Soviet).
1940 mamayewa) ko kuma addinin Orthodox na Romania. A cikin irin wannan yanayin, masu binciken "Baltagul" sun cire da'awar wani hali cewa "Rashawa" ta dabi'a ce "mafi yawan shan giya a cikinsu duka, [...] mai bara da mawaƙa a bukukuwa".