Kammala jumla mai zuwa: Salon Leivick ya kasance neo-Romantic kuma an nuna shi ta hanyar zurfin mummunar mummunan fata wanda aka haɗu tare da kusan son zuciya da sha'awar abin ban mamaki da na almasihu, jigogi waɗanda ke ci gaba da bayyana a cikin rubuce-rubucensa, musamman "The Golem", wanda ya nuna Almasihu na Yahudawa da Yesu Kristi a matsayin wakilan fansa na salama, kawai don Maharal na Prague da Golem mai tashin hankali su kore shi, wanda a ƙarshe ya mamaye titunan Prague yana raunata mutane da yawa, yahudawa da Kiristoci. A cikin "The Golem", Leivick a lokaci guda ya la'anci duk wani yunƙuri na warkar da duniya ta hanyar tashin hankali, amma kuma ya nuna rashin kuskuren da rashin ƙarfi na duk masu son Almasihu. An fassara waƙar a matsayin mai sukar Bolshevik Revolution kuma ya sa Leivick ya zargi Soviet Union da kuma Yiddishists na Kwaminis. Leivick ya daina rubuta wa jaridun kwaminisanci a cikin 1929 bayan goyon bayan jama'a ga
Rikicin Larabawa a Falasdinu kuma ya yanke duk wata alaka da hagu bayan yarjejeniyar Molotov-Ribbentrop na 1939.