Kammala jumla mai zuwa: Bayan "Soja" (1848) ya fara "A Day a Yuni", wanda ba a gama ba, kuma ya nuna "A Smoker" (1849) da "Bravos" ("Les Bravi", 1852). A cikin 1855 ya taɓa mafi girman alamar nasarorin da ya samu tare da "The Gamblers" da "The Quarrel" ("La Rixe"), wanda Napoleon III ya gabatar wa Kotun Ingila. An ci gaba da nasararsa a Salon na 1857, lokacin da ya nuna hotuna tara, da zane-zane; daga cikinsu akwai "Matashi na Lokacin Regency", "Mai Zane", "Shoeing Smith", "Muziki", da kuma "Karanta a Diderot's". Lokacin da, a lokacin rani na 1859, Sarkin sarakuna Napoleon III, tare da Victor Emmanuel II Sarkin Piedmont da Sardinia, suka yi ƙoƙarin fitar da Habsburgs daga yankunansu a arewacin Italiya, Meissonier ya sami kwamiti na gwamnati don nuna hotunan daga yakin. "Sarkin sarakuna Napoleon III a Solferino" ya ɗauki Meissonier fiye da shekaru uku don kammalawa. Aikin, wani wuri na yaƙi, ya wakilci wani abu na tashi ga mai zanen "bonshommes" da musketeers duk da cewa Meissonier ya riga ya zana wuraren tashin hankali da kisan gilla, kamar "Remembrance of Civil War", kuma a cikin
1848 hakika ya ga aikin aiki a matsayin kyaftin a cikin Tsaron Kasa, lokacin da ya yi yaƙi a gefen gwamnatin jamhuriya a lokacin "June Days". A cikin kaka 1861 an zabe shi zuwa kujera a Cibiyar de France lokacin da membobin Académie des Beaux-Arts suka zabe shi don shiga cikin su. Zuwa Salon na 1861 ya aika "A Shoeing Smith", "A Musician", "A Painter", da "M. Louis Fould"; zuwa na 1864 "The Emperor at Solferino", da "1814". Daga bisani ya nuna "A Gamblers 'Quarrel" (1865) da kuma "Desaix da Rundunar Rhine" (1867).