Kammala jumla mai zuwa: Hadin gwiwar kirkira tsakanin kafawar zane-zane da masu zane-zane, ta hanyar da aka fassara zane-zane zuwa nau'in kayan, ya ci gaba da bunƙasa; an saka zane-zane daga zane-zane na masu zane-zane Václav Špála, František Süser, da sauransu. Shekaru na 1930 da suka biyo baya sun kasance suna da alamun zane-zane na zane-zane, wanda ya bambanta da zane-zane na zane-zane. A lokacin Yaƙin Duniya na I, masana'antar masana'antar ta tsaya cik saboda rashin kayan inganci mai kyau don saƙa da kayan ado. A cikin 1946, an nada sabon gudanarwa ga masana'antar kuma an faɗaɗa ƙwarewar ta don haɗawa da maido da kayan ado na tarihi da kuma samar da kayan ɗamara da hannu. Shekarar da ta biyo baya ta ga kafa hadin gwiwa tare da kamfanonin kasashen waje, daga cikinsu akwai aikin zane-zanen gargajiya na Faransa a Aubusson. A cikin 1950s, an yi zane-zane don Triennale a Milan daga zane-zane na Pravoslak Kotík kuma an samar da wani yanki daga samfurin Ludmila Kybalová don
Bikin baje kolin duniya '58 a Brussels. A cikin shekarun 1960, masana'antar ta yi aiki tare da mai zanen kayan masarufi Antonín Kybal da kuma babban rukuni na ɗalibansa. Jan T. Sryček, darektan Moravská Gobelínová Manufaktura na yanzu, an kuma sanya shi a cikin ɗakin karatun Kybal a Kwalejin Arts, Architecture da Design a Prague. Sryček ya kasance yana wakiltar tarihin zamani na masana'antar daga farkon shekarun 1990. Baya ga aikin zane-zane na yadi, Sryček ya kuma fara aikin Fasaha na Fasaha na Gaskiya. Dalilin wannan yunƙurin shi ne sake farfado da haɗin gwiwar masana'antar da aka gwada tare da masu zane-zane na zamani. A cikin shekaru da yawa, an gayyaci fitattun masu zane-zane da yawa da ke nuna salo daban-daban da kuma hanyoyin ado na musamman don su bayyana kansu ta hanyar ulu.