Megumi Tanpopopo ; Tsukiko Umene
(Avant la pause de deux semaines)
Le Honeybadger vient de se plaindre de ses bottes quand Megumi Tanpopo est entrée dans le bureau. C'était une surprise de la voir ici, pour commencer. Et il était encore plus étrange qu'elle trouve le dégoût dans le sang sur la botte de Tsukiko, tout en ne voyant pas ses avant-bras étaient complètement caked en rouge. Mais malgré son histoire stupide dont elle a commencé à parler, quelque chose sur la mort comme Tsukiko pouvait le dire, la femme savait que Megumi était une fille intelligente. Sinon, elle ne serait pas incluse dans cette affaire, considérant qu'ils devaient trouver les ennemis. Quelque chose à laquelle Tsukiko et Megumi seraient bons, de leurs propres façons.
L'étrange explosion du commandant jouin à l'influence d'une drogue mystérieuse n'a rien fait de plus à Tsukiko que de la confondre légèrement. Elle n'était pas étrangère à l'habitude de Fujitora, mais c'était toujours étrange de regarder quelqu'un qu'elle considérait intelligent se réduire à blabber presque incohérent. Sa blague n'était pas particulièrement drôle non plus, et n'a gagné qu'un sourcil levé de la part du chasseur. -- D'accord? Elle a confirmé lorsqu'il a donné l'ordre de faire des recherches, même si cela semblait plus préoccupant qu'une confirmation. Il n'y avait pas de raison de continuer avec Fujitora, pas dans son état "relaxé", alors la femme tachée de sang s'est levée de son siège et a commencé à se diriger vers la porte. "Quoi qu'il en soit. "Tsukiko s'est adressé à Megumi, faisant un geste avec sa main sanglante à suivre.
Megumi a continué à s'asseoir perché sur le bureau de Fujitora, se baladant facilement avec ses longs cheveux alors qu'elle écoutait sa demande. Toujours en train de démêler une de ses tresses, elle s'inclina légèrement la tête pour regarder derrière elle, voyant la substance blanche de Fujitora. Elle le fixa à blanc et cligne des clins d'œil dans une succession rapide, maladroitement.Elle s'est cognée contre lui. En entendant les paroles de Tsukiko, Megumi sauta du bureau en un mouvement rapide, se laissant lentement flotter jusqu'à ce qu'elle se tienne derrière la femme sauvage. Alors que les deux femmes sortaient du bureau de Fujitora, Megumi sortait son portable et le regardait attentivement, tout en marchant considérablement sur chaque fissure dans le sol comme si elle évitait une sorte de peste. "Bad chance...", elle murmura à personne.
"Voyons la cathédrale Kato à la gare de Bukane. Elle a été fermée pendant plus de 20 ans...blah blah..blah blah blah.", a-t-elle déclaré paresseusement, en faisant défiler les données qui avaient été envoyées à son téléphone en forme de radis tout en regardant à travers plusieurs images de l'emplacement lui-même. "Vous connaissez l'endroit oui? Oh! C'est pas vrai! Et méfiez-vous des fissures...", elle dirait, bien qu'à moitié de coeur comme si elle parlait juste pour parler.
Tsukiko marchait de façon décontractée les mains dans les poches, sans se soucier (ou peut-être pas) des regards qu'elle avait reçus pour son apparence. La plupart des gens ne seraient pas à l'aise de se promener en public alors qu'ils étaient couverts de sang. "Cracks"? Tsukiko s'interroge, se concentrant davantage sur cette déclaration que sur ce dont parlait Megumi en premier lieu. La femme âgée ne pouvait pas comprendre de quoi elle parlait, ce n'était pas comme si les fissures dans le trottoir lui faisaient du mal ou quoi que ce soit. "Et non, je ne connais pas l'endroit. J'ai juste une bonne idée de l'endroit où il est. Depuis que vous avez votre téléphone, y a-t-il des informations intéressantes à ce sujet? En fait..." Tsukiko a complètement arrêté de marcher à ce point, mettant ses mains sur ses hanches maintenant. "Pourquoi est-ce qu'on vérifie un immeuble obscur qui n'a pas été touché depuis des décennies?"
Yeux encore collés à son téléphone, Megumi se trouvait accidentellement frapper dans la poitrine de Tsukiko quand la femme plus âgée s'est brusquement arrêtée dans ses traces. Megumi était un peu un clutz ou peut-être, une direction très unique quand il s'agissait des choses. Ce n'était pas qu'elle n'était pas intelligente, mais son cerveau est devenu très subserviant quand elle était concentrée sur une chose particulière. Elle annulerait involontairement tout le reste. Frappé un peu, Megumi reprit rapidement sa posture et regarda Tsukiko et sourit. "Votre poitrine... comme une boule de coton... quoique... lourd... je me demande s'ils sont réels......", elle s'est moquée.
"Probablement pas..."
La fille fixait pratiquement la poitrine de Tsukiko sans vergogne. "De toute façon... selon mon radis, l'endroit a été nommé d'après l'amant de Tsunade, Dan Kato. Une sorte d'événement malheureux qui ne doit pas être nommé s'est produit et par la suite, la cathédrale a été fermée. Apparemment, un tuyau anonyme a été envoyé à Fujitora au sujet d'une activité étrange venant de là. Bien que je suppose que ça ne puisse pas être plus étrange que ton choix de tenue. Des marques d'éclaboussures rouges sur un uniforme parfaitement bon... quel étrange sens de la mode...", Megumi remarquerait sincèrement. J'ai oublié de mentionner qu'elle est un peu obtus aussi.
Un éblouissement irrité a regardé Megumi après qu'elle soit tombée sur Tsukiko, bien que la femme plus âgée ne semblait pas réagir à ses commentaires sur ses seins. Elle a cependant commencé à taper son pied avec impatience alors que la fille pixie éclairait leur mission. "Okay, d'abord: ils sont réels" Tsukiko a commencé, son pied ne tapote plus. "Et deuxièmement, c'est du sang. Personne ne va avec de la peinture rouge éclaboussée à travers eux." Avec ces faits de base couverts, espérons éclairer un peu Megumi, Tsukiko se retourna et continua à marcher dans la direction originale.
"Kinda étrange cependant," continua-t-elle, portant sa main sanglante vers son menton comme elle le pensait à haute voix. « Les pourboires anonymes ne sont pas inhabituels de nos jours, mais les gens qui se soucient des bâtiments abandonnés me semblent comme les types ennuyeux. Ils seraient probablement assez vocaux à ce sujet." L'idée qu'il pourrait s'agir d'une fausse piste est passée dans sa tête, mais Fujitora était assez intelligente pour filtrer ce genre de choses. Pourtant, il n'était que humain. Les humains ont fait des erreurs. "Et si on allait chercher au mauvais endroit? J'ai juste besoin de les trouver une fois et nous pouvons les suivre jusqu'au bout de la terre..."
Megumi regarderait dans le ciel et bougerait ses doigts comme si les nuages bougeaient. Elle l'a fait pendant que Tsukiko parlait. Elle n'avait pas pris le moment de vraiment écouter les paroles de Tsukiko, bien qu'elle les ait entendues néanmoins. "J'aime la peinture rouge...", Megumi a déclaré en fait comme si elle n'avait même pas entendu la partie du sang. Mais Tsukiko a fait un point valable sur lequel Megumi a réfléchi. S'ils étaient envoyés pour jouer à un grand jeu de Ring Around, il serait difficile de pointer où aller à la suivante. Même quand même, avec le screening de Fujitora et potentiellement celui d'Ayame, une piste défectueuse était possible.
Elle a regardé l'épaule de Tsukiko pour jeter un coup d'œil à son nez. "Track em... c'est vrai!... bien sûr!... C'est tout à fait logique maintenant! Ton nez ressemble à celui d'un chien. Ça pourrait marcher! Bien... Très bien!", a - t - elle commencé de façon très pratique. "Tu les renifles avec tes grandes narines et on les sort. Brillant Tsukiko!". Megumi a été exaltée et pratiquement chiante d'une manière fantaisiste, son visage rayonnant alors qu'elle fermait les mains de façon spectaculaire. Megumi était si sincère et sincère. Elle ne pouvait pas simuler ses émotions si elle essayait. La jeune fille était connue pour sa sincérité. "Mais attendez! Je peux nous y piloter! Ce sera tellement plus rapide! Et puis vous pouvez commencer à renifler pour leur parfum! N'est-ce pas?!", dit-elle avec ferveur.
« Mon nez n'a pas l'air d'un chien... » Tsukiko s'est grondé, apportant une de ses mains à son visage pour sentir la forme de son nez et réaffirmer son apparence humaine. Bien sûr, Megumi était un peu bizarre et semblait exagérer les choses, mais Tsukiko semblait encore légèrement contrarié par le commentaire. L'éloge zélé de la fonction de son nez, cependant, n'a pas rencontré d'hostilité. « J'utilise plus que mon nez pour suivre les proies », a commenté Tsukiko, avant de m'arrêter à nouveau sur ses traces.
Voulait-elle vraiment laisser Megumi la porter à travers Konoha? Les gens le verraient et le trouveraient stupide. Sans parler qu'il serait étrange d'être portée par une fille plus petite qu'elle-même, presque comme si elle était une sorte d'enfant sans défense. Tsukiko y a réfléchi, parce que s'y rendre plus vite a toujours été une bonne chose. Mais peut-être ne pas avoir l'air d'un idiot vautrait la peine de marcher. Ils pourraient toujours courir s'ils voulaient vraiment aller vite. Mais... "Ouais, je suppose qu'on peut voler là-bas," Tsukiko a relâché. "Mais ne faites rien de stupide. Et ne me lâche pas non plus."
"Arrêtez-vous?"
Megumi s'est cognée la tête sur le côté maladroitement et a clignoté. L'idée de laisser tomber Tsukiko n'avait pas traversé son esprit. Bien qu'elle ait supposé qu'un tel acte serait une mort climatique si on devait le demander. Mais elle s'est apaisée de la pensée et a souri chaleureusement. "Je suppose que tu mourrais sans doute si je devais te porter." Elle a dit de façon pragmatique, tenant ses bras dehors alors qu'elle analysait leur apparence mince et fragile. Quand elle a fini de regarder sa petite structure physique, elle a serré les mains derrière son dos et a continué. "Avec ce jutsu, je peux te garder à flot. De cette façon, vous pouvez voler de votre propre gré. Ne volez pas trop loin de moi parce que c'est quand vous allez probablement tomber et mourir. Quoi qu'il en soit, tu pourrais mourir, alors sois prudent".
L'idée de la chute de Tsukiko était étrangement pittoresque pour Megumi. Elle l'a rejoué visuellement dans sa tête et s'est fait une note mentale pour la peindre quand leur travail à la cathédrale a été fait. La jeune jeune jeune fille excentrique s'écoula vers Tsukiko et commença à planter vers le haut, et avant qu'elle ne soit hors de portée de Tsukiko, elle posa la main sur la tête des femmes brièvement en canalisant son chakra dans la traction gravitationnelle autour d'elle. Une fois que Megumi a lâché, elle s'est mise à léviter de plus en plus. Elle avait utilisé la technique de la libération de la Terre: Light-Wight Rock Technique. En quelques secondes, Tsukiko sentirait la traction de la gravité presque disparaître instantanément et un sentiment d'apesanteur se laverait sur son corps. L'adaptation à la perte soudaine de gravité serait probablement gênante pour elle au début, car elle aurait probablement lutté au début pour s'acclimater au manque de gravité autour d'elle.
La femme aînée était soulagée que Megumi n'ait pas à la porter. Mais Tsukiko n'a pas vraiment reconnu la difficulté d'apprendre à voler jusqu'à ce que la pixie-fille ait déjà exécuté sa technique sur elle. « Je n'aime pas cela », a-t-elle déclaré immédiatement, commençant déjà à flotter hors du sol sans contrôle. "Comment ça doit marcher?" Tsukiko voulait faire un pas en arrière, mais sans terre sous ses pieds, elle s'est penchée en arrière, l'envoyant dans une rotation lente vers l'arrière. "Ce n'est pas confortable." Après une rotation complète, Tsukiko a réussi à arrêter son spin et à se redresser.
"D'accord, je peux m'en occuper. Après tout, le défi n'est pas grand-chose », a-t-elle affirmé avec hardiesse, flottant lentement plus haut dans le ciel après Megumi. La petite fille devait certainement être agile pour tirer le meilleur parti de cette technique, mais Tsukiko avait une bonne idée de la façon de manœuvrer alors qu'elle montait au niveau de Megumi. Bien sûr, elle semblait avoir de légères difficultés avec elle, mais pour sa première fois, elle « volait » très bien. "Je suppose que je te suis. Si je meurs, je veux lire ma tombe : Tsukiko Umene, un mammifère terrestre qui pensait pouvoir voler. » Après avoir riposté à sa propre blague morbide, elle a commencé à voler dans la direction qu'ils marchaient auparavant, ce qu'elle a naturellement supposé être la bonne direction vers la cathédrale abandonnée.
Megumi sourit joyeusement d'en haut alors qu'elle regardait Tsukiko s'assimiler à la nouvelle apesanteur. Elle n'a pas pris la peine d'aider la femme. Elle s'est dit que le blaireau du miel le comprendrait sans doute tout seul. Et elle avait raison. Tsukiko s'ajustait rapidement à son jutsu, bien que pas parfaitement bien sûr. Mais cela n'a pas été une surprise pour Megumi. Tsukiko était connu pour pouvoir s'adapter rapidement à n'importe quelle situation. Et Megumi était connu pour être capable de sortir de n'importe quelle situation. C'est pourquoi ils ont tous deux été appelés à la tâche actuelle. Lorsque Tsukiko monta finalement à son altitude, Megumi regarda vers la direction qu'ils marchaient auparavant et commença à voler. Tsukiko s'en est suivi, mais avec moins de grâce qu'elle. Megumi tenait les mains dehors alors qu'elle s'enflamma de façon ludique, mais regarda en arrière à Tsukiko comme si elle était dourdie. "Eh bien... si tu le dis Tsukiko." 
Megumi n'était pas très enclin aux blagues. Elle n'a jamais montré de propension à les faire non plus. D'habitude, ils l'ont dépassée, pas de jeu de mots.
"Quelle chose étrange pour quelqu'un de mettre sa tombe..." Megumi n'a proclamé à personne.
~~Angel's Ethereal Scroll~~
(Clean your hands before you open)

 
"Everything I do, and everything that I am, is for my daughter..."
Oeyo is a strikingly beautiful young girl who is so entrancingly beautiful that fish would forget how to swim and sink away from the surface when seeing her reflection in water. She stands at 5'5 and has a thin lithe body. And although she lacks voluptuous curves and an ample bosom, she makes up for her (questionable) flaw with a face that is so luminously lovely, that the moon itself would shy away in embarrassment when compared to her face. Her beauty is further accentuated by fair skin, sparkling green eyes, long thick eyelashes, and long wavy violet hair that reaches down to her buttocks. She has thicker eyebrows than most girls as well.
Oeyo definitely received her wavy hair texture, green eyes, and ethereal feminine beauty from her mother. Her violet hair colour she got from her father. Her beauty often draws the attention and wonderment of others(especially males) when she enters their presence. Her casual attire usually consist of a crop top and harem pants combination or a floral sundress, though more so the latter. She usually leaves her wavy hair down in its natural flowing state, but in combat, she wears it up in a high ponytail like her mother did when she was a shinobi. Oeyo wears the standard combat uniform, though hers is slightly altered and feminized with a skirt.
Although extremely modest about her attractiveness, she is headstrong and wears what she likes, despite what others may think of her. Believe it or not, it has taken her a lifetime to get comfortable in her own skin. Especially when Oeyo was younger, she was deathly shy(no longer the case) and often cried because people were always staring at her(because of how pretty she was). Some people, mainly her peers, actually find her relatively unapproachable because of how pretty and lovely she is. Some(especially her female peers) refer to her as "burdensomely beautiful". Not to mention she is also a teen mother, which further garners unwanted judgement from others.
Oeyo Soyokaze's Voice
Oeyo Soyokaze's Theme Song


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Personnel files
Access only by security personnel with a C3 clearance.
【Full Name】
Oeyo Soyokaze
【Alias】
Mermaid
【Age】
17
【Gender】
Female
【Birthplace】
Getsugakure(Village Hidden under the Moon)
【Bloodline】
Soyokaze Clan
【Rank】
Chūnin
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Psych Report
Medical secrecy applies.
【Personality】
Though quite young, Oeyo is a mother of a two year old daughter, and since having had her child, her mindset had to adapt to the needs of her child. Oeyo is a mature and sensible young girl who desires to become stronger for the sake of her daughter, both physically and mentally. Once deathly shy and timid, Oeyo is now headstrong and sincere in her beliefs, though she is still soft-spoken, kind, and polite. Though modest and demure, she doesn't give into destiny and the exalted proclivities of others, and fights for a future that she desires. She has a very mature and motherly tone to her voice, and her mannerisms exude grace, elegance, and femininity. Oeyo has a very dreamy, yet literal way of speaking. Her presence often draws attention, though definitely unwanted.
Though not a very affectionate individual(except with her daughter), she is motherly and careful over the well-being of others, often looking out for them like a mother or a big sister. In the same instance, she will not hesitate to snap at others for being rude or slipping with their manners. Though she isn't one to perpetuate conflict, she will not shy away from it if it is necessary, even if a pacifistic route is her preference. She watches over others with a watchful eye, though her lack of affection and passive countenance can make her seem standoffish. Though somewhat unapproachable, she is very giving, and will generally help others without much hesitation. She generally reserves her gentle smiles for her daughter, though she has a habit of breaking character and doting over anything she finds overtly cute(like her child).
In combat, she reserves herself to a supportive role, not desiring the attention of a leadership position, though if the tough decisions and actions need to be made, she will do them diligently if no one else steps up to the plate. She is incredibly protective of her personal life, especially her daughter and likes to keep her personal life and her shinobi life separate. Additionally, she doesn't really joke around, doesn't make new friends often, and doesn't really enjoy sarcasm, pity parties, loud noises, and argumentative behavior. Foolish behavior and lack of common sense in particular gets under her skin, which on occasion can cause her to vocalize her current feelings, though in a non aggressive manner. However, she is accepting of others for who they are, the good and bad, though she believes anyone can better themselves in all aspects of life.
Though others may not see it, she is an has empathy towards others, so she is very sensitive and aware of their feelings and desires. This makes her very sympathetic and empathic towards them, though she may not be so sympathetic if she doesn't agree that their emotional actions are justified. Additionally, she isn't the type to hug someone or rub their back if they are crying. Nonetheless, she desires social harmony and honesty. She has control over her emotions(for the most part) and generally thinks in a logical and rational manner. She is very book smart, knowledgeable, and intelligent, and can use her bookworm level headedness to get things done efficiently.
【History】
Oeyo was born in Getsugakure in the Land of the Moon, a relatively small crescent shaped island ruled by a king instead of a daiymo. Growing up, Oeyo was deathly shy and scared of other people and often cried because people were always looking at her because of her beauty, which was incredible even as a child. Her mother, Anna, moved to Getsugakure from Konohagakure for a high paying teaching position at a private school, where she eventually met Oeyo's father and the rest is history. Her mother found it rather cute that Oeyo was crying from the awing stares, seeing as she went through the same thing her daughter was currently going through, but to a much lesser extent. (As a side note, Oeyo suffers from anemia)
As a young teen, Oeyo met a boy, who for the first time, wasn't constantly gawking over her and making her feel awkward. This intrigued her and she in turn, became infatuated by him. Her persistence eventually led to a friendship between the two, which eventually became romantic, and then on one particular night, where they were both "vulnerable", became sexual. This one night of love turned into a nine month pregnancy. To help support the child, her baby daddy, Mimura, joined a deep sea fishing crew, a job that pays well, but is also risky and dangerous. He is out at sea for several months at a time so Oeyo doesn't see him much anymore. In order to help their daughter be able to provide a more financially and environmentally efficient life for her child, they moved back to Konohagakure, where Oeyo eventually gave birth to her daughter, Okimi.
【Family ties】
Anna Soyokaze| Mother| 37| School Teacher| Konohagakure
Hidemoto Soyokaze| Father| 47| Medical-nin| Getsugakure
Okimi Ishida| Daughter| 2| Konohagakure
Mimura Ishida| Baby-Daddy| 19| Deep-Sea Fisherman| Getsugakure
【Dreams and fears】
She fears something bad happening to her daughter, but dreams of accomplishing great things for her daughter, keeping her daughter safe, and growing both mentally and physically for the sake of her daughter. EVERYTHING is for her daughter more or less. She keeps Konoha safe, she keeps her daughter safe. She will do ANYTHING for her daughter's well-being and future.
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Combat Report
Gathered from evaluation reports after missions.
【Fighting style】
Oeyo's primary role in battle is that of a front-line medical-nin, so she can stay within the heat of the action while simultaneously providing support. Although she has skilled in the use of the standard medical ninjutsus, Oeyo also utilizes a specialized form of water-based medical jutsus which are more time accessible. Though knowledgeable and intelligent, she suffers from anemia which hinders her physical and taijutsu capabilities, and quickly takes hold if she exerts too much chakra. Because of this, she primarily relies on her mid to long range soap bubble ninjutsus to take care of her foes.
【Ninja techniques】
A rank techniques:
Mystical Palm Technique
B rank techniques:
Medical Water Release: Water Scorpion
Drowning Bubble Technique
C rank techniques:
Medical Water Release: Water Jellyfish
Medical Water Release: Water Mosquito
Water Release: Bubbles Technique
Water Release: Bubbles Technique-Drift
D-E rank techniques:
Has knowledge of the fundamental basic D and E techniques.
【Custom made techniques】
Jutsu name: Medical Water Release: Water Frog
Rank: B
Range: N/A
Description: This medical water release jutsu creates water frogs infused with a pocket reservoir of chakra and medically infused chemicals. When eaten by an individual, the frog dissolves and releases the reservoir of chakra into the person's body, effectively replenishing 30% of their chakra. Additionally, eating the frog releases chemicals into the individuals body, affecting the target's tenketsu and adversely, boosting their chakra flow(causing an immense feeling of power, and boosting their speed, dexterity, and strength).
Jutsu name: Medical Technique: Touch
Rank: B
Range: Physical Contact
Description: Through fine-tuned chakra control, this technique allows a medical-nin to focus their chakra into a person's body to cause or negate sensations. Sense of touch originates in the bottom layer of the skin that is called the dermis. The dermis is filled with many tiny nerve endings which give you information about the things with which your body comes in contact, and therefore, your physical sense of touch. Through physical contact, this medical technique allows the user to override this particular aspect of the nervous system and force sensations onto someone who wouldn't be naturally feeling them. Such as making a part of someone's body feel numb or negate the pain of a wound(often used by medical-nin on patients with severe injuries). However, this medical technique can be used offensively as well, allowing the user to cause an opponent to feel an immense burning sensation under their skin(when no fire is present), or an intense physical aching pain(when no actual physical injury was incurred). A very skilled medical-nin who utilizes this technique can cause a foe feel so much pain, that it can incapacitate them.
【Weaponry, tools and objects.】
Weapon, tool or object name: Golden Lotus
Weapon, tool or object type: Bubble-Utilizing Pipe
Description: This bubble pipe is used by Oeyo to perform her Soap Bubble Ninjutsu. It's golden in colour and bent in the middle. It also has a tassel attached to it. It can create bubbles for many different purposes and can also be used as a melee weapon as it is very sturdy because it is able to block a kunai without any apparent damage to it.






“The moon is in perfect alignment for the pixies to come out and play tonight. Don't you agree?”
Megumi is a small and petite young maiden who many consider to be more frail than a dandelion. She has a lithe body, and stands at 5'2, somewhat shorter than the average woman of her age. As the ward of the Tsuchikage, he often praised her for "doe-like" cuteness and distinctive long hair that made her unique amongst most women and even men. Because its so long, she typically ties her hair into two long braids that hang in front of her and the wreath she always wears in her hair was a gift from the Tsuchikage himself.
One will rarely see Megumi wearing shoes due to her eccentric beliefs and behaviors, as she feels she has a deep familial connection to the soil and a responsibility not to trample on mother nature with unnatural man-made materials(shoes). This is further accentuated by her desire to always have her fingernails and toenails painted blue so they are in harmony with the sea and sky.
She usually wears white as she believes it is the cleanest and purest "colour", and often wears loose dresses and blouses made of breezy materials so they flow like the wind itself. Furthermore, she will often wear multicoloured gemstones around her wrists and anklets made of dried flower petals and vines. While at work or in combat, she wears a loose green and light blue dress-blouse that allows spatial comfort and maneuverability. No shoes of course. She doesn't believe in shoes. Some say, when she looks at the moon, her eyes glow like a deer in headlights. 

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Personnel files
Access only by security personnel with a C3 clearance.
【Full Name】
Megumi Tanpopo
【Alias】
Pixie
【Age】
19
【Gender】
Female
【Birthplace】
Kusagakure(Village Hidden in the Grass)
【Bloodline】
Tanpopo bloodline; A very small clan with most of its remaining members residing in Kusagakure and Konohagakure. Tanpopo's were well-known for their Shrinking Pixie Technique, which allowed them to shrink to the size of a wasp and grow a pair of iridescent wasp wings, allowing them to fly. Their wings could produce a pollen like dust that interacted with nearby plants, allowing them to communicate with them and manipulate them. They were regarded as Pixies or Dandelions for how delicate they looked while shrunken. This hiden jutsu was taught to the members while they were very young.
【Rank】
(Special)Tokubetsu Jonin
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Psych Report
Medical secrecy applies.
【Personality】
Megumi is an extremely quirky, eccentric. and unusual young maiden who believes she is one with mother nature, and as such, has a deep duty to respect it. Of course, there is nothing wrong with wanting to preserve the natural environment, but she is someone who only takes cold showers, because, unless your at a hot spring, hot showers are unnatural for the skin. She often is seem making graceful expressions such as clasping her hands together and skipping. She is very inquisitive and gets bored fairly easily and can often find herself overwhelmed with curiosity.
She almost always has a serene disposition and she isn't one to conform to the judgments of others. Nor does she get involved in things unless she genuinely wants to. She is surprisingly intelligent and unnaturally perceptive, though many believe her to be rather bizarre because of her distinctively obtuse social skills. Megumi is just as quick to compliment and praise you as she is to indiscriminately call out your flaws or mistakes. She often enjoys acts of yoga and meditation to empty her mind and body of "mean and negative" chakra.
Her demeanor and voice are often distant and dreamy, and her eyes typically look doe-eyed and glazed, as if she is in her own little world. Megumi's way of speaking is very airy and whimsical. She is sometimes prone to drift away from a conversation mid-sentence if she finds that it starts to bore her. She is unhindered in her opinions and naturally blunt, often times making people feel uncomfortable without doing it on purpose or realizing she has done it. She has a knack for embarrassing honesty. She enjoys collecting odd trinkets and things, and vintage items.
Due to her seemingly peaceful and tranquil state of being, it is rare that one finds her anxious or annoyed, and even in desperate and dangerous situations, she does her job as if it was just that, a job. However, she is still extremely affectionate and nonjudgmental of others(not to be confused with being honest). She cares deeply for the well-being of her friends(though she may not come off as worried) and feeds off of positive energy. She loves everyone, even her enemies(not in a romantic sense of course). She just loves in general, even though some describe her as..."likeably annoying".
【History】
Long before her time, the Tanpopo clan was a thriving shinobi clan of an unknown village in The Land of Rice Patties. Unfortunately, the peaceful land was turned upside down when its Daimyo, hungry for power and to increase his political status, began changing his policies of the country. Orochimaru had convinced the Daimyo to allow him to create Otogakure, and thus the Land of Rice Patties became more commonly known as the Land of Sound. However, in the middle of the political chaos, many of the villages were tricked and deceived into fighting a hopeless war. The Tanpopo were one of those such clans.
The Tanpopo suffered greatly, most of their members having been killed. When approached by Orochimaru with the opportunity to revive their clan, their keen perception kicked in and they denied his offer of allegiance. The remaining members of the Tanpopo clan immigrated to Kusagakure. Many years later when Megumi was born and still very young, her parents were accused of treason against the kage of Kusagakure. They became missing-nin when they fled to Iwagakure, but were eventually found and killed in the process. Megumi, almost on the brink of death, was taken in and adopted by the Tsuchikage who made her his Ward. He was like the father she had never known. As the ward of the Tsuchikage, Megumi was treated like nobility and considered apart of the "royal family". Despite her privileged life, Megumi longed to find someone, anyone from her clan.
Megumi heard stories of the trial that her parents went through to keep her safe from the kage of Kusagakure. And when she got word that a small number of Tanpopo's resided within Konohagakure, she packed up, thanked the Tsuchikage for everything he did for her, and left to find her lineage. Konoha. This is where she lives now. This is now, where she calls home. Though of course, she occasionally goes on trips to visit Iwagakure and the Tsuchikage.
【Family ties】
Sayuri | Mother | 35, Kusagakure | Deceased
Minamoto Tanpopo | Father | 37, Kusagakure | Deceased
Tsuchikage | Adoptive Father
【Dreams and fears】
She fears that she will die the same way her parents died; Burned at the stake.
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Combat Report
Gathered from evaluation reports after missions.
【Fighting style】
Megumi is a master level Sensor-nin and very crafty, deceptively so. She is able to use her keen perception, intelligence, and uniquely aerial based maneuvering thanks to the Earth Release: Light-Weight Rock Technique she learned directly from the Tsuchikage himself. The technique allows her to fly while in her normal form so she can keep safe from danger and keep up with the other shinobi when they are traveling on the ground or through the tree tops at high speeds. She is vastly weaker than most others in her ranking; strength and durability wise. She is especially fragile to physical assaults such as taijutsu and ninja weapons. Furthermore, she is much slower than the rest of her comrades on foot and lacks the well rounded skill set that most jonin possess. With her distinctive Shrinking Pixie technique, she is able to supplement her lack of strength while at normal size as well as utilize her specialized Brilliance jutsu.
【Ninja techniques】
A rank techniques:
Sensing Technique
B rank techniques:
Earth Release: Light-Weight Flying Technique
C rank techniques:
D-E rank techniques:
Has knowledge of the fundamental basic D and E techniques.
【Custom made techniques】
Jutsu name: Ninja Art-Ethereal Canvas: Brilliance
Rank: S
Range: Mid-Range
Description:
For this jutsu, Megumi creates a colourful swirling paint-like substance from the tip of her paintbrush and releases it into the air. Her painting strokes and movements can control the iridescent paint as it swirls and moves through the air like a flowing river. With her gestures, she can control the shape and direction and movements with which the paint forms, creating magnificent paintings in thin air. She can use these "ethereal paintings" to overwhelm and captivate her foes in such brilliance and awe, that they fall into a genjutsu which convinces them that the painting they see is real, so in there mind, they are actually within the painting. The second usage of this jutsu allows her to use the paint in its raw form, allowing her to morph the paint into different intimidating shapes and figures to attack her foes, overwhelming them in a stream of beautiful or scary swirling and colourful paint, even enough to drown them in it, blind them with it, immobilize them in it, or wash them away. She controls the paint as it gracefully flows through the air with the strokes of her paintbrush. Additionally, she has an ability called Sketch. This allows her to quickly paint a quick sketch into thin air of any non-living object she has ever seen and use it. Now, this only applies to the physical object itself, not the properties of an object. So she can sketch kunai, ropes, a ladder, a large boulder, an umbrella, a wall, etc. However, she cannot sketch something like burning fire, a lightning bolt, a working phone or a working cannon, etc. She can sketch a cannon, but it wont actually fire cannon balls. And she can sketch a phone, but it wouldn't actually work. It would just be the physical object itself.
However, this particular limitation changes when she paints/sketches on an actual canvas. By painting on a specially crafted canvas, she can bring any living or nonliving thing into existence by fusing her chakra into the painting and then projecting it outward into the physical world. Limitations of sketching without a canvas are no longer present. For example, she could paint a lightning bolt striking a tree and moments later, an actual lightning bolt from the sky would do so. By painting on the canvas, she can paint into existence an actual living tree, or a burning fire, or other people and animals. She can even paint another person's summon and use it for herself. However, even this method is limited in that she can only paint one image at a time and can only have one of her paintings brought to life at a time. For example, if she painted a tree into existence and then tried to paint another tree into existence, the second one would replace the first and the first would cease to exist. Furthermore, she cannot paint beyond the boundaries of the physical, meaning she can't paint someone dropping dead(or changing them in any respect), or paint two people falling in love, or paint day to turn to night. She can only paint a NEW living or non living object into the world, she cannot actually change the existing world itself.
Jutsu name: Shrinking Pixie Technique
Rank: A
Range: Self
Description:
This distinctive hiden jutsu of her clan allowed Megumi to reduce her body mass, allowing her to shrink down her body to the size of a wasp. As she shrinks, a pair of iridescent semi-transparent wasp wings grow out of her back, allowing her fly. This highly evasive technique, although useful, has a drawback. Once this jutsu is activated, it cannot be deactivated until 5 minutes have passed. This is to allow the mass that was shed when the technique was first activated, to re-accumulate before it can be reapplied to the body once the jutsu is cancelled. This leaves her in shrunken mode for at least a minimum of 5 minutes before she can return back to regular size. This can leave her extremely vulnerable to annihilation if she is not careful. Megumi can use this technique to increase her evasiveness and even fly into a persons ear to disrupt their coordination. Additionally, her strength is boosted while she is at reduced size (similar to an ant being able to carry up to 50x its body weight) to the extent that she could bend a one-inch diameter steel bar almost double. Her size allows her to be easily unnoticed in most cases, allowing her to become stealthy in some cases. Maintaining this size slowly drains her chakra.
Jutsu name: Pixie Dust: Hypnosis
Rank: A
Range: Mid-Range
Description:
By beating her wings rapidly, Megumi can release a stream of scales off her wings and direct them towards her foe. The scales appear like colourful streams of sparkly dust. If her foe inhales her dust, they fall into the genjutsu and under her hypnosis. While under hypnosis, the foe is placated and obeys her commands(typically controlling them to fight for her). Because she is so small while in Pixie form, she typically will whisper the command directly into their ear. Stronger willed foes can resist the hypnotic effects of her pixie dust. She can only have one person under hypnosis for a maximum of 30 minutes(5 post, Excluding other roleplayers and certain Unique NPCS).
Jutsu name: Pixie Dust: Sleep
Rank: B
Range: Mid-Range
Description:
By beating her wings rapidly, Megumi can release a stream of scales off her wings and direct them towards her foe. The scales appear like colourful streams of sparkly dust. If her foe inhales her dust, they fall into the genjutsu and succumb to a feeling drowsiness and then sleep. The sleep last for 5-10 minutes(2 post). Any physical disturbance to the person(s) while they are asleep will instantly wake them up.
Jutsu name: Pixie Dust: Floral Affinity
Rank: B
Range: Mid-Range
Description:
By beating her wings rapidly, Megumi can release a stream of scales off her wings over a group of plants. The scales appear like colourful streams of sparkly dust. The scales have special enzymes and properties and mixed in with her chakra, allow her to communicate with the plants that came into contact with her scales(like a special pollen). She can communicate with plants much like a telepath can with people. When a plant communicates, it is not like humans nor animals because plants do not have emotions. They cannot express fear, excitement, happiness, etc. Instead, plants speak in senses. For example, if a plant needed water, Megumi would receive wetness. She wouldn’t feel wet, but because she knows the empathic feeling, she'd understand. The same holds true for when she speaks to them. She can only focus on one “thought” at a time; usually the ones she understands. As long as Megumi has pollinated them with her scales, she can accelerate, decelerate, or reverse their growth. The type of growth that occurs depends on each plant. Smaller, less complex plants grow very quickly (for example vines, weeds, flowers, etc.) while larger plants, such as trees, she can only control a section of. She can cause a branch of a tree to violently lash out at a foe, or bend in a way to block their path. She can also cause leaves, flowers, and fruit to grow.
【Weaponry, tools and objects.】
Weapon, tool or object name: Mistletoe
Weapon, tool or object type: Paintbrush
Description: Mistletoe is a wooden paintbrush that allows Megumi to utilize her Brilliance technique.