In ancient alchemy, a protoscience that contributed to the development of modern chemistry and medicine, alchemists developed a structure of basic laboratory techniques, theory, terminology, and experimental methods. Sublimation was used to refer to the process in which a substance is heated to a vapor, then immediately collects as sediment on the upper portion and neck of the heating medium (typically a retort or alembic), but can also be used to describe other similar non-laboratory transitions. It was mentioned by alchemical authors such as Basil Valentine and George Ripley, and in the Rosarium philosophorum, as a process necessary for the completion of the magnum opus. Here, the word sublimation was used to describe an exchange of "bodies" and "spirits" similar to laboratory phase transition between solids and gases. Valentine, in his Le char triomphal de lantimoine' (Triumphal Chariot of Antimony, published 1646) made a comparison to spagyrics in which a vegetable sublimation can be used to separate the spirits in wine and beer. Ripley used language more indicative of the mystical implications of sublimation, indicating that the process has a double aspect in the spiritualization of the body and the corporalizing of the spirit. He writes:
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And Sublimations we make for three causes,
The first cause is to make the body spiritual.
The second is that the spirit may be corporeal,
And become fixed with it and consubstantial.
The third cause is that from its filthy original.
It may be cleansed, and its saltiness sulphurious
May be diminished in it, which is infectious.