You can’t really afford to think about criticism
when you’re writing a book.
It’s actually just too hard to write the
book, to try to also second guess how people
will respond to it.
But I think I have quite a good sense of readers.
And I think as I’ve gotten older I’ve
become more and more interested in exactly
how people read and what is likely to put
them off and what is likely to entice them.
And I’ve become sort of more conscious of
the reader, you know.
I think when I was younger I was just doing
my thing and if readers showed up that was
fine and if not that was fine too.
I had a kind of very much tougher attitude
towards it.
But now I’m really interested in reading,
in the phenomenon of reading and how if you
give people information in the correct sequence
you can tell them very complicated things,
you know, and they’ll find those things
accessible and relatable and they’ll want
to find out.
I mean for instance in my case I’ve always
thought that comedy helps a lot.
I think if you can make people laugh you can
tell them almost anything.
And if you can’t make them laugh there’s
not a lot they want to listen to.
So that’s one thing.
But critics, I mean on a kind of critical
response I really, you know, I can’t think
about.
I mean you get to this age you realize that
there are people who will not like what you
do no matter what you do.
So I know that I could write the best book
I’ve ever written and there will be some
people who just won’t like it and that’s
fair enough, you know.
That’s why there are many different kinds
of books in bookstores so people can choose
what they like.
So I don’t bother with that too much.
I really don’t bother with critical response.
I also think you get to a point when you’ve
written a number of books where you become
quite clear about the direction you want to
go in.
So my view is, you know, I’d like to go
this way at the moment and I really hope that
you’d like to come along.
I really hope that you would enjoy the journey
and so on and so on.
But if you for whatever reason can’t come
along on that journey then I’m still going
this way.
And then you just take what comes.
I think on the whole it’s about an even
break.
I could tell you usually in advance where
I’m going to get trashed and I’m usually
right.
But I sort of don’t care.
I mean I remember in a kind of pre-Internet
age there was a point where various literary
magazines used to publish reviews anonymously
and most famously the Times Literary Supplement
would never name its critics.
The idea being that it was simply the Times
Literary Supplement that was giving its opinion
of your work rather than any individual.
And then at a certain point I guess in the
80s they changed that policy and started naming
the critics.
And immediately, immediately the reviews became
much more courteous because the person, the
critic’s name was attached.
There’s no doubt that the way in which we
live in and with the Internet is semi-fictional.
For a start people use false names all the
time so people are constantly operating under
pseudonyms and therefore they can invent selves.
They can invent selves to be on the Internet
without anybody questioning that.
And I think that can be good and bad.
I think clearly what happens in parts of the
world which are less open societies than this
one, that anonymity allows people to express
themselves without fear.
And I think there’s a kind of playfulness
to it, you know.
You invent yourself some crazy name and you
can perhaps be a slightly different person
in that persona than you might be able to
be as yourself.
So I think there’s a lot to be said for
it.
I mean I like both the playfulness and the
kind of liberation aspects of it.
The one kind of worry I have about it about
some uses, some anonymous users of the Internet
is that that’s what creates in a way the
phenomenon of the troll, you know.
Because you can be completely secure behind
the screen of your imaginary name you can
be very very rude.
I fear sometimes that we’re enabling a generation
of very rude people who can talk on the Internet
in a way that they would talk if they were
in the room with you.
So that’s my worry about it.
But I think on the whole, you know, it is
a playful space.
It’s a space where people like to be inventive
and imaginative about themselves and the technology
allows them to do it.
