Here we go.
Lights up.
RAFAEL LOZANO-HEMMER:
We set up a megaphone
that converted people's voices into light.
PHYLLIDA BARLOW:
I started using fiberglass and resin.
CHRISTIAN MARCLAY:
I was experimenting with records,
melting them.
LEKHA HILEMAN:
They suspended a microphone over the earth.
TANYA AGUIÑIGA:
I wanted to make a piece that would
force my body to deal with the border.
RICHARD MISRACH:
My mind just took off.
RAFAEL LOZANO-HEMMER:
I love when you have a preestablished notion
of what you're going to see
and it's wrong.
RICHARD MISRACH:
Until you go see this place yourself,
you have no idea what's really going on there.
PHYLLIDA BARLOW:
There's a method in the madness.
JOHN AKOMFRAH:
You have to find another way of
coming at the thing you love.
GUAN XIAO:
You're always asking yourself,
"Am I allowed to do it this way?"
ANISH KAPOOR:
As artists, we conduct our educations in public.
You can never know whether
it's going to be a success.
One just has to risk it.
CRISTÓBAL MARTÍNEZ:
Here's our lens.
Tell us what you think.
