this is the most you've ever shot correct? mean did you know that from
the very beginning that you were going
to try to push this to the, to the limit
yeah I mean one of the limiting factors
of shooting on IMAX is how loud the
cameras are so when you're doing dialogue
scenes it can be difficult but we had
very little dialogue in this film and
so it seemed like a great opportunity to
really maximize and try to the entire film
this way so we shot the whole film on
large format film, almost entirely
on IMAX and all the prints have been
made photochemically with with analog
color and everything and it's really the
first time I've been able to to really
fully do that for the entire film and it felt very
well suited to the kind of subjective
filmmaking I wanted, I wanted to immerse
the audience in this experience I want
to make them feel the intensity feel
like they're in a plane dog fighting
against an enemy plane and IMAX was the
perfect way to do that
