
English: 
■■■■■■■
■■■■■■
■

English: 
■
■■■■■■■
■■■■■■

Filipino: 
■SHOO■■NG■WAR■@U■L
H■■■HOOTINó(WL

English: 
■■■■
■
■
 THEY D■D LITTLE DAMAGE,
 EXCEPT TO ENEMY MORALE.
THEYARRIED
4 500-POUND BOMBS EACH,

Filipino: 
@
R
 

English: 
 TO SINK FO CRIERS.
■■■■

Filipino: 
 
 

English: 
 ONLY ONE MAN -- GEORGE GAY,
 ON THE RIGHT -- RVIVED.
■
 ONE OF FORD'S CREW
 SHOT THESE PICTURES.
■9
 THE DI■TOR MADE IT
 INTO A■SHORT MEMORIAL FILM,■/
 WHICH HE SENT TO THE SQU■DRON'S
 NEXT OF KIN.
■
■. MIDWAY SHIFTED THE BALANCE
 OF NAV■L POWER IN THE PACIFIC.

Filipino: 
 
 

English: 
 A NEAR MISS SHAKES■■■■■■
 THE ENTERPRISE.
 AN ENEMY SHADOW IS CAST
 ON THE FLIGHT CK■/
■
 AS THE SP FIGHTS ON.
 THE CAMERA CATCHES■■■
 TH■ WILD S■ING
 OF THE HUGE SHIP■/
 AS IT TAKES E■ASIVE ACTION.
 BUT STILL
 THE BOMBS RAINED DOWN.■,
 THE CAMERA SURVIVED THIS HIT,
 BUT NOT TH■ MERAMAN.
■
 THE HORNET DID NOT SURVIVE
 EITHER.
■■
WE WERE LISTING
TO THE STARBOARD --
RE■L HEAVY LIS
I WENT TO THE FANTAIL
TO HELP WITH THE WOUNDED/

English: 
AND YOU COULD SEE■
THE 5-INCH ANTIACRAFT 
BURSTS UP THERE BY THEM.
AND THEY CAME ■■■-- SHOO --
WENT RIGHT OVER OUR HEAD,
AND ONE HIT THE FANTAIL
BACK HERE
AND THE REST WAS IN ■ PATTERN
RIGHT AROUND THE STERN
OF THE SHIP,
AND THEY CONTINUED ON
AND NEVER CAME BACK.
■9
AND I GOT PICKEDP
RIGHT AFTER THAT
BY THE 411 ANDERSON.
 THAT FINAL BBING RUN WAS
 A COUP DE GRâCE.
 THE NEXT DAY, THE HORNET'S
 SHORT BRAVE LIFE WAS END■D
 WHEN AMERICAN DESTROYERS
 SANK HER.
■
OUR SHIP HAD BEEN IN COMMISSION
FOR ONE YEAR AND SIX DAYS.
■P
 BUT THE CARRIER WAR
 IN THE PACIFIC NEVER CEASED.

Filipino: 
R
C

Filipino: 
■

English: 
WE D■DN'T HAVE MOTORS
ON THE MITCHELLS,■
BUT YOU HAD TO HAND-CRANK,
SO WHEN WE DID
FLIGHT DECK OPERATIONS,
WE DID NOT HAND-CRANK
AT THREE TURNS PER SECOND
ON THE SMALL CRANK/
WE USED THE BIG CRANK,
AND WE WOULD START
GOING UP TO HIGH SPEED
BECAUSE WE WANT
SLOW MOTION OF THE CRASH.
THE PILOT COMING IN
FOR A LANDING --
IF YOU EVER SEE ■v
THE PHOTOGRAPHER
ON THE EDGE
OF THE FLIGHT DECK
START WITH THAT BIG CRANK,
LO OUT,
YOU'VE BOUGHT THE FARM/

Filipino: 
@
@
O
■

English: 
 THE FOOTAGE KEMPE
 AND HIS COLLEAGUES TOOK
■
 ON THE FLIGHT DES FORMS
 AN EERIE BALLET OF DESTRUCTION
 AND OF UNLIKELY SURVIVAL.
Announcer: AIR ■AR IN EUROPE,■
 WHEN "SHOOTING WAR"
 RETURNS ON ABC.
INTRODUCING THE LIVE-   
LIFE-ON-THE-EDGE SIDE OF
■
FORD OUTFITTERS...
OUTFITTING YOU WITH ■
THE MOST FAR-REACHING
SPOR■S UTILITI■S ON EARTH.
FORD OUTFITTERS.
■■
NO BOUNDARIES.
■ 

English: 
■■,■■,■,■
MISS ME ?
■
YOU QUIT SMOKING.
REALLY ?■,

Filipino: 
@
■

Filipino: 
@
F
U

English: 
SHE ■IDN'T QUI■.
SHE USES TARGON MOUTHWASH.
LOOK HOW TARGON RE■OVES
TOBACCO TAR FROM THESE TILES.
■OUR TEETH ARE SO WHITE.■p
HELLO, FRESH BREATH.
■
IF YOU SMOKE, USE TARGON.
♪ I WANNA BUY YOU A RING ♪■■■■■■
BE BRILLIANT.■n
GIVE DIAMONDS F■R 99.99...■/
■
AT THE JCPenney
HOLI■AY JEWELRY SALE.
■■■■■ 
IT'S ALL INSIDE.
LET IT SHINE.
■■■

English: 
 ♪■
♪
WOO HOO, YEAH !
WHERE CAN YOU SPOT
THE FUN OF DISNEY'S
NEW MOV■E 102 DALMATIANS ?
 ONLY AT McDONALD'S.
YOU'VE GOT A 1■IN 4 CHANCE
TO WIN, INSTANTLY,
RIGHT ON THE SPOT.
 ♪ WE LOVE TO SEE U SMILE ♪■

Filipino: 
■
R
■
 

Filipino: 
@
C

English: 
■■■■■■■■■,■■■■
 BY LATE 1942,
 WE WERE ■FFICIALLY TRAINING
 COMBAT CAMERAM■N.
 STANDARD ARMY ISSUE WAS
 THE 35-MLIMETER EYE-MO
 FOR MOVIES
 AND THE 4x5 SPEED GRAPHIC
 FOR STILLS.
 MANY OF THE CAMERAMEN HABEEN 
 PHOTOGRAPHERS IN CIVILIAN LIFE.
 HAL ROACH'S CULV CITY STUDIO
 WAS A MAJOR PRODUCTION
 AND TRAINING CENTER.
 NATURALLY, THE STUDENTS
 TOOK PICTURES
■
 OF THEMSELVES TAKING PICTURES.
 EVENTUALLY, ABOUT 1,500 MEN,
 NOT A LOT
 FOR A WAR THIS HUGE,
 WOULD BECOME MION-PICTURE
 COMB CAMERAMEN.
 MANY■SERVED IN THE AIR FORCE.
 ON THE ENDLESS STRATEGIC
 BOMBING RAIDS OVER EUROPE,
 THEY WORKED AS BOMB ■POTTERS,■
 RECORDING DAMAGE■p
 FOR INTELLIGENCE ANALYSTS.
 THE OIL FIELDS
 AT PLOIESTI IN RUMANIA
■. WERE VITAL
 TO T■E GERMAN WAR EFFORT
■
■9
 BOMBED TARGETS OF THE WAR.
 AND AMONG THE MOST
 ON AUGUST 1, 1943,
■■■
 THESE B-24s BASED IN LIBYA
 MOUNTED■p
 THE FIRST MAJOR ATTACK ON THEM

Filipino: 
■

English: 
 AT A DARING 500 FEET.
 THEN, AS LATER,
 RESUS WERE POOR.
 PLOIESTI WAS NEVER KNOCKED OUT,
 DOUG MORRELL FLEW■■■■■r
 ■ATER HIGHER-ALTITUDE MISSIONS
 OV PLOOESTI.
 
THIS MISSION CAN BE
8, 10 HOURS LONG,
■
T THE ■OMBAT PART OF IT
■S ONLY ABT 10 MIN■TES.
10 MINUTES IS A LONG TIME.
TRY HOLDING YOUR BREATH.
■■■
THE EYE-MO HAD
A HAND-CRANK WIND ON IT,
AND ITEEMED LIKE ALWAYS
WHEN THE MOST IMPORTANT
THING HAPPENED,
■■P
YOU'RE S■TTING THERE
WINDING THAT THING, 
■
TRYING TO GET IT GOING.
AND I HAD TO RELOAD
UP AT 20,000 FEET.
■
RELOADING UP THERE --
YOUR FINGERS GET A LITTLE CO■D.
WHEN YOU COME INTO THE TARGET,
THEY PUT UP SO MUCH FLAK
THAT THE ENEMY FIGHTERS
WON'T COME IN THERE.
■
THEY'LL GET HIT.
BOMB SPOTTING IS
WHEN THE BOMBS RELEASE,
THEN YOU FOLLOW EM
AND PICK UP THEIR HITS.
WHEN YOU GET
THOSE HITS DOWN THERE,
■■
■HEN INTELLIGENCE
CAN USE THOSE.
■■P
WE WERE BOMBING PLOIESTI
AND FLAK HIT US.
■■

English: 
WE HAD TO DROP
OUT OF FOR■ATION,
AND THEN 6 ME-109s
JUMPED US
WHEN WE GOT OUT OF FORMATION.
WE WERE QUE A WAYS AWAY
ALL BY OURSELVES.
THEY RAKED US BACK AND FORTH
AND SET US ON FIRE.
I OPENED THE BOMB BAY DOOR
'CAUSE I WAS GOING■
TO JUMP OUT THERE
INSTEAD OF THE■BACK.
■
HERE'S THIS FIRE COMING,
AND I SAYS, "OH!"
I GRABBED ONE OF THOSE
LITTLE FIRE EXTINGUISHERS
ABOU■ --
ABOUT THAT LONG.
■
I'M STARTING TO PUMP THAT.
I SAID, "I BETTER LEAVE,"
AND WENT OUT THE BACK END,
AND JUST AS I LEFT
OUT OF THERE, IT BLEW.
■■ 
BUT, UH, WE AVERAGED
ABOU■ FIVE OUT OF AN AIRANE.
WHEN I BAILED OUT,
I WAS THE LAST ONE OUT,■,
AND THEN THE OTHER FIVE
GOT KILLED■IN THERE.
 ANOTHER CAMERAMAN WHO SURVIVED
 THE OFTEN CATASTROPHIC A WAR
 WAS DAN McGOVERN.
YOU WERE SO BUSY, YOU WEREN'T
THINKING ABOUT A BATTLE.
■
YOU WERE THINKING ABOUT 
HELPING OTHERS AND SHOOTING.
■
■■
IN THE MEANTIME,
YOU COULDN'T BECOME A SPECTATOR.
■9
YOU HAD TO SHOOT.
IF YOU'RE FLYING■IN A BOMBER,

English: 
THERE'S 10 CREW MEMBERS
IN THE BOMBER.
YOU'RE THE 11th MAN.
SO THEN WE HAD
■O P■O OURSELVES.
AS A MATTER OF FACT --
THIS IS A TRUE STORY,
SO HELP MEGOD --
PHOTOGRAPHED MY OWN
CRASH-LANDING.
■
THE TWO ENGINES
ON THE RIGHT SIDE -- OUT.■/
THE THIRD ENGINE
ON THE LEFT SIDE -- OUT --
ONE ENGINE.
■■
SO I CUT TO THE RIGHT,
■9
CUT TO THE LEFT,
■■
LOOK OR THE TOP,
AND THE AIRPLANE'S COMING IN
FOR A CRASH-LANDING.
YOU DON'T THINK ABOUT IT.
YOU'RE -- YOU'RE SO EXCITED.
YOU'RE NOT SCARED,
BUT YOU'RE SCARED AFTER.
■
WHEN YOU COME BACK, 
YOU'RE JUST SHAKING.
 WE DROPPED OVER 2 MILLION TONS
 OF BBS OEUROPE THAT NEVER
 MATCHED THE RESULTS PROMISED
 BY AIR-POWER ADVOCATES.
 THIS WAR, LIKE ALL WARS,
 WOULD BE WON ON THE GROUND,■,
 AS NORMAN HATCH LEARNED
 WHEN HE MADE THE TARAWA LANDING
 IN 1943.

English: 
I WAS RIDING WITH JIM CROWE,
WHO WAS
THE BATTALION COMMANDER.■/
HE WASN'T HAPPY
WITH HAVING ME THERE BECAUSE,
AS HE HAD TOLD ME EARLIER,
■
HE DIDN'T WANT
HOLLYWOOD MARINES WITH HIM
AND I HAD TO TESTIFY TO HIM
THAT I WAS A REGULAR MARINE,
AND IF I NEEDED A RIFLE
I COULD DO SOMETHING WH IT,
AND HE■SAID, "L RIGHT.
YOU CAN COME WITH ME,
■
BUT DON'T GET IN■MY WAY."
■■■
I WAS SITTING UP ON THE ENGINE,
SHOOTING WHAT WAS GOING ON,
AND HE OBSVED■p
THAT HIS AMTRACS,
WHICH WERE■THE FIRST
THREE WAVES,
■■
WERE NOT MAINTAINING
THEIR COURSE,
■
AND BECAUSE THERE WAS
A .50 CALIBER■
BURIED IN THE SAND
AND IT WAS SHOOTING AT THEM,
THEY KEPT EDGING OVER
TO THE RIGHT.
CROWE COULD SEE
HIS FRONT DISAPPEARING
■
BECAUSE OF THIS ■ANEUVER.
SO HE TOLD THE COXSWAIN TO PUT
THE DAMN BOAT IN RIGHT NOW.
WE RAN UP ON THE REEF.
THE RAMP WOULDN'T GO DOWN.
VPSO ALL OF US HAD TO GO UP
OVER THE SIDE,
■
WHICIS KIND OF DIFFICULT TO DO
WITH 70, 80 POUNDSF GEAR■/
ON YOUR SHOULDERS.
WHEN WE T TO THE BEACH
WE WERE EXHAUSD

English: 
BECAUSE YOU CAN'T WALK
THROUGH ■ATER
WITHOUT HA■ING
A ■OT  RESISTANCE,
AND LOADED DOWN WITH GEAR
AND EVERYTHING ELSE,
IT JUST DRAINS YOU COMPLETELY.
IT TOOK US A COUPLE OF MINUTES
ON THE BEACH TO GET ORIENTED.
 HATCH WAS PINNED DOWN
 WITH THE REST OF THE INVADERS.
 THERE WAS NOTHING TO DO
 BUT SHOOT COMBAT FOOTAGE■
 WITH A PREVIOUSLY UNKNOWN
 FEROCITY.
■
TH■ EMPLACEMENTS
THAT WERE THERE 
■■■
BY THE JAPANESE
WERE REALLY FANTASTIC.
THEY HAD BUILT
A CONCRETE BUNKER,■■
AND THEY COVERED IT WITH SAND,
THEN THEY COVERED IT WITH LOGS,
AND TH
THEY COVERED THAT WITH SAN■.
THEY WERE PRETTY IMPREGNABLE.
■
 THE PACIFIC WAR
 FAVORED THE CAMERAMEN.■
 SPACES WERE CONFINED,■/■■
 THE ACTION WITHIN THEM
 GHTLY FOCUSED.
 THE BRUTAL REALITY OF WAR
 REVEALED ITSELF HERE
 AS IT RARELY D■D ELSEWHERE.
 HATCH CAUGHT THE MARINES 
 AND TH■IR ENEMY IN COMBAT■■

English: 
 IN THE SAME SHOT.
THAT WAS LUCK.
■
I WAS ON THIS ENCLOSURE
■
AND SOMEBODY SAID,
"HERE THEY COME!" 
I SWIVELED, AND THERE IT WAS,
AND I JUST KEPT ON SHOOTING.
 HAD THE JAPANESE MOUNTED
 A COORDINATED COUNTERATTACK
 ON THAT FIRST DAY,
■■
 THEY MIGHT HAVE DRIVEN
 THE MARINES BACK INTO THE SEA.
S. BUT THE FIGHTING REMAINED
 AS HATCH'S FILM SHOWED IT --■
■9
 FEROCIOUS, YET DISORGANIZE.
 MO■T OF THE JAPANESE
 FOUGHT TO THE DEATH.■,
■9
 TOOK ONLY 17 PRISONERS.
 THE MARINES
 THE SEAS CONTI.■ED
 TO RUN AGAINST REINFORCEMENTS.
 AMONG THEM
 WAS ANOTHER CAMERAMAN --■■
 JOHN ERCOLE.■,
WE DIDN'T EVEN KNOW
WHAT WAS GOING ON.■
WE WERE GOING NOWHERE.
TH■ PROPELLER AND THE TIDE
DIDN'T COME TOGETHER.

English: 
I WAS SHOOTING■v
WHATEVER I COULD --
FACES OF PEOPLE IN MY OWN 
BOAT AND THINGS LIKE THAT.
■9
19 HOURS LATER,
WE FINAL■Y, UH,
■
WE FALLY MADE A LANDING.
■■
 WHAT ERCOLE FOUND TO SHOOT
■
 WAS MOSTLY THE DEAD
 AND WOUNDED.
 AT FIRST, THEIR EVACUATION
 WAS POORLY HANDLED.
■P
■9
 WITH GETTING THINGS ORGANIZED.
 HATCH CREDITS A MOVIE ACTOR
EDDIE ALBERT WAS THERE■
■■
AND HE WAS A N■VY J.G.,
AND HE WAS A BOAT DIRECTOR,
AND HE DISCOVERED EARLY ON
ON THE GAME
■
THAT THERE WASN'T
TOO MUCH COORDINATION
■
ON GETTING WOUNDED OUT.
SO HE GOT
ON THE BEACH HIMSELF,
AND HE STAYED THERE DURING
THE WORST PART OF THE FIGHTING
AND DIRECTED ANY OF THE NAVY
BOATS BRING SUPPLIES IN
TO CARRY WOUNDED
BACK OUT TO THE SHIPS.
■■
 AS THE BATTLE MOVED INLAND,
■9
 OF THE PRE-INVASION
 THE FUTILITY
 NAVEL BOMBARDMENT WAS OBVIOUS/
THEIR POUNDING
DIDN'T DO TOO MUCH GOOD.
■
THEY WERE USING
ARMOR-PIERCING SHELLS,
AND THERE WASN'T
ANY ARMOR TO PIERCE.

English: 
AND THEY WERE HITTING SAND
AND BOUNCING OFF
■
■9
ALL OVER THE ISLAND.
AND SKITTERING
YOU'D SEE THES16-INCH SHELLS
LAYING ALL OVER THE PLACE.
NOTHING HAD EVER HAPPENED
WITH THEM.
Ercole: WHAT GRABBED ME
AND TOOK HOL■ OF ME■■
WAS THBODIES --
THE DEAD BOD■ES --
GOD KNOWS
HOW MANY MARINES,
FACEDOWN,
FLOATING IN SHALLOW WATER.
THAT WAS THE FIRST TIM■
THAT I HAD REALLSEEN
DEAD BODIES.
■
WHEN YOU SEE THESE BODIES
FLOATING IN THE WATER,■■
I MEAN IT --
IT REALLY GRABS YOU.
AND TH■Y ALL SEEMED TO LOOK
LIKE A BUDDY OF ■INE --
NORMAN HATCH.
■
Hatch: THIS WAS
A PIECE OF GROUND
THAT WASN'T AS BIG
AS CENTRAL PARK IN NEW YORK,
AND IN THE COURSE
OF THAT 72 HOURS■/
6,000 PEOPLE DIED.
NOW, 5,000 OF THOSE
WERE JAPANESE,
1,000 WERE MARINES,
AND THEN THERE WERE
ANOTHER 2,000 WOUNDED.
[ MEOWS ]
 PASSING A DISABLED TANK,
 HATC■ HEARD
 THIS KITTEN'S CRYING.
■9

English: 
 AT FIRST, HE THOUGHT IT
 MIGHT BE A WOUNDED ENEMY■
 T IT WAS JUST
 ANOTHER WAR VICTIM.■/
 HE THOUGHT HE MIGHT
 ■AKE A PET OF IT,■/
 BUT AFTER GETTING HIS DRINK
 THE KITTEN SCAMPERED AWAY, 
 NEVER TO BE SEEN AGAIN.
 THE QUALITY OF HIS TARAWA FILM
 EARNED HATCH A TRIP HOME,
■■
 WHERE THIS FOO■AGE OF HIM
 WAS MADE
■■.
AND EVERY MAJOR THEATER
HAD MY NAME ON THE MARQUEE
AS TAKING THE TARAWA FILM,
AND THEY WERE RUNNING IT. 
■
NOW THAT'S THE■BEST FRAME
OF COMBAT FILM I'VE EVER SEEN.
HEY, THAT'S OKAY.
■■ 
WHEN AN ARMY MAN SAYS THAT TO 
A MARINE BROTHER, HE MEANS I■. 
OH, IT WAS J■ST LUCK.
 A MOVIE CAMERAMAN,
■
 A STILLS MAN, AND A DRIVER --■
 THAT'S HOW THE SIGNAL CORPS
 ORGANIZED ITS COMBAT
 PHOTOGRAPHERS IN EUROPE.■/■
Man: THE CAMERAS
WE WERE USING
■
WERE EYE-MO, CALLED
A BOMB SPOTTER CAMERA.

English: 
IT HAD A BIG CRANK
ON THE SIDE,
■
AND THEY ONLY HAD ONE LENS,
AND THAT WAS A 2-INCH LENS,
AND IF YOU CAN BELIEVE
THE RUNNING YOU HAVE TO DO
TO GET YOUR LONG SHOT,
MEDIUM S■OT, AND CLOSE-UP
■■■■ 
WITH A 2-INCH LENS --
WAS REALLY CRIMINAL
THAT THEY SENT US THERE
WITH THAT KIND OF STUFF.
■■■■
■■■
 YET, REMARKABLE THINGS
 COULD BE DONE
■■■ 
■. WITH THAT EQUIPMENT.
 JO■N HUSTON -- ONE OF SEVERAL
 HOLLYWOOD DIRECTORS
 WHO FOLLOWED JOHN FORD
 TO WAR --
 USED IT TO MAKE
 WHAT CRITIC JAMES AGEE THOUGHT
 THE BEST
 OF ALL WAR DOCUMENTARIES.■,
 HUSTON WOULD WRITE AND SPEAK
 THIS STRIKINGLY IRONIC
■9
 NARRATION.
■
Huston: PATRON SAINT PETER.
■
 POINT OF INTEREST,
 SAINT PETER'S, 1438.
 NOTE INTESTING
 TREAEN■ OF C■ANCEL.
■
Hanks: HUSTON, HOWEVER,
 WOD FIND REAL WAR
 MORE DIFFICULT TO DIRECT
 THAN THE HOLLYWOOD KD.
■ ■r
 Hust: FROM THE END
 OF OCTOBER 1943
■

English: 
 UNTIL THE MIDDLE OF DECEMBER,
 SAN PIETRO
 AND THE SURROUNDING GROUNDS,
 THE SCENE OF SOME
 OF THE BITTEREST FIGHTING
 ON OUR 5■h ARMY FRONT.
 THE ITALIAN CAMPAIGN
 HAD ENTERED ITS SECOND PHASE.
 THEY PUSHED FORWARD AGAIN
 AFTER A STATIC PERIOD
 BROUGHT ON
 BY HEAVY SEASONAL RAIN.
■
Man:
HUSTON CAME OVER,
■■
AND HE HAD A MISSION.
■
 THAT WAS TO MAKE A COHERENT
 NARRATIVE OF ONE SMALL BATTLE
 THAT WOULD REPRESENT
 THE ENTIRE WAR.
Man:
HE W■oT FORWARD
■
AND REALIZED
YOU HAVE NO CONTROL.
YO■ SHOOT
WHAT YOU COULD GET.
YOU N FIRE THREE ROUNDS
AND DROP,
BU■ YOU CAN'T GET 10 FEET
OF FILM IN THE SAME WAY.
BUT IF YOU HAD CONTROL,
YOCAN DO A LOT
■9
WITH AN EYE-MO. 
SO HE CAME BACK.
THEY GAVE M 2 BATTALIONS
OUT OF THE6th DIVISION,
AND THEN HWENT AHEAD
AND HE STAGED THAT WHOLE THING./
NOW, HE USED FILM
THAT WE HAD SHOT.
■■

English: 
I MEAN,■p
ACTUAL BATTLE FILM,
■
AND HE INTERCUT IT
WITH WHAT HE HAD. 
HIS STUFF WAS MUCH BETTER
THAN OURS.
 ED MONTAGNE HAS A VETERAN'S
 TOLERANCE OF HUSTON'S TRICKS.
 HE USED
 THE MOST PICTURESQ MUNITIONS.
 HE SLAMMED THE CAMERA
 TO SIMULATE EXOSIONS.
 HE EVEN POSED AMERICAN G.I.s
 AS DEAD GERMANS.
BUT HE SCARED 
THE POOR 36th.
THAT WAS A NERVOUS OUTFI■.■
HE'D HAVE THEM
GOING UP A HILL,
AN■ HE'D TAKE A CONCUSSION
GRENADE AND THROIT
AND YELL, "GRENADE,"
AND THEY'D DIVE.■■■
SOME OF THE STUFF HE■GOT
■■
WAS JUST GREAT.
I ADMIRE HIM
FOR WHAT H■ DID,■
■9
BUT I RESENTED THE FACT
THAT I WOULD GET CRITIQUES
FROM NEW YORK,
"HUSTON'S MEN
WERE ABLE TO DO THIS.
■■
WHY CAN'T YOURS?"
■■■■
I HAD THE SAME PEOPL■.
DIDN'T SPEAK VERY WELL
OFE, DID IT?
■■
 SOME■OF HUSTON'S
 ST MOVING FOOTAGE
 WAS OF PEOPLE
 PICKING UP THE PIECES,
■9
 OF LIFE REASSERTING ITSELF

English: 
 IN THE LTLE TOWN
 OF SAN PIETRO.■,
■■
 Huston:
 AND THE PEOPLE PRAY
■
 TO THEIR PATRON SAINT
 TO INTERCEDE WITH GOD
 ON BEHALF OF THOSE WHO CAME,
 DELIVERED ■HEM,
■ 
 AND PASSED ON TO THE NORTH
 WITH THE PASSING BATTLE.
Announcer: HELL IN THE PACIFIC/
 WHEN "SHOOTING WAR" RETURNS
 ON A.
NEVER THOUGHT WE'D GET
THAT BROTHER OF YOURS
MARRIED OFF.■
■
YEAH,■p
NO KIDDING.
HOW YOU DOING? ■t
HOW'S THE KIDS?
KIDS ARE GOOD.
Y'KNOW, WE'RE THINKING
OF BUY■NG A HOUSE.
YOU GOT AT DOWN PAYMENT
SAVED?
GETTING ERE.
HOABOUT YOUR CREDIT?
 I DON'T KNOW.
YOU DON'T KNOW?
■
YOU THINK BUYING A HOUSE
IS LIKE BUYING A LOAF OF BRE■■?
 UNDERSTANDING YOUR CREDIT
 IS THE FIRST■STEP
 ■ORD OWNING A HOME.
■!
 
 CALL■FOR THE FREE GUIDE
 ON CREDIT FROM THEANNIE E
 FOUNDATION

English: 
 AND FOR A LI OF LENDERS
 AND CREDIT COUNSELORS.
■■■■■■■■■■
THIS SATURDAY, DECEMBER ■,
■
ONE DAY,■ONE STORE,
 ONE SALE SO ASTNDING,
YOU HAVE TO SEE IT
TO BELIEVE IT.
■■■■■■
SEARS SU■ER SARDAY SALE--
STARTS FRIDAY, 5 P.M.
■■

English: 
I CAN EVEN SHOP
FOR UNDERWEAR...■■■■■■■■
IN MY UNDERWEAR AT...
inmyunderweardot--
[BOOM BOOM BOOM]
■■
Announcer: STILL GOING.
LONG-LASTING
ENERGIZER BATTERIES
KEEP GOING AND GOING AND...

English: 
■■■■■■■■■
■
[SNI■FLING]
EVERYONE GETS CONGESTED.■/
THAT STUFFY FEELING
WHERE YOUR■NOSE TAKES OV.■,
UHHH■....
■■
ACHOO!
SO■IT'S G GOOD■THING
AFRIN OFFERS
DIFFERENT ■YPES OF NO-DRIP
CONGESTION RELF.
NEW AFRIN NO-DRIP NASAL SPRAYS.
ORDINARY SPRAYS DRIP.
AFRIN NO-DRIP ■■RGETS NASAL
CONGESTION AND STAYS THERE,
FOR POWERFUL■ LONG LASTING
NO-DRIP RELIEF...
Al■: AHHHHHHH.
RIGHT ON SCHEDULE.
NEW AF■IN NO-DRIP NASAL SPRAYS.
■■
■9
 Announcer: "SHOOTING WAR"
 C■NTINUES IN A MOMENT
 HERE ON ABC.
■■■■■■■■■■
