I got into producing when I was like 9 years
old.
My grandma bought me a Casio keyboard.
There was drum pads on there too, so I would just make beats and stuff without even knowing what I was really doing.
When I go to the studio at the end of the
day I want at least one finished, nice beat that kind of tells a story a little bit.
I am inspired a lot by how I’m feeling that
day.
I go and make a beat and I kind of let out
everything in that beat.
It’s kind of weird.
And I feel better afterwards.
So yeah, I made this beat.
I was in a Travis session.
I wasn’t really doing anything, I already played beats for him, so I just started making some more.
It took me like 5 minutes to make it to be
honest.
And then after I brought it to Sean, I added a little bit more and then he took it out.
I was in the studio with him and it was just one of those ideas that I just played randomly and he was feeling it.
But, it was so rough.
I’ve never worked with Sean before and he
was one rapper I wanted to work with, so it was pretty cool when he took that beat.
I found out Eminem was on it when I confirmed the song was still on the project and I was like, “Oh, wow.”
That was pretty cool.
It started with the sample Francis gave me called “Canvas”.
I kind of made it faster and higher.
So that’s one part.
And I just chopped one part of it.
Here is another, higher.
Yeah, and then I just laid that out and added drums.
So, regular high hat.
Open high hats.
Kick.
Snare.
The sample kind of felt slow when I changed
it up a bit.
It felt slow-motion for some reason, so I
tried to make the drums kind of slow.
At first I didn’t care for the beat because
it was just simple.
I usually kind of go in and I don’t make a lot of simple beats.
This one was super simple.
